Complex and focused, this collection of poems moves along the line between waking and sleeping to reveal a narrator who is contemplating her origins as well as her future. Pugh frequently turns in her work to the image of a bed--as a source of comfort, an erotic landing, and a place for dreaming. For Pugh, dreams both obscure and reveal, their language a code to be analyzed, as in her longer meditation inspired by Freud's case history "Dora." After dipping dangerously far into dreams, Pugh's poems return to a world of activity, full of physicality before becoming calm. At the end of the book, the self is restored and can see the world through a newly formed lens taken from its dreams.
Christina Pugh’s Grains of the Voice exhibits a pervasive fascination with sound in all its manifestations. The human voice, musical instruments, the sounds produced by the natural and man-made worlds—all serve at one time or another as both the framework of poems and the occasion for their lightning-quick changes of direction, of tone, of point of reference. The poems are eclectic in their allusiveness, filled with echoes—and sometimes the words themselves—of other poets, but just as often of songs both popular and obscure, of the noise of pop culture, and of philosophers’ writings. But Pugh always wears her learning lightly. Beneath the jewellike surfaces of her poems is a strenuous investigation of the nature of and need for communication and a celebration of the endless variety of its forms.
The first instalment in the addictively charming Milton St John Trilogy! Falling in love is easy. Staying in love is something else altogether... 'Christina Jones is one of the best writers I have ever read - her books are funny, sad, amusing, all at the same time' ⭐ ⭐ ⭐ ⭐ ⭐ Real reader review 'Could not put this down! Well written and I fell totally in love with the setting, all the characters and wished it didn't come to an end' ⭐ ⭐ ⭐ ⭐ ⭐ Real reader review 'As usual brilliant love Christina Jones, another great and funny read would recommend' ⭐ ⭐ ⭐ ⭐ ⭐ Real reader review 'Brilliant - loved it - great story and characters - totally absorbing' ⭐ ⭐ ⭐ ⭐ ⭐ Real reader review ___________________________________________________ Maddy Beckett lives in the horse-racing village of Milton St John. Recovered from a disastrous love-affair and running her own small business, she's happy being single until she meets and falls for the gorgeous Drew Fitzgerald. Everything about Drew is perfect - until his cool and impossibly elegant wife appears on the scene. Maddy loves Drew, but doesn't know if she loves him enough to become "the other woman"? Morally, it's out of the question, but physically . . . ? Has their relationship got what it takes to go the distance? YOUR FAVOURITE AUTHORS LOVE CHRISTINA JONES 'A wonderful writer' - JILL MANSELL 'Warm, funny and full of love!' - KATIE FFORDE 'Lovely, sunshiney . . . a treat!' - CAROLE MATTHEWS ___________________________________________________ Love Christina Jones' charming romances? Then pre-order Weddings at Sandcastle Cottage: the brand-new, absolutely heartwarming, novel now!
Complex and focused, this collection of poems moves along the line between waking and sleeping to reveal a narrator who is contemplating her origins as well as her future. Pugh frequently turns in her work to the image of a bed--as a source of comfort, an erotic landing, and a place for dreaming. For Pugh, dreams both obscure and reveal, their language a code to be analyzed, as in her longer meditation inspired by Freud's case history "Dora." After dipping dangerously far into dreams, Pugh's poems return to a world of activity, full of physicality before becoming calm. At the end of the book, the self is restored and can see the world through a newly formed lens taken from its dreams.
Television was one of the forces shaping the cultural revolution of the 1960s and 1970s, when a blockbuster TV series could reach up to a third of a country’s population. This book explores television’s impact on social change by comparing three sitcoms and their audiences. The shows in focus – Till Death Us Do Part in Britain, All in the Family in the United States, and One Heart and One Soul in West Germany – centered on a bigoted anti-hero and his family. Between 1966 and 1979 they saturated popular culture, and managed to accelerate as well as deradicalize value changes and collective attitudes regarding gender roles, sexuality, religion, and race.
