Tea in a China Cup, Did You Hear the One About the Irishman . . . ?, Joyriders, The Belle of the Belfast City, My Name, Shall I Tell You My Name?, Clowns
Tea in a China Cup, Did You Hear the One About the Irishman . . . ?, Joyriders, The Belle of the Belfast City, My Name, Shall I Tell You My Name?, Clowns
A collection of plays by one of Ireland's finest dramatists of the 80s and 90s Tea in a China Cup focuses on the differing experiences of three generations of women in a working-class Belfast Protestant family, a tapestry of tales linked by the central character Beth, torn between the influence of traditions and the rejection of gentility and respectability. Did You Hear the One About the Irishman? shows how both nationalists and loyalists are dependent on one another; Joyriders, grew out of the work Reid did with residents at the notorious Davis Flats estate and is structured around the day-to-day activities of four Catholic teenagers on a youth training scheme running at a now-disused textile mill in Belfast and plays on the idea of Britain taking a joy-ride through Ireland; The Belle of Belfast city shows Dolly, a former music-hall star whose bawdy songs and unconventional antics conjure a magical Belfast far removed from that represented by her nephew Jack, a hardline loyalist politician. My Name, Shall I Tell You My name? is "Fierce, poignant...a formidable portrait of intransigent, archaic patriotism" (The Times) and Clowns (the sequel to Joyriders) is a "warmhearted, compassionate play". (The Guardian)
Workplace Violence: Issues in Threat Management defines what workplace violence is, delves into the myths and realities surrounding the topic and provides readers with the latest statistics, thinking, and strategies in the prevention of workplace violence. The authors, who themselves have implemented successful workplace violence protection programs, guide novice and experienced practitioners alike in the development of their own programs.
Measurement and targets have been widely criticised as distorting policy and engendering gaming - yet they continue to be widely used in government. This book offers an original new account explaining the persistent appeal of performance measurement. It argues that targets have been adopted to address a crisis of trust in politics, through creating more robust mechanisms of accountability and monitoring. The book shows that such tools rarely have their intended effect. Through an in-depth analysis of UK targets on immigration and asylum since 2000, it shows that far from shoring up trust, targets have engendered cynicism and distrust in government. Moreover, they have encouraged intrusive forms of monitoring and reform in public administration, with damaging consequences for trust between politicians and civil servants. Despite these problems, performance measurement has now become embedded in techniques of public management. It has also become normalised as a way of framing policy problems and responses. Thus despite their acknowledged problems, targets are likely to retain their allure as techniques of political communication and governance.
By the New York Times bestselling author who “hilariously depicts modern dating” (Us Weekly), My Favorite Half-Night Stand is a laugh-out-loud romp through online dating and its many, many fails. Millie Morris has always been one of the guys. A UC Santa Barbara professor, she’s a female-serial-killer expert who’s quick with a deflection joke and terrible at getting personal. And she, just like her four best guy friends and fellow professors, is perma-single. So when a routine university function turns into a black tie gala, Mille and her circle make a pact that they’ll join an online dating service to find plus-ones for the event. There’s only one hitch: after making the pact, Millie and one of the guys, Reid Campbell, secretly spend the sexiest half-night of their lives together, but mutually decide the friendship would be better off strictly platonic. But online dating isn’t for the faint of heart. While the guys are inundated with quality matches and potential dates, Millie’s first profile attempt garners nothing but dick pics and creepers. Enter “Catherine”—Millie’s fictional profile persona, in whose make-believe shoes she can be more vulnerable than she’s ever been in person. Soon “Catherine” and Reid strike up a digital pen-pal-ship...but Millie can’t resist temptation in real life, either. Soon, Millie will have to face her worst fear—intimacy—or risk losing her best friend, forever. Perfect for fans of Roxanne and She’s the Man, Christina Lauren’s latest romantic comedy is full of mistaken identities, hijinks, and a classic love story with a modern twist. Funny and fresh, you’ll want to swipe right on My Favorite Half-Night Stand.
