The author should not disappear into her own work, says Christa Wolf, but should stand up and be counted. In this series of interviews and conversations spanning more than a decade, Christ Wolf does precisely that. Here, one of the greatest contemporary novelists discusses the origins of an inspirations for her best known works. Often taking as her starting point events from the past, her novels, she explains, remain fictions of the present, whether her concern is to reassess the experiences of growing up in Nazi Germany, as in A Model Childhood, or to attempt to trace the roots of the contradictions in which our civilisation is now trapped, as in Cassandra. These conversations, however, take her far beyond the purely literary. She talks openly about what it means to be both a writer and a woman in East Germany today, and concludes that literature is no longer territorially defined. We are not so much divided by boundaries between East and West as united in our common experience of highly organized patriarchal society, she says, which has brought us to ‘the verge of annihilation’. It is the author’s voice, according to Christa Wolf, which provides ‘the fourth dimension’ of modern prose. In these pages her own voice emerges more loudly and clearly than ever.
Documenting four painful years in the life of German writer Christa Wolf, this volume of essays, letters and diary entries portrays the cultural and political situation in the former German Democratic Republic. An admired writer, Wolf was reviled after the publication of her novel "What Remains
Suffering severe abdominal pain, a woman is rushed to the emergency room. Her soaring temperature, her deepening distress, her body's resistance to medicine confound her doctors, who operate repeatedly.Drifting in and out of consciousness, she endures a fitful fever dream in which the boundaries between wakefulness, memory, and delusion blur then totally break down. Old friends appear to her, comforting strangers materialize by her bedside, and her sense of self, of being an "I" who acts rather than a "she" who is acted upon, begins to slip away. Gurney rides through the hospital corridors become fantastic travels through the hallways of hell. Remembered snatches of Goethe's Faust and "Upbuilding" Communist propaganda provide a running commentary on her predicament. The scene, half real, half hallucinated, is the former East Germany, a country of secrets, silences, and unexplained disappearances. The time: just before the fall of the Berlin Wall.Christa Wolf's mesmerizing short novel ? already a best seller in Germany ? is a supreme work of political and philosophical insight by one of Europe's greatest living writers. Alive with myth and metaphor, rich in historical and literary allusion, it draws a nuanced, witty, and utterly compelling portrait of a person and a society close to death yet still capable of recovery.
When The Quest for Christa T. was first published in East Germany ten years ago, there was an immediate storm: bookshops in East Berlin were given instructions to sell it only to well-known customers professionally involved in literary matters; at the annual meeting of East German Writers Conference, Mrs Wolf's new book was condemmed. Yet the novel has nothing eplicity to do with politics.
Retells the story of the fall of Troy ... from the point of view of the woman whose visionary powers earned her contempt and scorn. Written as a result of the author's Greek travels and studies, Cassandra speaks to us in a pressing monologue whose inner focal points are patriarchy and war. In the four accompanying pieces, which take the form of travel reports, journal entries, and a letter, Wolf describes the novel's genesis."--Cover p. [4].
Medea is among the most notorious women in the canon of Greek tragedy: a woman scorned who sacrifices her own children to her jealous rage. In her gripping new novel, Christa Wolf explodes this myth, revealing a fiercely independent woman ensnared in a brutal political battle. Medea, driven by her conscience to leave her corrupt homeland, arrives in Corinth with her husband, the hero Jason. He is welcomed, but she is branded the outsider-and then she discovers the appalling secret behind the king's claim to power. Unwilling to ignore the horrifying truth about the state, she becomes a threat to the king and his ruthless advisors; abandoned by Jason and made a public scapegoat, she is reviled as a witch and a murderess. Long a sharp-eyed political observer, Christa Wolf transforms this ancient tale into a startlingly relevant commentary on our times. Possessed of the enduring truths so treasured in the classics, and yet with a thoroughly contemporary spin, her Medea is a stunningly perceptive and probingly honest work of fiction.
