How the interface has moved from the PC into cultural platforms, as seen in a series of works of net art, software art and electronic literature. The computer interface is both omnipresent and invisible, at once embedded in everyday objects and characterized by hidden exchanges of information between objects. The interface has moved from office into culture, with devices, apps, the cloud, and data streams as new cultural platforms. In The Metainterface, Christian Ulrik Andersen and Søren Bro Pold examine the relationships between art and interfaces, tracing the interface's disruption of everyday cultural practices. They present a new interface paradigm of cloud services, smartphones, and data capture, and examine how particular art forms—including net art, software art, and electronic literature—seek to reflect and explore this paradigm. Andersen and Pold argue that despite attempts to make the interface disappear into smooth access and smart interaction, it gradually resurfaces; there is a metainterface to the displaced interface. Art can help us see this; the interface can be an important outlet for aesthetic critique. Andersen and Pold describe the “semantic capitalism” of a metainterface industry that captures user behavior; the metainterface industry's disruption of everyday urban life, changing how the city is read, inhabited, and organized; the ways that the material displacement of the cloud affects the experience of the interface; and the potential of designing with an awareness of the language and grammar of interfaces.
Stories that have delighted children and fascinated adults for over a century are the heritage of Hans Christian Andersen. This collection has been selected and translated with the growing audience of adults--both students and general readers--in mind, and displays the full range of Andersen’s authorship, from parable to science fiction. In this fresh, contemporary translation Rossel and Conroy have endeavored to “preserve for the English-speaking audience the engaging duplicity of Andersen’s style, the tension of play between his sympathetic conversational tone and his use of the studied effect.” This is a tension between the simplicity of stories intended to be read aloud to children ad the subtlety of the allegory skillfully woven into each for the adults who would be listening and “must have something to think about,” as Andersen said. The introductions provide an overview of Andersen’s life and struggle to become an author, as well as an analysis of his contributions as an artist and storyteller. Each story has also been provided with an endnote giving publication dates, information about the genesis of the tale, and relevant comments by Andersen and other. Readers who remember with nostalgia such tales as “The Ugly Duckling” and “The Little Match Girl” may be surprised to find the biting satire in many of the stories, such as “The Nightingale” and “The Gardener and the Lord and Lady,” the revealing self-portraits of the author in “The Sweethearts,” “The Butterfly,” and “The Shadow,” the mysticism of “The story of a Mother” and “The Bell” the prophetic quality of “In a Thousand Years Time,” and the complexity and charm of “the Snow Queen.” The book contains the drawings of Vilhelm Pedersen and Lorenz Frolich that originally appeared in the first illustrated Danish editions of Andersen’s tales and stories.
The Hans Andersen Fairy Tales will be read in schools and homes as long as there are children who love to read. As a story-teller for children the author has no rival in power to enlist the imagination and carry it along natural, healthful lines. The power of his tales to charm and elevate runs like a living thread through whatever he writes. In the two books in which they are here presented they have met the tests and held an undiminishing popularity among the best children's books. They are recognized as standards, and as juvenile writings come to be more carefully standardized, their place in permanent literature will grow wider and more secure. A few children's authors will be ranked among the Immortals, and Hans Andersen is one of them. Denmark and Finland supplied the natural background for the quaint fancies and growing genius of their gifted son, who was story-teller, playwright, and poet in one. Love of nature, love of country, fellow-feeling with life in everything, and a wonderful gift for investing everything with life wrought together to produce in him a character whose spell is in all his writings. "The Story of My Life" is perhaps the most thrilling of all of them. Recognized in courts of kings and castles of nobles, he recited his little stories with the same simplicity by which he had made them familiar in cottages of the peasantry, and endeared himself alike to all who listened. These attributes, while they do not account for his genius, help us to unravel the charm of it. The simplest of the stories meet Ruskin's requirement for a child's story—they are sweet and sad. From most writers who have contributed largely to children's literature only a few selected gems are likely to gain permanence. With Andersen the case is different. While there are such gems, the greater value lies in taking these stories as a type of literature and living in it a while, through the power of cumulative reading. It is not too much to say that there is a temper and spirit in Andersen which is all his own—a simple philosophy which continuous reading is sure to impart. For this reason these are good books for a child to own; an occasional re-reading will inspire in him a healthy, normal taste in reading. Many of the stories are of value to read to very young children. They guide an exuberant imagination along natural channels.
Eighteen enduring fables from one of the world’s best-loved storytellers Hans Christian Andersen’s fairy tales have long delighted millions of readers, young and old, and inspired myriad film, stage, and musical adaptations. This collection, including beloved classics “The Emperor’s New Clothes,” “The Snow Queen” (the basis for the blockbuster film Frozen), and “The Little Match Girl,” is the perfect introduction to Andersen’s groundbreaking use of plain language and realistic settings to explore life’s great mysteries. Inspired by the ancient Danish legends and stories from Arabian Nights that his father told him, Andersen composed his fables to be read aloud, and approached difficult subjects and complex truths with a directness that children and adults still find refreshing nearly two centuries later. From “The Red Shoes” to “The Dream of Little Tuk,” this selection of Hans Christian Andersen fairy tales is a must-have for readers who already know his work by heart, and those discovering the singular power of his imagination for the very first time. This ebook has been professionally proofread to ensure accuracy and readability on all devices.
From the most beloved writer of children's stories and fairy tales, including The Little Mermaid, The Snow Queen, The Ugly Duckling, The Nightingale, The Emperor's New Clothes...
From the most beloved writer of children's stories and fairy tales, including The Little Mermaid, The Snow Queen, The Ugly Duckling, The Nightingale, The Emperor's New Clothes...
This carefully crafted ebook: "The Complete Fairy Tales of Hans Christian Andersen: 127 Stories in one volume" is formatted for your eReader with a functional and detailed table of contents. Hans Christian Andersen (1805-1875) was a Danish writer, best remembered for his fairy tales.
A wonderful collection of Hans Christian Andersens Fairy Tales illustrated in black and white by Honor Appleton. Contents include, The Little Mermaid, The Little Match Girl, The Snow Queen, The Red Shoes, The Steadfast Tin Soldier and many others. Many of the earliest children's books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. Pook Press are working to republish these classic works in affordable, high quality editions, using the original text and artwork so these works can delight another generation of children.
Thirty of Hans Christian Andersen's most cherished stories in single volumes Illustrator various artists. Known all over the world, these fairytales hold stories of great value and are a source of inspiration for both young and old.
One of a series of picture books produced in a smaller format, this is one of Hans Christian Andersen's tales The Nightingale. The illustrator, Liz Zwerger won the 1990 Hans Christian Andersen Medal for lifetime achievement and contribution to children's literature.
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