Some of the great and lasting achievements of the Middle Ages and the Renaissance are the architectural wonders of soaring cathedrals and grand castles and palaces. While many of these edifices survive, many more are lost, and it is within the pages of illuminated manuscripts that we often find the best record of the appearance of these amazing buildings. This volume illustrates the creative ways in which medieval artists represented architecture, offering insight into what these buildings meant for medieval people. Such structures were not just made to be inhabited--they symbolized grandeur, power, and even heaven on earth. Building the Medieval World accompanies an exhibition of the same name on view at the J. Paul Getty Museum from March 2 through May 16, 2010. Building the Medieval World is the fourth in the popular Medieval Imagination series of small, affordable books drawing on manuscript illumination in the collections of the J. Paul Getty Museum and the British Library. Each volume focuses on a particular theme and provides an accessible, delightful introduction to the imagination of the medieval world.
When one thinks of women in the Middle Ages, the images that often come to mind are those of damsels in distress, mystics in convents, female laborers in the field, and even women of ill repute. In reality, however, medieval conceptions of womanhood were multifaceted, and women’s roles were varied and nuanced. Female stereotypes existed in the medieval world, but so too did women of power and influence. The pages of illuminated manuscripts reveal to us the many facets of medieval womanhood and slices of medieval life—from preoccupations with biblical heroines and saints to courtship, childbirth, and motherhood. While men dominated artistic production, this volume demonstrates the ways in which female artists, authors, and patrons were instrumental in the creation of illuminated manuscripts. Featuring over one hundred illuminations depicting medieval women from England to Ethiopia, this book provides a lively and accessible introduction to the lives of women in the medieval world.
Known worldwide through her EWTN network, MOther Angelica presents a book of timeless wisdom and practical insights drawn from her deep faith and personal suffering and experience. Her answers to life's dilemmas, large and small, are a sure source of inspiration for all.
Named one of the best spiritual books of 2022 by Spirituality & Practice. Awarded third place in contemporary spirituality by the Catholic Media Association and third place in inspirational books by the Association of Catholic Publishers. Do you long to feel more alive, to see the vibrancy in your daily life? Do you feel the seeds of a new calling tugging at you? Look to the Blessed Mother for help. In Birthing the Holy, Christine Valters Paintner—abbess of the online Abbey of the Arts—invites you to better know Mary and her heart through thirty-one of her titles, and, along the way, you’ll nurture the new growth in your life. The Blessed Mother is known by many beautiful titles, some of which are familiar—Virgin, Queen of Peace, and Star of the Sea—and some we may not be aware of—Vessel of Grace, Greenest Branch, and Our Lady of Silence. Paintner offers a flexible format to reflect on Mary’s titles through a thirty-one-day personal retreat, a series of novenas, or with visio divina exercises using striking images by printmaker Kreg Yingst. As you reflect on Mary in her role as Mother of Good Counsel, Woman Clothed with the Sun, Mystical Rose, Mother of Sorrows, Queen of the Angels, and other titles, Paintner invites you to hear what God calls you to develop in your life, help that dream or vision grow, and then nourish it in the world. Whether you’re meeting Mary for the first time in these magnificent titles or revisiting her as a beloved companion, Birthing the Holy invites you to see the exploration of Mary and your life as a spiritual and creative act, one that can help deepen your faith even as it sparks new growth within you.
Author Christine Marketos-Cuomo is a 30 year career employee of the federal government. She retired in 2008 from the Bureau of Alchohol, Tobacco, Firearms and Explosives, Tampa, Florida. She was producer/director of her own public access television program called "Follow The Sun" for Cox Communications, Pawtucket, Rhode Island and Access Pinellas in Clearwater, Florida where she transferred to in 2001. Christine is the mother of three children, Rosemaria, Peter and George. She is also a very proud grandmother of Alexa, George Jr., and Evangelia (her son George's three children). She has two daughter-in-laws Taryn and Amy and a son-in-law Thomas that she is also very proud of. Christine earned an Associate in Science Degree in Paralegal Studies in 1995, and then went on to earn a second Associate in Science Degree in Criminal Justice in 2001 from Fisher College in Boston, Massachusetts. She pursued her goal to obtain these degrees in order to set an example for her children. Today, all of her children are successful professionals in their career choices and they all graduated with honors from Universities in Massachusetts, Rhode Island and Florida. Christine decided to write this book at the time her Uncle, Archbishop Dionysios was alive. It began with a thought that a cook-book of the monk's diet would benefit today's health conscious society. The Archbishop provided the recipes that were prepared in the Monastery of Iviron, Greece where he began his monastic life. Prior to finalizing the book, the Archbishop reposed on December 28, 2005. The book was put on hold and Christine decided to write a book about the Archbishop's life to include the cook-book. Enjoy the book and I promise that you will be inspired by it's contents.