The final instalment in the addictively charming The Milton St John Trilogy! Readers LOVE Christina Jones' enthralling tales! 'As feel-good and cosy as a goosedown duvet' JILL MANSELL 'Awesome page turner by an author who never fails to enthral me. Fantastically written, the book is lethally addictive!' ***** Reader review 'This woman is absolutely amazing, draws you in so you keep on reading whenever you can' ***** Reader review 'Brilliant, could not put this book down!!' ***** Reader review 'Loved it and didn't want it to end!' ***** Reader review 'Another brilliant read I have to read more from Christina jones!' ***** Reader review ___________________________________________________ No-one ever promised that falling in love was going to be easy... Jemima Carlisle's father lost their home, their money, and even her mother through his gambling addiction, so it's hardly surprising that his daughter hates everything to do with horseracing with a passion. Opening a bookshop in Milton St John, a village right in the middle of all the biggest race training yards in the country, isn't the brightest thing she's ever done. The bookshop suddenly becoming the focus for village intrigue doesn't exactly help matters, but when Jemima falls for jump jockey and lady-killer Charlie Somerset, she quickly learns that jumping to conclusions is bound to end in disaster... ___________________________________________________ Love Christina Jones' captivating novels? Then check out the fabulously joyful Summer at Sandcastle Cottage and Christmas at Sandcastle Cottage. You won't be disappointed!
Around the globe, concerns about interfaith relations have led to efforts to find earlier models in Muslim Iberia (al-Andalus). This book examines how Muslim Iberia operates as an icon or symbol of identity in twentieth and twenty-first century narrative, drama, television, and film from the Arab world, Spain, and Argentina. Christina Civantos demonstrates how cultural agents in the present ascribe importance to the past and how dominant accounts of this importance are contested. Civantos's analysis reveals that, alongside established narratives that use al-Andalus to create exclusionary, imperial identities, there are alternate discourses about the legacy of al-Andalus that rewrite the traditional narratives. In the process, these discourses critique their imperial and gendered dimensions and pursue intercultural translation.
Often seen as ethnically monolithic, the African Methodist Episcopal (AME) Church in fact successfully pursued evangelism among diverse communities of indigenous peoples and Black Indians. Christina Dickerson-Cousin tells the little-known story of the AME Church’s work in Indian Territory, where African Methodists engaged with people from the Five Civilized Tribes (Cherokees, Creeks, Choctaws, Chickasaws, and Seminoles) and Black Indians from various ethnic backgrounds. These converts proved receptive to the historically Black church due to its traditions of self-government and resistance to white hegemony, and its strong support of their interests. The ministers, guided by the vision of a racially and ethnically inclusive Methodist institution, believed their denomination the best option for the marginalized people. Dickerson-Cousin also argues that the religious opportunities opened up by the AME Church throughout the West provided another impetus for Black migration. Insightful and richly detailed, Black Indians and Freedmen illuminates how faith and empathy encouraged the unique interactions between two peoples.
A wealthy wanted man attempts to keep a low profile—but an old case may be stirring up new crimes in this British police thriller. After years of exile in St. Lucia, tycoon Kevan de Vries has come back to England’s East Midlands and is hiding out at Sausage Hall. His return is driven by an obsessive desire to find out who his father was—despite the risk that the police may come by seeking answers about the disappearance of Tony Sentance, former De Vries Industries employee and leader of a child trafficking gang. DI Tim Yates and DS Juliet Armstrong are still in the dark about the wealthy fugitive in their midst—but before long, the police are looking into a vanished woman’s possible murder, a Traveller child who may be at risk, and the lingering mysteries surrounding a trafficking ring that could still be operating under their noses . . . Previously published as De Vries
The cultural milieu in the “Age of Goethe” of eighteenth-century Germany is given fresh context in this art historical study of the noted writers’ patroness: Anna Amalia, Duchess of Weimar-Sachsen-Eisenach. An important noblewoman and patron of the arts, Anna Amalia transformed her court into one of the most intellectually and culturally brilliant in Europe; this book reveals the full scope of her impact on the history of art of this time and place. More than just biography or a patronage study, this book closely examines the art produced by German-speaking artists and the figure of Anna Amalia herself. Her portraits demonstrate the importance of social networks that enabled her to construct scholarly, intellectual identities not only for herself, but for the region she represented. By investigating ways in which the duchess navigated within male-dominated institutions as a means of advancing her own self-cultivation – or Bildung – this book demonstrates the role accorded to women in the public sphere, cultural politics, and historical memory. Cumulatively, Christina K. Lindeman traces how Anna Amalia, a woman from a small German principality, was represented as an active participant in enlightened discourses. The author presents a novel and original argument concerned with how a powerful woman used art to shape her identity, how that identity changed over time, and how people around her shaped it – an approach that elucidates the power of portraiture in eighteenth- and early nineteenth-century Europe.
