The wedding day of Henry of Navarre, a Protestant from a noble family, and Margaret of Valois, the sister of the Catholic king, has arrived, though there are few aside from the bride and groom that are happy about it. Set during a time of political and social unrest in 16th century Paris, the Catholics and the Protestants, also known as Huguenots, hold grudges and extreme distrust against each other. When it becomes apparent that the mother of the bride, Queen Catherine, intends harm to Henry, The Duke of Guise, the leader of the Huguenots, is determined to strike first. With a plan to poison Queen Catherine and to shoot one of her admirals, The Duke of Guise orders his men to attack discretely before the family of the bride can do the same. However, when their first murder attempts are not entirely successful, the Catholics seek retribution. Now caught in a violent chain, the feud started at the wedding escalates into a war of espionage and assassinations. With themes of social, political, and religious change, Christopher Marlowe began writing The Massacre at Paris during the height of the animosity between Protestants and Catholics. Based on an actual historical event, Marlowe depicts the war between the religions with beautiful and hyperbolic language. First debuted in 1593, the same year as Marlowe’s untimely death, The Massacre at Paris is among the legendary playwright’s final works. Rarely found in print, The Massacre at Paris is one of Marlowe’s lesser known works, though it is just as masterful as the rest of his canon. With high stakes and a compelling plot, The Massacre at Paris is a fast-paced and exciting drama that allows modern readers an intimate and authentic perspective on a historical event. This edition of The Massacre at Paris by Christopher Marlowe is now presented in an easy-to-read font and features a striking new cover decision, creating an accessible reading experience. With these accommodations, The Massacre at Paris is restored to modern standards while the original genius and vivid imagery of Marlowe’s poetry is preserved.
Set in Malta, a European island off the coast of Italy, The Famous Tragedy of the Rich Jew of Malta by Christopher Marlowe follows a rich Jewish merchant, Barabas, who enjoys the privileges that his wealth allows. When the governor of Malta, Ferneze, summons Barabas to his office, Barabas is intrigued and complies immediately. However, when the governor tells Barabas of a deal he is keeping with the Turks, Barabas is appalled. Ferneze demands that Barabas gives up half of his wealth in order to help the government pay tribute to the Turks, but the merchant refuses to cooperate, protesting the injustice. Filled with anger, Ferneze then decides to seize all of Barabas’ assets, including his home. Unable to dispute the decision, Barabas leaves to begin plotting his revenge. First, he is determined to recover the treasure he has hidden around his home, which Ferneze turned into a convent to mock Barabas’ own religious beliefs. After his plan to steal back some of the hidden fortune in his house is successful, Barabas begins to enact his revenge. Using his daughter as a pawn, Barabas promises to marry her to two men. As Barabas continues his cunning scheme to harm Ferneze, a chain of tragedies ensues, involving manipulation, murder, and even the threat of war. Christopher Marlowe’s The Famous Tragedy of the Rich Jew of Malta was an immediate success following its first performance in 1592. Compelled by the drama, characterization and the complex themes of religion, class, capitalism, and prejudice, audiences have been invested in Marlowe’s tragedy for centuries. This edition of The Famous Tragedy of the Rich Jew of Malta by Christopher Marlowe is now presented in an easy-to-read font and features a striking new cover decision, creating an accessible reading experience. With these accommodations, The Famous Tragedy of the Rich Jew of Malta is restored to modern standards while the original genius and vivid imagery of Marlowe’s work is preserved.
