Recent revisionist scholarship has argued that representations by white “outsider” observers of black American music have distorted historical truths about how the blues came to be. While these scholarly arguments have generated an interesting debate concerning how the music has been framed and disseminated, they have so far only told an American story, failing to acknowledge that in the post-war era the blues had spread far beyond the borders of the United States. As Christian O’Connell shows in Blues, How Do You Do? Paul Oliver’s largely neglected scholarship—and the unique transatlantic cultural context it provides—is vital to understanding the blues. O’Connell’s study begins with Oliver’s scholarship in his early days in London as a writer for the British jazz press and goes on to examine Oliver’s encounters with visiting blues musicians, his State Department–supported field trip to the US in 1960, and the resulting photographs and oral history he produced, including his epic “blues narrative,” The Story of the Blues (1969). Blues, How Do You Do? thus aims to move away from debates that have been confined within the limits of national borders—or relied on clichés of British bands popularizing American music in America—to explore how Oliver’s work demonstrates that the blues became a reified ideal, constructed in opposition to the forces of modernity.
From leading breakfast radio star Christian O'Connell comes a brilliant and laugh-out-loud story of an ordinary boy with an extraordinary secret radio show. (Broadcast from his shed.) Meet Spike, aka Radio Boy: a new Adrian Mole on the radio for the internet generation. Spike's your average awkward 11 year old, funny and cheeky and with a mum to reckon with. When he becomes the first presenter ever to be sacked from hospital radio, he decides to carry on from a makeshift studio in the garden shed, with the help of his best friends Artie and Holly, disguising his voice and going by the moniker Radio Boy. Week by week, word gets around and soon Spike is a star... if only people knew it was actually him. When Spike begins to believe his own hype, and goes too far with his mocking of the school headmaster, a hunt is launched for the mysterious Radio Boy. Can Spike remain anonymous? Will he get to marry the girl of his dreams, Katherine Hamilton? Will he become famous and popular? The answer to most of these questions is no...
How do intellectuals engage with and affect their publics? What is the role of the public intellectual in the new age of political uncertainties? What challenges face female intellectuals and those speaking from an ethnic, national or class position? This exciting collection responds to these questions by offering a broad-ranging account of the changing role of intellectuals in public life. The volume opens with provocative essays on the idea and role of the public intellectual from Alexander, Evans and Zulaika. Chapters from Rabinbach on intellectuals' responses to totalitarianism, Outhwaite on what it means to be a European intellectual, and Auer’s discussion of the dissident intellectual in the collapse of communism lead onto vigorous debate of earlier points discussed through specific intellectual case studies from Tocqueville to Hayek. Intellectuals and their Publics will attract a broad readership interested in the role of the intellectual, with particular appeal for sociologists, political theorists and historians of ideas.
War Wisdom: A Cross Cultural Sampling is a unique combination of directory and analysis. It provides a relevant “universe” of quotations, together with their authors, about war from various ages and across a large number of societies including those found in China, Japan, Persia, Mongolia, Europe, and America (both North and South), as well as Native American nations and Africa. A lengthy introductory essay presents and analyzes a dozen relevant themes found throughout those cultures, themes which show a pattern of very widespread, if not universal, appeal. Of particular relevance is the author’s engagement with the conflicting wisdom pertaining to war found within the same society as well as common themes appearing across cultures, societies, and time frames.
The concept of obligations erga omnes - obligations to the international community as a whole - has fascinated international lawyers for decades, yet its precise implications remain unclear. This book assesses how this concept affects the enforcement of international law. It shows that all States are entitled to invoke obligations erga omnes in proceedings before the International Court of Justice, and to take countermeasures in response to serious erga omnes breaches. In addition, it suggests ways of identifying obligations that qualify as erga omnes. In order to sustain these results, the book conducts a thorough examination of international practice and jurisprudence as well as the recent work of the UN International Law Commission in the field of State responsibility. By so doing, it demonstrates that the erga omnes concept is solidly grounded in modern international law, and clarifies one of the central aspects of the international regime of law enforcement.
This bold and ambitious book attempts to diagnose and remedy what is wrong with economics, so that it can become an emancipatory form of knowledge. It will be of interest to serious economists and philosophers of social science everywhere.
This authoritative book offers a complete breakdown of the EUês political economy in the wake of the global financial crisis and will therefore appeal to students of European politics, international political economy and European studies, as well as po
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.