Gender equality is a widely shared value in many western societies and yet, the mention of the term feminism frequently provokes unease, bewilderment or overt hostility. Repudiating Feminism sheds light on why this is the case. Grounded in rich empirical research and providing a timely contribution to debates on engagements with feminism, Repudiating Feminism explores how young German and British women think, talk and feel about feminism. Drawing on in-depth interviews with women from different racial and class backgrounds, and with different sexual orientations, Repudiating Feminism reveals how young women's diverse positionings intersect with their views of feminism. This critical and reflexive analysis of the interplay between subjective accounts and broader cultural configurations shows how postfeminism, neoliberalism and heteronormativity mediate young women's negotiations of feminism, revealing the manner in which heterosexual norms structure engagements with feminism and its consequent association with man-hating and lesbian women. Speaking to a range of contemporary cultural trends, including the construction of essentialist notions of cultural difference and the neoliberal imperative to take responsibility for the management of one's own life, this book will be of interest to anyone studying sociology, gender and cultural studies.
Of individual sanctions could comply with general principles of EU law. Readership: Academics, graduate students, and practitioners interested in sanctions against individuals.
A history of the struggle among competing stakeholders in one of the oldest and most controversial experiments in US health care policy, a precursor to ObamacareIn 1993, Tennessee launched a reform initiative designed to simultaneously expand the proportion of residents with health insurance and curtail cost increases. It was guided by principles that nearly match those that guided the creation of the Affordable Care Act, also known as Obamacare. Like the ACA, TennCare used corporations, rather than a single government payer, to implement the plan, and it relied on a mix of managed care, market competition, and government regulation. While many states cut back on their Medicaid enrollments from 1993 to 2001, TennCare grew from 750,000 to 1.47 million enrollees. The state was less successful in controlling costs, however. Each major stakeholder group (the state, the managed care organizations, the providers, and the enrollees and their advocates) pushed back against parts of the state's strategy that adversely affected their interests, and they eventually dismantled the mechanisms of cost constraint. The author lays out the four stakeholder perspectives for each period in the history of TennCare and provides a link to difficult-to-access primary documents.
“I absolutely loved reading this, edge of your seat gripping thriller . . . totally captivated me from beginning to end . . . fantastic.” —Goodreads reviewer, five stars In England’s East Midlands, a harried police detective juggles multiple cases that soon reveal the depths of human depravity . . . DI Tim Yates has been following up for months on reports of missing farm machinery—with no success—when a local farmer and philanthropist is physically assaulted. Could this be a lead? If so, it doesn’t take Yates very far, since the victim, Jack Fovargue, refuses to accept any help. Meanwhile, there’s a more urgent case to attend to—a decapitated body has been found in the Fossdyke Canal. This may be the first clue that finally connects a series of recent disappearances: a paper girl out on her rounds; a prostitute abducted off the street; an immigrant woman who vanished after stepping off a bus. After frogmen find two more corpses in the canal, and Yates’s researcher wife notes a similarity to a long-ago case someone is already in prison for, the situation starts becoming as murky as the canal itself . . .
The Seven Paperweights is set in 1982 and takes the main character, Eve Watson, through a reflective journey spanning over thirty years whilst contemplating the seven paperweights bought from a fairground gypsy. Each paperweight is sold with a gypsy’s warning. The action commences on Christmas Eve, her birthday, where she finds the paperweights hidden away in the loft while sorting out the matrimonial home following divorce proceedings.
The best of the best all along Maine's magnificent coastline! This second edition brings you new and current information for traveling smart along the Maine coast. The Maine coast covers more than 4500 miles—more than all of the rest of the East Coast combined. Highly selective and clearly presented, this completely updated second edition orients you to Maine's regions, offers itineraries, and describes at length the many things to see and do, as well as places to eat and stay.
While Active Learning Classrooms, or ALCs, offer rich new environments for learning, they present many new challenges to faculty because, among other things, they eliminate the room’s central focal point and disrupt the conventional seating plan to which faculty and students have become accustomed.The importance of learning how to use these classrooms well and to capitalize on their special features is paramount. The potential they represent can be realized only when they facilitate improved learning outcomes and engage students in the learning process in a manner different from traditional classrooms and lecture halls.This book provides an introduction to ALCs, briefly covering their history and then synthesizing the research on these spaces to provide faculty with empirically based, practical guidance on how to use these unfamiliar spaces effectively. Among the questions this book addresses are:• How can instructors mitigate the apparent lack of a central focal point in the space?• What types of learning activities work well in the ALCs and take advantage of the affordances of the room?• How can teachers address familiar classroom-management challenges in these unfamiliar spaces?• If assessment and rapid feedback are critical in active learning, how do they work in a room filled with circular tables and no central focus point?• How do instructors balance group learning with the needs of the larger class?• How can students be held accountable when many will necessarily have their backs facing the instructor?• How can instructors evaluate the effectiveness of their teaching in these spaces?This book is intended for faculty preparing to teach in or already working in this new classroom environment; for administrators planning to create ALCs or experimenting with provisionally designed rooms; and for faculty developers helping teachers transition to using these new spaces.
