Everyone knows music is big business, but do you really understand how ideas and inspiration become songs, products, downloads, concerts and careers? This textbook guides students to a full understanding of the processes that drive the music industries. More than just an expose or ′how to′ guide, this book gives students the tools to make sense of technological change, socio-cultural processes, and the constantly shifting music business environment, putting them in the front line of innovation and entrepreneurship in the future. Packed with case studies, this book: • Takes the reader on a journey from Glastonbury and the X-Factor to house concerts and crowd-funded releases; • Demystifies management, publishing and recording contracts, and the world of copyright, intellectual property and music piracy; • Explains how digital technologies have changed almost all aspects of music making, performing, promotion and consumption; • Explores all levels of the music industries, from micro-independent businesses to corporate conglomerates; • Enables students to meet the challenge of the transforming music industries. This is the must-have primer for understanding and getting ahead in the music industries. It is essential reading for students of popular music in media studies, sociology and musicology.
Australians have become increasingly visible outside of the country as speakers and actors in radio and television, their media moguls have frequently bought up foreign companies, and people around the world have been able to enjoy such Australian productions as The Flying Doctors, Neighbours, and Kath and Kim. The origins, early development, and later adaptations of radio and television show how Australia has gone from being a minor and rather parochial player to being a significant part of the international scene. The A to Z of Australian Radio and Television provides essential facts and information concerning the Australian radio and television industry. This is accomplished through the use of a chronology, an introductory essay, a bibliography, and hundreds of cross-referenced dictionary entries on directors, producers, writers, actors, television and radio series, and television and radio stations.
This book is your guide to the study and practice of music management and the fast-moving music business of the 21st century. Covering a range of careers, organisations, and practices, this expert introduction will help aspiring artists, managers, and executives to understand and succeed in this exciting sector. Featuring exclusive interviews with industry experts and discussions of well-known artists, it covers key areas such as artist development, the live music sector, fan engagement, and copyright. Other topics include: Managing contracts and assembling teams. Using data audits of platforms to adapt campaigns. Shaping opinions about music, musicians, events. How the music industry can be more diverse, inclusive, and equitable for the benefit of all. Working with venues, promoters, booking agents, and tour managers. Branding, sponsorship, and endorsement. Funding, crowdsourcing and royalty collection. Ongoing digital developments such as streaming income and algorithmic recommendation. Balancing the creative and the commercial, it is essential reading for students of music management, music business, and music promotion – and anybody looking to build their career in the music industries. Dr Chris Anderton, Johnny Hopkins, and James Hannam all teach on the BA Music Business at the Faculty of Business, Law and Digital Technologies at Solent University, Southampton, UK.
This is a practical and accessible, yet sophisticated introduction to interpretive methods for doing qualitative research projects and dissertations. Bringing together concepts of qualitative research from ethnography, phenomenology, critical discourse analysis, semiotics, literary analysis, postmodernism and poststructuralism this textbook offers an accessible and comprehensive introduction to the subject. Utilising a uniquely pragmatic approach, it bridges the gap between advanced, specialised books on research traditions with more general introductory business research books. This new edition has been fully updated to include new examples, explorations of the field, and an improved pedagogy with better exposition of key issues and concepts, as well as more schematics and diagrams to aid understanding. The first half of the book considers the practicalities of research and writing a research project, including the craft of academic writing, the critical literature review, the role of the independent research project as part of university courses, suggested projected structures, standards of academic scholarship, and the main techniques for gathering qualitative data. The book’s second half deals with abstract concepts and advanced theory by looking at key theoretical traditions that guide the interpretation of qualitative data. It is perfect for advanced undergraduate and postgraduate students of marketing, management, consumer behaviour and research methods. It will also be useful as a primer for practitioners in qualitative research.
`A scholarly lexicon and stimulating "rough guide" for cultural studies as it confronts and navigates the shifting sands of past, present and future′ - Tim O′Sullivan, Head of Media and Cultural Production, De Montfort University `I′m certain undergraduate and postgraduate readers will consider the Dictionary to be a highly useful resource. Taken together, the definitions provide a effective overview of the field′ - Stuart Allan, Reader in Cultural Studies, University of the West of England, Bristol `Any student wishing to acquaint her or himself with the field of cultural studies will find this an enormously useful book′ - Joke Hermes, Editor, European Journal of Cultural Studies and Lecturer in Television Studies, University of Amsterdam Containing over 200 entries on key concepts and theorists, the Dictionary provides an unparalled guide to the terrain of cultural studies. The definitions are authoritative, stimulating and written in an accessible style. There are up-to-date entries on new concepts and innovative approaches. An ideal teaching and research resource, the Dicitionary can also be used as a companion to Chris Barker′s highly successful Cultural Studies: Theory and Practice (Second Edition, SAGE, 2003) and in conjunction with his Making Sense of Cultural Studies (SAGE, 2002)
What is happening to pop music and pop culture? Synthesizers, samplers and MDI systems have allowed anyone with basic computing skills to make music. Exchange is now automatic and weightless with the result that the High Street record store is dying. MySpace, Twitter and You Tube are now more important publicity venues for new bands than the concert tour routine. Unauthorized consumption in the form of illegal downloading has created a financial crisis in the industry. The old postwar industrial planning model of pop, which centralized control in the hands of major record corporations, and divided the market into neat segments, is dissolving in front of our eyes. This book offers readers a comprehensive guide to understanding pop music today. It provides a clear survey of the field and a description of core concepts. The main theoretical approaches to the analysis of pop are described and critically assessed. The book includes a major investigation of the revolutionary changes in the production, exchange and consumption of pop music that are currently underway. Pop Music, Pop Culture is an accomplished, magnetically interesting guide to understanding pop music today.
