Sparks are set to fly . . . Clemmie has a problem - she's had almost as many jobs as she's had birthdays and her love life is on the critical list. But with the big 3-0 looming, she's determined to transform herself from unemployed singleton to loved-up success. Trouble is Clemmie's dream job would be working for local entrepreneur Guy Devlin, owner of the famous pyrotechnics company, The Gunpowder Plot. He'd also be high on her list of candidates for significant other, too. But Guy has a whole veritable cargo hold of baggage - avaricious ex-wife and a host of monster ex-step children. He's not even looking for an assistant. Even if he was, a quirky amateur firework maker with a penchant for cream cakes and big explosions wouldn't be very high up on his list . . . Praise for Christina Jones: 'Magical' Heat 'Fabulous The Times 'A wonderful writer' Jill Mansell, author of AND NOW YOU'RE BACK 'H.E. Bates for the 21st Century' Katie Fforde 'Christina is simply THE BEST . . . I don't think she is capable of writing anything which isn't excellent' Reader review
Fun, charming and romantic, this feel-good read is a real treat' Closer - praise for Christina Jones Nell Bradley’s family all work flat-out to keep Bradleys’ Mammoth Fun Fair in business. They’re expecting her to take the traditional showman’s route and make a suitable match with Ross Percival, who, with his state-of-the-art hydraulic touring rides, will bring traditional Bradleys into the twenty-first century. But Nell doesn’t love Ross, and still harbours dreams of an old-fashioned steam funfair, so when she discovers a dilapidated antique roundabout with carved horses for sale, she buys it and arranges to have it renovated without her family’s knowledge. But what she hadn’t realised is that the horses come with their own very sexy restorer...
First impressions don't have to be everything. But second, third, fourth impressions create a reputation, and those are hard to break. In the public eye, where everybody is tuned in to your every move, and behind the scenes, where certain people are privy to the real you... or at least what they perceive you to be. Jordan Johnson is a man under pressure - from his teammates, fans, family, and the one person who wants to see him succeed as badly as he wants it for himself. He'll do whatever he has to in order to not let anyone down... and maybe find an unanticipated connection along the way. Nicole Richardson is a woman with a purpose - prove herself worthy of her place in a male-dominated field. Fiercely competitive, wielder of tough love and motivation, and terrible at dealing with things outside of her control. Between making sure the players are thriving, and coping with a changing family dynamic, a relationship isn't even on her radar. Denying their chemistry would be a waste of words, but giving in isn't an option. A season on the line. Reputations at stake. The threat of seeing their personal lives played out on the evening highlights. With all of that swirling around them, Jordan and Nicole have to decide if it's worth the effort to make the play... or take a knee. Love Belvin and Christina C. Jones collaborate on a series of football romance, staring two football greats who so happen to be in for the biggest play of their lives: for their hearts. Quarterback, Trent Bailey, and wide receiver, Jordan Johnson, give their all out on the green. But what happens when the two friends encounter true love? Take on Connecticut Kings' finest and journey through their discovery of developing themselves as men, and exploring love.
A little unrequited love, a little deceit, a little anonymous encounter, and a little bit of unforgettable chemistry. This is three sexy short stories, about three women, with a focus on how one night of mind-blowing intimacy can change it all. If you're looking for a sweet, tender love story... this ain't it. (But I still think you'll enjoy it!
It all came down to me.The one who followed the rules, never went looking for trouble - I kept to myself. I just wanted to take care of my family. To not constantly look over my shoulder, worried about the things that went bump in the night.I just wanted to survive.But that wasn't meant to be.As luck - or fate, or something - would have it, the trouble found me.I followed a rabbit through the wreckage of a half-ruined world to get back what was mine, and wound up at the end of it.In Wonderland.But there's nothing magical about it.(While Wonder does feature a central love story, it is not a contemporary romance novel)
It's looking like Anika might be alone for the holidays... unless the very last person she'd ever want to spend them with can convince her otherwise. Is it really enemies-to-lovers if the disdain is one-sided?" --
Jaclyn Love is a magnet for trouble - it seems to follow her wherever she goes.Unfortunately for Kadan Davenport, she also seems to be a magnet for him - even after a disastrous first impression that leaves him - literally - black and blue.Jaclyn is busy trying to find some sort of balance, and Kadan is just trying not to get swept up in the chaos. In a small city like Blakewood, it's hard to avoid each other... especially when each additional encounter makes them wonder if they really want to. "I Think I Might Love You" is a first-in-series novella.
So much for happy endings...Thrust into a life and family that neither of them were looking for, Gabi Jacobs and Terrence Whitaker decide that they'll just make the best of it, because the have most important ingredient: Love. They fail...miserably. Through the ashes of their failed romantic relationship, they're able to form a different type of bond, one that allows them to effectively coparent their daughter, and even become friends. But is that enough? Constantly pulled together by chance and circumstance, will Gabi and Terrence decide to embark on a journey to finish what they started, or will they decide that it's best to leave the past in the past?" --
All Devyn wants - besides a tall, fine husband and eventually a few babies to fulfill her "about to turn thirty, running out of time, cute black family" dreams - is to finish her yearlong internship at University Hospital. She's excited about the experience, eager to learn, glad to help wherever she can... it should be easy, right?Well, it would be... if it weren't for arrogant, know-it-all, always-got-something-to-say Dr. Joseph Wright. Devyn can't stand him, and if his attitude is any indication, the feeling is mutual... or is it?Joseph doesn't "do" doctors. Or nurses. Or patients. Or anybody else who has anything to do with the hospital, for that matter. University Hospital has infiltrated enough of his life, and the last thing he needs is a blurring of the lines between professional and private. ... until smart, sexy, sassy Nurse Devyn Echols comes along, and stomps all over those lines.When you're pulling doubles with the person you hate to want so bad... something is bound to ignite.