Returning to her native town in East Germany forty years later, accompanied by her inquisitive and sometimes demanding daughter, Wolf attempts to recapture her past and to clarify memories of growing up in Nazi Germany. This novel is a testament of what seemed at the time a fairly ordinary childhood, in the bosom of a normal Nazi family in Landsberg."--
First published in 1963, in East Germany, They Divided the Sky tells the story of a young couple, living in the new, socialist, East Germany, whose relationship is tested to the extreme not only because of the political positions they gradually develop but, very concretely, by the Berlin Wall, which went up on August 13, 1961. The story is set in 1960 and 1961, a moment of high political cold war tension between the East Bloc and the West, a time when many thousands of people were leaving the young German Democratic Republic (the GDR) every day in order to seek better lives in West Germany, or escape the political ideology of the new country that promoted the "farmer and peasant" state over a state run by intellectuals or capitalists. The construction of the Wall put an end to this hemorrhaging of human capital, but separated families, friends, and lovers, for thirty years. The conflicts of the time permeate the relations between characters in the book at every level, and strongly affect the relationships that Rita, the protagonist, has not only with colleagues at work and at the teacher's college she attends, but also with her partner Manfred (an intellectual and academic) and his family. They also lead to an accident/attempted suicide that send her to hospital in a coma, and that provide the backdrop for the flashbacks that make up the narrative. Wolf's first full-length novel, published when she was thirty-five years old, was both a great literary success and a political scandal. Accused of having a 'decadent' attitude with regard to the new socialist Germany and deliberately misrepresenting the workers who are the foundation of this new state, Wolf survived a wave of political and other attacks after its publication. She went on to create a screenplay from the novel and participate in making the film version. More importantly, she went on to become the best-known East German writer of her generation, a writer who established an international reputation and never stopped working toward improving the socialist reality of the GDR.
An East German writer, awaiting a call from the hospital where her brother is undergoing brain surgery, instead receives news of a massive nuclear accident at Chernobyl, one thousand miles away. In the space of a single day, in a potent, lyrical stream of thought, the narrator confronts both mortality and life and above all, the import of each moment lived-open, as Wolf reveals, to infinite analysis.
An East German writer is captivated by the healing and the destructive capabilities of technology, as she contemplates the medical knowledge that can save her brother's life and the devastation wrought by the Chernobyl disaster
The author should not disappear into her own work, says Christa Wolf, but should stand up and be counted. In this series of interviews and conversations spanning more than a decade, Christ Wolf does precisely that. Here, one of the greatest contemporary novelists discusses the origins of an inspirations for her best known works. Often taking as her starting point events from the past, her novels, she explains, remain fictions of the present, whether her concern is to reassess the experiences of growing up in Nazi Germany, as in A Model Childhood, or to attempt to trace the roots of the contradictions in which our civilisation is now trapped, as in Cassandra. These conversations, however, take her far beyond the purely literary. She talks openly about what it means to be both a writer and a woman in East Germany today, and concludes that literature is no longer territorially defined. We are not so much divided by boundaries between East and West as united in our common experience of highly organized patriarchal society, she says, which has brought us to ‘the verge of annihilation’. It is the author’s voice, according to Christa Wolf, which provides ‘the fourth dimension’ of modern prose. In these pages her own voice emerges more loudly and clearly than ever.
Documenting four painful years in the life of German writer Christa Wolf, this volume of essays, letters and diary entries portrays the cultural and political situation in the former German Democratic Republic. An admired writer, Wolf was reviled after the publication of her novel "What Remains
Spanning the past three decades, these essays focus on the roles of the writer and literature today. In the first half of this series of witty, probing essays on reading and writing, Wolf examines the individual's, in particular the writer's, relationship to society. The final sections, "On War and Peace and Politics" and "The End of the German Democratic Republic," demonstrate the ways in which Wolf's political thinking has evolved and cast light on the political situation in East Germany prior to reunification. "An important publication, ably served by the editing of Alexander Stephan; the knowledgeable translation by Jan Van Heurck; and Grace Paley's sisterly introduction, which . . . claims at least the later Christa Wolf for a pacifist feminism."—Peter Demetz, New York Times
First published in 1963, in East Germany, They Divided the Sky tells the story of a young couple, living in the new, socialist, East Germany, whose relationship is tested to the extreme not only because of the political positions they gradually develop but, very concretely, by the Berlin Wall, which went up on August 13, 1961. The story is set in 1960 and 1961, a moment of high political cold war tension between the East Bloc and the West, a time when many thousands of people were leaving the young German Democratic Republic (the GDR) every day in order to seek better lives in West Germany, or escape the political ideology of the new country that promoted the "farmer and peasant" state over a state run by intellectuals or capitalists. The construction of the Wall put an end to this hemorrhaging of human capital, but separated families, friends, and lovers, for thirty years. The conflicts of the time permeate the relations between characters in the book at every level, and strongly affect the relationships that Rita, the protagonist, has not only with colleagues at work and at the teacher's college she attends, but also with her partner Manfred (an intellectual and academic) and his family. They also lead to an accident/attempted suicide that send her to hospital in a coma, and that provide the backdrop for the flashbacks that make up the narrative. Wolf's first full-length novel, published when she was thirty-five years old, was both a great literary success and a political scandal. Accused of having a 'decadent' attitude with regard to the new socialist Germany and deliberately misrepresenting the workers who are the foundation of this new state, Wolf survived a wave of political and other attacks after its publication. She went on to create a screenplay from the novel and participate in making the film version. More importantly, she went on to become the best-known East German writer of her generation, a writer who established an international reputation and never stopped working toward improving the socialist reality of the GDR.
