Christina a girl from an extremely abusive home, where her father (a gunsmith), and his girlfriend Leah share the same sociopathic nature and idealism. After Christina's mother suddenly passes the abuse becomes unbearable. Christina who feels like the unloved finds herself seduced by one of her father's friends, in fact a good friend of the family for many years, know as Uncle Frank. Once Christina falls for Frank and they make a plan to escape from her father's home, is when things become unglued and Christina starts to second guess herself to appease Frank amidst a whole new lifestyle. Again Christina finds the need to escape, but this time, escaping finds her back home and a prisoner who is now 5-6 months pregnant with Frank's child. Her sociopathic parents have their own plans to perform an abortion, until Leah comes up with far better option...one that pays. After the sale of Christina's baby, which was born in the attic, Christina herself is sold to one of her father's well-off customers. Afraid at first of the idea of being sold, it begins grow on Christina who has been a tightly confound prisoner for a year, often deprived of food, love and worst of all, the son she birthed while almost haemorrhaging to death in her father's home. After all is said and done, Christina is surprised by the kindness of her purchaser, the prominent Alec McGuire. Alec, who is the owner of several pharmaceutical companies, captures Christina's heart and over time finds she is healing his heart from a secret brokenness that when uncovered, shocks Christina to her very being. As the years go by at Alec McGuire's mansion and the huge property that houses it, Christina finds herself maturing into a fine young woman with many opportunities. Still Christina longs to find her child she calls Luke and in doing so, much is to be unveiled. While ghosts of her past still haunt her, Christina is preoccupied by a new ghost, one that dwells high in an upper storage room in the mansion. Soon she will find and face the eerie shadow that follows her. Later the one person she has grown to trust and love (Alec) dies in Christina's arms. Christina, heartbroken and struggling not to despair finds the strength inside her that Alec help her build, in so she follows her heart and finds her beloved Luke. Next heart shattering events, laughter and the promise of her own true love fulfilled, yet Christina's promise still remains to the one who transfigure her life...the promise to forget me not.
With a deadly target on his back, DEA agent Luke Calder’s plan is to drink away his impending demise. Except instead of getting blessedly drunk, in walks a woman with a much deeper story than she’s leading on. And he definitely wants to know more. Especially when he learns she might have intel he needs.He’s not cool with lying to her, but desperate times call for desperate measures. And what starts out as simple surveillance turns into so much more. Cassandra Stone is having a bad night. Her boyfriend’s been cheating because she’s not “ adventurous enough” in bed. So, she does the next logical thing—she goes in search of a dark, dangerous one-night stand. Instead, she finds smoldering eyes, deep dimples, and the killer smile of a guy who won’t leave her alone. Damn him. He says and does all the right things, making Cass believe that good men still exist. Until she learns why he took an interest in her in the first place. Each book in the Under Covers series is STANDALONE: *On Her Six *In Walked Trouble *The Man I Want to Be
John the Baptist as a Rewritten Figure in Luke-Acts compares the Gospel of Luke’s account of John’s ministry with those of Matthew, Mark, and John to make the case for the hypertextual relationship between the synoptic gospels. The book is divided into three parts. Part I situates the Gospel of Luke within the broader context of biblical rewritings and makes the general case that a rewriting strategy can be detected in Luke, while Parts II and III combined offer a more detailed and specific argument for Luke’s refiguring of the public ministry of John the Baptist through the use of omitted, new, adapted, and reserved material. While the "two source hypothesis" typically presupposes the independence of Luke and Matthew in their rewritings of Mark and Q, Chauchot argues that Luke was heavily reliant on Matthew as suggested by the "L/M hypothesis". Approaching the Baptist figure in the synoptic gospels from a literary-critical perspective, Chauchot examines "test cases" of detailed comparative analysis between them to argue that the Gospel of Luke makes thematic changes upon John the Baptist and is best characterized as a highly creative reshaping of Matthew and Mark. Making a contribution to current research in the field of New Testament exegesis, the book is key reading for students, scholars, and clergy interested in New Testament hermeneutics and Gospel writing.