When Edward II becomes king, he uses his new authority to pardon his favorite nobleman, Piers Gaveston, from his exile, angering key supporters. Soon after he inherits the throne, King Edward II of England writes a letter to his favorite nobleman, Piers Gaveston, who had previously been exiled, asking him to come back to England. Eager to return and happy to have the king’s favor, Gaveston travels to the kingdom immediately. However, when the other noblemen and advisors hear of Edward’s decision, they quickly try to talk him out of it. Believing that Gaveston is a manipulative social climber, the noblemen warn Edward that he should reconsider his pardon. However, Edward loves Gaveston deeply, and refuses to revoke his pardon. He appoints Gaveston the power to issue commands and draw money from the treasury, happy to be reunited with the man. Meanwhile, the angered noblemen start to gather a group of resistance. Concerned about the power Edward has given Gaveston, they continue their attempts to disillusion him, convincing others close to Edward to talk him into turning against the man. As some of Edward’s closest friends and family, take a side against him, the distrust the nobles hold for Gaveston begins to bleed into contempt for the king. With schemes of manipulation, invasion, and abdication plague the kingdom, Edward must reconsider his love for Gaveston before it causes his downfall. First debuted in 1592, Edward the Second is among the legendary playwright’s final works. Considered to be Marlowe’s masterpiece, Edward the Second is praised for its unique topic, disciplined rhetoric, and homoeotic undertones. Having been adapted for film and radio, as well as inspiring theatre revivals, Edward the Second is one of Marlowe’s most popular and celebrated works. With exemplary writing and a high-stakes plot, Edward the Second provides an intriguing perspective on the rule of Edward II that remains fascinating to modern audience. This edition of Edward the Second by Christopher Marlowe is now presented in an easy-to-read font and features a striking new cover decision, creating an accessible reading experience. With these accommodations, Edward the Second is restored to modern standards while the original genius and vivid imagery of Marlowe’s poetry is preserved.
Separated into two parts, Christopher Marlowe’s Tamburlaine the Great follows the conquests of an outlaw who slowly rises to power through extreme displays of aggression. When Mycetes, the king of Persia, complains to his brother, Cosroe, about a group of outlaws that were causing trouble, Cosroe claimed that Mycetes was weak, and that a king shouldn’t have such a problem. In response, Mycetes sends out a powerful soldier to kill the leader of the outlaws, Tamburlaine. Though the soldier’s army was twice the size of Tamburlaine’s, the outlaw was hardly discouraged. Using his wit and charm, Tamburlaine attempts to convince the soldier to convert to his side, merging the two armies. As Tamburlaine grows stronger, he gains new allies, such as his clever wife, Zenocrate. Though he seemed to be just a petty outlaw at first, the leaders of prominent Eurasian countries become increasingly concerned as Tamburlaine slowly overcomes armies and nations with force, manipulation, and unlikely alliances. As his makeshift armies continue to challenge elite armed forces, countless lives are at stake as Tamburlaine’s bloody ambition only grows. When first released, Tamburlaine the Great both fascinated and disgusted the 16th century audience. Gaining a mix of fame and infamy, Tamburlaine the Great is praised for its masterful imagery and language, enchanting audiences with its drama. However, Marlowe still received criticism for the play’s suspected atheist undertones and the violence associated with the play, both real and depicted. With strong themes of humanism, Tamburlaine the Great celebrates the accomplishments of Tamburlaine with little regard to the character’s cruelty and aggression, creating a thought-provoking narrative that stays with readers long after the play’s conclusion. Often referenced in prominent literary works, Tamburlaine the Great remains relevant with radio and film adaptations, and is still performed in theatres around the world. This edition of Tamburlaine the Great by Christopher Marlowe is now presented in an easy-to-read font and features a striking new cover decision, creating an accessible reading experience. With these accommodations, Tamburlaine the Great is restored to modern standards while the original genius and vivid imagery of Marlowe’s poetry is preserved.
Driven by an insatiable thirst for power, Doctor Faustus chooses to make the ultimate sacrifice to become an all-knowing practitioner of traditional and supernatural arts. He enters an agreement with Lucifer, trading his soul for unbridled access to a catalog of mystical spells. Doctor Faustus signs a contract ensuring 24 years of service from the demon Mephastophilis. In exchange, Lucifer will own his soul for all of eternity. Faustus immediately takes advantage of his divine skills, using them to impress various men of distinction. During his meteoric rise, Faustus experiences moments of regret, but they’re quickly quelled under Mephastophilis’ influence. As he approaches death, Faustus is overwhelmed by fear and futile attempts to escape the inevitable. In The Tragical History of Doctor Faustus, Marlowe uses supernatural themes to explore the dire trappings of human nature. With influences from Christian doctrine, the story implicates the true wages of sin stemming from greed, gluttony and pride. The author illustrates how the greatest tragedy is the one of your own making. With an eye-catching new cover, and professionally typeset manuscript, this edition of The Tragical History of Doctor Faustus is both modern and readable.
