Details the long standing friendship which existed between Kennedy and Nixon which began in 1946 when both were elected as congressmen, but degenerated into distrust and bitterness and ending in the dark deeds of Watergate in 1972.
Like many parents and children, Jacqueline Kennedy Onassis and JFK Jr. shared an intense, tender, and often tempestuous bond. It was, quite simply, the most important relationship in John's life. With riveting insight, Andersen reveals how mother and son influenced, challenged, and supported each other through good times and bad, unveiling startling new details about a family we thought we already knew: John's reaction to his mother's bout with suicidal depression and growing dependence on prescription drugs; the surreal and ultimately catastrophic impact of the Onassis years; the premonitions that terrified Jackie about John's fate; Jackie's success at keeping John away from his hellraising cousins, and his complicated relationship with the rest of the clan; the power she wielded over his affairs with Madonna, Sarah Jessica Parker, Daryl Hannah, and others; how John privately handled the scandalous revelations about his parents' marriage; the secrets about John's own turbulent marriage and his senseless death. Bittersweet, provocative, thoughtful and inspiring, this is the often heartbreaking tale of two lives tested by history and tragedy.--From publisher description.
This is the biography of J. Raymond Jones, premiere political strategist and first Black leader of Tammany Hall, who served New York City and the Democratic Party from the Harlem Renaissance through the Civil rights era. His rise thorough the ranks of the Party is traced in dramatic detail as his power expands to influence national politics and the political destinies of people like John Lindsay, Adam Clayton Powell, and Lyndon Johnson. It is based on extensive interviews with Jones and Jones's proteges, including politically prominent figures, Robert Wagner, former mayor of New York City, Percy Sutton, and Congressman Charles Rangel. These memoirs are also a history of New York City politics during some of its most interesting and transitional eras. It is a lively account of the gradual emergence of blacks as a key element in the National Democratic Party coalition and will make an excellent case study for political activists by providing a practical, behind-the-scenes view of the political process in our nation's largest city.
“I had more or less resolved not to write a book about my parents. But I’m a writer, and when the universe hands you material like this, not writing about it amounts either to waste or a conscious act of evasion.” So begins award-winning satirist Christopher Buckley in the most personal and transcendent work of his life, the tragicomic true story of the year in which both of his parents died. In twelve months between 2007 and 2008, Buckley coped with the passing of his father, William F. Buckley, the father of the modern conservative movement, and his mother, Patricia Taylor Buckley, one of New York’s most glamorous and colorful socialites. He was their only child and their relationship was close and complicated. Writes Buckley: “They were not — with respect to every other set of loving, wonderful parents in the world — your typical mom and dad.” As Buckley tells the story of their final year together, he takes readers on a surprisingly entertaining tour through hospitals, funeral homes, and memorial services, capturing the heartbreaking and disorienting feeling of becoming a fifty-five-year-old orphan. Buckley maintains his sense of humor by recalling the words of Oscar Wilde: “To lose one parent may be regarded as a misfortune. To lose both looks like carelessness.” Christopher Buckley offers consolation, wit, and warmth to those coping with the death of a parent, while telling a unique personal story of life with legends.
A collection of essays, written with the experiences and attitudes of one who came of age in the 1960s, which explore that "noisy spot of ground where ... public worlds intersect the private, mysterious lives of individuals and families.
Christopher Scharping is beginning his fourth career. After a long Air Force career, fi rst as a medic and then as an Air Force Historian for the majority of his 20+ years of active duty, he worked for the US Postal Service in Buffalo, NY for a decade before becoming a History and Language Arts teacher in Florida. Now, he has turned his talents to his own writing. Since childhood in a small town in western New York State near Buffalo, he had always dreamed of traveling around the world and of fi nding a true love that would lead to “Happily Ever After”. The Air Force provided the means for world travel, which is prolifi cally illustrated in this book and in the next. The “love” proved to be much more diffi cult to attain and keep. He and his lovely wife Catherine currently live in Panama City, Florida and dream of returning to Colorado one day to live there again. As John Muir once said, “The Mountains Are Calling; I Must Go!”