A comprehensive look at torture, this book examines societal understanding of its use, how we got here, and how it might be regarded in the future. Torture and Enhanced Interrogation: A Reference Handbook begins with an overview of the history of torture, beginning in Ancient Greece and continuing to Guantanamo Bay and beyond. After grounding the reader in the historical fundamentals, the work goes on to examine the key controversies that surround the use of torture, including but not limited to whether it should be used at all as an aid to interrogation or to procure testimony. Then, the book presents the views of several outside contributors with personal experience or special expertise in the area. The book achieves a balance of profiles of those persons and organizations that have played a role in the development of our understanding of torture, a data and documents section, and an annotated bibliography for future research, as well as an event timeline and glossary of key terms. This volume is aims to present facts in as objective a way as possible while providing readers with the resources they need for further study.
2019 Foreword INDIES Finalist American Founders reveals men and women of African descent as key protagonists in the story of American democracy. It chronicles how black people developed and defended New World settlements, undermined slavery, and championed freedom throughout the hemisphere from the sixteenth through the twentieth centuries. While conventional history tends to reduce the roles of African Americans to antebellum slavery and the civil rights movement, in reality African residents preceded the English by a century and arrived in the Americas in numbers that far exceeded European migrants up until 1820. Afro-Americans were omnipresent in the founding and advancement of the Americas, and recurrently outnumbered Europeans at many times and places, from colonial Peru to antebellum Virginia. African-descended people contributed to every facet of American history as explorers, conquistadores, settlers, soldiers, sailors, servants, slaves, rebels, leaders, lawyers, litigants, laborers, artisans, artists, activists, translators, teachers, doctors, nurses, inventors, investors, merchants, mathematicians, scientists, scholars, engineers, entrepreneurs, generals, cowboys, pirates, professors, politicians, priests, poets, and presidents. The multitude of events and mixed-race individuals included in the book underscores that black and white Americans share the same history, and in many cases, the same ancestry. American Foundersis meant to celebrate this shared heritage and strengthen these bonds.
From the award-winning co-author of I Am Malala, this book asks just how the might of NATO, with 48 countries and 140,000 troops on the ground, failed to defeat a group of religious students and farmers? How did the West’s war in Afghanistan and across the Middle East go so wrong?
Sink your teeth into 20 folklore-inspired short stories with this fantasy-horror anthology featuring bestselling authors like Neil Gaiman, M.R. Carey, and Charlie Jane Anders. ALL THE BETTER TO READ YOU WITH: Includes 12 original curses and 6 classic fairy tales! It's a prick of blood, the bite of an apple, the evil eye, a wedding ring or a pair of red shoes. Curses come in all shapes and sizes, and they can happen to anyone, not just those of us with unpopular stepparents . . . Here you'll find unique twists on curses—from fairy tale classics to brand-new hexes of the modern—by bestselling authors! • NEIL GAIMAN • JANE YOLEN • KAREN JOY FOWLER • M.R. CAREY • CHRISTINA HENRY • CHRISTOPHER GOLDEN • TIM LEBBON • MICHAEL MARSHALL SMITH • CHARLIE JANE ANDERS • JEN WILLIAMS • CATRIONA WARD • JAMES BROGDEN • MAURA McHUGH • ANGELA SLATTER • LILLITH SAINTCROW • CHRISTOPHER FOWLER • ALISON LITTLEWOOD • MARGO LANAGAN Expect new monsters and mythologies as well as twists on well-loved fables in this fantasy-horror anthology full of warning, monsters, and magic.
