The astronomer falls off the flatbed truck, the falconer is afraid of a lion. Mona Lisa worries about red spots. Being "degenerate" hurts. The artworks themselves know best what it feels like to be systematically looted, deported, hidden, sold, and humiliated under the Nazi regime: paintings by some of the most famous artists of past centuries describe their personal experiences in letters, expressing their gratitude or pleading for help. The addressee: Rose Valland, a French art historian and resistance fighter. It was her commitment, foresight and courage that contributed significantly to the rescue of the art treasures. The book is another important step in keeping the darkest chapter of German history in memory.
Paul Gauguin (1848-1903) played a seminal role in Post-Impressionist France. In his writings and work, he favored emotional responses to nature over intellectual uses of lines, color, and composition. In 1888 he and Emile Bernard developed a new style called Synthetism. Three groups of Gauguin's symbolist followers—Pont Aven, Les Nabis, and Rose + Croix pursued and extended the Synthetist vision. This sourcebook focuses on the most prominent adherents of the three schools directly affected by Gauguin's symbolism. This is the first comprehensive, single-volume guide and bibliography of artists in these three important French avant-garde movements. This work covers the entire careers of 16 artists by providing biographical sketches, chronologies, citations to primary and secondary literature and exhibitions.
“An epic story, elegantly told and full of mystery.” — Maggie Shipstead, author of Great Circle A rediscovered classic memoir - the mesmerizingly beautiful account of one woman's year spent living in a remote hut in the Arctic This rediscovered classic memoir tells the incredible tale of a woman defying society's expectations to find freedom and peace in the adventure of a lifetime. In 1934, the painter Christiane Ritter leaves her comfortable life in Austria and travels to the remote Arctic island of Spitsbergen, to spend a year there with her husband. She thinks it will be a relaxing trip, a chance to 'read thick books in the remote quiet and, not least, sleep to my heart's content', but when Christiane arrives she is shocked to realize that they are to live in a tiny ramshackle hut on the shores of a lonely fjord, hundreds of miles from the nearest settlement, battling the elements every day, just to survive. At first, Christiane is horrified by the freezing cold, the bleak landscape the lack of equipment and supplies... But as time passes, after encounters with bears and seals, long treks over the ice and months on end of perpetual night, she finds herself falling in love with the Arctic's harsh, otherworldly beauty, gaining a great sense of inner peace and a new appreciation for the sanctity of life.
Christiane Tietz relates Karl Barth's fascinating life in conflict - conflict with the theological mainstream, against National Socialism, and privately, under one roof with his wife and his mistress, in conflict with himself
This is a German history of cinema and film from the 1890s to 1945 with a focus on queer masculinity. Using media studies approaches, the study shows how film as a new medium is constituted through performative re-enactments of spectacular elements from the entertainment and knowledge cultures of the 19th century. In it, bodies, desires and identities are constantly remodelled through the formation of difference. Therefore, male queerness here does not mean the representation of male homosexuality. Rather, it is the dynamic result of complex medial processes, affects and (self-)knowledge on and off the screen. Building on Eve K. Sedgwick's queer-feminist concept of queer performativity, the author creates a historically situated model with which she traces various figures of technically anthropomorphic queer masculinity in the medium of film in an empowering sense. This book is a translation of an original German 1st edition Performative Figuren queerer Männlichkeit by Christiane König, published by J.B.Metzler, imprint of Springer-Verlag GmbH Germany, part of Springer Nature in 2020. The translation was done with the help of artificial intelligence (machine translation by the service DeepL.com). The author (with the friendly support of Megan Hanson) has subsequently revised the text further in an endeavour to refine the work stylistically. Springer Nature works continuously to further the development of tools for the production of books and on the related technologies to support authors.
Easy to read and to use, this A-to-Z mini-encyclopedia covers the most important medical innovations of the last 200 years. Medical innovation is an extremely important topic—and one to which relatively little study has been devoted. This volume is designed to introduce readers to the history and development of key advances in the science and practice of medicine. It explores issues in medical history and provides perspective on contemporary scientific research and innovation. It also provides a backdrop against which to evaluate current headlines, such as the discoveries of live samples of smallpox virus in an unused storage room at the National Institutes of Health (NIH) and incidents of bubonic plague in China and Colorado. Although the entries in this single-volume resource describe how each innovation works, this is not intended as a technical text. Instead, the focus is on the context in which each innovation was developed and on its lasting importance in the field of medicine. Through these fascinating accounts, readers will be able to trace the evolution and legacy of key innovations and to see how other sectors of society—such as industry and the military—have affected and been affected by advances in the field of medicine.
