This work comprises a collection of the poetic works of 19th century poet Christina Rossetti. Rossetti's inner life dominates her poetry, exploring the themes of loss and unattainable hope across subjects ranging from love to the divine.
Featuring some of Shelley's greatest poetry this stunning new edition is illustrated by a selection of the world's most beautiful works of art. Carefully researched and reproduced, the paintings richly compliment this evocative collection of poems. Shelley: Lyrical Visionary explores the life, work and inspirations of one of the world's most expressive and imaginative poets of all time.
Christina Rossetti is known as the greatest female poet of the Victorian age. By the time of her death in 1898 she had written eleven hundred poems and had published over nine hundred of them. Scholars have long felt the need for a complete collection of her work, yet, until now, there has been none. In this projected three-volume set, R.W. Crump will present all of Rossetti’s known poetry. Crump gives the reader a remarkably comprehensive text with notes revealing Rossetti’s process of composition and revision and her painstaking concern for the technical details of her work. The variant readings in the notes are taken from extant manuscripts, individual poems as published or privately printed before being incorporated into her published collections, and all the English and American editions of her poems through William Michael Rossetti’s The Poetical Works of Christina Georgina Rossetti (1904). A special feature of this variorum edition is its list of holographs and their locations. In the first volume Crump brings together Rossetti’s two earliest published collections; in the second will be the individually published poems; and in the third, the unpublished poems.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Poetry is a fascinating use of language. With almost a million words at its command it is not surprising that these Isles have produced some of the most beautiful, moving and descriptive verse through the centuries. In this series we look at individual poets who have shaped and influenced their craft and cement their place in our heritage. Christina Georgina Rossetti was born in London in 1830 one of four children who were all to become artists and writers. Educated at home, her life was filled with the Italian influences of her Father and the wide ranging interests of her mother. She began to write at age 12 just at the time her Fathers health broke and the family descended to near poverty. She was first published aged 18 and over the following decade her writing was to flourish and in 1860 her most famous work Goblin Market was released and her reputation was set. A sufferer from Graves disease from the 1870's she also developed breast cancer which subsequently recurred and was to cause her death in 1894. She is buried in Highgate Cemetery. Many of the poems are also available as an audiobook from our sister company Portable Poetry. Many samples are at our youtube channel http: //www.youtube.com/user/PortablePoetry?feature=mhee The full volume can be purchased from iTunes, Amazon and other digital stores. Among our readers are David Shaw-Parker, Ghizela Rowe and Richard Mitchley.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This new selection of Rossetti's poems brings together works by one of the most significant nineteenth-century English poets. It includes an illuminating introduction, a chronology of Rossetti's life and works, and explanatory notes.
Christina Rossetti is recognized as the leading woman poet of the nineteenth century in England. Despite recent attention to her life in the form of three new biographies and to her poetry, Rossetti's prose works remain largely inaccessible to students and scholars. For the first time, an edited volume of selected prose by this important Victorian woman artist is made available to her readers. Selected Prose of Christina Rossetti presents the prose works in three modes: expository prose, including her two essays on Dante and two of her contributions to the Imperial Dictionary of Universal Biography, on 'Leopardi' and on 'Petrarch'; fiction, including the novella Maude, several of her short stories, and Speaking Likenesses; and judicious excerpts from her devotional prose, which consists of six volumes published over a period of eighteen years. This collection will be of interest to specialists in Victorian literature and women's studies, as well as to the general reader.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Christina Rossetti is known as the greatest female poet of the Victorian age. By the time of her death in 1898 she had written eleven hundred poems and had published over nine hundred of them. Scholars have long felt the need for a complete collection of her work, yet, until now, there has been none. In this projected three-volume set, R.W. Crump will present all of Rossetti’s known poetry. Crump gives the reader a remarkably comprehensive text with notes revealing Rossetti’s process of composition and revision and her painstaking concern for the technical details of her work. The variant readings in the notes are taken from extant manuscripts, individual poems as published or privately printed before being incorporated into her published collections, and all the English and American editions of her poems through William Michael Rossetti’s The Poetical Works of Christina Georgina Rossetti (1904). A special feature of this variorum edition is its list of holographs and their locations. In the first volume Crump brings together Rossetti’s two earliest published collections; in the second will be the individually published poems; and in the third, the unpublished poems.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Christina Rossetti (1830-1894) was born in London of Italian parents. With her vivid imagination and innate talent for composing verse, she was an accomplished poet by her late teens. By 1866 she was established as a leading poet of her day. Prematurely in 1871 she was stricken with Graves Disease, becoming increasingly preoccupied with the relationship between earth and heaven, life and death. She had inherited a devout Anglican faith from her mother, and from this point on her verse became almost entirely religious. This volume focuses on her poetry marking the feasts and fasts of the Christian year. Divided into sections including Advent, Christmas, Lent and Easter, it is designed to be dipped into at the appropriate times, an aid to gentle reflection throughout the year.
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