The Experimental Darkroom is a book focused on traditional black & white photographic materials—darkroom chemistry and silver gelatin paper—now used in many non-traditional ways. The book starts with a comprehensive digital negatives chapter. Topics are divided into five sections: cameraless experimentation, camera experimentation, printing experimentation, finished print experimentation, and a section highlighting contemporary photographers who use these approaches today. Each process under discussion is accompanied by photographic examples and a step-by-step method written in a “Just the facts, ma’am” style. Topics included are: Photograms and clichés verre Lumen prints Chemigrams Pinhole and zoneplate Holgas Chromo Liquid emulsion and modern tintype Lith printing Sabattier Mordançage Bleaching and bleachout Toning, traditional to experimental Applied color and abrasion tone Encaustic, photomontage, and collage Bromoil The Experimental Darkroom encourages taking risks and having fun. Over 400 images and 71 artists are included in its 276 pages. The outcome will be an expansion of creative options for the silver gelatin print. The options are engaging and now more accessible with digital negatives. Images are no longer solely captured in camera or on analog film. The darkroom is no longer always dark. The print is no longer a pristine and accurate rendition of what the camera sees. Photographers are pushing the boundaries of black & white photographic practice. It is an exciting time to get into the darkroom and play!
First runner-up for the British-Kuwait Friendship Society Book Prize in Middle Eastern Studies 2015. In ancient Egypt, wrapping sacred objects, including mummified bodies, in layers of cloth was a ritual that lay at the core of Egyptian society. Yet in the modern world, attention has focused instead on unwrapping all the careful arrangements of linen textiles the Egyptians had put in place. This book breaks new ground by looking at the significance of textile wrappings in ancient Egypt, and at how their unwrapping has shaped the way we think about the Egyptian past. Wrapping mummified bodies and divine statues in linen reflected the cultural values attached to this textile, with implications for understanding gender, materiality and hierarchy in Egyptian society. Unwrapping mummies and statues similarly reflects the values attached to Egyptian antiquities in the West, where the colonial legacies of archaeology, Egyptology and racial science still influence how Egypt appears in museums and the press. From the tomb of Tutankhamun to the Arab Spring, Unwrapping Ancient Egypt raises critical questions about the deep-seated fascination with this culture – and what that fascination says about our own.
Dislodging the avant-garde from its central position in the narrative of Soviet art, Collective Body presents painter Aleksandr Deineka's haptic and corporeal version of Socialist Realist figuration not as the enemy of revolutionary art, but as an alternate experimental aesthetic that, at its best, activates and organizes affective forces for collective ends. Tracing Deineka's path from his avant-garde origins as the inventor of the proletarian body in illustrations for mass magazines after the Revolution through his success as a state-sponsored painter of monumental, lyrical canvases during the Great Terror and beyond, Collective Body demonstrates that Socialist Realism is best understood not as a totalitarian style, but rather as a fiercely collective art system that organized art outside the market and formed part of the legacy of the revolutionary modernisms of the 1920s. Collective Body accounts for the way the art of the October Revolution continues to capture viewers' imaginations through the sheer intensity of its evocation of the elation of collectivity, making viewers not only comprehend but also truly feel socialism, and retaining the potential to inform our own art-into-life experiments within contemporary political art. Deineka figures in this study not as a singular master, in the spirit of a traditional monograph, but as a limited case of the system he inhabited and helped to create"--
The Swiss Army knife of guidebooks and the standard by which all other Maine travel guides are judged, this 16th edition of the best-selling guide to the Pine Tree State continues to expand its coverage. Maine: An Explorer’s Guide, the Swiss Army knife of guidebooks, is the standard that all other Maine travel guides are judged by. This sixteenth edition of the longest-established and best-selling guide to the Pine Tree State continues to expand its coverage and is replete with more than 25 detailed maps, as well as listings you can trust for the best lodgings, dining, attractions, shopping, and much more.
