This book tells a great philosophical tale. The backstory of this tale is simple: the famous philosopher Ludwig Wittgenstein published only one philosophical book during his lifetime: the Tractatus Logico-Philosophicus. He left the lion’s share of his philosophical writings to posterity in the form of unpublished manuscripts and typescripts amounting to more than 18,000 pages. In his will, Wittgenstein entrusted three of his former students – Elizabeth Anscombe, Rush Rhees and Georg Henrik von Wright – with the task of publishing from his writings what they thought fit. During the subsequent decades, these literary heirs edited the volumes that the learned world has come to know as the influential works of Wittgenstein. Now, the essays in this book tell about Wittgenstein’s literary heirs in their ambition to publish the writings of their beloved teacher. This history of the posthumous publication processes for Wittgenstein’s writings will extinguish the genius cult that still exists in some historiographies of philosophy. This cult is partly responsible for the impression that great philosophical works fall from the window of an ivory tower, in completed form, printed and bound, just in order to hit and inspire the next genius philosopher walking by. In actual fact, in the history of philosophy, there are a number of cases in which it takes the great philosophers’ pupils and followers to bring their teachers’ thought into a publishable form. Indeed, this is how literary tradition of Western philosophy begins. In the case of Wittgenstein’s writings, this book opens, at least to some extent, the black box of the discipulary production processes of the making of a classic philosopher.
Ludwig Wittgenstein is one of the most widely read philosophers of the twentieth century. But the books in which his philosophy was published – with the exception of his early work Tractatus Logico-Philosophicus – were posthumously edited from the writings he left to posterity. How did his 20,000 pages of philosophical writing become published volumes? Using extensive archival material, this Element reconstructs and examines the way in which Wittgenstein's writings were edited over more than fifty years, and shows how the published volumes tell a thrilling story of philosophical inheritance. The discussion ranges over the conflicts between the editors, their deviations from Wittgenstein's manuscripts, other scholarly issues which arose, and also the shared philosophical tradition of the editors, which animated their desire to be faithful to Wittgenstein and to make his writings both available and accessible. The Element can thus be read as a companion to all of Wittgenstein's published works of philosophy.
This book tells a great philosophical tale. The backstory of this tale is simple: the famous philosopher Ludwig Wittgenstein published only one philosophical book during his lifetime: the Tractatus Logico-Philosophicus. He left the lion’s share of his philosophical writings to posterity in the form of unpublished manuscripts and typescripts amounting to more than 18,000 pages. In his will, Wittgenstein entrusted three of his former students – Elizabeth Anscombe, Rush Rhees and Georg Henrik von Wright – with the task of publishing from his writings what they thought fit. During the subsequent decades, these literary heirs edited the volumes that the learned world has come to know as the influential works of Wittgenstein. Now, the essays in this book tell about Wittgenstein’s literary heirs in their ambition to publish the writings of their beloved teacher. This history of the posthumous publication processes for Wittgenstein’s writings will extinguish the genius cult that still exists in some historiographies of philosophy. This cult is partly responsible for the impression that great philosophical works fall from the window of an ivory tower, in completed form, printed and bound, just in order to hit and inspire the next genius philosopher walking by. In actual fact, in the history of philosophy, there are a number of cases in which it takes the great philosophers’ pupils and followers to bring their teachers’ thought into a publishable form. Indeed, this is how literary tradition of Western philosophy begins. In the case of Wittgenstein’s writings, this book opens, at least to some extent, the black box of the discipulary production processes of the making of a classic philosopher.
Ludwig Wittgenstein is one of the most widely read philosophers of the twentieth century. But the books in which his philosophy was published – with the exception of his early work Tractatus Logico-Philosophicus – were posthumously edited from the writings he left to posterity. How did his 20,000 pages of philosophical writing become published volumes? Using extensive archival material, this Element reconstructs and examines the way in which Wittgenstein's writings were edited over more than fifty years, and shows how the published volumes tell a thrilling story of philosophical inheritance. The discussion ranges over the conflicts between the editors, their deviations from Wittgenstein's manuscripts, other scholarly issues which arose, and also the shared philosophical tradition of the editors, which animated their desire to be faithful to Wittgenstein and to make his writings both available and accessible. The Element can thus be read as a companion to all of Wittgenstein's published works of philosophy.
This is an open access book. Time is an exceptional dimension with high relevance in medicine, engineering, business, science, biography, history, planning, or project management. Understanding time-oriented data via visual representations enables us to learn from the past in order to predict, plan, and build the future. This second edition builds upon the great success of the first edition. It maintains a brief introduction to visualization and a review of historical time-oriented visual representations. At its core, the book develops a systematic view of the visualization of time-oriented data. Separate chapters discuss interaction techniques and computational methods for supporting the visual data analysis. Many examples and figures illustrate the introduced concepts and techniques. So, what is new for the second edition? First of all, the second edition is now published as an open-access book so that anyone interested in the visualization of time and time-oriented data can read it. Second, the entire content has been revised and expanded to represent state-of-the-art knowledge. The chapter on interaction support now includes advanced methods for interacting with visual representations of time-oriented data. The second edition also covers the topics of data quality as well as segmentation and labeling. The comprehensive survey of classic and contemporary visualization techniques now provides more than 150 self-contained descriptions accompanied by illustrations and corresponding references. A completely new chapter describes how the structured survey can be used for the guided selection of suitable visualization techniques. For the second edition, our TimeViz Browser, the digital pendant to the survey of visualization techniques, received a major upgrade. It includes the same set of techniques as the book, but comes with additional filter and search facilities allowing scientists and practitioners to find exactly the solutions they are interested in.
Now available in ePub format. The Rough Guide to Germany is the ultimate travel guide to this dynamic country. Full-color photography illustrates Germany's stylish cities and beautiful landscapes, its meandering rivers and picture-perfect castles. Detailed accounts of every attraction provide all the information you need to explore the country's exceptional museums, iconic architecture, and its many rural escapes, from the soaring Bavarian Alps and dense woodlands of the Black Forest to the beautiful beaches and islands of the North Sea, or the idyllic Rhineland vineyards where you can sample some of the country's many world-class wines. The Rough Guide to Germany includes practical advice to ensures that, no matter what your budget, you'll find the perfect boutique hotel, convivial hostel, authentic cellar restaurant, stylish gourmet haunt, design-conscious shop, cutting-edge arts venue, or hip bar and club-all marked on the book's many color maps. The Rough Guide to Germany includes well-researched historical and cultural background to help you understand and appreciate this complex country and, above all, make the most of your time.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.