A rigorous analysis of various aspects related to treaty access Tax treaty access is an ongoing challenge for both taxpayers and tax authorities. This volume provides a rigorous analysis of various aspects related to treaty access. Schematically, the volume is divided into four parts. The first part deals with general interpretative issues and principles; the second and third parts cover a wide range of sub-aspects relating to the subjective and objective scope of tax treaties and the recent challenges posed to tax treaty access, while the fourth part focuses on the knotty issues of treaty shopping and abuse. The structure of the volume reflects the necessity to approach access to treaty benefits in a holistic way and view the recent trends through a wide lens. All chapters contain a complete examination of the relevant topics, starting from a historical perspective and continuing with tax treaty law principles and tax practice analysis. Where appropriate, a domestic law and domestic courts’ jurisprudence perspective was added as well as a comparative analysis of several jurisdictions thus complementing the examination of each topic. Finally, special attention is given to treaty abuse and the new GAAR introduced in the 2017 OECD Model together with its interrelation with other treaty and domestic anti-abuse provisions and the impact of these provisions on tax treaty access and tax policy in general.
Are you: * planning a career in higher education? * an academic whose career could and should develop? * wondering how you can realize your potential across institutions, departments and disciplines? * looking for a career strategy? Then this timely book has been written for you. Designed for those working, or hoping to work, within the higher education system, this handbook will also be of value to those in more established positions who want to develop their own careers or want to support younger colleagues. With an emphasis on supporting staff development, this timely handbook offers guidance on the craft of performing five key tasks - networking, teaching, researching, writing and managing. Additionally, issues such as getting published, networking, obtaining research funding, principles of teaching and assessment, and seeking promotion are discussed. The handbook is designed to be accessible, illuminating and entertaining, with useful advice and critical viewpoints juxtaposed. So if you want a successfully planned career instead of just 'letting it happen', then this handbook's for you.
From the moment Captain America punched Hitler in the jaw, comic books have always been political, and whether it is Marvel’s chairman Ike Perlmutter making a campaign contribution to Donald Trump in 2016 or Marvel’s character Howard the Duck running for president during America’s bicentennial in 1976, the politics of comics have overlapped with the politics of campaigns and governance. Pop culture opens avenues for people to declare their participation in a collective project and helps them to shape their understandings of civic responsibility, leadership, communal history, and present concerns. Politics in the Gutters: American Politicians and Elections in Comic Book Media opens with an examination of campaign comic books used by the likes of Herbert Hoover and Harry S. Truman, follows the rise of political counterculture comix of the 1960s, and continues on to the graphic novel version of the 9/11 Report and the cottage industry of Sarah Palin comics. It ends with a consideration of comparisons to Donald Trump as a supervillain and a look at comics connections to the pandemic and protests that marked the 2020 election year. More than just escapist entertainment, comics offer a popular yet complicated vision of the American political tableau. Politics in the Gutters considers the political myths, moments, and mimeses, in comic books—from nonfiction to science fiction, superhero to supernatural, serious to satirical, golden age to present day—to consider how they represent, re-present, underpin, and/or undermine ideas and ideals about American electoral politics.
Rather than view the contours of Late Classic Maya social life solely from towering temple pyramids or elite sculptural forms, this book considers a suite of small anthropomorphic, zoomorphic, and supernatural figurative remains excavated from household refuse deposits. Maya Figurines examines these often neglected objects and uses them to draw out relationships between the Maya state and its subjects. These figurines provide a unique perspective for understanding Maya social and political relations; Christina T. Halperin argues that state politics work on the microscale of everyday routines, localized rituals, and small-scale representations. Her comprehensive study brings together archeology, anthropology, and art history with theories of material culture, performance, political economy, ritual humor, and mimesis to make a fascinating case for the role politics plays in daily life. What she finds is that, by comparing small-scale figurines with state-sponsored, often large-scale iconography and elite material culture, one can understand how different social realms relate to and represent one another. In Maya Figurines, Halperin compares objects from diverse households, archeological sites, and regions, focusing especially on figurines from Petén, Guatemala, and comparing them to material culture from Belize, the northern highlands of Guatemala, the Usumacinta River, the Campeche coastal area, and Mesoamerican sites outside the Maya zone. Ultimately, she argues, ordinary objects are not simply passive backdrops for important social and political phenomena. Instead, they function as significant mechanisms through which power and social life are intertwined.