They are among the most famous and compelling photographs ever made in archaeology: Howard Carter kneeling before the burial shrines of Tutankhamun; life-size statues of the boy king on guard beside a doorway, tantalizingly sealed, in his tomb; or a solid gold coffin still draped with flowers cut more than 3,300 years ago. Yet until now, no study has explored the ways in which photography helped mythologize the tomb of Tutankhamun, nor the role photography played in shaping archaeological methods and interpretations, both in and beyond the field. This book undertakes the first critical analysis of the photographic archive formed during the ten-year clearance of the tomb, and in doing so explores the interface between photography and archaeology at a pivotal time for both. Photographing Tutankhamun foregrounds photography as a material, technical, and social process in early 20th-century archaeology, in order to question how the photograph made and remade ‘ancient Egypt’ in the waning age of colonial order.
The Constitution gives Congress the power to establish copyright “to promote the Progress of Science and useful Arts.” This requires Congress to engage in a delicate balancing act, giving authors enough protection that they will be motivated to create expressive works, but not so much that it hampers innovation and public access to information. Yet over the past half-century Congress has routinely shifted the balance in only one direction—away from access and freedom and toward greater privileges for organized special interests. Conservatives and libertarians, who are naturally suspicious of big government, should be skeptical of an ever-expanding copyright system. They should also be skeptical of the recent trend toward criminal prosecution of even minor copyright infringements, of the growing use of civil asset forfeiture in copyright enforcement, and of attempts to regulate the Internet and electronics in the name of piracy eradication. Copyright Unbalanced is not a moral case for or against copyright; it is a pragmatic look at the excesses of the present copyright regime and of proposals to expand it further. It is a call for reform—to roll back the expansions and reinstate the limits that the Constitution’s framers placed on copyright. Published by the Mercatus Center at George Mason University.
This book argues against the conventional wisdom that a U.S. right to health is out of reach. It shows that the necessary change is not extraordinary but familiar and that the law has already laid considerable groundwork in ordinary statutes and case law. This descriptive foundation, revealed through the application of well-accepted theories of rights, has simply yet to be either acknowledged as, or relied upon, for rights-building. The book then moves from the descriptive task of showing where a right to health already exists in our legal corpus to the prescriptive goal of showing how we could feasibly and meaningfully expand the right through ordinary policies that are widely used in other domains, including impact assessments and state-sponsored reinsurance. By normalizing American health rights discourse and bringing a right to health, including a right to health care, within the domain of ordinary policy debate, this book arms health advocates for the sharp political contests over health that we face today. Amid the prevailing neoliberal, neo-Lochnerian ideologies that have led us to a dead-end, this book proposes a rival ethic that has been developing right under our noses, one focused on embodied justice, where the priority is squarely on the human and our capacity for suffering and flourishing.
For long weekends, romantic getaways, and family vacations, the BEST PLACES TO STAY series describes an array of distinctive accommodations for discriminating travelers. The authors personally visit and evaluate each establishment, compiling accurate, reliable, up-to-date, and unbiased information for anyone who insists on nothing but the best. Country Inns; Bed & Breakfasts; Lodges, Spas; Resorts; Romantic Hideaways; Guest Farms; Grand Old Resorts. Describes more than 350 accommodation choices in Maine, Vermont, New Hampshire, Massachusetts, Connecticut, and Rhode Island.
Naum Gabo (1890-1977), whose eventful life took him from his native Russia to Berlin, Paris, London, and finally the United States, achieved renown as one of the most inventive and controversial figures in twentieth-century sculpture. This book is the first comprehensive account of Gabo's life, career, and artistic theory and practice. Martin Hammer and Christina Lodder explore in detail the evolution of the artist's work and his aesthetic concerns, creative processes, assimilation of such new materials as plastic, and approach to public sculpture. The authors also examine his response to the scientific and political revolutions of his age and trace the origins and development of Gabo's utopian conviction that Constructivist art was profoundly in tune with modernity, social progress, and advances in science and technology. Drawing on Gabo's extensive and largely unpublished archives of letters, diaries, notebooks, models, and sketchbooks, Hammer and Lodder discuss the sculptor's work in the context of his relations with other avant-garde artists, architects, and critics, including his brother Antoine Pevsner. They also situate his aesthetic theory and practice within the Constructi
A coming-of-middle-age memoir, about the search for love, friendship and the ever-elusive Mr Darcy Prince Charming? Happily ever after? Childhood fairy tales are full of promises, but the reality - life - is a very different story. And that story has a hell of a lot to teach us. With honesty, humour and warmth, Christina Ford looks back on four decades of dates, loves, marriages, friendships, affairs, parenting disasters and step-parenting nightmares. For all those who have ever wondered if there is life after divorce, sex after 40, or who have had their heart broken and questioned if they will ever find love again, this is a reaffirming rallying call that mid-life is exactly that - the middle and not the end.
