In this dynamic reappraisal of American literary naturalism, Christophe Den Tandt connects late nineteenth-century fiction to its romantic, urban gothic roots and to recent discussions of the sublime in postmodern theory. Den Tandt focuses on aspects of naturalist novels -- their use of hyperbole and hysteria, of the grotesque and the abject, of uncanniness and mesmerism -- that have often been left in the periphery of naturalist discourse. He argues that realistic strategies of literary representation can never succeed in depicting the urban environment since the logic of the city rests on a network of hidden relations. Naturalist texts try to resolve this dilemma by opposing sublime components and realistic documentary elements.
When the Canadian government committed forces to join the military mission in Afghanistan following the terrorist attacks of September 11, 2001, little did it foresee that this decision would involve Canada in a war-riven country for over a decade. The Politics of War explores how, as the mission became increasingly unpopular, Canadian politicians across the political spectrum began to use it to score points against their opponents. This was “politics” with a vengeance. Through historical analysis of the public record and interviews with officials, Jean-Christophe Boucher and Kim Richard Nossal show how the Canadian government sought to frame the engagement in Afghanistan as a “mission” rather than what it was – a war. They examine the efforts of successive governments to convince Canadians of the rightness of Canada’s engagement, the parliamentary politics that resulted from the increasing politicization of the mission, and the impact of public opinion on Canada’s involvement. This contribution to the field of Canadian foreign policy demonstrates how much of Canada’s war in Afghanistan was shaped by the vagaries of domestic politics and political gamesmanship.
In this dynamic reappraisal of American literary naturalism, Christophe Den Tandt connects late nineteenth-century fiction to its romantic, urban gothic roots and to recent discussions of the sublime in postmodern theory. Den Tandt focuses on aspects of naturalist novels -- their use of hyperbole and hysteria, of the grotesque and the abject, of uncanniness and mesmerism -- that have often been left in the periphery of naturalist discourse. He argues that realistic strategies of literary representation can never succeed in depicting the urban environment since the logic of the city rests on a network of hidden relations. Naturalist texts try to resolve this dilemma by opposing sublime components and realistic documentary elements.
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