The study combines theories of myth, popular culture, structuralism and poststructuralism to explain the enormous appeal of »Star Wars« and »Harry Potter«. Although much research already exists on both stories individually, this book is the first to explicitly bring them together in order to explore their set-up and the ways in which their structures help produce ideologies on gender and ethnicity. Hereby, the comparison yields central insights into the workings of modern myth and uncovers structure as integral to the success of the popular genre. It addresses academic audiences and all those wishing to approach the tales from a fresh angle.
Proposing a new method for moral theology, Christina Astorga seeks to recast our understanding of the discipline by drawing from the faith vision of the entire theological enterprise, including scripture, dogmatic theology, social ethics, and spirituality.
Guaranteed to make you smile, if you love Sophie Kinsella, Beth O'Leary and Nicola May, you'll LOVE Christina Bradley's hilarious and life-affirming novel of the search for happiness! 'Packed with humour, friendship and romance . . . it has a real life-affirming, self-affirming message that left me with a spring in my step' SOPHIE RANALD 'Christina Bradley shows real talent in creating a novel with pace and humour and uplifting self-discovery' HOT BRANDS COOL PLACES *Previously published as Thirty* 'Well-written, witty and totally original' 5 star reader review 'Hilarious, very entertaining and you don't want to stop reading!' 5 star reader review 'Cheeringly good' 5 star reader review 'Laugh-out-loud funny' 5 star reader review 'Funny, easy, addictive read' 5 star reader review 'Hilarious, on point about being single' 5 star reader review Bella Edwards wants to change her life. With a significant birthday just a month away, Bella is aware that life isn't quite panning out the way she thought it would - or the way that the lives of everyone around her seem to be (if their constant social media updates are to be believed). In a moment of madness - or absolute clarity - Bella calls quits on her job and her life in London and hops on a plane to New York, seeking the comfort and wisdom of her best friend, Esther, who sets her a challenge. Bella is going to spend the next thirty days saying yes to every new date, following her wildest dreams - and finding out what will make her truly happy. What readers are saying about Which Way to Happiness? 'Such a witty, fun character . . . the concept was super entertaining . . . I loved her writing' 'An entertaining read and I really liked the concept of the book . . . I hope there will be a sequel' 'Fresh, sensitive and hilarious' 'Brings out real giggles in places but thought-provoking too!' 'Amazing and on point' 'Funny, fast-paced and highly addictive' 'Original and witty
This book combines New Testament studies and cultural theory, and analyzes Acts of the Apostles as a product of imperial discourse. In five chapters, Christina Petterson engages Acts with ideology, gender, class, and empire with different emphases. All of these analyses argue that Christianity can never be set outside discourses of exploitation, discrimination, and hierarchies, but must always be set within them.
In Regency England, a pretty young widow loses her estate—to the man who blames her for his broken heart . . . Maude Bellamy is devastated when the intervention of her strict father prevents her from eloping with her true love, Luke Hexham. But it is not long before she is married off to Luke’s well-to-do cousin—a good match in her father’s eyes, but an abhorrent one to Maude. Eight years later, her husband is dead and Maude, Lady Hexham, is appalled to find his entire estate belongs to Luke—with no provision for either herself or her young daughter. Luke has never forgotten Maude’s apparent treachery, and now he has a chance at revenge. But as much as he still carries the scars of that betrayal, he cannot ignore the stirring feelings within his heart. And soon, both Maude and Luke realize that perhaps it is never too late for true love. But even as they finally come together, there are those who will do anything to keep them apart . . .
In Cultural Melancholia: US Trauma Discourses Before and After 9/11, Christina Cavedon frames her examination of 9/11 fiction, especially Jay McInerney’s The Good Life and Don DeLillo’s Falling Man, with a thorough discussion of what US reactions to the terrorist attacks of September 11, 2001 disclose about American culture. Offering a comparative reading of pre- and post-9/11 literary, public, and academic discourses, she deconstructs the still commonly held belief that cultural repercussions of the attacks primarily testify to a cultural trauma in the wake of the collectively witnessed media event. She innovatively re-interprets discourses to be symptomatic of a malaise which had afflicted American culture already prior to 9/11 and can best be approached with melancholia as an analytical concept.