Aotearoa New Zealand, "a tiny Pacific country," is of great interest to those engaged in postcolonial and literary studies throughout the world. In all former colonies, myths of national identity are vested with various interests. Shifts in collective Pakeha (or New Zealand-European) identity have been marked by the phenomenal popularity of three novels, each at a time of massive social change. Late-colonialism, anti-imperialism, and the collapse of the idea of a singular 'nation' can be traced through the reception of John Mulgan's Man Alone (1939), Keri Hulme's the bone people (1983), and Alan Duff's Once Were Warriors (1990). Yet close analysis of these three novels also reveals marginalization and silencing in claims to singular Pakeha identity and a linear development of settler acculturation. Such a dynamic resonates with that of other 'settler' cultures - the similarities and differences telling in comparison. Specifically, Reading Pakeha? Fiction and Identity in Aotearoa New Zealand explores how concepts of race and ethnicity intersect with those of gender, sex, and sexuality. This book also asks whether 'Pakeha' is still a meaningful term.
From Roman villas to Hollywood films, ancient Egypt has been a source of fascination and inspiration in many other cultures. But why, exactly, has this been the case? In this book, Christina Riggs examines the history, art, and religion of ancient Egypt to illuminate why it has been so influential throughout the centuries. In doing so, she shows how the ancient past has always been used to serve contemporary purposes. Often characterized as a lost civilization that was discovered by adventurers and archeologists, Egypt has meant many things to many different people. Ancient Greek and Roman writers admired ancient Egyptian philosophy, and this admiration would influence ideas about Egypt in Renaissance Europe as well as the Arabic-speaking world. By the eighteenth century, secret societies like the Freemasons looked to ancient Egypt as a source of wisdom, but as modern Egypt became the focus of Western military strategy and economic exploitation in the nineteenth and early twentieth centuries, its ancient remains came to be seen as exotic, primitive, or even dangerous, tangled in the politics of racial science and archaeology. The curse of the pharaohs or the seductiveness of Cleopatra were myths that took on new meanings in the colonial era, while ancient Egypt also inspired modernist, anti-colonial movements in the arts, such as in the Harlem Renaissance and Egyptian Pharaonism. Today, ancient Egypt—whether through actual relics or through cultural homage—can be found from museum galleries to tattoo parlors. Riggs helps us understand why this “lost civilization” continues to be a touchpoint for defining—and debating—who we are today.
“Our God is a God of surprises... Am I open to the God of surprises?”—Pope Francis, 2014 Responding to this challenge, Surprised by God explores what it means to reflect on life and our journey of faith. Theological reflection has been primarily used in academic training for ministry preparation, but it is an essential tool for any person pondering Pope Francis’ questions. Christina Zaker provides an in-depth look at the foundational elements of theological reflection including definitions and guidance through various methods. Offering a lens for reflection based on the unique way Jesus’ parables surprise and invite listeners to collaborate in the reign of God, the book foregrounds the importance of reflection as a spiritual practice committed to justice. Reveling in the many ways God surprises us, we learn how to respond to the invitation of faith with open minds and hearts.
Over 25 years ago, Christina Tree created and set the high standards for the Explorer's Guide series. She has been exploring and vacationing in Maine since her childhood. This fourteenth edition of the "Maine Bible" continues the tradition of being the best-selling guide to the state of Maine.
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