This open-access book investigates Francophone Caribbean literature by exploring and analyzing French seventeenth-century travel writings. The book argues for a literary re-examination of the representation of the early colonial Caribbean by proposing theoretical linkages to contemporary Caribbean theories of creolization and archipelagic thinking. Using Édouard Glissant’s notion of points of entanglement, Christina Kullberg claims that the historical, social, and political messiness of the Caribbean seventeenth century make for complex representations and expressions, generating textual instability despite the travelers’ apparent desires to domesticate the islands. Taking a synoptic approach to travel narratives in French from 1620 up to the publication of Labat’s Nouveau voyage aux Isles de l’Amérique in 1722, Kullberg examines textual instances where the islands and the peoples of this period disrupt and unsettle dominant French narratives and enter productively into the construction of knowledge and the representations of the region. Kullberg’s contribution is to read French early modern travels in situ as shaped by the archipelagic geography, its history and social formations in order to interrogate both the construction and the limitations of discourses of power.
The best of the best all along Maine’s magnificent coastline. The Maine coast is longer, more varied, and more accessible than you might think, covering 7,000 miles if you count the islands. How will you find the best recreation, lodging, and dining options in all that territory? Explorer's Guide Maine Coast & Islands, Key to a Great Destination is by the same trusted team behind Explorer’s Guide Maine, the most comprehensive guidebook available to the state and a bestseller for more than 20 years. Not an abridged version of that book, this is a completely unique guide to Maine’s dramatic, iconic coast and islands. It provides only the best options available—places chosen by two of the most savvy and knowledgeable travel writers writing about Maine today.
How to Research is a clear and accessible guide to the business of doing a research project. It systematically takes the reader through from the planning to the writing up and finishing off. The new edition of this book will include:
This study takes a fresh look at the abundant scenarios of disguise in early modern prose fiction and suggests reading them in the light of the contemporary religio-political developments. More specifically, it argues that Elizabethan narratives adopt aspects of the heated Eucharist debate during the Reformation, including officially renounced notions like transubstantiation, to negotiate culturally pressing concerns regarding identity change. Drawing on the rich field of research on the adaptation of pre-Reformation concerns in Anglican England, the book traces a cross-fertilisation between the Reformation and the literary mode of romance. The study brings together topics which are currently being strongly debated in early modern studies: the turn to religion, a renewed interest in aesthetics, and a growing engagement with prose fiction. Narratives which are discussed in detail are William Baldwin’s Beware the Cat, Robert Greene’s Pandosto and Menaphon, Philip Sidney’s Old and New Arcadia, and Thomas Lodge’s Rosalynd and A Margarite of America, George Gascoigne’s Steele Glas, John Lyly’s Euphues: An Anatomy of Wit and Euphues and his England, Barnabe Riche’s Farewell, Greene’s A Quip for an Upstart Courtier, and Thomas Nashe’s The Unfortunate Traveller.
Calling Forth Your Inner Council of Wise, Brave, Crazy, Rebellious, Loving, Luminous Selves “A woman’s work is to define herself,” says award-winning slam poet Dominique Christina. While this task is important for everyone, there is an urgency for women. “When you have inherited a societal construct that names, describes, and practices an ideology that women are somehow less important, and less necessary, then the work of defining yourself carries with it a kind of fury.” Every woman is composed of many selves—archetypal players of the psyche who contribute their voices to her greater “I.” Here, Christina creates an empowering space for women to examine their inner workings and honor the feminine aspects that make them who they are. Each chapter is devoted to a different archetype, delving into the magic and gifts of our inner world in all its forms, such as the Willing Woman, the Rebel, the Beggar, the Shapeshifter, and the Warrior. Combining firebrand poetry, compelling inquiry, and heart-opening exercises, Christina helps us make an intimate connection with each of our inner women—known and unknown, loved and feared—so we may integrate their voices, realize their wisdom, and open ourselves to our full expression and power.
Craig Littleton's decision to end his marriage would shock his wife, Denise... if she only knew what he was up to. When an accident lands Craig in the ICU, with fuzzy memories of his own life and plans, Denise rushes to his side, ready to care for him. They embark on a quest to help Craig remember who he is and, in the process, they discover dark secrets: An affair? An emptied bank account? A hidden identity? An illegitimate child? But what will she do when she realizes he's not the man she thought he was? Is this trauma a blessing in disguise, a chance for a fresh start? Or will his secrets destroy the life they built together?
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