No more solos for this heart . . . As a lawyer at Touchstone management, Tessa's position brings her up close and personal to some of the world's biggest heartthrobs. Sometimes that intimacy crosses professional lines, which is understandable considering Tessa's impressive contact list. But when rock star Brian Ellis set her aside for the girl of his dreams, Tessa can't help wonder if "spinster aunt" is her true vocation. Which explains her hook-up with rising star Brett Cherney at Brian's celebrity wedding . . . As the lead singer of BroRide, Brett has lived the rock-n-roll bad-boy lifestyle to the very hilt. But when the girl of his dreams marries fellow rocker Brian Ellis, he buries his disappointment in the arms of an older woman. The following morning, Brett realizes what he experienced was only the beginning of a song he's been trying to write all his life. It's a seductive theme, which Tessa falls for again and again, but getting her to believe they have a hit is turning out to be far from a sure thing . . .
He's her rock n'roll fantasy, but could he ever be more? Half the year, Cassandra Geoffrey runs In The Pines Campground, and spends the other half alone on a West Virginia mountain. She's not completely happy with the situation, but she loves her wacky, close-knit hometown. Besides, the man of her dreams isn't likely to appear anytime soon—until Jason Callisto, lead guitarist for Touchstone, her ultimate fantasy crush, shows up. At her campground. It's gotta be fate. After being dumped by his supermodel girlfriend, Jason has been impossible to live with. Now he's been exiled by his manager to West Virginia, before he breaks up the band on the eve of the Grammys. Clearly, Jason is Cass's adventure of a lifetime. To him, she's just an ego boost. . ..Or is she? With so much at stake, can they take a risk and reach for more? 87,605 Words
Drawn t the Rhythm, #1 They love each other. Will the rest of the world let them? Reluctantly on her way to a blind date, second grade teacher Maureen detours into her mechanic's garage because her brakes are squeaking. Her regular mechanic isn't there but his very intriguing brother Michael is. Michael tells her that he can't let her drive home with her brakes in that condition and offers to take her out to dinner in his 1972 Plymouth Satellite. Maureen can't believe how instantly and powerfully she's attracted to this grease monkey and neither can any of her friends, but since he's only going to be in town for a week, she doesn't want to waste an instant. Except that grease monkey is no grease monkey. He's Bear D'Amato, rock n' roll drummer and in a week he's headed back to get ready for a world tour with his band, Touchstone. When he first meets Maureen, he just wants to go out with her a few times like a normal guy, but as the relationship deepens, he realizes he wants more than just a couple of dates. He wants a lifetime. Maureen is shocked by his revelation, but she realizes she wants a lifetime too. Now all they have to do is convince the rest of the world. Content Warning: judgmental people, bad parents and giant fish. 74,296 Words
They could make beautiful music together... Hoping to dodge a scandal that could destroy her personal life and her career, Alex fled grad school for a summer job in tiny Potterville, West Virginia. She didn’t expect the town cupids to orchestrate a “chance” meeting with Marc—a sexy, brooding rock star who appreciates her love of poetry. But Alex doubts he’ll want anything more if he discovers the indiscretion she can’t forgive herself for... Marc came to Potterville to get some space from his band and clear his head. But before he knows it, he’s intrigued with the waitress at the local diner. Alex is not only smart and beautiful, she’s inspiring his songwriting and taking it to the next level. Soon he’s falling for her—and then she runs away. For the first time, Marc is chasing after a woman—and giving both himself and Alex a chance to heal past hurts and take a chance on the future...