Medea is among the most notorious women in the canon of Greek tragedy: a woman scorned who sacrifices her own children to her jealous rage. In her gripping new novel, Christa Wolf expands this myth, revealing a fiercely independent woman ensnared in a brutal political battle. Medea, driven by her conscience to leave her corrupt homeland, arrives in Corinth with her husband, the hero Jason. He is welcomed, but she is branded the outsider—and then she discovers the appalling secret behind the king's claim to power. Unwilling to ignore the horrifying truth about the state, she becomes a threat to the king and his ruthless advisors. Then abandoned by Jason and made a public scapegoat, she is reviled as a witch and a murderess. Long a sharp-eyed political observer, Christa Wolf transforms this ancient tale into a startlingly relevant commentary on our times. Possessed of the enduring truths so treasured in the classics, and yet with a thoroughly contemporary spin, her Medea is a stunningly perceptive and probingly honest work of fiction.
An East German writer, awaiting a call from the hospital where her brother is undergoing brain surgery, instead receives news of a massive nuclear accident at Chernobyl, one thousand miles away. In the space of a single day, in a potent, lyrical stream of thought, the narrator confronts both mortality and life and above all, the import of each moment lived-open, as Wolf reveals, to infinite analysis.
Christa Wolf's mesmerizing short novel--a bestseller in Germany--is a supreme work of political and philosophical insight by one of Europe's great writers. Alive with myth and metaphor, rich in historical and literary allusion, it draws a nuanced, witty, and utterly compelling portrait of a person and a society close to death yet still capable of recovery.
This volume offers a full analysis of one of the more intriguing works by a figure who is central to our understanding of Late Antiquity and early Christianity: the translator, exegete, and controversialist Jerome (c.347-419/20AD). The neglected text of the Vita Malchi - or, to use Jerome's title, the Captive Monk - recounts the experiences of Malchus, a monk abducted by nomadic Saracens on the Eastern fringe of the fourth-century Roman Empire, in what today is the border region between southern Turkey and Syria. Most of this short, vivid, and fast-paced narrative is recounted by Malchus in the first person. The volume's introduction provides background information on the author, Jerome, and the historical and linguistic context of the Life, as well as detailed discussion of the work's style and its reception of earlier Christian and classical literature, ranging from its relationship with comedy, epic, and the ancient novel to the Apocryphal Apostolic Acts and martyr narratives. An exposition of the manuscript evidence is then followed by a new edition of the Latin text with an English translation, and a comprehensive commentary. The commentary explores the complex intertextuality of the work and provides readers with an understanding of its background, originality, and significance; it elucidates not only literary and philological questions but also points of ethnography and topography, and intellectual and social history.
What is feminist ethnography? What is its history? How can its methods be applied? How is feminist ethnography produced, distributed, and evaluated? How do feminist ethnographers link their findings to broader publics through activism, advocacy, and public policy? Investigating these questions and more, this cross-cultural and interdisciplinary new text employs a problem-based approach to guide readers through the methods, challenges, and possibilities of feminist ethnography. Dána-Ain Davis and Christa Craven tease out the influences of feminist ethnography across a variety of disciplines including women’s and gender studies, critical race studies, ethnic studies, education, communications, psychology, sociology, urban studies, and American studies. Feature elements of the text include Essentials (excerpts from key texts in the field), Spotlights (interviews with feminist ethnographers), and suggested assignments and readings. The text concludes with a “conversation” among contemporary feminist ethnographers about what feminist ethnography looks like today and into the future. This text is accompanied by an author-maintained website that can be found here: http://discover.wooster.edu/feministethnography/
Retells the story of the fall of Troy ... from the point of view of the woman whose visionary powers earned her contempt and scorn. Written as a result of the author's Greek travels and studies, Cassandra speaks to us in a pressing monologue whose inner focal points are patriarchy and war. In the four accompanying pieces, which take the form of travel reports, journal entries, and a letter, Wolf describes the novel's genesis."--Cover p. [4].