Edward II is a Renaissance or Early Modern period play written by Christopher Marlowe. It is one of the earliest English history plays. The full title of the first publication is The Troublesome Reign and Lamentable Death of Edward the Second, King of England, with the Tragical Fall of Proud Mortimer. The play was entered into the Stationers' Register on July 6, 1593, five weeks after Marlowe's death. Christopher "Kit" Marlowe (1564-1593) was an English dramatist, poet and translator of the Elizabethan era. The foremost Elizabethan tragedian next to William Shakespeare, he is known for his magnificent blank verse, his overreaching protagonists, and his own mysterious and untimely death. His first drama was Dido, Queen of Carthage. His first play performed on the London stage was Tamburlaine about the conqueror Timur, who rises from shepherd to warrior. It is among the first English plays in blank verse. Tamburlaine was a success, and was followed with Tamburlaine Part II. The two parts were published in 1590; however all of Marlowe's other works were published posthumously. They include: The Jew of Malta, - about a Maltese Jew's barbarous revenge against the city authorities, which has a prologue delivered by a character representing Machiavelli - Edward the Second, The Massacre at Paris and The Tragical History of Doctor Faustus, based on the German Faustbuch, the first dramatised version of the Faust legend of a scholar's dealing with the devil. Marlowe also wrote poetry, including a, possibly, unfinished minor epic, Hero and Leander and the popular lyric The Passionate Shepherd to His Love.
A critical old-spelling edition of the complete works of Marlowe edited on the principles that Professor Bowers more than any other scholar has established. Through a choice of copy-texts that stand nearest in direct line to the lost manuscripts, the works are presented in as near the original form as can be recovered, in respect of spelling, punctuation, capitaliSation and the actual words themselves. The edition contains a substantial critical apparatus in the form of textual introduction and notes, a historical collation and a list of emendations for each work, of both substantives and accidentals.
This New Mermaids anthology brings together the four most popular and widely studied of Christopher Marlowe's plays: Tamburlaine, Parts 1 and 2, The Jew of Malta, Edward II and Dr Faustus. The new introduction by Brian Gibbons explores the plays in the context of early modern theatre, culture and politics, as well as examining their language, characters and themes. On-page commentary notes guide students to a better understanding and combine to make this an indispensable student edition ideal for study and classroom use from A Level upwards.
Arguably the single-most important play of the Elizabethan era, Tamburlaine did more than any other to transform an insignificant form of public entertainment, barely distinguishable from the juggling, fencing, and animal-baiting with which it shared its performance space, into an art of national importance. . . . Tamburlaine cranks the excitements of language and spectacle to an unprecedented pitch, not simply to indulge the fantasies of the audience but as an exemplary demonstration of poetry's dangerous potency."-The New York Review of Books. Christopher Marlowe (1564-1593) has been called the founder of English drama and the perfecter of dramatic blank verse. He is known as a poet and translator of Lucan and Ovid, and as a guide and leader for Shakespeare and the other Elizabethan poets and dramatists. Tamburlaine the Great was his most ambitious work and the first play written in English blank verse. John Davies Jump was professor of English at the University of Manchester.
Doctor Faustus is a classic; its imaginative boldness and vertiginous ironies have fascinated readers and playgoers alike. But the fact that this play exists in two early versions, printed in 1604 and 1616, has posed formidable problems for critics. How much of either version was written by Marlowe, and which is the more authentic? Is the play orthodox or radically interrogative? Michael Keefer’s early work helped to establish the current consensus that the 1604 text was censored and revised; the Keefer edition, praised for its lucid introduction and scholarship, was the first to restore two displaced scenes to their correct place. Most competing editions presume that the 1604 text was printed from authorial manuscript, and that the 1616 text is of little substantive value. But in 2006 Keefer’s fresh analysis of the evidence showed that the 1604 quarto’s Marlovian scenes were printed from a corrupted manuscript, and that the 1616 quarto (though indeed censored and revised) preserves some readings earlier than those of the 1604 text. This edition has been updated and revised. Keefer’s critical introduction reconstructs the ideological contexts that shaped and deformed the play, and the text is accompanied by textual and explanatory notes and excerpts from sources.