One spurned editor, one groveling prodigal artist and one hundred thousand eavesdropping fans. Lindsey Cartwright didn't set out to become the Wicked Witch of Comics. But then she fell for hot-shot artist Kent Farrington. . .and got dumped. When he walked out, he left her with no explanation and zero sense of humor. Kent knows he's got a hard road ahead if he wants to win Lindsey back. He'll need to catch her at the perfect time, in the perfect place. What could be better than the biggest comic book convention of the year? WARNING: Nosy fans, extreme cinnamon buns and vulgar lemons. 20,264 Words
Arden FD, #3 Sometimes a dream life is really a nightmare. Rebecca has big plans. She's going to be a famous artist, even if she has to sell her soul to do it. And so far, it's working for her. She's gaining notoriety in local art circles, but the "crap art" she's selling makes her miserable. Ducking into the local fire station during a rainstorm, she finds the perfect way to distract herself--a hot firefighter with a big ego begging to be toyed with. Dan would be the first to admit he has a big ego, but there's something about Rebecca. . . Hunting her down after that first kiss in the rain turns out to be the easy part. Making her happy might be impossible. But Dan is willing to do whatever it takes, including helping her buy back her soul. Maybe it was the rain, maybe it was the uniform. Or maybe Rebecca and Dan were simply struck by lightning. WARNING: Violent weather, workplace disasters, and life happening despite the best laid plans. 58,702 Words
Arden FD, #1 Katherine lost one hero in the line of duty — can she risk loving another? Katherine Pelham's fiance was a police officer, shot and killed during a robbery. Left with a house she can't afford, she must rent out the first floor to solve her money woes. Before she can finishing putting up the For Rent sign, along comes a man who seems interested in more than just the apartment. Fireman Jack Connelly is in a bind: he's rescued a dog, and his lease doesn't allow pets. The new apartment would be great. The new landlady, even better. . . 71,407 Words
Who killed the Woman in the Wine? It’s a question that has haunted the village for over thirty years, but the woman’s daughter is convinced I, Julie Belmain, can come up with an answer. No one cares that I have the worst cold ever. And no one cares – because no one knows – that the daughter’s boyfriend is also my old crush. All I want to do is run into his arms... but all he wants is for me to crack an unsolved murder case that’s older than I am. Do I really want to poke my snotty nose into my neighbours’ and friends’ affairs? When the cold trail heats up in the old hotel I’ve invested in, I don’t have much choice. Diving into the past brings up shameful secrets and private grudges that send shock waves through the village. No one – including my own mother – can escape the consequences. If I keep digging into the past, we may end up with another death...
One of the greatest mezzo-sopranos of postwar opera, Christa Ludwig recalls her long and lustrous career singing for two generations of adoring audiences, under the batons of such conductors as Klemperer, Karajan, Solti, and Bernstein, in the great opera houses of the world. Her memoirs make clear why Bernstein said of her, "She is simply the best, and the best of all possible human beings.
No more solos for this heart . . . As a lawyer at Touchstone management, Tessa's position brings her up close and personal to some of the world's biggest heartthrobs. Sometimes that intimacy crosses professional lines, which is understandable considering Tessa's impressive contact list. But when rock star Brian Ellis set her aside for the girl of his dreams, Tessa can't help wonder if "spinster aunt" is her true vocation. Which explains her hook-up with rising star Brett Cherney at Brian's celebrity wedding . . . As the lead singer of BroRide, Brett has lived the rock-n-roll bad-boy lifestyle to the very hilt. But when the girl of his dreams marries fellow rocker Brian Ellis, he buries his disappointment in the arms of an older woman. The following morning, Brett realizes what he experienced was only the beginning of a song he's been trying to write all his life. It's a seductive theme, which Tessa falls for again and again, but getting her to believe they have a hit is turning out to be far from a sure thing . . .
The Biology of Frankia and Actinorhizal Plants provides a comprehensive review of Frankia and the actinorhizal plants. It reviews the state of knowledge on all aspects from molecular genetics through ecology to practical applications; describes methods used in research and practical applications; and is a guide to the literature. The book begins with overviews of Frankia and the actinorhizal plants, and developments in the field prior to the first confirmed isolation of Frankia. Next is a series of authoritative chapters on the biology of Frankia, the symbiosis, and actinorhizal plants. Although methods used in research and in practical applications are included throughout the book, they are given special emphasis in the middle section. The final section of the book concerns the ecology and current and potential uses of actinorhizal plants in both the temperate regions and the tropics. This work is intended as a reference text and handbook of methods for a wide audience including established workers and students of Frankia and actinorhizal plants, specialists and students in other areas of nitrogen fixation (including the Rhizobium-legume symbiosis), soil microbiologists, plant physiologists, ecologists, general biologists, foresters, specialists in land reclamation, and managers requiring an authoritative overview of this rapidly developing field.