Some of the great and lasting achievements of the Middle Ages and the Renaissance are the architectural wonders of soaring cathedrals and grand castles and palaces. While many of these edifices survive, many more are lost, and it is within the pages of illuminated manuscripts that we often find the best record of the appearance of these amazing buildings. This volume illustrates the creative ways in which medieval artists represented architecture, offering insight into what these buildings meant for medieval people. Such structures were not just made to be inhabited--they symbolized grandeur, power, and even heaven on earth. Building the Medieval World accompanies an exhibition of the same name on view at the J. Paul Getty Museum from March 2 through May 16, 2010. Building the Medieval World is the fourth in the popular Medieval Imagination series of small, affordable books drawing on manuscript illumination in the collections of the J. Paul Getty Museum and the British Library. Each volume focuses on a particular theme and provides an accessible, delightful introduction to the imagination of the medieval world.
When one thinks of women in the Middle Ages, the images that often come to mind are those of damsels in distress, mystics in convents, female laborers in the field, and even women of ill repute. In reality, however, medieval conceptions of womanhood were multifaceted, and women’s roles were varied and nuanced. Female stereotypes existed in the medieval world, but so too did women of power and influence. The pages of illuminated manuscripts reveal to us the many facets of medieval womanhood and slices of medieval life—from preoccupations with biblical heroines and saints to courtship, childbirth, and motherhood. While men dominated artistic production, this volume demonstrates the ways in which female artists, authors, and patrons were instrumental in the creation of illuminated manuscripts. Featuring over one hundred illuminations depicting medieval women from England to Ethiopia, this book provides a lively and accessible introduction to the lives of women in the medieval world.
Here is an inspiring story that has been muted over the past 400 years. For much of this time, Mary Ward's role in changing the place of women in the Church was suppressed by Church authorities with their own unshakeable version of what women could (or could not) achieve. This remarkable Englishwoman, who began her company of sisters in 1609-11, today has followers in large cities and remote villages, in schools, universities and parishes and in justice networks, retreat centres and welfare services on every continent. Yet this was a woman who was ridiculed and imprisoned for pursuing her basic belief that women could both be religious and work to build the faith of their neighbours. It was not until 1909 that the Catholic Church finally allowed her sisters to name her as founder of the Institute. Christine Burke's volume celebrates the life of a woman of great faith and insight - always loyal to the church, resourceful, courageous and determined, a woman who never gave up on her own truth. The author, Loreto Sister, Dr Christine Burke IBVM has taught theology in Australia for a number of years and is at present in a senior leadership position in her Congregation.