Steeped in the Catholic spiritual tradition, The Sacramentality of Music argues that musical experience, in its appeal to the entirety of the human person, can serve as a locus of encounter with the divine and an occasion of God’s self-revelation in love, with spiritually nurturing, ultimately transformative, ends. Christina Labriolacontends that this dynamic might most aptly be understood as sacramental, an all-encompassing perspective of the cosmos permeated by the divine creative, salvific, sustaining presence. Through its participation in the mysteries of beauty and creativity, its bodily and affective engagement, and impact on the inner life, music operates sacramentally: manifesting divine realities through the tangible stuff of human experience. In a thematic theological exploration that interweaves pastoral theology, theological aesthetics, and mysticism, the reader is invited to contemplate music’s sacramental potentiality and to engage the sacramentally charged music of Beethoven, Bartok, MacMillan, Messiaen, Mozart, Ešenvalds, Bach, Pärt, and Hildegard. In attending to musical ways of relating to God, this book invites readers into a deepening awareness of the sacramental nature of reality itself as that in which the spiritual resonance of music is grounded and reveals afresh, taking musical beauty seriously in the spiritual order with repercussions for Christian living.
Economic realities have been increasingly at the center of discussion of the New Testament and early church. Studies have tended to be either apologetic in tone, or haphazard with regard to economic theory, or both‒‒either imagining the ancients as involved in “primitive” economic relationships, or else projecting the modern capitalist preoccupation with markets and the enterprising individual back onto first-century realities. Roland Boer and Christina Petterson blaze a new trail, relying on the expansive work on the Roman economy of G. E. M. de Ste. Croix (who was relatively uninterested in the New Testament, however) and on the theoretical framework of the Regulation school. Theoretically flexible and responsive to historical data, Regulation theory gives appropriate regard to the centrality of agriculture in the ancient world and finds economic instability to be the norm, except for brief episodes of imposed stability. Boer and Petterson find the Roman world in crisis as slavery expands, transforming the agricultural economy so that slave estates could supply the needs of the polis. Successive chapters describe aspects of the economic crisis in the first century and turn at last to understand the ideological role played by nascent Christianity.
New neighbors are bad news in Samantha Harper’s experience. Especially ones as suspicious and brooding as the guy who just moved in next door. So when the dangerous but sexy stranger seems to be involved in something illegal—the aspiring cop in her takes action. If only she could stop thinking about how he looks naked... All DEA agent Ash Cooper wants to do is lay low and survive this crap surveillance assignment. But after a run-in with his attractive neighbor, he realizes that’s going to be much harder than he planned. Keeping the woman out of trouble is hard enough, but keeping his hands off her is near impossible. Each book in the Under Covers series is STANDALONE: *On Her Six *In Walked Trouble *The Man I Want to Be
Apostolic Women, Apostolic Authority addresses the state of women’s leadership in the Anglican Communion and highlights the distinctive contribution women make when they take on senior posts. This collaborative work incorporates stories, theological reflection, and biblical scholarship, welcoming readers into a riveting conversation about the future of women, ministry, leadership, and communion. Contributors, including Katharine Jefferts Schori, Catherine Roskam, and other women Anglican leaders, reflect on their shared experience as apostolic women. • Part One looks at the role of women in the light of scripture and tradition • Part Two explores women and ecclesiastical leadership • Part Three assesses the challenges facing women’s ministry today and explores some spiritual resources for meeting them • Part Four imagines some possible futures
READERS LOVE CHRISTINA JONES' UPLIFTING ROMANCE NOVELS! 'Delightful, warm hearted, easy to read book... Just the thing to cheer you up after a bad day' ***** Reader review 'This was an excellent novel, the author gave her all to this story' ***** Reader review 'Always feel so uplifted by the end of the book! Onto the next!' ***** Reader review 'A really lovely family story. The characters were fantastic and made you feel involved with the story' ***** Reader review 'Very good warm-hearted story. Enjoyable reading' ***** Reader review _______________ Home is where the heart is... Bob and Amy Phillips and their four grown-up children run Lavender Cabs in the small Berkshire market town of Appleford. Everyone is involved. The business has grown - through three generations - into a thriving taxi and garage business. But when Bob is taken ill, he and Amy decide to retire to Devon, but to do this they would have to sell the business which would throw the entire family's lives into turmoil... ________________ Love Christina Jones' charming romances? Then check out the fabulously joyful Summer at Sandcastle Cottage and Christmas at Sandcastle Cottage. You won't be disappointed!