Christa writes clearly, concisely and unequivocallyA . . . describes an intimacy and an idyll . . . [that] startles not only men, but women as well."- EMMA Magazine "Christa writes for women and against femininity. Her approach is blunt and unapologetic. . . . As she sees it, there is a war going on and women's lives are at stake. . . . In such times, she insists, feminism must be uncompromising and tough, not gentle and sentimental. . . . Her texts have the simplicity of a weapon directed straight at its target, a tool honed to precision, a language in which all ballast has been cast off."-Angelika Bammer Written as a journal, these poems accompany two older lesbians through a year together. Tender, humorous, fearful, critical and angry in turn, the prize-winning German poet Christa Reinig speaks of her love, dreams, and fears. She looks with pitiless eyes at her gynophobic society and imagines a past and future matriarchy while questioning the direction of the German women's movement. A poetic saga.
One of the greatest mezzo-sopranos of postwar opera, Christa Ludwig recalls her long and lustrous career singing for two generations of adoring audiences, under the batons of such conductors as Klemperer, Karajan, Solti, and Bernstein, in the great opera houses of the world. Her memoirs make clear why Bernstein said of her, "She is simply the best, and the best of all possible human beings.
New Approaches to Teaching Folk and Fairy Tales provides invaluable hands-on materials and pedagogical tools from an international group of scholars who share their experiences in teaching folk- and fairy-tale texts and films in a wide range of academic settings. This interdisciplinary collection introduces scholarly perspectives on how to teach fairy tales in a variety of courses and academic disciplines, including anthropology, creative writing, children’s literature, cultural studies, queer studies, film studies, linguistics, second language acquisition, translation studies, and women and gender studies, and points the way to other intermedial and intertextual approaches. Challenging the fairy-tale canon as represented by the Brothers Grimm, Charles Perrault, Hans Christian Andersen, and Walt Disney, contributors reveal an astonishingly diverse fairy-tale landscape. The book offers instructors a plethora of fresh ideas, teaching materials, and outside-the-box teaching strategies for classroom use as well as new and adaptable pedagogical models that invite students to engage with class materials in intellectually stimulating ways. A cutting-edge volume that acknowledges the continued interest in university courses on fairy tales, New Approaches to Teaching Folk and Fairy Tales enables instructors to introduce their students to a new, critical understanding of the fairy tale as well as to a host of new tales, traditions, and adaptations in a range of media. Contributors: Anne E. Duggan, Cyrille François, Lisa Gabbert, Pauline Greenhill, Donald Haase, Christa C. Jones, Christine A. Jones, Jeana Jorgensen, Armando Maggi, Doris McGonagill, Jennifer Orme, Christina Phillips Mattson, Claudia Schwabe, Anissa Talahite-Moodley, Maria Tatar, Francisco Vaz da Silva, Juliette Wood
“A rare and fascinating insight into Hitler’s inner circle.” —Roger Moorhouse, author of Killing Hitler As secretary to the Führer throughout the time of the Third Reich, Christa Schroeder was perfectly placed to observe the actions and behavior of Hitler, along with the most important figures surrounding him. Schroeder’s memoir delivers fascinating insights: she notes his bourgeois manners, his vehement abstemiousness, and his mood swings. Indeed, she was ostracized by Hitler for a number of months after she made the mistake of publicly contradicting him once too often. In addition to her portrayal of Hitler, there are illuminating anecdotes about Hitler’s closest colleagues. She recalls, for instance, that the relationship between Martin Bormann and his brother Albert, who was on Hitler’s personal staff, was so bad that the two would only communicate with one another via their respective adjutants, even if they were in the same room. There is also light shed on the peculiar personal life and insanity of Reichsminister Walther Darré. Schroeder claims to have known nothing of the horrors of the Nazi regime. There is nothing of the sense of perspective or the mea culpa that one finds in the memoirs of Hitler’s other secretary, Traudl Junge, who concluded “we should have known.” Rather, the tone that pervades Schroeder’s memoir is one of bitterness. This is, without any doubt, one of the most important primary sources from the prewar and wartime period.
Saints. Most of us know them only from church names and grotesque figures in classic paintings and stained-glass windows. But who were these people dubbed “saints”? What are the facts behind the legends, the real human beings with all the weaknesses common to mankind who somehow made their mark in history as holy men and women? Saints and Non-Saints digs into the sense and nonsense in the lives and legends of fifteen famous saints, ranging from larger-than life figures like Augustine to shadowy legends like Nicholas and Valentine. Some were saints in the biblical sense—they knew Christ as their personal Savior—while others were merely religious by human standards. All, however, are fascinating personalities whose careers have profound lessons to teach us.