In recent years, technological progress created a great need for complex mathematical models. Many practical problems can be formulated using optimization theory and they hope to obtain an optimal solution. In most cases, such optimal solution can not be found. So, non-convex optimization problems (arising, e.g., in variational calculus, optimal control, nonlinear evolutions equations) may not possess a classical minimizer because the minimizing sequences have typically rapid oscillations. This behavior requires a relaxation of notion of solution for such problems; often we can obtain such a relaxation by means of Young measures. This monograph is a self-contained book which gathers all theoretical aspects related to the defining of Young measures (measurability, disintegration, stable convergence, compactness), a book which is also a useful tool for those interested in theoretical foundations of the measure theory. It provides a complete set of classical and recent compactness results in measure and function spaces. The book is organized in three chapters: The first chapter covers background material on measure theory in abstract frame. In the second chapter the measure theory on topological spaces is presented. Compactness results from the first two chapters are used to study Young measures in the third chapter. All results are accompanied by full demonstrations and for many of these results different proofs are given. All statements are fully justified and proved.
This book offers a coherent representation of the etymology of historical and contemporary lexicalised idioms involving colour. The investigation covers idioms such as Grundonnerstag, Thursday of Holy Week', blau sein, to be drunk', rot sehen, to get angry', idioms from other languages, such as the Dutch Blauwboekjes, defamatory writings', the French conte blue, lie', loan translations such as blaues Blut from the Spanish sangre azul.
This 1889 text by a noted Austrian architect and urban planner ignited a new age of city planning. Inspired by medieval and baroque designs, Sitte emphasized the creation of spacious plazas, enhanced by monuments and other aesthetic elements. Numerous illustrations, plus extensive commentary, notes, and bibliography.
Examines the work of eighteenth-century sculptor Ignaz Gèunther within the context of Bavarian Rococo art and Counter-Reformation religious visual culture"--Provided by publisher.
Provides the first comprehensive analysis of the history of returning German POWs after the Second World War, explored as a history of memory both during Germany's division and after unification.
This book tells the story of German-language literature on film, beginning with pioneering motion picture adaptations of Faust in 1897 and early debates focused on high art as mass culture. It explores, analyzes and contextualizes the so-called 'golden age' of silent cinema in the 1920s, the impact of sound on adaptation practices, the abuse of literary heritage by Nazi filmmakers, and traces the role of German-language literature in exile and postwar films, across ideological boundaries in divided Germany, in New German Cinema, and in remakes and movies for cinema as well as television and streaming services in the 21st century. Having provided the narrative core to thousands of films since the late 19th century, many of German cinema's most influential masterpieces were inspired by canonical texts, popular plays, and even children's literature. Not being restricted to German adaptations, however, this book also traces the role of literature originally written in German in international film productions, which sheds light on the interrelation between cinema and key historical events. It outlines how processes of adaptation are shaped by global catastrophes and the emergence of nations, by materialist conditions, liberal economies and capitalist imperatives, political agendas, the mobility of individuals, and sometimes by the desire to create reflective surfaces and, perhaps, even art. Commercial cinema's adaptation practices have foregrounded economic interest, but numerous filmmakers throughout cinema history have turned to German-language literature not simply to entertain, but as a creative contribution to the public sphere, marking adaptation practice, at least potentially, as a form of active citizenship.
The original edition of this ambitious reference was published in hardcover in 1998, in two oversize volumes (10x13"). This edition combines the two volumes into one; it's paperbound ("flexi-cover"--the paper has a plastic coating), smaller (8x10", and affordable for art book buyers with shallower pockets--none of whom should pass it by. The scope is encyclopedic: half the work (originally the first volume) is devoted to painting; the other half to sculpture, new media, and photography. Chapters are arranged thematically, and each page displays several examples (in color) of work under discussion. The final section, a lexicon of artists, includes a small bandw photo of each artist, as well as biographical information and details of work, writings, and exhibitions. Ruhrberg and the three other authors are veteran art historians, curators, and writers, as is editor Walther. c. Book News Inc.
