Assessing key questions such as who the foreigners and outsiders in ancient Maya societies were and how was the foreign a generative component of identity, Foreigners Among Us reassess the arrival of foreigners as part of archaeological understandings of Pre-Columbian Maya and questions not only who these foreigners might have been but who were making such designations of difference in the first place. Drawing from identity studies, standpoint theory, and ideas on alterity, Foreigners Among Us highlights the diverse ways being foreign was constituted, imitated, and marked – from quotidian practices of making corn tortillas to ceremonial acts between king and captive and their memorialization in scenes on sculpted stone monuments. Rather than treat the foreign as axiomatically determined by geographical distance or fixed at birth, the book considers the foreign as much performed as inherited. It examines practices of captivity, cuisine, body ornamentation and dress, diasporic objects, relationships with deities, migration, and pilgrimage. The book focuses, in particular, on diverse peoples in the Maya area during the Classic and Postclassic periods, but also necessarily peers into contacts, engagements and relations throughout Mesoamerica, the Americas more broadly, and with Europeans during the Colonial period – all the while insisting that outsider status must be approached as multi-scalar, relational, and intersectional rather than as neutral, intrinsic, and static. Contributing broadly to intellectual investigations on foreign identities from an anthropological perspective, this book enriches the understanding of Maya society for students and researchers of Mesoamerican archaeology and art history.
Rather than view the contours of Late Classic Maya social life solely from towering temple pyramids or elite sculptural forms, this book considers a suite of small anthropomorphic, zoomorphic, and supernatural figurative remains excavated from household refuse deposits. Maya Figurines examines these often neglected objects and uses them to draw out relationships between the Maya state and its subjects. These figurines provide a unique perspective for understanding Maya social and political relations; Christina T. Halperin argues that state politics work on the microscale of everyday routines, localized rituals, and small-scale representations. Her comprehensive study brings together archeology, anthropology, and art history with theories of material culture, performance, political economy, ritual humor, and mimesis to make a fascinating case for the role politics plays in daily life. What she finds is that, by comparing small-scale figurines with state-sponsored, often large-scale iconography and elite material culture, one can understand how different social realms relate to and represent one another. In Maya Figurines, Halperin compares objects from diverse households, archeological sites, and regions, focusing especially on figurines from Petén, Guatemala, and comparing them to material culture from Belize, the northern highlands of Guatemala, the Usumacinta River, the Campeche coastal area, and Mesoamerican sites outside the Maya zone. Ultimately, she argues, ordinary objects are not simply passive backdrops for important social and political phenomena. Instead, they function as significant mechanisms through which power and social life are intertwined.
Assessing key questions such as who the foreigners and outsiders in ancient Maya societies were and how was the foreign a generative component of identity, Foreigners Among Us reassess the arrival of foreigners as part of archaeological understandings of Pre-Columbian Maya and questions not only who these foreigners might have been but who were making such designations of difference in the first place. Drawing from identity studies, standpoint theory, and ideas on alterity, Foreigners Among Us highlights the diverse ways being foreign was constituted, imitated, and marked – from quotidian practices of making corn tortillas to ceremonial acts between king and captive and their memorialization in scenes on sculpted stone monuments. Rather than treat the foreign as axiomatically determined by geographical distance or fixed at birth, the book considers the foreign as much performed as inherited. It examines practices of captivity, cuisine, body ornamentation and dress, diasporic objects, relationships with deities, migration, and pilgrimage. The book focuses, in particular, on diverse peoples in the Maya area during the Classic and Postclassic periods, but also necessarily peers into contacts, engagements and relations throughout Mesoamerica, the Americas more broadly, and with Europeans during the Colonial period – all the while insisting that outsider status must be approached as multi-scalar, relational, and intersectional rather than as neutral, intrinsic, and static. Contributing broadly to intellectual investigations on foreign identities from an anthropological perspective, this book enriches the understanding of Maya society for students and researchers of Mesoamerican archaeology and art history.
Rather than view the contours of Late Classic Maya social life solely from towering temple pyramids or elite sculptural forms, this book considers a suite of small anthropomorphic, zoomorphic, and supernatural figurative remains excavated from household refuse deposits. Maya Figurines examines these often neglected objects and uses them to draw out relationships between the Maya state and its subjects. These figurines provide a unique perspective for understanding Maya social and political relations; Christina T. Halperin argues that state politics work on the microscale of everyday routines, localized rituals, and small-scale representations. Her comprehensive study brings together archeology, anthropology, and art history with theories of material culture, performance, political economy, ritual humor, and mimesis to make a fascinating case for the role politics plays in daily life. What she finds is that, by comparing small-scale figurines with state-sponsored, often large-scale iconography and elite material culture, one can understand how different social realms relate to and represent one another. In Maya Figurines, Halperin compares objects from diverse households, archeological sites, and regions, focusing especially on figurines from Petén, Guatemala, and comparing them to material culture from Belize, the northern highlands of Guatemala, the Usumacinta River, the Campeche coastal area, and Mesoamerican sites outside the Maya zone. Ultimately, she argues, ordinary objects are not simply passive backdrops for important social and political phenomena. Instead, they function as significant mechanisms through which power and social life are intertwined.
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