The first instalment in the addictively charming Milton St John Trilogy! Falling in love is easy. Staying in love is something else altogether... 'Christina Jones is one of the best writers I have ever read - her books are funny, sad, amusing, all at the same time' ⭐ ⭐ ⭐ ⭐ ⭐ Real reader review 'Could not put this down! Well written and I fell totally in love with the setting, all the characters and wished it didn't come to an end' ⭐ ⭐ ⭐ ⭐ ⭐ Real reader review 'As usual brilliant love Christina Jones, another great and funny read would recommend' ⭐ ⭐ ⭐ ⭐ ⭐ Real reader review 'Brilliant - loved it - great story and characters - totally absorbing' ⭐ ⭐ ⭐ ⭐ ⭐ Real reader review ___________________________________________________ Maddy Beckett lives in the horse-racing village of Milton St John. Recovered from a disastrous love-affair and running her own small business, she's happy being single until she meets and falls for the gorgeous Drew Fitzgerald. Everything about Drew is perfect - until his cool and impossibly elegant wife appears on the scene. Maddy loves Drew, but doesn't know if she loves him enough to become "the other woman"? Morally, it's out of the question, but physically . . . ? Has their relationship got what it takes to go the distance? YOUR FAVOURITE AUTHORS LOVE CHRISTINA JONES 'A wonderful writer' - JILL MANSELL 'Warm, funny and full of love!' - KATIE FFORDE 'Lovely, sunshiney . . . a treat!' - CAROLE MATTHEWS ___________________________________________________ Love Christina Jones' charming romances? Then pre-order Weddings at Sandcastle Cottage: the brand-new, absolutely heartwarming, novel now!
When the Ministry of Marriage arranges a match, all that matters is power, wealth and prestige. In the business of marriage, there is no room for love. But even the most prudent plans can go awry... Jane, Lady Roxdale, has endured one marriage of convenience decreed by the Ministry of Marriage. While she deeply regrets her late husband's death, she is relieved to be free at last. But when a dissolute rake threatens everything Jane holds dear, she must contemplate marrying a second time... Disgraced libertine Constantine Black inherits his cousin Roxdale's land and title—while Roxdale's prim widow is left all the wealth. Constantine is not a marrying man, but wedding Jane is the only way to save the estate from ruin. Jane resists the smoldering heat between them, desperate not to fall in love with an unrepentant rake. But for the first time ever, Constantine wants more than seduction. He wants all of her—body, heart, and soul...
The idea of writing plays a central role in John. Apart from the many references to scriptural texts, John emphasizes the role of writing in the inscription on the cross and in its own production. Petterson's From Tomb to Text examines what this means for the understanding of the Johannine Jesus in two interrelated ways. First Petterson takes these claims to revelation through writing seriously, noting the immense effort expended by biblical scholars in order to dismiss them and to produce a canonically palatable John. With few exceptions, Johannine studies have consistently attempted to domesticate or tame John's book through reference to, and in harmony with, an externalized historical reality or with a synoptic pattern. Second, the study suggests alternative ways of understanding John once this synoptic compulsion has been dissolved. Petterson argues that John's Jesus is unacceptable to the project for the recovery of 'Early Christianity' as imagined in Johannine research over the last 70 years or so. Instead, she shows how John produces itself as the vehicle of Jesus' revelation in place of a body. This takes place through its use of writing, its characteristic use of verbs and syntax, and its mode of revelation. The book thus situates John in a context that does not begin with, and thus attempts to be, unconstrained by fixed categories of Christ, gnosticism, Eucharist, body and flesh, and shows how such readings curtail the fullness of the text in favour of a more familiar earthly Jesus. Petterson concludes by outlining ways in which John can be read if these containment strategies are disregarded.