Surviving fragments of information about Pythagoras (born ca. 570 BCE) gave rise to a growing set of legends about this famous sage and his followers, whose reputations throughout Antiquity and the Middle Ages have never before been studied systematically. This book is the first to examine the unified concepts of harmony, proportion, form, and order that were attributed to Pythagoras in the millennium after his death and the important developments to which they led in art, architecture, mathematics, astronomy, music, medicine, morals, religion, law, alchemy, and the occult sciences. In this profusely illustrated book, Christiane L. Joost-Gaugier sets out the panorama of Pythagoras's influence and that of Christian and Jewish thinkers who followed his ideas in the Greek, Roman, early Christian, and medieval worlds. In illuminating this tradition of thought, Joost-Gaugier shows how the influence of Pythagoreanism was far broader than is usually realized, and that it affected the development of ancient and medieval art and architecture from Greek and Roman temples to Gothic cathedrals.Joost-Gaugier demonstrates that Pythagoreanism—centered on the dim memory of a single person that endured for centuries and grew ever-greater—inspired a new language for artists and architects, enabling them to be "modern.
In this volume, Christiane Ludwig-Körner describes the lives and work of the staff members of the War Nurseries set up and run by Anna Freud and Dorothy Burlingham during the Second World War. The Women of Anna Freud’s War Nurseries looks in turn at each of the women who helped run the homes in Hampstead: Alice Goldberger, Sophie and Gertrud Dann, Manna Friedmann, Anneliese Schnurmann, Ilse Hellman and Hansi Kennedy. As young women, they narrowly escaped the Holocaust and dedicated themselves to children who had suffered the same fate. Few arrived with any knowledge of psychoanalytic theories or methods; this volume charts their education from Freud and Burlingham, which eventually lead to both Freud’s independent psychoanalytic child therapy training and the young women’s embarkment on careers as professional analysts. Using case studies throughout, Ludwig-Körner illustrates the intense relationships often experienced between children in care and their analysts/carers, and uses the children of the War Nurseries as examples for how contemporary psychoanalysts can work with children today. This book is essential reading for psychoanalysts, especially those working with children, as well as scholars and professionals interested in the history of child analysts and childhood trauma.
In their wide-ranging interpretation of the religion of ancient Egypt, Françoise Dunand and Christiane Zivie-Coche explore how, over a period of roughly 3500 years, the Egyptians conceptualized their relations with the gods. Drawing on the insights of anthropology, the authors discuss such topics as the identities, images, and functions of the gods; rituals and liturgies; personal forms of piety expressing humanity's need to establish a direct relation with the divine; and the afterlife, a central feature of Egyptian religion. That religion, the authors assert, was characterized by the remarkable continuity of its ritual practices and the ideas of which they were an expression.Throughout, Dunand and Zivie-Coche take advantage of the most recent archaeological discoveries and scholarship. Gods and Men in Egypt is unique in its coverage of Egyptian religious expression in the Ptolemaic and Roman periods. Written with nonspecialist readers in mind, it is largely concerned with the continuation of Egypt's traditional religion in these periods, but it also includes fascinating accounts of Judaism in Egypt and the appearance and spread of Christianity there.
For the 21st century, the often-quoted citation ‘past is prologue’ reads the other way around: The global present lacks a historical narrative for the global past. Focussing on a transcultural history, this book questions the territoriality of historical concepts and offers a narrative, which aims to overcome cultural essentialism by focussing on crossing borders of all kinds. Transcultural History reflects critically on the way history is constructed, asking who formed history in the past and who succeeded in shaping what we call the master narrative. Although trained European historians, the authors aim to present a useful approach to global history, showing first of all how a Eurocentric but universal historiography removed or essentialised certain topics in Asian history. As an empirical discipline, history is based on source material, analysed according to rules resulting from a strong methodological background. This book accesses the global past after World War I, looking at the well known stage of the Paris Peace Conferences, observing the multiplication of new borders and the variety of transgressing institutions, concepts, actors, men and women inventing themselves as global subjects, but sharing a bitter experience with almost all local societies at this time, namely the awareness of having relatives buried in far distant places due to globalised wars.