Practical, research-based lessons for middle school educators to teach students pro-social attitudes and behaviors to prevent bullying. Create a Culture of Kindness in Middle School focuses on positive and pro-social attitudes and behaviors that build a respectful and compassionate school environment, while also addressing the tough issues of prejudice, anger, exclusion, and bullying. Through role-playing, perspective-taking, sharing, writing, discussion, and more, students develop the insights and skills they need to accept differences, resolve conflicts peacefully, stop bullying among peers, and create a community of kindness in their classrooms and school. Based on survey data gathered by the authors from more than 1,000 students, the book’s research-based lessons are easy to implement and developmentally appropriate. Digital content includes student handouts from the book.
A locked room in a castle contains a dead body. Or does it? Trapped in a medieval wine château, a fierce snowstorm raging outside. This is not how I imagined celebrating the Beaujolais Nouveau. A sparkling extravaganza had seemed the perfect escape from ordinary life in Saint-Maurice, but now I’m stuck with the local crème de la crème, who all hate each other. What was supposed to be a festive evening of sipping wine by a crackling fire turns into a web of intrigue and suspicion. Tensions run high as accusations fly, but the guests are shocked into silence when one of them is found murdered in a locked room. With no way out and the police unable to reach us, I’m forced to investigate not only who the killer is, but how and why they made the body disappear. The secrets and lies of the Beaujolais jet-set send me round in circles, but if I can’t solve this baffling puzzle, none of us will make it out of the castle alive.
With Artist as Author, Christa Noel Robbins provides the first extended study of authorship in mid-20th century abstract painting in the US. Taking a close look at this influential period of art history, Robbins describes how artists and critics used the medium of painting to advance their own claims about the role that they believed authorship should play in dictating the value, significance, and social impact of the art object. Robbins tracks the subject across two definitive periods: the “New York School” as it was consolidated in the 1950s and “Post Painterly Abstraction” in the 1960s. Through many deep dives into key artist archives, Robbins brings to the page the minds and voices of painters Arshile Gorky, Jack Tworkov, Helen Frankenthaler, Kenneth Noland, Sam Gilliam, and Agnes Martin along with those of critics such as Harold Rosenberg and Rosalind Krauss. While these are all important characters in the polemical histories of American modernism, this is the first time they are placed together in a single study and treated with equal measure, as peers participating in the shared late modernist moment.
A retreat into the wellness of art turns into a brush with murder I’m worried. Why is my sexy assistant acting so strangely? Is he connected to the three deaths that occurred in and around Saint-Maurice on the same day? I promised the police that I, Julie Belmain, photographer extraordinaire, wouldn’t investigate, but this time it’s personal. With a friend under suspicion of murder and my mother on my case about the involvement of a famous spa resort, it’s impossible for me to keep my promise, but my assistant proves unreliable. Why is he late for work? Why does he disappear for days on end? But most importantly, why does he get shot right when my ex-husband is released from jail?
Medical devices are the bread and butter from which health care and clinical research are derived. Such devices are used for patient care, genetic testing, clinical trials, and experimental clinical investigations. Without medical devices, there is no clinical research or patient care. Without life-adjusting devices, there are no medical procedures or surgery. Without life-saving and life-maintaining devices, there is no improvement in well-being and quality of life. Without innovative medical devices and experimentation, there can be no medical progress or patient safety. Medical devices and medical technology are used to create or support many different products and medical-surgical procedures. This volume on the regulation of medical devices in the European Union, with a focus on France, tackles a topic of interdisciplinary interest and significance for policymakers in countries around the globe. The EU regulatory regime is one of three global regional regimes, and medical products manufactured in EU countries are sold worldwide. As countries confront an aging population on a global scale, with associated increases in chronic diseases, physical handicaps, and multi-morbidity, there will inevitably be an increase in the demand for health services and, concomitantly, the use of medical devices in medical and surgical procedures. This will be the case regardless of whether services are delivered in hospitals, doctors' offices, or at home. The associated risks of a particular device will be the same whatever the country of origin for the device, or where the need occurs. Revolutionary medical advances increase diagnostic capabilities, but they increase the potential of harm and risks to patients. Medical technologies and devices are used ethically most of the time; yet they have the potential for unethical use when scientific medicine is elevated over human life and death. Assumptions that are taken for granted can be dangerous to a patient's health. That is why our understanding of appropriate and effective regulation of medical devices is significant to all people on all continents.