Against the background of an increasingly diverse British society, this book traces the evolution of British identity in the twentieth century. Debates exploring the nature of Britishness and multiculturalism are here deconstructed through a linguistic lens, which considers the role played by the English language in shaping Britain's national identity. Within this context, two significant historical events are considered: the expansionism of nineteenth century British Empire, and the subsequent rise of the United States to the position of world superpower. In charting the development of British nationhood over time, the book identifies three contrasting public narratives, each reflecting society's perceptions of the identity question at particular points in time: a discourse of laissez-faire at the turn of the century; a discourse of multiculturalism in the ensuing decades; and a discourse of integration during the closing years. The book raises fundamental questions about who we are as a nation and how we got here. It also provides clues as to the direction the prevailing public discourse on British identity is likely to take in the twenty-first century.
Often seen as ethnically monolithic, the African Methodist Episcopal (AME) Church in fact successfully pursued evangelism among diverse communities of indigenous peoples and Black Indians. Christina Dickerson-Cousin tells the little-known story of the AME Church’s work in Indian Territory, where African Methodists engaged with people from the Five Civilized Tribes (Cherokees, Creeks, Choctaws, Chickasaws, and Seminoles) and Black Indians from various ethnic backgrounds. These converts proved receptive to the historically Black church due to its traditions of self-government and resistance to white hegemony, and its strong support of their interests. The ministers, guided by the vision of a racially and ethnically inclusive Methodist institution, believed their denomination the best option for the marginalized people. Dickerson-Cousin also argues that the religious opportunities opened up by the AME Church throughout the West provided another impetus for Black migration. Insightful and richly detailed, Black Indians and Freedmen illuminates how faith and empathy encouraged the unique interactions between two peoples.
A bold and unprecedented look at a cutting-edge movement in architecture Toward a Living Architecture? is the first book-length critique of the emerging field of generative architecture and its nexus with computation, biology, and complexity. Starting from the assertion that we should take generative architects’ rhetoric of biology and sustainability seriously, Christina Cogdell examines their claims from the standpoints of the sciences they draw on—complex systems theory, evolutionary theory, genetics and epigenetics, and synthetic biology. She reveals significant disconnects while also pointing to approaches and projects with significant potential for further development. Arguing that architectural design today often only masquerades as sustainable, Cogdell demonstrates how the language of some cutting-edge practitioners and educators can mislead students and clients into thinking they are getting something biological when they are not. In a narrative that moves from the computational toward the biological and from current practice to visionary futures, Cogdell uses life-cycle analysis as a baseline for parsing the material, energetic, and pollution differences between different digital and biological design and construction approaches. Contrary to green-tech sustainability advocates, she questions whether quartzite-based silicon technologies and their reliance on rare earth metals as currently designed are sustainable for much longer, challenging common projections of a computationally designed and manufactured future. Moreover, in critiquing contemporary architecture and science from a historical vantage point, she reveals the similarities between eugenic design of the 1930s and the aims of some generative architects and engineering synthetic biologists today. Each chapter addresses a current architectural school or program while also exploring a distinct aspect of the corresponding scientific language, theory, or practice. No other book critiques generative architecture by evaluating its scientific rhetoric and disjunction from actual scientific theory and practice. Based on the author’s years of field research in architecture studios and biological labs, this rare, field-building book does no less than definitively, unsparingly explain the role of the natural sciences within contemporary architecture.
English File's unique, lively and enjoyable lessons are renowned for getting students talking. In fact, 90% of English File teachers we surveyed in our impact study found that the course improves students' speaking skills.
Renowned composer Jennifer Higdon is best known for her symphonic pieces blue cathedral, Concerto for Orchestra, City Scape, Concerto 4-3 and Violin Concerto (2010 Pulitzer Prize). These compositions illustrate her breadth of style and avant-garde technique. The author examines these works--with commentary by Higdon--as well as the music of her first opera, with a focus on compositional history, musical characteristics, formal analysis and critical reception.
A timely and welcome contribution to the research on loneliness and kindred phenomena." Lars Andersson, International Journal of Ageing and Later Life, 2010. Developments to the physical environment, scientific and technological innovation, the reorganisation of work and leisure and the impact of globalization and global capitalism have all influenced the nature of the world in which we now live. Social engagement and relationships, however, remain important at any age and their quality is a key element contributing to the quality of life of older people. This book provides a detailed account of loneliness and social isolation as experienced by older people living in Britain. The authors consider the incidence and effects of isolation and loneliness, identifying the factors which lead to such experiences and considering potential interventions. They also argue that these feelings are experienced at all stages of the life course and not unique to the social world of older people. Victor, Scambler and Bond rationalise that this is an important area, as both loneliness and social isolation are negatively associated with both quality and quantity of life - whilst the maintenance of social relationships is seen as a key component of 'successful ageing'. The Social World of Older People is important reading for students of social work, gerontology, community care and social policy as well as being of interest to policy makers and practitioners in these fields.
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