In this comprehensive handbook author, makeup artist, and educator Christine Sciortino offers a detailed introduction to the conceptual foundations, techniques, and on-set practices of the makeup design process, going beyond technique-centered makeup education to provide an in-depth look at the workings of the film and television world. Through personal stories, interviews, demonstrations, and insights from Sciortino and her colleagues, this book explores the business of makeup artistry, including tailoring a resume, building a kit, self-marketing, breaking down a script, researching and creating makeup looks, working as part of a production team, and different ways to get paid. It further delves into on-set procedures and theory such as anatomy, skin science, color theory, and lighting design. With high-quality step-by-step photo tutorials, this book will help readers to learn and hone techniques for beauty makeup, character makeup, and light special effects including aging and dirtying, grooming, bruises and prosthetics, tattoos, and more. An emphasis is placed on working with actors of all ages, skin tones, and gender identities. This approachable and engaging blend of practical techniques and professional practice is ideal for both introductory-level and established artists. An online resource also offers downloadable templates and sample paperwork for on-set use and practice.
In this comprehensive handbook author, makeup artist, and educator Christine Sciortino offers a detailed introduction to the conceptual foundations, techniques, and on-set practices of the makeup design process, going beyond technique-centered makeup education to provide an in-depth look at the workings of the film and television world. Through personal stories, interviews, demonstrations, and insights from Sciortino and her colleagues, this book explores the business of makeup artistry, including tailoring a resume, building a kit, self-marketing, breaking down a script, researching and creating makeup looks, working as part of a production team, and different ways to get paid. It further delves into on-set procedures and theory such as anatomy, skin science, color theory, and lighting design. With high-quality step-by-step photo tutorials, this book will help readers to learn and hone techniques for beauty makeup, character makeup, and light special effects including aging and dirtying, grooming, bruises and prosthetics, tattoos, and more. An emphasis is placed on working with actors of all ages, skin tones, and gender identities. This approachable and engaging blend of practical techniques and professional practice is ideal for both introductory-level and established artists. An online resource also offers downloadable templates and sample paperwork for on-set use and practice.
The true story of how one greyhound sparked a movement to close the worst dog track in the world and finally found his forever home with greyhound advocates. We once met a dog that changed the world. His name was Brooklyn. It’s hard to imagine that a spotted dog would become the inspiration for a worldwide fight; that the campaign would be successful, and that after a decade of suffering, he would come home to us. And yet it happened. In fact, the thirteen short years that Brooklyn spent on this earth would turn out to be one of the most consequential periods in history for greyhounds, and for the broader debate on non-human animal rights. The life of this one dog signaled not only the end of greyhound racing in the United States, but also the emergence of the first successful movement to outlaw an animal abuse industry that was powerful, culturally resonant, and economically significant. This history is based on the memories and reflections of Christine Dorchak and Carey Theil and describes twenty years of working together to help greyhounds. The two of us grew up more than a decade apart, on alternate coasts, one raised very traditionally and the other quite liberally, one an animal loving “Jersey Girl” turned lawyer, the other a poet and chess master turned political strategist. This Yin and Yang turned out to be a curious balance of opposites that is perhaps the reason that the organization survived and then succeeded against very great odds. Brooklyn Goes Home is the story of the rise and fall of commercial greyhound racing in the United States and an account of how our small non-profit emerged from to make an impact. It is also a remembrance of three glorious years spent with a magical dog. We hope that readers will find inspiration in our chronicle, and perhaps discover new paths to making positive change in the world.
Glamour is an alluring but elusive concept. We most readily associate it with fashion, industrial design, and Hollywood of the Golden Age, and yet it also shaped the language and interests of high modernism. In Glamour in Six Dimensions, Judith Brown looks at the historical and aesthetic roots of glamour in the early decades of the twentieth century, arguing that glamour is the defining aesthetic of modernism. In the clean lines of modernism she finds the ideal conditions for glamour-blankness, polish, impenetrability, and the suspicion of emptiness behind it all. Brown focuses on several cultural products that she argues helped to shape glamour's meanings: the most significant perfume of the twentieth century, Chanel No. 5; the idea of the Jazz Age and its ubiquitous cigarette; the celebrity photograph; the staging of primitivism; and the invention of a shimmering plastic called cellophane. Alongside these artifacts, she takes up the development, refinement, and analysis of glamour in Anglo-American poetry, film, fiction, and drama of the period. Glamour in Six Dimensions thus asks its reader to see the proximity between the vernacular and elite cultures of modernism, and particularly how glamour was animated by artists working at the crossroads of the mundane and the extraordinary: Wallace Stevens, F. Scott Fitzgerald, Virginia Woolf, Josephine Baker, D. H. Lawrence, Gertrude Stein, Nella Larsen, and others.
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