Winner of the 1987 Pfizer Award of the History of Science Society "A majestic study of a most important spoch of intellectual history."—Brian Pippard, Times Literary Supplement "The authors' use of archival sources hitherto almost untouched gives their story a startling vividness. These volumes are among the finest works produced by historians of physics."—Jed Z. Buchwald, Isis "The authors painstakingly reconstruct the minutiae of laboratory budgets, instrument collections, and student numbers; they disentangle the intrigues of faculty appointments and the professional values those appointments reflected; they explore collegial relationships among physicists; and they document the unending campaign of scientists to wring further support for physics from often reluctant ministries."—R. Steven Turner, Science "Superbly written and exhaustively researched."—Peter Harman, Nature
Although there are far more opportunities for LGBTQ people to become parents than there were before the 1990s, attention to the reproductive challenges LGBTQ families face has not kept pace. Reproductive Losses considers LGBTQ people’s experiences with miscarriage, stillbirth, failed adoptions, infertility, and sterility. Drawing on Craven’s training as a feminist anthropologist and her experiences as a queer parent who has experienced loss, Reproductive Losses includes detailed stories drawn from over fifty interviews with LGBTQ people (including those who carried pregnancies, non-gestational and adoptive parents, and families from a broad range of racial/ethnic, socio-economic, and religious backgrounds) to consider how they experience loss, grief, and mourning. The book includes productive suggestions and personal narratives of resiliency, commemorative strategies, and communal support, while also acknowledging the adversity many LGBTQ people face as they attempt to form families and the heteronormativity of support resources for those who have experienced reproductive loss. This is essential reading for scholars and professionals interested in LGBTQ health and family, and for individuals in LGBTQ communities who have experienced loss and those who support them. See additional material on the companion website: www.lgbtqreproductiveloss.org/
“After twenty-eight years of desire and determination, I have visited Africa, the land of my forefathers.” So wrote Lida Clanton Broner (1895–1982), an African American housekeeper and hairstylist from Newark, New Jersey, upon her return from an extraordinary nine-month journey to South Africa in 1938. This epic trip was motivated not only by Broner’s sense of ancestral heritage, but also a grassroots resolve to connect the socio-political concerns of African Americans with those of black South Africans under the segregationist policies of the time. During her travels, this woman of modest means circulated among South Africa’s Black intellectual elite, including many leaders of South Africa’s freedom struggle. Her lectures at Black schools on “race consciousness and race pride” had a decidedly political bent, even as she was presented as an “American beauty specialist.” How did Broner—a working class mother—come to be a globally connected activist? What were her experiences as an African American woman in segregated South Africa and how did she further her work after her return? Broner’s remarkable story is the subject of this book, which draws upon a deep visual and documentary record now held in the collection of the Newark Museum of Art. This extraordinary archive includes more than one hundred and fifty objects, ranging from beadwork and pottery to mission school crafts, acquired by Broner in South Africa, along with her diary, correspondence, scrapbooks, and hundreds of photographs with handwritten notations. Published by the Newark Museum. Distributed worldwide by Rutgers University Press.
An unflinching look at nineteenth- and twentieth-century African American leaders and their visionary legacies. In an accessible, conversational format, Cornel West, with distinguished scholar Christa Buschendorf, provides a fresh perspective on six revolutionary African American leaders: Frederick Douglass, W. E. B. Du Bois, Martin Luther King Jr., Ella Baker, Malcolm X, and Ida B. Wells. In dialogue with Buschendorf, West examines the impact of these men and women on their own eras and across the decades. He not only rediscovers the integrity and commitment within these passionate advocates but also their fault lines. West, in these illuminating conversations with the German scholar and thinker Christa Buschendorf, describes Douglass as a complex man who is both “the towering Black freedom fighter of the nineteenth century” and a product of his time who lost sight of the fight for civil rights after the emancipation. He calls Du Bois “undeniably the most important Black intellectual of the twentieth century” and explores the more radical aspects of his thinking in order to understand his uncompromising critique of the United States, which has been omitted from the American collective memory. West argues that our selective memory has sanitized and even “Santaclausified” Martin Luther King Jr., rendering him less radical, and has marginalized Ella Baker, who embodies the grassroots organizing of the civil rights movement. The controversial Malcolm X, who is often seen as a proponent of reverse racism, hatred, and violence, has been demonized in a false opposition with King, while the appeal of his rhetoric and sincerity to students has been sidelined. Ida B. Wells, West argues, shares Malcolm X’s radical spirit and fearless speech, but has “often become the victim of public amnesia.” By providing new insights that humanize all of these well-known figures, in the engrossing dialogue with Buschendorf, and in his insightful introduction and powerful closing essay, Cornel West takes an important step in rekindling the Black prophetic fire.