In the West Town area of Chicago, pushed from neighborhood to neighborhood to the burned-out back end of the city, the Puerto Rican Latin Kings gang reigns supreme. Begun in the 1960s by the three brothers of the Matos family, Angel, Bobo, and Reynaldo, the original Latin Kings protected Puerto Rican families from other gangs. Since then, Bobo was elected a city councilman, Reynaldo did time for his involvement with a radical political group, and Angel was shot dead during a race riot. As in royalty, Latin King leadership passed on to Angel’s eldest son Flaco.
Shows how ancient Near Eastern attitudes toward death illumine the Hebrew Bible Death is one of the major themes of First Isaiah, although it has not generally been recognized as such. In this work Christopher Hays offers fresh interpretations of more than a dozen passages in Isaiah 5-38 in light of ancient beliefs about death. What especially distinguishes Hays's study is its holistic approach, as he brilliantly synthesizes both literary and archaeological evidence, resulting in new insights. Hays first summarizes what is known about death in the ancient Near East during the Second Iron Age, covering beliefs and practices in Mesopotamia, Egypt, Syria-Palestine, and Judah/Israel. He then shows how select passages in the first part of Isaiah employ the rhetorical imagery of death that was part of their cultural context; further, he identifies ways in which these texts break new creative ground.
A Preface to Mark is a literary study which, from the standpoint of the newer critical methodologies, explores two questions. First, Bryan attempts to determine what kind of text Mark would have been seen to be, both by its author and by others who encountered it near the time of its writing. He examines whether Mark should be seen as an example of any particular literary type, and if so which. He concludes that a comparison of Mark with other texts of the period leads inevitably to the conclusion that Mark's contemporaries would broadly have characterized his work as a "life." Second, Bryan looks at the evidence that exists to indicate whether Mark, like so much else of its period, was written to be read aloud. He points out ways in which Mark's narrative would have worked particularly well as rhetoric. The first examination of Mark as a whole in the light of contemporary studies of orality and oral transmission, A Preface to Mark not only shows us Mark in its original setting, but also suggests ways in which our own encounter with Mark's text may be significantly enriched. Its accessible style will serve as a good introduction to the Gospel for students as well as the general reader.
As cultural authority was reconstituted in the Revolutionary era, knowledge reconceived in the age of Enlightenment, and the means of communication radically altered by the proliferation of print, speakers and writers in eighteenth-century America began to describe themselves and their world in new ways. Drawing on hundreds of sermons, essays, speeches, letters, journals, plays, poems, and newspaper articles, Christopher Grasso explores how intellectuals, preachers, and polemicists transformed both the forms and the substance of public discussion in eighteenth-century Connecticut. In New England through the first half of the century, only learned clergymen regularly addressed the public. After midcentury, however, newspapers, essays, and eventually lay orations introduced new rhetorical strategies to persuade or instruct an audience. With the rise of a print culture in the early Republic, the intellectual elite had to compete with other voices and address multiple audiences. By the end of the century, concludes Grasso, public discourse came to be understood not as the words of an authoritative few to the people but rather as a civic conversation of the people.
Bryan approaches St. Paul's letter to the Romans with a number of aims in view. First, he wants to show which literary type or genre would have been seen by Paul's contemporaries as being exemplified in the letter. He also attempts to determine what we can surmise of Paul's attitude and approach to the Jewish bible. The study involves discussion of and comparison with other literature from Paul's time, place and milieu --- including other writings attributed to Paul.
As the European Union moves towards adopting the constitution which will mark its final emergence as a 'United States of Europe', The Great Deception shows how the most ambitious political project of our time has, for more than 50 years, been based on a colossal confidence trick - the systematic concealment from the peoples of Europe of what the aim of this project has always been since its inception in the late 1940s.