Dido, Queen of Carthage is a short play written by the English playwright Christopher Marlowe, with contributions by Thomas Nash. The story of the play focuses on the classical figure of Dido, the Queen of Carthage. It tells an intense dramatic tale of Dido and her fanatical love for Aeneas (induced by Cupid), Aeneas' betrayal of her and her eventual suicide on his departure for Italy. This edition is from the original 1594 edition. Christopher "Kit" Marlowe (1564-1593) was an English dramatist, poet and translator of the Elizabethan era. The foremost Elizabethan tragedian next to William Shakespeare, he is known for his magnificent blank verse, his overreaching protagonists, and his own mysterious and untimely death. His first drama was Dido, Queen of Carthage. His first play performed on the London stage was Tamburlaine about the conqueror Timur, who rises from shepherd to warrior. It is among the first English plays in blank verse. Tamburlaine was a success, and was followed with Tamburlaine Part II. The two parts were published in 1590; however all of Marlowe's other works were published posthumously. They include: The Jew of Malta, - about a Maltese Jew's barbarous revenge against the city authorities, which has a prologue delivered by a character representing Machiavelli - Edward the Second, The Massacre at Paris and The Tragical History of Doctor Faustus, based on the German Faustbuch, the first dramatised version of the Faust legend of a scholar's dealing with the devil. Marlowe also wrote poetry, including a, possibly, unfinished minor epic, Hero and Leander and the popular lyric The Passionate Shepherd to His Love.
Marlowe was an enigmatic character – part poet, scholar, soldier, spy and tavern brawler – and his legend continues to elude historians. This eBook provides readers with a new and erudite edition of Marlowe’s works, offering every play, poem, translation and much more. Now you can truly own all of Marlowe’s works and a range of BONUS material on your eReader, and all in one well-organised file. (Current version: 4) * concise introductions to the plays and other works * ALL the plays, each with its own contents table – navigate easily between acts and scenes – find that special quotation quickly! * even includes the apocryphal play LUST’S DOMINION, available nowhere else * contains both versions (A & B) of DOCTOR FAUSTUS * ALL the poetry, with excellent formatting * beautiful images relating to Marlowe’s life, locations and works * EVEN includes the SOURCES for some of the plays, allowing you to explore Marlowe’s inspiration * INCLUDES no less than 4 biographies – explore the playwright’s mysterious life from multiple sources across history * the SPECIAL literary criticism section boasts four works that examine Marlowe’s contribution to literature * scholarly ordering of texts into chronological order and literary genres * includes a front MASTER table of contents, allowing easy navigation around Marlowe’s immense oeuvre * features a special ‘Glossary of Elizabethan Language’, which will aid your comprehension of difficult words and phrases Please visit www.delphiclassics.com to browse through our range of exciting titles CONTENTS: The Plays DIDO, QUEEN OF CARTHAGE THE SOURCE TEXT OF DIDO, QUEEN OF CARTHAGE TAMBURLAINE THE GREAT PART 1 TAMBURLAINE THE GREAT PART 2 THE JEW OF MALTA DOCTOR FAUSTUS (A TEXT) DOCTOR FAUSTUS (B TEXT) EDWARD II THE SOURCE TEXT OF EDWARD II THE MASSACRE AT PARIS The Apocryphal Play LUST’S DOMINION The Poetry TRANSLATION OF BOOK ONE OF LUCAN’S THE PHARSALIA TRANSLATION OF OVID’S ELEGIES THE PASSIONATE SHEPHERD TO HIS LOVE THE NYMPH’S REPLY TO THE SHEPHERD BY SIR WALTER RALEIGH HERO AND LEANDER FRAGMENT IN OBITUM HONORATISSIMI VIRI, ROGERI MANWOOD etc. DIALOGUE IN VERSE EPIGRAMS BY J.D. The Criticism EXTRACTS FROM ‘THE LIFE OF WILLIAM SHAKESPEARE’ BY SIDNEY LEE THE INFLUENCE OF CHRISTOPHER MARLOWE ON SHAKSPERE’S BY A. W. VERITY EXTRACT FROM ‘A STUDY OF SHAKESPEARE’ BY ALGERNON CHARLES SWINBURNE SOME NOTES ON THE BLANK VERSE OF CHRISTOPHER MARLOWE BY T.S. ELIOT The Biographies MARLOWE AND HIS ASSOCIATES BY JOHN H. INGRAM THE MUSES’ DARLING BY CHARLES NORMAN CHRISTOPHER MARLOWE BY J. G. LEWIS THE DEATH OF CHRISTOPHER MARLOWE BY J. LESLIE HOTSON GLOSSARY OF ELIZABETHAN LANGUAGE Please visit www.delphiclassics.com to browse through our range of exciting titles