Heretofore scholars have not been willing—perhaps, even been unable for many reasons both academic and personal—to identify much of the Harlem Renaissance work as same-sex oriented. . . . An important book." —Jim Elledge This groundbreaking study explores the Harlem Renaissance as a literary phenomenon fundamentally shaped by same-sex-interested men. Christa Schwarz focuses on Countée Cullen, Langston Hughes, Claude McKay, and Richard Bruce Nugent and explores these writers' sexually dissident or gay literary voices. The portrayals of men-loving men in these writers' works vary significantly. Schwarz locates in the poetry of Cullen, Hughes, and McKay the employment of contemporary gay code words, deriving from the Greek discourse of homosexuality and from Walt Whitman. By contrast, Nugent—the only "out" gay Harlem Renaissance artist—portrayed men-loving men without reference to racial concepts or Whitmanesque codes. Schwarz argues for contemporary readings attuned to the complex relation between race, gender, and sexual orientation in Harlem Renaissance writing.
In Constitutive Visions, Christa Olson presents the rhetorical history of republican Ecuador as punctuated by repeated arguments over national identity. Those arguments—as they advanced theories of citizenship, popular sovereignty, and republican modernity—struggled to reconcile the presence of Ecuador’s large indigenous population with the dominance of a white-mestizo minority. Even as indigenous people were excluded from civic life, images of them proliferated in speeches, periodicals, and artworks during Ecuador’s long process of nation formation. Tracing how that contradiction illuminates the textures of national-identity formation, Constitutive Visions places petitions from indigenous laborers alongside oil paintings, overlays woodblock illustrations with legislative debates, and analyzes Ecuador’s nineteen constitutions in light of landscape painting. Taken together, these juxtapositions make sense of the contradictions that sustained and unsettled the postcolonial nation-state.
Around the world, blue-collar politics have become associated with resistance to the multicultural. While this may also be true in Edinburgh, Scotland, a closer look reveals the growth of liberal democratic ideals in the working-class population, which has a much different goal: How can this European city keep the entrepreneurial forces of globalization from commodifying what is distinctly theirs? In Tenement Nation, Christa Ballard Tooley explores the battle for a neighborhood called the Canongate in Edinburgh's Old Town. Tooley's insightful study of the working-class Canongate community as they negotiate gentrification plans offers a complex view of class and nation. The threat of the Canongate's redevelopment motivated many throughout Edinburgh to lend their support to the residents' campaign. Against such development projects, alliances formed between upper-class heritage supporters and working-class urban residents, all of whom turned to institutions such as the European Union and UNESCO for support in restricting commercial development. Tenement Nation explores these negotiations between socioeconomic classes and even nationalities to show what Tooley calls a "working-class cosmopolitanism" in pursuit of social, economic, and political inclusion.
Jazz is a music of journeys, migration, and global mobility – from the legacies of the transatlantic slave trade to global travels for escape, exchange, or putting down roots. Having migrated via changing modes of transportation and media communication, the sounds, musicians, and theories of jazz have led to today's diasporic jazz world of global and local encounters. This book features articles that deal with jazz in various geographic areas such as Japan or Israel, orchestras travelling to Egypt or invited to the USA, and so-called expatriate jazz musicians taking up residence in Europe. By sharing their research about jazz on TV, on records, and at festivals, the authors from different disciplines demonstrate how jazz studies today engage with movement in the music's past to question and shape its future. This collection of writings has its origins in the VI Rhythm Changes Conference "Jazz Journeys," which took place in Graz (Austria) and where the International Society for Jazz Research celebrated its 50th anniversary.