Explores the visionary, mystical, and ecstatic traditions that influenced the music of the 1960s • Examines the visionary, spiritual, and mystical influences on the Grateful Dead, the Beatles, the Rolling Stones, Bob Dylan, Van Morrison, the Incredible String Band, the Left Banke, Lou Reed and the Velvet Underground, and others • Shows how the British Invasion acted as the “detonator” to explode visionary music into the mainstream • Explains how 1960s rock and roll music transformed consciousness on both the individual and collective levels The 1960s were a time of huge transformation, sustained and amplified by the music of that era: Rock and Roll. During the 19th and 20th centuries visionary and esoteric spiritual traditions influenced first literature, then film. In the 1960s they entered the realm of popular music, catalyzing the ecstatic experiences that empowered a generation. Exploring how 1960s rock and roll music became a school of visionary art, Christopher Hill shows how music raised consciousness on both the individual and collective levels to bring about a transformation of the planet. The author traces how rock and roll rose from the sacred music of the African Diaspora, harnessing its ecstatic power for evoking spiritual experiences through music. He shows how the British Invasion, beginning with the Beatles in the early 1960s, acted as the “detonator” to explode visionary music into the mainstream. He explains how 60s rock and roll made a direct appeal to the imaginations of young people, giving them a larger set of reference points around which to understand life. Exploring the sources 1960s musicians drew upon to evoke the initiatory experience, he reveals the influence of European folk traditions, medieval Troubadours, and a lost American history of ecstatic politics and shows how a revival of the ancient use of psychedelic substances was the strongest agent of change, causing the ecstatic, mythic, and sacred to enter the consciousness of a generation. The author examines the mythic narratives that underscored the work of the Grateful Dead, the French symbolist poets who inspired Bob Dylan, the hallucinatory England of the Beatles’ Sgt. Pepper, the tale of the Rolling Stones and the Lord of Misrule, Van Morrison’s astral journeys, and the dark mysticism of Lou Reed and the Velvet Underground. Evoking the visionary and apocalyptic atmosphere in which the music of the 1960s was received, the author helps each of us to better understand this transformative era and its mystical roots.
This memoir by the Academy Award nominee “proves that Dern off-screen is every bit as unpredictable, compelling and explosively honest as he is onscreen” (Newsday). One of Hollywood’s biggest personalities, Bruce Dern is not afraid to say what he thinks. He has left an indelible mark on numerous projects, from critically acclaimed films to made-for-TV movies and television series. His notable credits include The Great Gatsby, The 'Burbs, Monster, Django Unchained, and Nebraska, for which he won the Best Actor award at the 2013 Cannes Film Festival. He also earned Oscar nominations for Best Supporting Actor in Coming Home and for Best Actor in Nebraska. In Bruce Dern: A Memoir, Christopher Fryer and Robert Crane help the outspoken star frame the fascinating tale of his life in Hollywood. Dern details the challenges he faced as an artist in a cutthroat business, his struggle against typecasting, and his thoughts on and relationships with other famous figures, including Elia Kazan, Alfred Hitchcock, Jack Nicholson, Paul Newman, Bob Dylan, Matt Damon, Jane Fonda, John Wayne, and Tom Hanks. He also explores the impact of his fame on his family and discusses his unique relationship with his daughter, actress Laura Dern. Edgy and uncensored, this memoir—filled with “amusing, illuminating, and occasionally heartrending anecdotes” (Philadelphia Inquirer)—is a wild ride and an insider’s view of fifty years in the film industry.
Back cover: In this study, Christopher T. Holmes offers an analysis of Hebrews 12:18-29 and its role in the larger argument of Hebrews. It argues that the first-century treatise, De Sublimitate, provides a significant context for interpreting the rhetoric and style of Hebrews and sheds new light on the thought and genre of Hebrews.
Bruce Dern has worked with practically every iconic actor and director in the last 50 years, and he's not afraid to say what he thinks about all of them. In this uniquely funny memoir, he looks back over his amazing career, telling one memorable story after another.
Since its publication in 2003, The Great Deception has taken on the role of the Eurosceptics' bible, with the third edition helping to fuel the debate during the 2016 EU Referendum. This fourth edition celebrates the moment when the UK broke away from the European Union, having been extensively re-edited to incorporate newly available archive material, and updated to include the tumultuous events of recent years. The Great Deception, therefore, tells for the first time the inside story of the most audacious political project of modern times, from its intellectual beginnings in the 1920s, when the blueprint for the European Union was first conceived by a British civil servant, right up to the point when the UK resumes its path at as an independent sovereign nation after 47 years of membership of the European project in its various guises. Drawing on a wealth of new evidence and existing sources, scarcely an episode of the story does not emerge in startling new light, from the real reasons why de Gaulle kept Britain out in the 1960s to the fall of Mrs Thatcher and the build-up to the referendum campaign which had its roots in the Maastricht Treaty. The book chillingly shows how Britain's politicians were consistently outplayed in a game the rules of which they never understood. It ends by evaluating the post referendum negotiations and asking whether this is the end of an episode or just a new beginning.