Originally published between 1909 and 1917 under the name "Harvard Classics," this stupendous 51-volume set-a collection of the greatest writings from literature, philosophy, history, and mythology-was assembled by American academic CHARLES WILLIAM ELIOT (1834-1926), Harvard University's longest-serving president. Also known as "Dr. Eliot's Five Foot Shelf," it represented Eliot's belief that a basic liberal education could be gleaned by reading from an anthology of works that could fit on five feet of bookshelf. Volume XIX features important plays that continue to inspire modern works of literature: [ Faust, Part I, the 1808 deal-with-the-Devil morality play by German writer JOHANN WOLFGANG VON GOETHE (1749-1832), as well as his 1788 tragedy Egmont and his 1797 verse novelette of the French Revolution, Hermann and Dorothea [ Dr. Faustus, by English dramatist CHRISTOPHER MARLOWE (1564-1593), the earlier take on the Faust legend, which remains one of the finest examples of Elizabethan drama
Set in Malta, a European island off the coast of Italy, The Famous Tragedy of the Rich Jew of Malta by Christopher Marlowe follows a rich Jewish merchant, Barabas, who enjoys the privileges that his wealth allows. When the governor of Malta, Ferneze, summons Barabas to his office, Barabas is intrigued and complies immediately. However, when the governor tells Barabas of a deal he is keeping with the Turks, Barabas is appalled. Ferneze demands that Barabas gives up half of his wealth in order to help the government pay tribute to the Turks, but the merchant refuses to cooperate, protesting the injustice. Filled with anger, Ferneze then decides to seize all of Barabas’ assets, including his home. Unable to dispute the decision, Barabas leaves to begin plotting his revenge. First, he is determined to recover the treasure he has hidden around his home, which Ferneze turned into a convent to mock Barabas’ own religious beliefs. After his plan to steal back some of the hidden fortune in his house is successful, Barabas begins to enact his revenge. Using his daughter as a pawn, Barabas promises to marry her to two men. As Barabas continues his cunning scheme to harm Ferneze, a chain of tragedies ensues, involving manipulation, murder, and even the threat of war. Christopher Marlowe’s The Famous Tragedy of the Rich Jew of Malta was an immediate success following its first performance in 1592. Compelled by the drama, characterization and the complex themes of religion, class, capitalism, and prejudice, audiences have been invested in Marlowe’s tragedy for centuries. This edition of The Famous Tragedy of the Rich Jew of Malta by Christopher Marlowe is now presented in an easy-to-read font and features a striking new cover decision, creating an accessible reading experience. With these accommodations, The Famous Tragedy of the Rich Jew of Malta is restored to modern standards while the original genius and vivid imagery of Marlowe’s work is preserved.
When Edward II becomes king, he uses his new authority to pardon his favorite nobleman, Piers Gaveston, from his exile, angering key supporters. Soon after he inherits the throne, King Edward II of England writes a letter to his favorite nobleman, Piers Gaveston, who had previously been exiled, asking him to come back to England. Eager to return and happy to have the king’s favor, Gaveston travels to the kingdom immediately. However, when the other noblemen and advisors hear of Edward’s decision, they quickly try to talk him out of it. Believing that Gaveston is a manipulative social climber, the noblemen warn Edward that he should reconsider his pardon. However, Edward loves Gaveston deeply, and refuses to revoke his pardon. He appoints Gaveston the power to issue commands and draw money from the treasury, happy to be reunited with the man. Meanwhile, the angered noblemen start to gather a group of resistance. Concerned about the power Edward has given Gaveston, they continue their attempts to disillusion him, convincing others close to Edward to talk him into turning against the man. As some of Edward’s closest friends and family, take a side against him, the distrust the nobles hold for Gaveston begins to bleed into contempt for the king. With schemes of manipulation, invasion, and abdication plague the kingdom, Edward must reconsider his love for Gaveston before it causes his downfall. First debuted in 1592, Edward the Second is among the legendary playwright’s final works. Considered to be Marlowe’s masterpiece, Edward the Second is praised for its unique topic, disciplined rhetoric, and homoeotic undertones. Having been adapted for film and radio, as well as inspiring theatre revivals, Edward the Second is one of Marlowe’s most popular and celebrated works. With exemplary writing and a high-stakes plot, Edward the Second provides an intriguing perspective on the rule of Edward II that remains fascinating to modern audience. This edition of Edward the Second by Christopher Marlowe is now presented in an easy-to-read font and features a striking new cover decision, creating an accessible reading experience. With these accommodations, Edward the Second is restored to modern standards while the original genius and vivid imagery of Marlowe’s poetry is preserved.