A quiet Beaujolais village. A gruesome murder. What they need is… a pin-up photographer? Don’t you hate it when a sexy young man shows up on your doorstep and wants to be your assistant? My criminal ex-husband’s nephew seems to think I need him. But even in this rural French village, my photography business is doing very well, thank you. The moment he arrives, the village is overrun with poison pen letters, and the old postmistress turns up dead. I convince myself it’s a coincidence, until one of those nasty letters finds its way into my letterbox. Is my unwanted assistant as innocent as he seems, or has my past finally caught up with me? If I turn a blind eye, who will prevent another murder? Death by Naked Ladies is a clean cozy mystery with an amateur woman sleuth and a hint of romance. If you like your cozies with a good puzzle plot, start reading Death by Naked Ladies now!
This volume catalogues the more than 250 textiles and objects made of fabric that were part of Robert Lehman's bequest to the Metropolitan Museum in 1975. Many of these textiles were used as hangings, covers, or upholstery to embellish the Lehmans' elegant townhouse in Manhattan. They represent sixty-five years of assembling, owning, and living with historic fabrics on a day-to-day basis, and they document an American style of living and interior decoration that has largely disappeared. Among the highlights of the collection are two series of embroidered roundels from fifteenth-century Flanders that illustrate the lives of Saints Martin and Catherine of Alexandria; four large tapestries, including the Last Supper after Bernaert van Orley that is arguably the finest Renaissance tapestry in an American collection; and a number of ecclesiastical vestments and panels of magnificent silks and velvets in an array of techniques and styles that span six centuries. Comparative illustrations supplement the catalogue entries. Glossary, bibliography, and index. -- Metropolitan Museum of Art website.
Trauma has become a hotly contested topic in literary studies. But interest in trauma is not new; its roots extend to the Romantic period, when novelists and the first psychiatrists influenced each others' investigations of the »wounded mind«. This book looks back to these early attempts to understand trauma, reading a selection of Romantic novels in dialogue with Romantic and contemporary psychiatry. It then carries that dialogue forward to postmodern fiction, examining further how empirical approaches can deepen our theorizations of trauma. Within an interdisciplinary framework, this study reveals fresh insights into the poetics, politics, and ethics of trauma fiction.
The Cavendishes flourished during the high tide of British aristocracy following the revolution of 1688-89, and the case can be made that this aristocracy knew its finest hour when Henry Cavendish gently laid his delicate weights in the pan of his incomparable precision balance. For this it took two generations and two kinds of invention, one in social forms and the other in scientific technique. This biography tells how it came to pass."--BOOK JACKET.
Memories of Belonging is a three-generation oral-history study of the offspring of southern Italians who migrated to Worcester, Massachusetts, in 1913. Supplemented with the interviewees’ private documents and working from U.S. and Italian archives, Christa Wirth documents a century of transatlantic migration, assimilation, and later-generation self-identification. Her research reveals how memories of migration, everyday life, and ethnicity are passed down through the generations, altered, and contested while constituting family identities. The fact that not all descendants of Italian migrants moved into the U.S. middle class, combined with their continued use of hyphenated identities, points to a history of lived ethnicity and societal exclusion. Moreover, this book demonstrates the extent of forgetting that is required in order to construct an ethnic identity.
“A rare and fascinating insight into Hitler’s inner circle.” —Roger Moorhouse, author of Killing Hitler As secretary to the Führer throughout the time of the Third Reich, Christa Schroeder was perfectly placed to observe the actions and behavior of Hitler, along with the most important figures surrounding him. Schroeder’s memoir delivers fascinating insights: she notes his bourgeois manners, his vehement abstemiousness, and his mood swings. Indeed, she was ostracized by Hitler for a number of months after she made the mistake of publicly contradicting him once too often. In addition to her portrayal of Hitler, there are illuminating anecdotes about Hitler’s closest colleagues. She recalls, for instance, that the relationship between Martin Bormann and his brother Albert, who was on Hitler’s personal staff, was so bad that the two would only communicate with one another via their respective adjutants, even if they were in the same room. There is also light shed on the peculiar personal life and insanity of Reichsminister Walther Darré. Schroeder claims to have known nothing of the horrors of the Nazi regime. There is nothing of the sense of perspective or the mea culpa that one finds in the memoirs of Hitler’s other secretary, Traudl Junge, who concluded “we should have known.” Rather, the tone that pervades Schroeder’s memoir is one of bitterness. This is, without any doubt, one of the most important primary sources from the prewar and wartime period.
