From the creator of the "Legends of the Old West" podcast, a book exploring the overlapping narratives of the biggest legends in frontier mythology. The summer of 1876 was a key time period in the development of the mythology of the Old West. Many individuals who are considered legends by modern readers were involved in events that began their notoriety or turned out to be the most famous — or infamous — moments of their lives. Those individuals were Lieutenant Colonel George Armstrong Custer, Sitting Bull, Crazy Horse, Wyatt Earp, Bat Masterson, Wild Bill Hickok, and Jesse James. The Summer of 1876 weaves together the timelines of the events that made these men legends to demonstrate the overlapping context of their stories and to illustrate the historical importance of that summer, all layered with highlights of significant milestones in 1876: the inaugural baseball season of the National League; the final year of President Ulysses S. Grant’s embattled administration; the debut of an invention called the telephone by Alexander Graham Bell; the release of Mark Twain’s novel “The Adventures of Tom Sawyer;” and many more. Contextualizing these events against the backdrop of the massive 100th anniversary party thrown to celebrate the signing of the Declaration of Independence, The Summer of 1876 is the ultimate exploration and celebration of the summer that defined the West.
Fossil Poetry provides the first book-length overview of the place of Anglo-Saxon in nineteenth-century poetry in English. It addresses the use and role of Anglo-Saxon as a resource by Romantic and Victorian poets in their own compositions, as well as the construction and 'invention' of Anglo-Saxon in and by nineteenth-century poetry. Fossil Poetry takes its title from a famous passage on 'early' language in the essays of Ralph Waldo Emerson, and uses the metaphor of the fossil to contextualize poetic Anglo-Saxonism within the developments that had been taking place in the fields of geology, palaeontology, and the evolutionary life sciences since James Hutton's apprehension of 'deep time' in his 1788 Theory of the Earth. Fossil Poetry argues that two, roughly consecutive phases of poetic Anglo-Saxonism took place over the course of the nineteenth century: firstly, a phase of 'constant roots' whereby Anglo-Saxon is constructed to resemble, and so to legitimize a tradition of English Romanticism conceived as essential and unchanging; secondly, a phase in which the strangeness of many of the 'extinct' philological forms of early English is acknowledged, and becomes concurrent with a desire to recover and recuperate the fossils of Anglo-Saxon within contemporary English poetry. The volume advances new readings of work by a variety of poets including Walter Scott, Henry Longfellow, William Wordsworth, William Barnes, Walt Whitman, Ralph Waldo Emerson, William Morris, Alfred Tennyson, and Gerard Hopkins.
*2020 Will Rogers Medallion Award Winner (Western Biographies)* Doc Holliday’s paramour Big Nose Kate could never get a publisher to give her the big bucks she demanded to tell the story of her life, but that didn’t mean she didn’t collect material she wanted to use in a biography. Over the fifty years Mary Kate Cummings, alias Big Nose Kate, traversed the West she saved letters from her family, musings she had written about her love interests, and life with the notorious John Henry Holliday. Using rare, never before published material Big Nose Kate stock-piled in anticipation of writing the tale of her days on the Wild Frontier, the definitive book about the famous soiled dove will finally be told. Kate claims to have witnessed the Gunfight at the OK Corral and exchanged words with the likes of Wyatt Earp and Josephine Marcus. There’s no doubt she embellished her adventures, but that doesn’t take away from their historical importance. She was a controversial figure in a rough and rowdy territory. What she witnessed, the lifestyle she led, and the influential western people she met are fascinating and represent a time period much romanticized.
Second in the highly-acclaimed Richard Nottingham historical mystery series 1732. Richard Nottingham, Constable of the City of Leeds, is grieving the death of his daughter, but he must rouse himself from his lethargy when the body of wealthy wool merchant Samuel Graves is discovered, his throat slit, the skin razed from his back. Why would the killer want Graves' skin? When Nottingham receives a slim, bound volume entitled The Journal of a Wronged Man he discovers the shocking answer - and it hurls him into a desperate battle for survival against a ruthless killer with old scores to settle.