Originally published in 1928, this book contains the text of Marlowe's Doctor Faustus, with some minor modernisation and occasional emendation. An editorial introduction is included, along with extensive notes. This book will be of value to anyone with an interest in English theatre and early modern literature.
Arguably the single-most important play of the Elizabethan era, Tamburlaine did more than any other to transform an insignificant form of public entertainment, barely distinguishable from the juggling, fencing, and animal-baiting with which it shared its performance space, into an art of national importance. . . . Tamburlaine cranks the excitements of language and spectacle to an unprecedented pitch, not simply to indulge the fantasies of the audience but as an exemplary demonstration of poetry's dangerous potency."-The New York Review of Books. Christopher Marlowe (1564-1593) has been called the founder of English drama and the perfecter of dramatic blank verse. He is known as a poet and translator of Lucan and Ovid, and as a guide and leader for Shakespeare and the other Elizabethan poets and dramatists. Tamburlaine the Great was his most ambitious work and the first play written in English blank verse. John Davies Jump was professor of English at the University of Manchester.
This New Mermaids anthology brings together the four most popular and widely studied of Christopher Marlowe's plays: Tamburlaine, Parts 1 and 2, The Jew of Malta, Edward II and Dr Faustus. The new introduction by Brian Gibbons explores the plays in the context of early modern theatre, culture and politics, as well as examining their language, characters and themes. On-page commentary notes guide students to a better understanding and combine to make this an indispensable student edition ideal for study and classroom use from A Level upwards.
Christopher "Kit" Marlowe (1564-1593) was an English dramatist, poet and translator of the Elizabethan era. His first drama was Dido, Queen of Carthage. His first play performed on the London stage was Tamburlaine about the conqueror Timur, who rises from shepherd to warrior. Tamburlaine was a success, and was followed with Tamburlaine Part II. The two parts were published in 1590; however all of Marlowe's other works were published posthumously. They include: The Jew of Malta, Edward the Second, The Massacre at Paris and The Tragical History of Doctor Faustus. George Chapman (c. 1559-1634) was an English dramatist, translator, and poet. He was a classical scholar, and his work shows the influence of Stoicism. Chapman has been identified as the Rival Poet of Shakespeare's Sonnets by William Minto, and as an anticipator of the Metaphysical Poets. Chapman is best remembered for his translations of Homer's Iliad, Odyssey, and Batrachomyomachia.
A critical old-spelling edition of the complete works of Marlowe edited on the principles that Professor Bowers more than any other scholar has established. Through a choice of copy-texts that stand nearest in direct line to the lost manuscripts, the works are presented in as near the original form as can be recovered, in respect of spelling, punctuation, capitaliSation and the actual words themselves. The edition contains a substantial critical apparatus in the form of textual introduction and notes, a historical collation and a list of emendations for each work, of both substantives and accidentals.
A critical old-spelling edition of the complete works of Marlowe edited on the principles that Professor Bowers more than any other scholar has established. Through a choice of copy-texts that stand nearest in direct line to the lost manuscripts, the works are presented in as near the original form as can be recovered, in respect of spelling, punctuation, capitalisation and the actual words themselves. The edition contains a substantial critical apparatus in the form of textual introduction and notes, a historical collation and a list of emendations for each work, of both substantives and accidentals.
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