With gorgeous prose, European glamour, and an expansive wanderlust, Christine Mangan's The Continental Affair is a daring literary caper that is quick on its feet and delightfully surprising. Meet Henri and Louise. Two strangers, traveling alone, on the train from Belgrade to Istanbul. Except this isn't the first time they have met. It's the 1960s and Louise is running. From her past in England, from the owners of the money she has stolen—and from Henri, the person who has been sent to collect it. Across the Continent—from Granada to Paris, from Belgrade to Istanbul—Henri follows, desperate to leave behind his own troubles. The memories of his past life as a gendarme in Algeria that keep resurfacing. His inability to reconcile the growing responsibilities of his current criminal path with this former self. But Henri soon realizes that Louise is no ordinary mark. As the train hurtles toward its final destination, Henri and Louise must decide what the future will hold—and whether it involves one another.
From the bestselling author of Tangerine, a "taut and mesmerizing follow up...voluptuously atmospheric and surefooted at every turn” (Paula McLain, author of The Paris Wife and When the Stars Go Dark). It’s 1966 and Frankie Croy retreats to her friend’s vacant palazzo in Venice. Years have passed since the initial success of Frankie’s debut novel and she has spent her career trying to live up to the expectations. Now, after a particularly scathing review of her most recent work, alongside a very public breakdown, she needs to recharge and get re-inspired. Then Gilly appears. A precocious young admirer eager to make friends, Gilly seems determined to insinuate herself into Frankie’s solitary life. But there’s something about the young woman that gives Frankie pause. How much of what Gilly tells her is the truth? As a series of lies and revelations emerge, the lives of these two women will be tragically altered as the catastrophic 1966 flooding of Venice ravages the city. Suspenseful and transporting, Christine Mangan's Palace of the Drowned brings the mystery of Venice to life while delivering a twisted tale of ambition and human nature.
Surrender to the seductive world of the GhostWalkers in this collection that includes four novels from #1 New York Times bestselling author Christine Feehan. PREDATORY GAME Ghostwalker Jess Calhoun senses in Saber Winter a kindred spirit, a lost soul desperate for sanctuary. He offers her a home, a job, and a haven where she can safely reveal the secrets that shadow her. But danger follows her, too. Now, the riddles of both their pasts are about to collide, shattering the promise of their future with the ultimate betrayal. MURDER GAME Games should be fun, but for two expert teams across the country, they’re murder. The participants in this violent challenge are rumored to be GhostWalkers—and Kaden Montague is determined to clear their name with the help of psychic Tansy Meadows. But as soon as he sees her, he knows his mission will be more complicated than he imagined—and the “murder game” may not be at all what it seems. STREET GAME For Mack McKinley and his team of GhostWalker killing machines, urban warfare is an art. But despite a hard-won knowledge of the San Francisco streets, Mack knows from experience that too many things can still go wrong. Danger was just another part of the game—and now he’s come face-to-face with a woman who can play just as tough. RUTHLESS GAME Ghostwalker Kane Cannon is pure male—animalistic, sexual, protective, instinctive—and his past missions have prepared him for anything. But his newest assignment, to rescue hostages in Mexico, plunges him into a hot zone he never anticipated: the hiding place of Rose Patterson—fugitive, ex-lover, a fellow Ghostwalker pregnant with his child.
A woman on the run collides with lethal danger in this GhostWalker novel by #1 New York Times bestselling author Christine Feehan. GhostWalker Kane Cannon is pure male—animalistic, sexual, protective, instinctive—and his past missions have prepared him for anything. But his newest assignment, to rescue hostages in Mexico, plunges him into a hot zone he never anticipated: the hiding place of Rose Patterson—a fugitive,an ex-lover, a fellow GhostWalker pregnant with his child. Rose is in flight from the insidious experiments that still haunt her dreams, and from the madman who’d do anything to take her child. Of all the GhostWalkers enlisted to hunt her down, Kane is the only one she can trust. But as their passion reignites, the stakes are raised. Because Kane is now a wanted man as well. And together they’re about to face the most desperate challenge of all: staying together and staying alive.
Studies of the English gentleman have tended to focus mainly on the nineteenth century, encouraging the implicit assumption that this influential literary trope has less resonance for twentieth-century literature and culture. Christine Berberich challenges this notion by showing that the English gentleman has proven to be a remarkably adaptable and relevant ideal that continues to influence not only literature but other forms of representation, including the media and advertising industries. Focusing on Siegfried Sassoon, Anthony Powell, Evelyn Waugh and Kazuo Ishiguro, whose presentations of the gentlemanly ideal are analysed in their specific cultural, historical, and sociological contexts, Berberich pays particular attention to the role of nostalgia and its relationship to 'Englishness'. Though 'Englishness' and by extension the English gentleman continue to be linked to depictions of England as the green and pleasant land of imagined bygone days, Berberich counterbalances this perception by showing that the figure of the English gentleman is the medium through which these authors and many of their contemporaries critique the shifting mores of contemporary society. Twentieth-century depictions of the gentleman thus have much to tell us about rapidly changing conceptions of national, class, and gender identity.
In Joyce, Derrida, Lacan and the Trauma of History, Christine van Boheemen-Saaf examines the relationship between Joyce's postmodern textuality and the traumatic history of colonialism in Ireland. Joyce's influence on Lacanian psychoanalysis and Derrida's philosophy, Van Boheemen-Saaf suggests, ought to be viewed from a postcolonial perspective. She situates Joyce's writing as a practice of indirect 'witnessing' to a history that remains unspeakable. The loss of a natural relationship to language in Joyce calls for a new ethical dimension in the process of reading. The practice of reading becomes an act of empathy to what the text cannot express in words. In this way, she argues, Joyce's work functions as a material location for the inner voice of Irish cultural memory. This book engages with a wide range of contemporary critical theory and brings Joyce's work into dialogue with thinkers such as Zizek, Adorno, Lyotard, as well as feminism and postcolonial theory.
The extraordinary life of Australia's first international racehorse, from creating new records in Australia to his life in California, where he won the Hollywood Gold Cup In wartime Sydney, a small and weedy racehorse kicked his way through the top tier of Australian racing. He was Shannon, one of the fastest horses the nation had ever seen. Between 1943 and 1947, Shannon broke record after record with his garrulous jockey Darby Munro. When they sensationally lost the Epsom Handicap by six inches, they forever were stamped by the race they didn't win. Sold in August 1947 for the highest price ever paid at auction for an Australian thoroughbred, Shannon ended up in America. Through headline-snatching pedigree flaws, acclimatization, and countless hardships, he blitzed across the ritzy, glitzy racetracks of 1948 California. Smashing track records, world records, and records set by Seabiscuit, the Australian bolted into world fame with speed and courage that defied all odds. Long before Black Caviar, So You Think, and Takeover Target, Shannon was Australia's first international racehorse. Starring Hall of Fame trainers and jockeys, Hollywood lawyers, and legends Bernborough and Citation, this is his tremendous story.
The last person Alice Shipley expected to see when she arrived in Tangier with her new husband was Lucy Mason. After the horrific accident at Bennington, the two friends - once inseparable roommates - haven't spoken in over a year. But Lucy is standing there, trying to make things right. Perhaps Alice should be happy. She has not adjusted to life in Morocco, too afraid to venture out into the bustling medinas and oppressive heat. Lucy, always fearless and independent, helps Alice emerge from her flat and explore the country. But soon a familiar feeling starts to overtake Alice - she feels controlled and stifled by Lucy at every turn. Then Alice's husband, John, goes missing, and she starts to question everything around her...
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