Foreword by Emilie Barnes How do you trust God when your world is unraveling? How do you deal with unanswered prayer that leaves you brokenhearted?Eyes that See: Judson's Story of Hope in Sufferingfollows two-year-old Judson Levasheff—a bright, articulate, and healthy young boy whose body unexpectedly began to rapidly deteriorate in the spring of 2007. Enter the story as it actually unfolded—through a collection of journal entries and letters to family and friends—as Christina Levasheff takes you on a heart-wrenching yet inspiring account of her family's journey of faith as her first-born son, Judson, is afflicted with a heinous disease. Her honesty as she cries out to God, surrendering in heartache and trusting in brokenness, is powerful and compelling. This gripping book, filled with laughter, tears, and hope, will challenge all readers to view their own life from a new perspective. The story of this blind and suffering little boy will deeply impact how you view the presence of God in the midst of intense pain. May we all developEyes that See.
English File's unique, lively and enjoyable lessons are renowned for getting students talking. In fact, 90% of English File teachers we surveyed in our impact study found that the course improves students' speaking skills.
Before the advent of the teenager in the 1940s and the teenpic in the 1950s, The Freshman (Taylor and Newmeyer, 1925) represented 1920s college youth culture as an exclusive world of leisure to a mass audience. Starring popular slapstick comedian Harold Lloyd, The Freshman was a hit with audiences for its parody of contemporary conceptions of university life as an orgy of proms and football games, becoming the highest grossing comedy feature of the silent era. This book examines The Freshman from a number of perspectives, with a focus on the social, economic, and political context that led to the rise of campus culture as a distinct subculture and popular mass culture in 1920s America; Lloyd’s use of slapstick to represent an embodied, youthful middle-class masculinity; and the film’s self-reflexive exploration of the conflict between individuality and conformity as an early entry in the youth film genre.
From Paris to London to wartime New York, a young woman comes of age—and comes apart—in this witty novel by the author of The Man Who Loved Children. When Letty Fox first arrives in Manhattan, her goal is to escape her chaotic upbringing in London and Paris and the cynicism of her family, and create a fresh new start. This will be the existence she dreamed of—flitting from affair to affair, debating social issues over martinis, and finishing that novel about Robespierre that will make her envied by all the right people. Yet, Letty is at odds with both the city and herself: sexually adventurous yet fidgety for lasting romance, radically independent yet conservative, as likely to be betrayed by friends as she is to betray. And when Letty runs through the streets of Greenwich Village, it’s as much to unleash her glorious appetite for life as it is to suppress the “black moods” that always threaten to derail it. “No wonder [Christina Stead’s] work has reminded many of Tolstoy, Ibsen, Joyce,” said the New York Times Book Review. When this poisonously funny satire of the American bourgeoisie was first published in 1947, it was banned in the author’s native Australia, and met with alarm by stateside critics for its moral ambiguity. Ahead of its time with its vibrant and furious heroine, it is destined for rediscovery. From an author Saul Bellow called “really marvelous,” Letty Fox is a “merciless, cruel, and magnificently unforgiving” comedy of manners (Angela Carter, London Review of Books).
A Groom Who Can't Remember. Bride Who Wants Desperately To Forget. Enid MacLean is finally living a peaceful life when she receivesword that an explosion has injured the husband she hoped she'd neverhave to see again. Reluctantly, she agrees to do her duty but,except for his distinctive green eyes, the man she nursesback to health is not the man she remembers. And he remembers nothing. From the depths of his amnesia, he reaches out for the woman he believes is his wife, tempting her with ardent words and a reckless passion she finds herself unable to resist. And while Enid finds herself losing her heart to this achingly familiar stranger, she cannot help but wonder how her husband has become such a dangerous, seductive man . . . and what secrets he carries locked away in his lost memories. Last time marriage cost her her happiness. This time love could cost her more.
A sensitive book rich in personal experience and practical advice, When Someone You Love Drinks Too Much gives Christian answers to hard questions. Parker reveals the nature of alcoholism, the minefield of codependence, the resources of faith and prayer, when to seek outside help, and what one can do to move toward a healthy relationship.
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