A little matchmaking mischief... She’s the girl of his dreams, but she belongs to another man. Still, that doesn’t stop rock star Brian Ellis from standing by Suzi’s side when she needs him most. Or offering her a strong shoulder to lean on when her relationship crashes and burns. But will Brian get burned by the beautiful writer when Suzi goes back to the man she believes she loves? Suzi has always had a crush on Brian, which doesn’t mean she’s ready to risk everything for the sake of a fling. Yet the more time she spends with him, helping the sexy single dad with his kids, she knows there’s more between them than simmering sensual tension. An invitation to join him in the sweet mountain town of Potterville, West Virginia, may be too tempting to resist. But how can Suzi give her heart when she’s already promised herself to another?
A love song in the making... He was her high school sweetheart, the man Candy once dreamed of sharing her life with. But Ty was also a rock star on the rise with a flock of pretty groupies lining up to share his bed. So what makes Ty think that now that he’s ready to settle down, Candy will be his one and only? These days the single mom is older and wiser. Still, Candy can’t help but feel a stir of something at his hot pursuit.... Ty knows he’s got a lot to prove when it comes to winning Candy back. But his rambling, rocker lifestyle has also shown him that she’s a woman worth fighting for. No one has ever come close to captivating him the way she did from the first day they met, a sweet-faced young beauty who brought out his every protective instinct. That’s why when Candy’s family is in crisis, he’s willing to risk everything for the woman he’s never stopped loving....
A newly freed three-thousand-year-old genie and a widowed cop with baggage. What could go wrong? Plenty goes wrong when Melody finally gets her wish and is freed from her lamp. With her previous master dead, Melody assumes she's free to pick her next one. Jerry, the cop who's trying to help her, isn't going for it. He tried to save his wife from cancer, and failed. Which means he's no one to depend on. And why does he get all the crazy-lady cases? He doesn't want to run anyone's life, even one belonging to a hot self-professed genie who insists he should be her master. As Melody learns to become her own master, she also discovers a thing or two about friendship. . .and dating men. The more independence Melody gains, the more Jerry realizes being needed isn't such a bad thing, and being wanted feels downright good. But, is Jerry too late to win Melody from a handsome firefighter? CONTENT WARNING: Meddling coworkers, complicated bus fare and crime fighting. 21,279 Words
This work marks the 400th anniversary of the death of one of England's greatest monarchs, a highly intelligent and successful ruler. The volume appeals to everyone interested in the charismatic character of Elizabeth I, her time and cultural afterlife. Contributors focus on important aspects of Elizabeth's subtle and resourceful political power and the longstanding struggle she faced at home and abroad as well as the threats posed to her realm. This edition presents a series of essays about fictional representations of Queen Elizabeth I in literature, music, and film. Articles illuminate the fascinating story of her numerous afterlives and their significance for the cultural history of England, its sense of identity and psyche. Essays investigate the ceremony, festivities, and dance practices at her court and bring to life the cultural significance of this colorful and extraordinary monarch. Christa Jansohn is professor of British culture at the University of Bamberg, Germany.
Forest Spiders of South East Asia offers the first comprehensive systematic account of all sac and ground spiders of South East Asia, which together constitute an estimated 12% of all spiders in the region. All ten subfamilies, 57 genera and numerous species of the region are defined, described, and illustrated. One new subfamily and a large number of new genera and species are described and named. Several hundreds additional, described and new, species are referred to. Distribution of all species covered in this volume is shown in 50 maps. More than a thousand line drawings and 16 colour photographs are used to illustrate the descriptions of the species, of which the great majority has never been illustrated before. The book provides a modern revision of all sac and ground spiders with clear illustrated diagnosis and descriptions of all known members of this group and many new species and genera. Identification of all 47 families occurring in the region is illustrated in beautiful and detailed drawings.
The Cavendishes flourished during the high tide of British aristocracy following the revolution of 1688-89, and the case can be made that this aristocracy knew its finest hour when Henry Cavendish gently laid his delicate weights in the pan of his incomparable precision balance. For this it took two generations and two kinds of invention, one in social forms and the other in scientific technique. This biography tells how it came to pass."--Book jacket
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