The complete, uncensored history of the award-winning The Daily Show with Jon Stewart, as told by its correspondents, writers, and host. For almost seventeen years, The Daily Show with Jon Stewart brilliantly redefined the borders between television comedy, political satire, and opinionated news coverage. It launched the careers of some of today's most significant comedians, highlighted the hypocrisies of the powerful, and garnered 23 Emmys. Now the show's behind-the-scenes gags, controversies, and camaraderie will be chronicled by the players themselves, from legendary host Jon Stewart to the star cast members and writers-including Samantha Bee, Stephen Colbert, John Oliver, Steve Carell, Lewis Black, Jessica Williams, John Hodgman, and Larry Wilmore-plus some of The Daily Show's most prominent guests and adversaries: John and Cindy McCain, Glenn Beck, Tucker Carlson, and many more. This oral history takes the reader behind the curtain for all the show's highlights, from its origins as Comedy Central's underdog late-night program hosted by Craig Kilborn to Jon Stewart's long reign to Trevor Noah's succession, rising from a scrappy jester in the 24-hour political news cycle to become part of the beating heart of politics-a trusted source for not only comedy but also commentary, with a reputation for calling bullshit and an ability to effect real change in the world. Through years of incisive election coverage, Jon Stewart's emotional monologue in the wake of 9/11, his infamous confrontation on Crossfire, passionate debates with President Obama and Hillary Clinton, feuds with Bill O'Reilly and Fox, the Indecisions, Mess O'Potamia, and provocative takes on Wall Street and racism, The Daily Show has been a cultural touchstone. Now, for the first time, the people behind the show's seminal moments come together to share their memories of the last-minute rewrites, improvisations, pranks, romances, blow-ups, and moments of Zen both on and off the set of one of America's most groundbreaking shows.
Wyatt starts work as a night staffer at the local Boy’s Home. He hopes it may be a stepping stone to a career as a social worker. Fifteen-year-old petty offender Jai is taken to the Home after he is caught for a burglary that goes horribly wrong. Wyatt, who processes his admission, is the first staff member Jai meets. Wyatt is an accomplished musician and most nights, once the boys are in bed, he sits in the night staff office and plays the guitar. It can be heard from the dormitories and helps to keep the boys settled. Jai also plays the guitar and he is intrigued when he hears his favourite tune Shuffle Rag. He sees an opportunity to learn it. The two eventually form a bond around their shared love of music. The Boys Home is a dynamic, volatile, and challenging environment. Both Jai and Wyatt need to find their place and learn how to survive. As time passes, they experience a series of events that will significantly shape their futures.
Dora Hand was in a deep sleep. Her bare legs were exposed despite her thick blankets, and a mass of long, auburn hair stretched over her pillow and flowed off the side of her flimsy mattress. A framed, charcoal portrait of an elderly couple hung above her bed on the faded wallpaper and kept company with her slumber. The air outside the window next to the picture was still and cold. The distant sound of voices, back-slapping laughter, profanity, and a piano's tinny, repetitious melody wafted down the main thoroughfare in Dodge City, Kansas, and into the small room. Dodge was an all-night town, "the wickedest little city in America." The streets and saloons were always busy. Residents learned to sleep through the giggling, growling, and gunplay of the cowboys and their paramours for hire. Dora’s dreams were seldom disturbed by the commotion, but the smack of a pair of bullets cutting through the walls of the tiny room cut through the routine nightly noises. The first bullet stuck in the dense plaster partition. The second struck Dora on the right side, just under her arm. There was no time for her to object to the injury; no moment for her to cry out or recoil in pain. In the near distance, a horse squealed and its galloping hooves echoed off the street and faded away. Future legends of the Old West, Charlie Bassett, Bat Masterson, Wyatt Earp, and Bill Tilghman were the lawmen who patrolled the unruly streets. When a cattle baron’s son fled town after the shooting of the popular saloon singer named Dora Hand, the four men--all experts with a gun who knew the harsh, desertlike surrounding terrain--hunted him down like "Thunder Over the Prairie." The posse's ride across the desolate landscape to seek justice influenced the men's friendship, their careers, and their feelings about the justice system. This account of that event is a fast-paced, cinematic glimpse into the Old West that was.
Prepare to take a stroll back through time in and around the villages of Denby Dale, Skelmanthorpe, Clayton West, High Hoyland, Cumberworth, Scissett and more.??This book is a wonderful visual celebration of the villages and hamlets of the Upper Dearne Valley, sited in the beautiful countryside between Huddersfield, Barnsley and Wakefield.??Over 400 previously unpublished images dating from the late Victorian era through to the mid twentieth century have been brought together in this new collection which complements and adds to previously published works by the Author. These images capture the essence and spirit of this rural area and also document the changes that have occurred over the years.