Poetics and Ethics of Anthropomorphism: Children, Animals, and Poetry investigates a kind of poetry written mainly by adults for children. Many genres, including the picture book, are considered in asking for what purposes ‘animal poetry’ is composed and what function it serves. Critically contextualising anthropomorphism in traditional and contemporary poetic and theoretical discourses, these pages explore the representation of animals through anthropomorphism, anthropocentrism, and through affective responses to other-than-human others. Zoomorphism – the routine flipside of anthropomorphism – is crucially involved in the critical unmasking of the taken-for-granted textual strategies dealt with here. With a focus on the ethics entailed in poetic relations between children and animals, and between humans and nonhumans, this book asks important questions about the Anthropocene future and the role in it of literature intended for children. Poetics and Ethics of Anthropomorphism: Children, Animals, and Poetry is a vital resource for students and for scholars in children’s literature.
First published in 1999, this volume aims to develop the field of theatre studies by promoting the study of performative elements and thus fostering their consideration in the critical interpretation of dramatic literature. The authors additionally suggest ways of approaching and evaluating the work of individual performers, as well as of directors, designers and producers. It is an archival guide which covers manuscript and ephemera, rather than published texts, and attempts to indicate the potential value of the documentary material listed. This unique reference guide provides descriptions and evaluations of archive manuscript materials and ephemera relating to twentieth-century British and American theatre. Over 100 archives across Europe, North America and Britain were examined in the compilation of this volume. The documents include: unpublished playscripts; state and costume designs; directors' books; prompt books; lighting plots; stage photos; correspondence; theatre programmes. One hundred and seventy five entries are arranged alphabetically and cover playwrights, directors, designers and actors. By its nature, theatre is a collaborative enterprise, a facet which is recognised in the comprehensive cross-referencing of entries. The last twenty years has seen a shift in drama studies from text-based criticism to analysis of performance. The materials covered in this book have therefore become essential to future research in the field.
Since its initial publication in 1978, Stay Tuned has been recognized as the most comprehensive and useful single-volume history of American broadcasting and electronic media available. This third edition has been thoroughly revised and updated to bring the story of American broadcasting forward to the 21st century, affording readers not only the history of the most important and pervasive institution affecting our society, but also providing a contextual transition to the Internet and other modern media. The enthusiasm of authors Christopher H. Sterling and John Michael Kittross is apparent as they lead readers through the development of American electronic mass media, from the first electrical communication (telegraph and telephone); through radio and television; to the present convergence of media, business entities, programming, and delivery systems, including the Internet. Their presentation is engaging, as well as informative, promoting an interest in history and making the connections between the developments of yesterday and the industry of today. Features of this third edition include: *chronological and topical tables of contents; *new material reflecting modern research in the field; *a new chapter describing historical developments from 1988 through to the current day; *an expanded bibliography, including Web site and museum listings; *an updated and expanded glossary and chronology; and *extensive statistical data of the development of television and radio stations, networks, advertising, programming, audiences, and other aspects of broadcasting. Designed for use in undergraduate and graduate courses on the history of American mass media, broadcasting, and electronic media, Stay Tuned also fits well into mass communication survey courses as an introduction to electronic media topics. As a chronicle of American broadcasting, this volume is also engaging reading for anyone interested in old radio, early television, and the origins and development of American broadcasting.