The second novel in a fiction series based on the popular online game, Animal Jam, enjoyed by over 65 million users! The brave and intrepid animals' adventures continue as they protect their natural habitat, Jamaa. Something’s going on in Jamaa. Plants are dying, the water is murky, and animals are spooked. Are the Phantoms back? Some of the Alphas investigate a suspicious volcano while others are hot on the trail of another lead. Can the Alphas work together to face the newest threat? It will take all of them save Jamaa…and time is running out. Fans of the popular Animal Jam game (as well as newcomers) are sure to love this book that expands the online world. And readers will be given exclusive access to new online adventures through a special code in the text!
A global history of how Thomas Jefferson’s descendants navigated the legacy of the Declaration of Independence on both sides of the color line The Declaration of Independence identified two core principles—independence and equality—that defined the American Revolution and the nation forged in 1776. Jefferson believed that each new generation of Americans would have to look to the “experience of the present” rather than the “wisdom” of the past to interpret and apply these principles in new and progressive ways. Historian Christa Dierksheide examines the lives and experiences of a rising generation of Jefferson’s descendants, Black and white, illuminating how they redefined equality and independence in a world that was half a century removed from the American Revolution. The Hemingses and Randolphs moved beyond Jefferson and his eighteenth-century world, leveraging their own ideas and experiences in nineteenth-century Britain, China, Cuba, Mexico, and the American West to claim independence and equal rights in an imperial and slaveholding republic.
This book explores the rise of theoretical physics in 19th century Germany. The authors show how the junior second physicist in German universities over time became the theoretical physicist, of equal standing to the experimental physicist. Gustav Kirchhoff, Hermann von Helmholtz, and Max Planck are among the great German theoretical physicists whose work and career are examined in this book. Physics was then the only natural science in which theoretical work developed into a major teaching and research specialty in its own right. Readers will discover how German physicists arrived at a well-defined field of theoretical physics with well understood and generally accepted goals and needs. The authors explain the nature of the work of theoretical physics with many examples, taking care always to locate the research within the workplace. The book is a revised and shortened version of Intellectual Mastery of Nature: Theoretical Physics from Ohm to Einstein, a two-volume work by the same authors. This new edition represents a reformulation of the larger work. It retains what is most important in the original work, while including new material, sharpening discussions, and making the research more accessible to readers. It presents a thorough examination of a seminal era in physics.
Ruth Christa Mathieson’s unique reading of Matthew’s parable of the royal wedding feast (Matt 22:1–14), which concludes with the king’s demand that one of the guests be bound and cast out into the outer darkness, focuses on the means of the underdressed guest’s expulsion. Using sociorhetorical interpretation, Mathieson draws the parable into conversation with early Jewish narratives of the angel Raphael binding hands and feet (1 Enoch; Tobit) and the protocol for expelling individuals from the community in Matt 18. She asserts that readers are invited to consider if the person who is bound and cast out is a danger to the little ones of the community of faith unless removed and restrained.
Christa Dierksheide argues that "enlightened" slaveowners in the British Caribbean and the American South, neither backward reactionaries nor freedom-loving hypocrites, thought of themselves as modern, cosmopolitan men with a powerful alternative vision of progress in the Atlantic world. Instead of radical revolution and liberty, they believed that amelioration—defined by them as gradual progress through the mitigation of social or political evils such as slavery—was the best means of driving the development and expansion of New World societies. Interrogating amelioration as an intellectual concept among slaveowners, Dierksheide uses a transnational approach that focuses on provincial planters rather than metropolitan abolitionists, shedding new light on the practice of slavery in the Anglophone Atlantic world. She argues that amelioration—of slavery and provincial society more generally—was a dominant concept shared by enlightened planters who sought to "improve" slavery toward its abolition, as well as by those who sought to ameliorate the institution in order to expand the system. By illuminating the common ground shared between supposedly anti- and pro-slavery provincials, she provides a powerful alternative to the usual story of liberal progress in the plantation Americas. Amelioration, she demonstrates, went well beyond the master-slave relationship, underpinning Anglo-American imperial expansion throughout the Atlantic world.
Socializing Intelligence Through Academic Talk and Dialogue focuses on a fast-growing topic in education research. Over the course of 34 chapters, the contributors discuss theories and case studies that shed light on the effects of dialogic participation in and outside the classroom. This rich, interdisciplinary endeavor will appeal to scholars and researchers in education and many related disciplines, including learning and cognitive sciences, educational psychology, instructional science, and linguistics, as well as to teachers curriculum designers, and educational policy makers.
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