“The most clever plot twist of the year.”—Washington Post “I nominate Kate Moore, the protagonist of Chris Pavone’s sizzling new thriller The Paris Diversion, for patron saint of working wives and mothers everywhere.”—Marilyn Stasio, The New York Times Book Review “The Paris Diversion is the best espionage novel I’ve read this year. Smart, sophisticated and suspenseful, this is Pavone’s finest novel to date—and that’s saying something.”—Harlan Coben, #1 New York Times bestselling author of Fool Me Once “Deliciously twisty . . . This involving work has been skillfully engineered for maximum reader enjoyment.”—The Wall Street Journal From the New York Times bestselling author of The Expats. Kate Moore is back in a pulse-pounding thriller to discover that a massive terror attack across Paris is not what it seems—and that it involves her family American expat Kate Moore drops her kids at the international school, makes her rounds of chores, and meets her husband Dexter at their regular café: a leisurely start to a normal day, St-Germain-des-Prés. Across the Seine, tech CEO Hunter Forsyth stands on his balcony, wondering why his police escort just departed, and frustrated that his cell service has cut out; Hunter has important calls to make, not all of them technically legal. And on the nearby rue de Rivoli, Mahmoud Khalid climbs out of an electrician’s van and elbows his way into the crowded courtyard of the world’s largest museum. He sets down his metal briefcase, and removes his windbreaker. That’s when people start to scream. Everyone has big plans for the day. Dexter is going to make a small fortune, finally digging himself out of a deep financial hole, via an extremely risky investment. Hunter is going to make a huge fortune, with a major corporate acquisition that will send his company’s stock soaring. Kate has less ambitious plans: preparations for tonight’s dinner party—one of those homemaker obligations she still hasn’t embraced, even after a half-decade of this life—and an uneventful workday at the Paris Substation, the clandestine cadre of operatives that she’s been running, not entirely successfully, increasingly convinced that every day could be the last of her career. But every day is also a fresh chance to prove her own relevance, never more so than during today’s momentous events. And Mahmoud? He is planning to die today. And he won’t be the only one.
Most readers think that superheroes began with Superman’s appearance in Action Comics No. 1, but that Kryptonian rocket didn’t just drop out of the sky. By the time Superman’s creators were born, the superhero’s most defining elements—secret identities, aliases, disguises, signature symbols, traumatic origin stories, extraordinary powers, self-sacrificing altruism—were already well-rehearsed standards. Superheroes have a sprawling, action-packed history that predates the Man of Steel by decades and even centuries. On the Origin of Superheroes is a quirky, personal tour of the mythology, literature, philosophy, history, and grand swirl of ideas that have permeated western culture in the centuries leading up to the first appearance of superheroes (as we know them today) in 1938. From the creation of the universe, through mythological heroes and gods, to folklore, ancient philosophy, revolutionary manifestos, discarded scientific theories, and gothic monsters, the sweep and scale of the superhero’s origin story is truly epic. We will travel from Jane Austen’s Bath to Edgar Rice Burroughs’s Mars to Owen Wister’s Wyoming, with some surprising stops along the way. We’ll meet mad scientists, Napoleonic dictators, costumed murderers, diabolical madmen, blackmailers, pirates, Wild West outlaws, eugenicists, the KKK, Victorian do-gooders, detectives, aliens, vampires, and pulp vigilantes (to name just a few). Chris Gavaler is your tour guide through this fascinating, sometimes dark, often funny, but always surprising prehistory of the most popular figure in pop culture today. In a way, superheroes have always been with us: they are a fossil record of our greatest aspirations and our worst fears and failings.
Strange Likeness provides the first full account of how Old English (or Anglo-Saxon) was rediscovered by twentieth-century poets, and the uses to which they put that discovery in their own writing. Chapters deal with Ezra Pound, W. H. Auden, Edwin Morgan, and Seamus Heaney. Stylistic debts to Old English are examined, along with the effects on these poets' work of specific ideas about Old English language and literature as taught while these poets were studying the subject at university. Issues such as linguistic primitivism, the supposed 'purity' of the English language, the politics and ethics of translation, and the construction of 'Englishness' within the literary canon are discussed in the light of these poets and their Old English encounters. Heaney's translation of Beowulf is fully contextualized within the body of the rest of his work for the first time.
The moment Jessica lays eyes on the wild black-and-white paint filly, she knows it was meant to be Jessica’s life at Wild Hawk Ranch is happy, if a bit quiet. But everything changes when her father and brother drive the latest herd of wild young quarter horses into the pen at the family ranch. There, she spots the most beautiful black-and-while paint filly she’s ever seen. She just knows . . . this is the year, and that is the horse. Her moment has come—she’ll finally get to join her father and brother in the family business of breaking wild horses, if only she can convince her father she is old enough. But after a difficult turn, the family has no option but to keep the ranch afloat by turning it into a dude ranch for vacationing city folk. At first, Jess is thrilled by the idea. It will be fun to have new people around—and maybe the extra work will convince her father to give her Storm Chaser, the beautiful paint. But things get complicated when the guests begin arriving. Will Jess be able to salvage her old, happy life and save Storm Chaser from an uncertain future?
At least three of director Jacques Tourneur's films--Cat People, I Walked with a Zombie and The Leopard Man--are recognized as horror classics. Yet his contributions to these films are often minimized by scholars, with most of the credit going to the films' producer, Val Lewton. A detailed examination of the director's full body of work reveals that those elements most evident in the Tourneur-Lewton collaborations--the lack of monsters and the stylized use of suggested violence--are equally apparent in Tourneur's films before and after his work with Lewton. Mystery and sensuality were hallmarks of his style, and he possessed a highly artistic visual and aural style. This insightful critical study examines each of Tourneur's films, as well as his extensive work on MGM shorts (1936-1942) and in television. What emerges is evidence of a highly coherent directorial style that runs throughout Tourneur's works.