Death is one of the major themes of 'First Isaiah, ' although it has not generally been recognized as such. Images of death are repeatedly used by the prophet and his earliest tradents.The book begins by concisely summarizing what is known about death in the Ancient Near East during the Iron Age II, covering beliefs and practices in Mesopotamia, Egypt, Syria-Palestine, and Judah/Israel. Incorporating both textual and archeological data, Christopher B. Hays surveys and analyzes existing scholarly literature on these topics from multiple fields.Focusing on the text's meaning for its producers and its initial audiences, he describes the ways in which the 'rhetoric of death' functioned in its historical context and offers fresh interpretations of more than a dozen passages in Isa 5-38. He shows how they employ the imagery of death that was part of their cultural contexts, and also identifies ways in which they break new creative ground.This holistic approach to questions that have attracted much scholarly attention in recent decades produces new insights not only for the interpretation of specific biblical passages, but also for the formation of the book of Isaiah and for the history of ancient Near Eastern religions
A timely reassessment of Woodrow Wilson and his role in the long national struggle for racial equality and women’s voting rights. More than a century after he dominated American politics, Woodrow Wilson still fascinates. With panoramic sweep, Woodrow Wilson: The Light Withdrawn reassesses his life and his role in the movements for racial equality and women’s suffrage. The Wilson that emerges is a man superbly unsuited to the moment when he ascended to the presidency in 1912, as the struggle for women’s voting rights in America reached the tipping point. The first southern Democrat to occupy the White House since the Civil War era brought with him to Washington like-minded men who quickly set to work segregating the federal government. Wilson’s own sympathy for Jim Crow and states’ rights animated his years-long hostility to the Susan B. Anthony Amendment, which promised universal suffrage backed by federal enforcement. Women demonstrating for voting rights found themselves demonized in government propaganda, beaten and starved while illegally imprisoned, and even confined to the insane asylum. When, in the twilight of his second term, two-thirds of Congress stood on the threshold of passing the Anthony Amendment, Wilson abruptly switched his position. But in sympathy with like-minded southern Democrats, he acquiesced in a “race rider” that would protect Jim Crow. The heroes responsible for the eventual success of the unadulterated Anthony Amendment are brought to life by Christopher Cox, an author steeped in the ways of Washington and political power. This is a brilliant, carefully researched work that puts you at the center of one of the greatest advances in the history of American democracy.
Examines why some politicians take the drastic step of becoming a carpetbagger and how that shapes their campaigns and chances for victory. Candidates normally run for office in the places where they live. Occasionally, however, a politician will run as a carpetbagger—someone who moves to a new state for the express purpose of running, or who runs in one state after holding office in another. Stranger in a Strange State examines what makes some politicians take this drastic step and how that shapes their campaigns and chances for victory. Focusing on races for the US Senate from 1964 forward, Christopher J. Galdieri analyzes the campaigns of nine carpetbaggers, including nationally known figures such as Robert F. Kennedy and Hillary Rodham Clinton and less well-known candidates like Elizabeth Cheney and Scott Brown. These case studies draw on archival research, contemporaneous accounts of each campaign, and scholarship on campaigns and representation. While the record reveals that it generally takes national political stature for a carpetbagger to win an election, some recent campaigns suggest that in today’s polarized political era, both politicians and state political parties might want to be more open to the prospect of carpetbagging. “Galdieri’s book brings both life and systematic analysis to his case studies. It also takes on the concept of political ambition, seriously engaging the role of political parties in shaping and mitigating ambition. Highly recommended for anyone interested in American parties and elections.” — Julia R. Azari, coeditor of The Presidential Leadership Dilemma: Between the Constitution and a Political Party “This will be the go-to book any time prominent politicians strike out for new territory.” — Ross K. Baker, author of Is Bipartisanship Dead? A Report from the Senate
This second volume of Christopher Isherwood's remarkable diaries opens on his fifty-sixth birthday, as the fifties give way to the decade of social and sexual revolution. Isherwood takes the reader from the bohemian sunshine of Southern California to a London finally swinging free of post-war gloom, to the racy cosmopolitanism of New York and to the raw Australian outback. He charts his ongoing quest for spiritual certainty under the guidance of his Hindu guru, and he reveals in reckless detail the emotional drama of his love for the American painter Don Bachardy, thirty years his junior and struggling to establish his own artistic identity. The diaries are crammed with wicked gossip and probing psychological insights about the cultural icons of the time—Francis Bacon, Richard Burton, Leslie Caron, Marianne Faithfull, David Hockney, Mick Jagger, Hope Lange, W. Somerset Maugham, John Osborne, Vanessa Redgrave, Tony Richardson, David O. Selznick, Igor Stravinsky, Gore Vidal, and many others. But the diaries are most revealing about Isherwood himself—his fiction (including A Single Man and Down There on a Visit), his film writing, his college teaching, and his affairs of the heart. He moves easily from Beckett to Brando, from arthritis to aggression, from Tennessee Williams to foot powder, from the opening of Cabaret on Broadway (which he skipped) to a close analysis of Gide. In the background run references to the political and historical events of the period: the anxieties of the Cold War, Yuri Gagarin's spaceflight, de Gaulle and Algeria, the eruption of violence in America's inner cities, the Vietnam War, the Summer of Love, the moon landing, and the raising and lowering of hemlines. Isherwood is well known for his prophetic portraits of a morally bankrupt Europe on the eve of World War II; in this unparalleled chronicle, The Sixties, he turns his fearless eye on the decade that more than any other has shaped the way we live now.
