Dorothy Markey's family and culture prepared her to be a proper southern lady. Yet Markey broke free of her cultural bonds and became, instead, a feminist, a communist, and, under the pen name Myra Page, a radical journalist and novelist. Her activism on behalf of social justice, racial equality, and women's rights spanned the 1920s through her death in 1993. Page's work carried her far from her Virginia home to Moscow, Mexico, the rural South, and New York. As a journalist she wrote for the Daily Worker, the New Masses, Working Woman, and Southern Worker. Her novels captured workers' struggles in an authentic voice: The Gathering Storm, Daughter of the Hills, and Moscow Yankee. With consummate skill, Christina Baker weaves together historical research, her own and others' conversations with Page, and Page's letters and other writings. The resulting narrative is a vivid recreation of the life of an uncommon woman and her more than seventy years of striving for the things she believed in.
From the #1 New York Times bestselling author of Orphan Train, and the critically acclaimed author of Bird in Hand, comes a novel of love, risk, and self-discovery—includes a special PS section featuring insights, interviews, and more. Angela can feel the clock ticking. She is single in New York City, stuck in a job she doesn’t want and a life that seems to have, somehow, just happened. She inherited a flair for Italian cooking from her grandmother, but she never seems to have the time for it—these days, her oven holds only sweaters. Tacked to her office bulletin board is a photo from a magazine of a tidy cottage on the coast of Maine—a charming reminder of a life that could be hers, if she could only muster the courage to go after it. On a hope and a chance, Angela decides to pack it all up and move to Maine, finding the nudge she needs in the dating profile of a handsome sailor who loves dogs and Italian food. But her new home isn’t quite matching up with the fantasy. Far from everything familiar, Angela begins to rebuild her life from the ground up. Working at a local coffeehouse, she begins to discover the pleasures and secrets of her new small-town community and, in the process, realizes there’s really no such thing as the way life should be.
From the #1 New York Times bestselling author of Orphan Train and The Exiles comes a novel about the choices we make, how they shape our lives, and how they can change them forever. Four people, two marriages, one lifelong friendship: Everything is about to change. It was dark. It was raining. It was just an accident. On the drive home from a rare evening out, Alison collides with another car running a stop sign, and—just like that—her life turns upside down. When she calls her husband, Charlie, from the police station, his accusatory tone reveals cracks in their relationship she’d never noticed were there. Now she notices everything. And she begins to realize that the life she carefully constructed for herself is as tenuous as a house of cards. The only thing Charlie can focus on these days is his secret, sudden affair with Claire, Alison’s best friend. Bold where Alison is reserved, vibrant where Alison is cautious, Claire has just had her first novel published, a thinly veiled retelling of her childhood in North Carolina. But even in the whirlwind of publication, Claire can’t stop wondering if she should leave her husband, Ben, an ambitious architect who is brilliant, kind, and meticulous. And who wants nothing more than a baby, or two—exactly the kind of life that Charlie and Alison seem to have. As they set out on their individual journeys, Alison, Charlie, Claire, and Ben explore the idea—each in his or her own way—that every moment of loss contains within it the possibility of a new life. Alternating through these four intertwined perspectives, Bird in Hand is an exquisitely written, powerful, and thrilling novel about love, friendship and betrayal, and about the secrets we tell ourselves and each other.
The first book to take an honest, in-depth look at the difficulties and rewards of being a feminist mother and to ask prominent feminist daughters whether their mother's vision was successfully or unsuccessfully transmitted to them while growing up. Sisterhood, not motherhood, has been the focus of American feminism for the past twenty-five years. In fact, during the 70s many feminists viewed motherhood as a hindrance to women's progress toward equality, an attitude that alienated legions of potentially feminist women by ignoring--even disparaging--the needs and concerns of those who were mothers. Nevertheless, many of those women had daughters who now have come of age and are reshaping the women's movement to suit their needs. The passing of the torch has not been entirely smooth, however. As young women define an agenda of their own, they also find themselves having to assess the legacy of their foremothers--for better and for worse. In "The Conversation Begins, Christina Looper Baker and her daughter, Christina Baker Kline, draw on talks with a diverse range of over sixty women of both generations, asking provocative, often painful questions in an attempt to bridge the gap between them. Revealing first-person narratives based on interviews with twenty-two sets of feminist mothers and daughters--including Paula Gunn Allen, Letty Pogrebin, Naomi Wolf, Barbara Ehrenreich, Marilyn French, Tillie Olsen, Joy Harjo, and many others--comprise the heart of this magnificent testament to the strength of American feminism and the bond between feminist mothers and daughters.
The first book to take an honest, in-depth look at the difficulties and rewards of being a feminist mother and to ask prominent feminist daughters whether their mother's vision was successfully or unsuccessfully transmitted to them while growing up. Sisterhood, not motherhood, has been the focus of American feminism for the past twenty-five years. In fact, during the 70s many feminists viewed motherhood as a hindrance to women's progress toward equality, an attitude that alienated legions of potentially feminist women by ignoring--even disparaging--the needs and concerns of those who were mothers. Nevertheless, many of those women had daughters who now have come of age and are reshaping the women's movement to suit their needs. The passing of the torch has not been entirely smooth, however. As young women define an agenda of their own, they also find themselves having to assess the legacy of their foremothers--for better and for worse. In "The Conversation Begins, Christina Looper Baker and her daughter, Christina Baker Kline, draw on talks with a diverse range of over sixty women of both generations, asking provocative, often painful questions in an attempt to bridge the gap between them. Revealing first-person narratives based on interviews with twenty-two sets of feminist mothers and daughters--including Paula Gunn Allen, Letty Pogrebin, Naomi Wolf, Barbara Ehrenreich, Marilyn French, Tillie Olsen, Joy Harjo, and many others--comprise the heart of this magnificent testament to the strength of American feminism and the bond between feminist mothers and daughters.
Dorothy Markey's family and culture prepared her to be a proper southern lady. Yet Markey broke free of her cultural bonds and became, instead, a feminist, a communist, and, under the pen name Myra Page, a radical journalist and novelist. Her activism on behalf of social justice, racial equality, and women's rights spanned the 1920s through her death in 1993. Page's work carried her far from her Virginia home to Moscow, Mexico, the rural South, and New York. As a journalist she wrote for the Daily Worker, the New Masses, Working Woman, and Southern Worker. Her novels captured workers' struggles in an authentic voice: The Gathering Storm, Daughter of the Hills, and Moscow Yankee. With consummate skill, Christina Baker weaves together historical research, her own and others' conversations with Page, and Page's letters and other writings. The resulting narrative is a vivid recreation of the life of an uncommon woman and her more than seventy years of striving for the things she believed in.
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