In 1943 the bell attached to a rope on both floors of a plain box-like convent in Houston, Texas, rang at 5 a.m. The nine Sisters of Divine Providence stationed at the grade school arose, reciting aloud the traditional prayer that began "Live, Jesus, in my heart! My God, I give you my heart. Mercifully deign to receive it and grant that no creature shall possess it but Thou alone." Continuing to pray aloud for five more minutes, the Sisters who shared small bedrooms began to dress. All had developed in their novitiate a rhythm for this process, which launched each day in a uniform way. Over 20 items of dress had to be donned in a certain order. Before Morning Prayer at 5:25 in the small chapel on the first floor, the Sisters also stripped their single beds, flipped the thin mattresses, and replaced the bed linens, trying not to invade a companion's limited space. Usually it was still dark outside when they started to recite morning prayers unique to the Congregation. This was followed by chanting in Latin on one tone Matins, Lauds, Prime, Tierce, Sext, and None from the Little Office of the Blessed Virgin Mary. Then the superior read aloud some points for reflection, and the Sisters meditated in silence for half an hour. This was the first time of the day they had some relatively unstructured time, and they sometimes experienced "distractions." Perhaps they planned how to teach something better or recalled problematic students. At 6:30 one of the parish priests offered Mass, which was followed by breakfast. The Sisters ate in silence while one of them read passages from the Imitation of Christ. By 8 a.m. they were leading their pupils across the playground to the children's daily Mass in the parish church. In sharp contrast, in 1990 Sister Mary Walter Gutowski, CDP, one of two Sisters living in a small apartment, was the administrator of Our Lady of Guadalupe clinic for low income Latinos and African Americans in Rosenberg, Texas. Sister Walter, who was credited with having delivered more than 3,000 babies under difficult rural circumstances, once remarked, "When someone knocks at my door in the middle of the night, I get dressed in two minutes flat because I never know what will be waiting for me outside."1 What explains this dramatic change of style and ritual in the routines of Catholic Sisters living in mission houses? How did the Sisters move from cloisters to apartments? How did the rigid routines of the nine Sisters of 1943 transmute into the singular and unstructured life of Sister Mary Walter? What are the connections between the bell that rang at five in the morning and the one that sounded at any hour? This history examines the period of 1943 to 2000, an era during which the Sisters of Divine Providence redefined their perspective and practices within the context of a changing American Catholic church. It demonstrates that the Sisters were well situated to embrace the shifting demands of religious mission because their very heritage was grounded in ongoing transformations. Those transformations were played out on a highly charged stage of oppression concerning multi-racial relationships, one that further prepared the Sisters for the intense dynamics of modern church life. When the Sisters celebrated in 1966 the centennial of their arrival in Texas, they were staffing their own college, high schools, and numerous grammar schools in several states as well as hospitals, clinics, and neighborhood centers. They had incorporated a group of women from Mexico and encouraged the independence of a new Providence congregation in the U.S. Responding to Vatican encouragement, after the second Vatican Council they began experiments to update structures and customs so as minister more effectively. The most visible were in the areas of community living and governance and were accompanied by greater collegiality, subsidiarity, variety in prayer
This book is a biography of Marie Rivier (1768-1838), born in Montpezat, Ardeche, France, and foundress of the congregation of the Sisters of the Presentation of Mary. On November 21, 1796, at the height of the French Revolution and against all the rules of human prudence, she founded her Institute. Pope John Paul II beatified her on May 23, 1982. Today, there are approximately 1,500 Sisters of the Presentation of Mary worldwide, ministering in 18 countries.
VOLUME 12 (2022): COMMENTING AND COMMENTARY AS AN INTERPRETIVE MODE IN MEDIEVAL AND EARLY MODERN EUROPE Edited by Christina Lechtermann and Markus Stock Introduction: Commenting and Commentary as an Interpretive Mode in Medieval and Early Modern Europe Christina Lechtermann & Markus Stock The Pro-Active Scribe: Preparing the Margins of Annotated Manuscripts Erik Kwakkel Thinking from the Margins: Opening and Closing Illuminations and their Commentary Functions around 1000 Kristin Böse Reading Texts within Texts: The Special Case of Lemmata Andrew Hicks The In-/Coherences of Narrative Commentary: Commentarial Forms in the Anegenge Christina Lechtermann Dante’s Self-Commentary and the Call for Interpretation Elisa Brilli Spiritualizing Petrarchism, “Poeticizing” the Bible: Two Counter-Reformation Self-Commentaries Christine Ott and Philip Stockbrugger The Power of Glosses: Francesco Fulvio Frugoni’s Self-Commentary and Literary Criticism in the Tribunal della Critica Andrea Baldan Commenting on a Purged Model: The M. Valerii Martialis Epigrammaton libri omnes novis commentariis illustrati of the Jesuit Matthäus Rader (1602) Magnus Ulrich Ferber
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