Desloge Chronicles, A Tale of Two Continents is a monograph of an amazing family's journey supported by genealogical summaries which provide solid provenance. Situated in France and America, this is an authentic historical narrative built around one family's 600 letters dating from 200 years, providing live-action reality present at France & the French Revolution and the American Frontier. Based upon one of the largest bodies of vibrant correspondence written from the turn of the 1800s, we are able to peer into the scene of teeming wildlife and Native American Indians in the young America expanding from this family's French nobility on the young American frontier and then blooming into titanic industrialists and caring naturalists and philanthropists. Within this monograph, historical fact, studied historical research, and expanded narrative craft a compelling legend of the prominent Desloge family. More than simply cold chronology of facts, these are "action figures".
The seminal, uncollected essays—lauded as “dazzling” (The New York Times Book Review)—by the late Christopher Hitchens, author of the #1 New York Times bestseller God Is Not Great, showcase the notorious contrarian’s genius for rhetoric and his sharp rebukes to tyrants and the ill-informed everywhere. For more than forty years, Christopher Hitchens delivered essays to numerous publications on both sides of the Atlantic that were astonishingly wide-ranging and provocative. His death in December 2011 from esophageal cancer prematurely silenced a voice that was among the most admired of contemporary voices—writers, readers, pundits and critics the world over mourned his loss. At the time of his death, Hitchens left nearly 250,000 words of essays not yet published in book form. “Another great book of essays from a writer who we wish were still alive to produce more copy” (National Review), And Yet… ranges from the literary to the political and is a banquet of entertaining and instructive delights, including essays on Orwell, Lermontov, Chesterton, Fleming, Naipaul, Rushdie, Orhan Pamuk, and Dickens, among others, as well as his laugh-out-loud self-mocking “makeover.” The range and quality of Hitchens’s essays transcend the particular occasions for which they were originally written, yielding “a bounty of famous scalps, thunder-blasted targets, and a few love letters from the notorious provocateur-in-chief’s erudite and scathing assessments of American culture” (Vanity Fair). Often prescient, always pugnacious, formidably learned, Hitchens was a polemicist for the ages. With this posthumous volume, he remains, “America’s foremost rhetorical pugilist” (The Village Voice).
Jackie Robinson’s story is not only a compelling drama of heroism, but also as a template of the African American freedom struggle. A towering athletic talent, Robinson’s greater impact was on preparing the way for the civil rights reform wave following WWII. But Robinson’s story has always been far more complex than the public perception has allowed. Brooklyn Dodgers executive Branch Rickey famously told the young Robinson that he was “looking for a ballplayer with guts enough not to fight back.” J. Christopher Schutz reveals the real Robinson, as a more defiant, combative spirit than simply the “turn the other cheek” compliant “credit to his race.” The triumph of Robinson’s inclusion in the white Major Leagues (which presaged blacks’ later inclusion in the broader society) also included the slow demise of black-owned commercial enterprise in the Negro Leagues (which likewise presaged the unrecoverable loss of other important black institutions after civil rights gains). Examining this key figure at the crossroads of baseball and civil rights histories, Schutz provides a cohesive exploration of the man and the times that made him great.
The Black Presidential Nightmare is the only book that discusses the major events and social and political forces impacting each American president from the perspective of African American interests. Biographies of all the American presidents are presented within the context of the history that shaped their actions. The Black Presidential Nightmare answers many long-standing questions of black history, including the following: What president has done the most to advance the rights and interest of black people? Which presidents had the most liberal racial attitudes toward African Americans? When and under what circumstances did blacks switch allegiance from the Republican Party of Lincoln to the Democratic Party? Which antebellum presidents were slave owners, and how did they square that with their other views on human rights and justice? Long-standing controversies among historianssuch as Abraham Lincolns views on slavery, race, and civil rights, and Theodore Roosevelts role in the Brownsville Affairare illuminated.
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