Christian Metz is best known for applying Saussurean theories of semiology to film analysis. In the 1970s, he used Sigmund Freud's psychology and Jacques Lacan's mirror theory to explain the popularity of cinema. In this final book, Metz uses the concept of enunciation to articulate how films "speak" and explore where this communication occurs, offering critical direction for theorists who struggle with the phenomena of new media. If a film frame contains another frame, which frame do we emphasize? And should we consider this staging an impersonal act of enunciation? Consulting a range of genres and national trends, Metz builds a novel theory around the placement and subjectivity of screens within screens, which pulls in—and forces him to reassess—his work on authorship, film language, and the position of the spectator. Metz again takes up the linguistic and theoretical work of Benveniste, Genette, Casetti, and Bordwell, drawing surprising conclusions that presage current writings on digital media. Metz's analysis enriches work on cybernetic emergence, self-assembly, self-reference, hypertext, and texts that self-produce in such a way that the human element disappears. A critical introduction by Cormac Deane bolsters the connection between Metz's findings and nascent digital-media theory, emphasizing Metz's keen awareness of the methodological and philosophical concerns we wrestle with today.
... less about film than about the psychology of the viewing experience." --American Film Employing Freudian psychoanalysis, Christian Metz explores the nature of cinematic spectatorship and looks at the operations of meaning in the film text.
A pioneer in the field, Christian Metz applies insights of structural linguistics to the language of film. "The semiology of film . . . can be held to date from the publication in 1964 of the famous essay by Christian Metz, 'Le cinéma: langue ou langage?'"—Geoffrey Nowell-Smith, Times Literary Supplement "Modern film theory begins with Metz."—Constance Penley, coeditor of Camera Obscura "Any consideration of semiology in relation to the particular field signifying practice of film passes inevitably through a reference to the work of Christian Metz. . . . The first book to be written in this field, [Film Language] is important not merely because of this primacy but also because of the issues it raises . . . issues that have become crucial to the contemporary argument."—Stephen Heath, Screen
The European Commission is at the center of the European Union's political system. Within its five-year terms each Commission proposes up to 2000 binding legal acts and therefore crucially shapes EU policy, which in turn impacts on the daily lives of more than 500 million European citizens. However, despite the Commissions key role in setting the agenda for European decision making, little is known about its internal dynamics when preparing legislation. This book provides a problem-driven, theoretically-founded, and empirically rich treatment of the so far still understudied process of position-formation inside the European Commission. It reveals that various internal political positions prevail and that the role of power and conflict inside the European Commission is essential to understanding its policy proposals. Opening the 'black box' of the Commission, the book identifies three ideal types of internal position-formation. The Commission is motivated by technocratic problem-solving, by competence-seeking utility maximization or ideologically-motivated policyseeking. Specifying conditions that favor one logic over the others, the typology furthers understanding of how the EU system functions and provides novel explanations of EU policies with substantial societal implications.
Reprint of the original, first published in 1859. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
This story is taken from the Gospel of John in the Holy Bible and the parallel story is taking place at the same time. The parallel story is about three precocious children, Zoey 12 years old, Kim 10 years old and Ben 11 years old. Zoey and Kim have traveled back in time to when Christ Jesus ministered on earth. Zoey and Kim want their friends back in their home town to believe that Jesus existed as a living person then and continues to live in heaven with God the Father. The plan they have designed is to take film footage back home of the events that occurred during Jesus’ ministry on earth. This moving story about the death, burial and resurrection of our Lord and Savior Jesus has far reaching implications for those of us who are born again Christians and to those of you who may want Jesus to come into your heart and change your life forever. Enjoy this book as you see a part of Jesus’ life portrayed; a story about Jesus who has been our hope since we first gained knowledge about Him.
The handbook of ecotoxicological terms will comprise a series of key terms produced by invited authors followed by a comprehensive glossary that will regroup words or expressions, the meaning of which is deemed of importance to enhance the knowledge of readers. In a sense, the book is intended to be a blend between a kind of encyclopedia of designated terms relevant to the field of modern aquatic toxicology and a dictionary of complementary accessory words. The book, for example, will include term definitions such as biotic ligand model, ecological risk assessment, ecotoxicogenomics, environmental effects monitoring and sediment triad.
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