This book distils an adult lifetime into the intense magic of poetry. Wallace-Crabbe is a nature poet in the broadest possible sense: his poems, ranging widely in tone and subject-matter, seek above all to convey the richness and variety of our world, his sense that we are inserted headlong into life' and must make the best of what comes to us. Throughout his work - at times wryly philosophical, at times gently elegiac - Wallace-Crabbe remains passionately committed to his quest, troubling the stubborn world for meaning'.
Shortlisted for the 2019 Kenneth Slessor Prize for Poetry in the NSW Premier's Literature Awards Chris Wallace-Crabbe's Rondo harvests a decade's worth of new writing by one of Australia's foremost poets. It paints a vivid portrait of eucalypt Australia's current position in an rapidly changing world. The poet asks for fresh meanings from Gallipoli and Scotland, from physics and from 'Art's porous auditorium', where poetry can still be heard. 'The words are only the words,' he writes, 'which is more or less everything.' Critic Eric Ormsby dubbed Wallace-Crabbe a 'genial smuggler of surprises': 'his uncommon affability, even when treating the gravest subjects, leaves the reader unprepared for his sudden luxuriance of phrase.' ( TLS)
This timely contribution to debates about the future of postcolonial theory explores the troubled relationship between politics and the discipline, both in the sense of the radical political changes associated with the anti-colonial struggle and the implication of literary writers in institutional discourses of power. Using Haiti as a key example, Chris Bongie explores issues of commemoration and commodification of the post/colonial by pairing early nineteenth-century Caribbean texts with contemporary works. An apt volume for an age that struggles with the reality of memories of anti-colonial resistance, Friends and Enemies is a provocative take on postcolonial scholarship.
Dysfluencies is the first comprehensive study of how speech disorders are portrayed in modern literature. Tracing the roots of this interaction between literary practice and speech pathology back to the rise of aphasiology in the 1860s, Dysfluencies examines portrayals of disordered speech by writers like Zola, Proust, Joyce, Melville, and Mishima, as well as contemporary writers like Philip Roth, Gail Jones, and Jonathan Lethem. Dysfluencies thus speaks directly to the growing interest at present, both in popular culture and the Humanities, regarding the status of the Self in relation to speech pathology. The need for this type of study is clear considering the number of prominent writers whose works foreground disorders of speech: Melville, Zola, Kesey, Mishima, Roth, et al. Moreover, thinkers like Freud, Bergson, and Jakobson were similarly concerned with the implications of language breakdown. This volume shows this concern began with the rise of neurology and aphasiology, which challenged spiritual conceptions of language and replaced them with a view of language as a material process rooted in the brain. Dysfluencies traces the history of this interaction between literary practice and speech pathology, arguing that works of literature have responded differently to the issue of language breakdown as the dominant views on the issue have shifted from neurological (circa 1860s to 1920s) to psychological (circa 1920s to 1980s), and back to neurological during the so-called "decade of the Brain" (the 1990s).
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