Accompanying the largest monographic exhibition of trailblazing artist Barbara Chase-Riboud's (b. 1939, Philadelphia) work to date, Barbara Chase-Riboud Monumentale: The Bronzes traces the full output of the artist's remarkable career from the 1950s to the present. The catalogue features both celebrated and never-before-seen artworks, highlighting the artist's groundbreaking role in the field of contemporary sculpture. In addition to some fifty sculptures, the book presents twenty works on paper, as well as a selection of Chase-Riboud's internationally acclaimed poetry. It also includes excerpts from an interview with the artist conducted for the Archives of American Art at the Smithsonian Institution. The catalogue offers a careful consideration of the many diverse aspects of the artist's practice, and in doing so, it provides unprecedented insights into her meditations on form, memory, and monument, while revealing a rich array of global art-historical and literary points of inspiration"--
During the 1960s & 1970s, Amsterdam was a nexus of intense art activities, drawing artists from all over the world. 'In & Out Of Amsterdam' presents more than 120 works - including works on paper, installations, photographs & films - by artists who were part of this remarkable creative culture.
Accompanying the largest monographic exhibition of trailblazing artist Barbara Chase-Riboud's (b. 1939, Philadelphia) work to date, Barbara Chase-Riboud Monumentale: The Bronzes traces the full output of the artist's remarkable career from the 1950s to the present. The catalogue features both celebrated and never-before-seen artworks, highlighting the artist's groundbreaking role in the field of contemporary sculpture. In addition to some fifty sculptures, the book presents twenty works on paper, as well as a selection of Chase-Riboud's internationally acclaimed poetry. It also includes excerpts from an interview with the artist conducted for the Archives of American Art at the Smithsonian Institution. The catalogue offers a careful consideration of the many diverse aspects of the artist's practice, and in doing so, it provides unprecedented insights into her meditations on form, memory, and monument, while revealing a rich array of global art-historical and literary points of inspiration"--
Cet ouvrage est publié à l'occasion de l'exposition Plastic / Une proposition de John Tremblay / Objets en plastique thermoformé, des années 1960 à nos jours, Cabinet des estampes du Musée d'art et d'histoire, Genève, 22 février - 20 mai 2007. Fondé sur cette exposition, organisée par Christophe Chérix et John Tremblay, cet ouvrage présente un aperçu des usages du plastique thermoformé dans l'art de ces quarante dernières années. Si le matériau a été popularisé dans les années 1940, ce sont les évidentes propriétés rationnelles et économiques du thermoformage qui ont particulièrement séduit les artistes - depuis Claes Oldenburg et Craig Kaufman, dans les années 60, jusqu'à Jim Isermann, Fabrice Gygi et Seth Price aujourd'hui.
During the 1960s & 1970s, Amsterdam was a nexus of intense art activities, drawing artists from all over the world. 'In & Out Of Amsterdam' presents more than 120 works - including works on paper, installations, photographs & films - by artists who were part of this remarkable creative culture.
This catalog and the corresponding exhibition on Marcel Broodthaers are the result of the knowledge and commitment of many individuals both inside and outside the Museum of Modern Art in New York (MoMA), the Museo Nacional Centro de Arte Reina Sofía (MNCARS) and the Kunstsammlung Nordrhein-Westfalen. Many of the texts of this catalog are rooted in the presentations and discussions at the Broodthaers seminar at MoMA in 2014 that brought together many of the curators, scholars, gallerists and artists whose contributions would lay the foundation for this catalog, making it a seminar book about the artist.00Exhibition: Museo Nacional de Arte Reina Sofia, Madrid, Spain (05.10.2016-09.01.2017).
Published in conjunction with the exhibition Adrian Piper: A Synthesis of Intuitions, 1965-2016, at The Museum of Modern Art, New York, March 31-July 22, 2018, traveling to Hammer Museum, Los Angeles, September 30, 2018-January 6, 2019, and Haus der Kunst, Berlin, April 12-September 22, 2019.
A major retrospective catalogue on the career of minimalist sculptor and poet Carl Andre Carl Andre (b. 1935) redefined the parameters of abstract sculpture in the 1960s and 1970s. He was a highly influential voice in the American minimalist movement, recognized for his ordered linear and grid formats. In the early 1960s, Andre's creative focus shifted to writing poetry when he took a job as a freight brakeman and conductor for the Pennsylvania Railroad. His poems echoed and extended the themes in his sculptural work, and his experience with the railroad significantly influenced his choice of materials in later years. In this stunning catalogue, which accompanies the first retrospective of Andre's work since 1970, the artist's legacy is examined in eleven essays by international scholars. The book presents a broad range of sculpture made over the past fifty years, including Andre's emblematic floor and corner pieces, highlighting his radical use of standardized units of industrial material such as timber planks, concrete blocks, and metal plates. A vast selection of Andre's previously unpublished concrete poems, together with letters, postcards, ephemera, and documentation of important installations, further complements our understanding of an essential figure in the history of contemporary art.
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