• Shares modern updated versions of the medieval prayers of the Holy Helpers, one prayer for each of the 14 saints and one prayer to call on all of them together • Explains how, even though these 14 saints are connected to Catholic belief, they are universal in their powers of assistance and will come to the aid of anyone who calls on them • Recommends a healing stone to enhance the effect of each prayer and explains how to use the prayers to create protective amulets for you and your home and write a letter of invocation for love and success The art of invocation--calling on spirits and higher forces for assistance--has been practiced in folk magic traditions for centuries, with roots going back to early pagan and shamanic times. Called on for more than 1,000 years, the Fourteen Holy Helpers are a group of Catholic saints venerated together because their intercession has been shown to be particularly effective in difficult times. Although they are part of the Christian tradition, these spiritual helpers are universal in their powers of assistance and will come to the aid of anyone who calls on them. In this guide to invoking the Fourteen Holy Helpers, Christiane Stamm presents modern updated versions of the medieval prayers of the Holy Helpers, which were transmitted to her directly from the spirit world. She explains how, even though these 14 saints are connected to Catholic belief, their invoked powers connect to the original energies dwelling within humans and the Earth and calling on them works as a form of natural magic. She shares short biographies of each saint and details how to access their powers of healing and protection through writing out and reciting their specific prayers during the full moon. The author shares 15 prayers--one for each Holy Helper, used to support healing for specific ailments or issues, and one prayer that is especially powerful because it calls on all 14 Helpers together. For each prayer she recommends a healing stone that can be added to further enhance the effect. The author also explains how to use the prayers to create protective amulets for you and your home and write a letter of invocation for love and success. Offering a step-by-step method to call for spiritual assistance, this book helps us realize the profound power of prayer and belief and reveals how magic still exists in our modern world.
Gotham meets The Island at the Center of the World in this dazzling history of a single block in Manhattan from the Age of Exploration to the present. This is the story of New York City, told through the prism of one block, bordered by Twenty-third Street to the south, Twenty-fourth Street to the north, Fifth Avenue and Broadway to the east, and Sixth Avenue to the west. It's a story of forest and cement, bird cries and taxi horns, theaters and factories, gambling dens and gourmet foods. It's also the story of high life and low life, immigrants and tourists, farmers and aristocrats, crooked cops and moral reformers, toy stores and social climbers--from Solomon Pieters, a former slave who was the first owner of the block, to Alexander “Clubber” Williams, the notorious police officer of the 1870s who accepted bribes and wielded his club with equal impunity, to Marietta Stevens, whose Sunday-night socials and scheming became the stuff of legend. Greed and generosity, guilt and innocence, extravagance and degradation--all have flourished on this one Manhattan block, emblematic of the city as a whole. Venturing from the opulent halls of the Fifth Avenue Hotel to grimy Sixth Avenue brothels, from the era of the Lenape to that of the Dutch, from the Gilded Age to the twentieth century, when the block and the city were transformed into something closely resembling the Manhattan we know today, A Block in Time takes us on a dynamic, exhilarating tour of history. Welcome to New York, past and present, and hear all the sordid and edifying stories this small patch of land has to tell.
This book brings together studies on the most common designations for God in the New Testament, considering their use in ancient Jewish tradition as well as in Greek religion and Roman imperial cult. The introducing chapter on “the Father” is followed by studies on “the Lord” and different designations expressing sovereignty (pantokrator, basileus, despotes, dynastes etc.), on “the Creator”, “the living God” and “the life giving God” as well as on the genuine Christian designation “God, who has risen Jesus from the dead”. The two final chapters are on “the one and only God” and on “the highest God”. This compendium is not only a reference work full of interesting philological and religio-historical material, but also lays the foundation for future studies on the way in which the different New Testament- and other early Christian texts express their views on God. Conclusions at the end of each chapter facilitate the reading of the book, which aims to sharpen the view on the long neglected importance of God in the scriptures of the New Testament. *** „Die Namen des Vaters” geben einen Überblick über die häufigsten neutestamentlichen Gottesbezeichnungen unter Berücksichtigung ihrer frühjüdischen Tradition, aber auch der zeitgenössischen paganen Sprachkonvention in der griechischen Religion und im römischen Herrscherkult. Nach der Behandlung der „Vater“-Bezeichnung folgen die Analyse der Bezeichnungen Gottes als „Herr“ und „Herrscher“ (Allherrscher, König, Despotes, Dynastes etc.), als „Schöpfer“, als „lebendiger“ und „lebendigmachender“ sowie Gott als dem, „der Jesus von den Toten auferweckt hat“ als genuin christlicher Redeweise. Den Abschluss bilden Studien zu „Der einzige Gott“ und „Der höchste Gott“. Dieser grundlegende Überblick eignet sich nicht nur als materialreiches Nachschlagewerk, sondern bildet zugleich einen hilfreichen Ausgangspunkt für alle weiteren Untersuchungen zu den Gottes-Vorstellungen einzelner Autoren der neutestamentlichen und weiterer frühchristlicher Schriften. Zahlreiche Zusammenfassungen erleichtern die Lektüre dieses Werks, das den Blick für die – lange vernachlässigte – Bedeutung Gottes in den neutestamentlichen Texten schärfen möchte.
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