As Cynthia Wright’s marriage implodes, she is forced to raise her teenage son, Isaiah, alone. The pressure of providing for them through her salon is a full-time job in itself. When Cynthia sees Isaiah pulling away and escaping into video games, tensions rise and prayers feel unanswered. Angry and hurt, Isaiah starts acting like the father who abandoned him, and Cynthia gives him an ultimatum while turning to her twin sister, Elizabeth Jordan, for support. Elizabeth enlists a seasoned prayer warrior who challenges Cynthia to pray boldly and believe God for the impossible. Caught in the middle, Isaiah longs for respect, but sees no clear path to becoming a good man. Desperate for a job, he wanders into Moore Fitness, Inc. and encounters the owner, Joshua Moore, who introduces him to the concept of working for a coach rather than a boss. Needing the work, Isaiah reluctantly begins his mentoring process with Joshua. While Cynthia clings to hope, no one sees the coming storms brewing at the company and in Isaiah’s heart. The Forge is about the power of prayer, the transformation only God can achieve, and the lasting influence one person can have on others.
Principles of Posse Management tells the stories of the lawmen and leaders of the Old West who organized citizens in the pursuit of law and order. This collection of tales reveals what Wyatt Earp, Bat Masterson, and other legends of the old west knew about leadership with a clever twist on the classic shoot-em-up, black-hats-vs-white-hats tale.
Named a BEST BOOK OF THE YEAR... SO FAR by The New Yorker The story of Clarence Henderson, a Black sharecropper convicted and sentenced to death three times for a murder he didn’t commit The Three Death Sentences of Clarence Henderson is the story of Clarence Henderson, a wrongfully accused Black sharecropper who was sentenced to die three different times for a murder he didn’t commit, and the prosecution desperate to pin the crime on him despite scant evidence. His first trial lasted only a day and featured a lackluster public defense. The book also tells the story of Homer Chase, a former World War II paratrooper and New England radical who was sent to the South by the Communist Party to recruit African Americans to the cause while offering them a chance at increased freedom. And it’s the story of Thurgood Marshall’s NAACP and their battle against not only entrenched racism but a Communist Party—despite facing nearly as much prejudice as those they were trying to help—intent on winning the hearts and minds of Black voters. The bitter battle between the two groups played out as the sides sparred over who would take the lead on Henderson’s defense, a period in which he spent years in prison away from a daughter he had never seen. Through it all, The Three Death Sentences of Clarence Henderson is a portrait of a community, and a country, at a crossroads, trying to choose between the path it knows is right and the path of least resistance. The case pitted powerful forces—often those steering legal and journalistic institutions—attempting to use racism and Red-Scare tactics against a populace that by and large believed the case against Henderson was suspect at best. But ultimately, it’s a hopeful story about how even when things look dark, some small measure of justice can be achieved against all the odds, and actual progress is possible. It’s the rare book that is a timely read, yet still manages to shed an informative light on America’s past and future, as well as its present.
New Economic Democracy establishes a self-governing civil society, unifying the private sphere of production and the public sphere of citizenship within a non-statist scheme of communal ownership. It provides the premises to seeking a solution to Marx's fetishism of commodities. Only a thorough restructuring of the economic and political institutions can provide the social climate in which the phenomenon of fetishism can be transcended. Defetishizing the commodity implies reversing the concealment of the social relations through which commodities are produced and preventing the tendency to bestow magical characteristics to commodities. The key imperative to the defetishized society is a system of genuinely democratic institutions. iprovides this necessary corrective and also challenges the prediction that politico-economic organizations, like worker cooperatives, are destined to be dominated by the dictates of oligarchs. The explanatory approach of Marx's concepts combined with an original argument will make the book a valuable research tools to students and researchers in political theory, democratic theory, and political economy.
Whether you love The Wire or Parks and Recreation, all television fans have one shared experience: the singular and devasting loss that comes from a dear character being written off a show before you—or any of us—had the chance to say goodbye. Here to give us closure is Pour One Out, the delectable and hilarious cocktail book that pairs sixty-five of television’s most dearly departed with the sixty-five artisanal cocktails that best align with their personalities. Whether drinking the Airmail in honor of Susan Ross from Seinfeld, the Wildest Redhead in honor of Barb from Stranger Things, the Too Soon? in honor of Eddard Stark from Game of Thrones, or the Son-in-Law in honor of Matthew Crawley from Downton Abbey, this book will finally give fans the closure they need to raise a glass.
A guide to ski resorts and skiing for the novice or professional, this guide provides all the information you need to choose a resort, including clear plans of the pistes.
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.