This shortform book tells the research story of cultural management, helping scholars to analyse and combine theoretical models into an approach of their own. Cultural management emerged and developed out of the field of arts management in the 1980s, which imported managerial techniques and assumptions from mainstream commercial business into the arts. In the late 1990s, the field integrated entrepreneurial approaches to management in the creative industries before adapting to a new model, based on user experiences and co-creation. These historical phases are theorised respectively as cultural management 1.0, cultural management 2.0 and cultural management 3.0. Yet they also overlap. Bringing together theories of management and creativity, this book enables scholars to get a grip on the underlying assumptions and conditions which lie behind an eclectic and evolving field. The author, an established expert in this field, empowers scholars and reflective practitioners to develop their own approach to cultural management, drawing on the available approaches, and to recognise that successful cultural management is contingent on understanding the context (organisational and personal) within which these models will be applied.
A scholar gentleman in the old style; a northern non-conforming radical; an academic steeped in Oxford traditions; a late 20th-century media personality; one of the most outstanding historians of his age: A.J.P. Taylor was all of these. He wrote about traditional historical subjects in a traditional manner and took narrative history to new heights and was equally at home with a critical academic, as with a vast popular audience. This biographical study of A.J.P. Taylor includes details of Taylor's privileged and cosseted childhood, the effect of his close but combative and stimulating family, the dissenting and nonconformist tradition, and his time as teacher, broadcaster journalist and historian. It attempts to evaluate how far he fulfilled his aim and conviction as to the importance of history and its place at the heart of national consciousness.
Canadian progressive rock band Rush was the voice of the suburban middle class. In this book, Chris McDonald assesses the band's impact on popular music and its legacy for legions of fans. McDonald explores the ways in which Rush's critique of suburban life—and its strategies for escape—reflected middle-class aspirations and anxieties, while its performances manifested the dialectic in prog rock between discipline and austerity, and the desire for spectacle and excess. The band's reception reflected the internal struggles of the middle class over cultural status. Critics cavalierly dismissed, or apologetically praised, Rush's music for its middlebrow leanings. McDonald's wide-ranging musical and cultural analysis sheds light on one of the most successful and enduring rock bands of the 1970s and 1980s.
From Braille Without Borders and Unite for Sight, to Geekcorps and PeaceWorks, humanitarian groups are working worldwide largely in undeveloped countries to better the lives of the residents. Whether they are empowering people with schools for the blind, prosthetic limbs, the devices to understand and use technology, or the information to work for civil peace, the men and women of these agencies offer tremendous talent to their causes, great dedication and, sometimes, even risk their lives to complete their missions. Working in war or civil war zones, humanitarians with nonprofits, non-governmental agencies, and university-connected centers and foundations have been injured, kidnapped, or killed. Now terrorist events and war crimes are more and more often bringing these self-sacrificing workers into the national spotlight by media headlines. Their work is, doubtless, remarkable. And so too are the stories of how they developed - including the defining moments when their founders felt they could no longer stand by and do nothing. In this set of books, founders and top officials from humanitarian organizations established in the last 50 years spotlight how and why they began their organizations, what their greatest victories and challenges have been, and how they run the organizations, down to where they get their funding and how they spend it to grow the group and its efforts. Led by Chris E. Stout, named Humanitarian of the Year by the American Psychological Association, the contributors here come from across training disciplines including psychology, medicine, technology, science, politics, social work, and business. Stout, who has worked in Latin American terrorist zones, in Vietnam, and along the Amazon in Ecuador with Flying Doctors of America, has chosen to feature a sample of humanitarian groups across four primary areas - medicine, environment, education, and social justice. He also concentrates on what he calls guerilla humanitarians - those who step into unsafe or unhealthy conditions despite the dangers. There is also a concentration on those that have been very successful with on-the-ground-guerilla-innovations without a lot of bureaucracy or baloney. Above all, They are rebels with a cause whose actions speak louder than mere words, Stout explains. They have all felt a moral duty to serve as vectors of change. In addition to being psychologically insightful, these volumes hold invaluable practical information.
This title was first published in 2000: A.J.P. Taylor (1906-90), one of the greatest historians of the twentieth century, initially established his reputation by his work in diplomatic history. This included his magisterial The Struggle for Mastery in Europe, 1848-1918 (1954) and The Origins of the Second World War (1961), both of which have remained in print. This collection brings together a rich selection of his essays and reviews in international history, only one of which (on Trieste) has been reprinted before. The collection includes many examples of his most lively writing, often controversial, yet usually full of insight.
While popular music and the mass media in France are firmly established areas of enquiry, there have been relatively few academic studies of the youth and popular music press. This book focuses on Salut les copains (Hi Buddies/Mates) (1962-76), which achieved a circulation of a million copies within its first year, at its peak sold around twice as many magazines as its nearest competitors, and has now become synonymous with the development of youth culture in 1960s France. In the few existing accounts of Salut les copains cultural commentators have tended to view the magazine as a neutral, apolitical vehicle for French yé-yé pop stars. However, this full-length study reveals how written texts in Salut les copains (editorial, letters and advertising) both supported and challenged dominant ideologies concerning culture, the nation, youth and gender during the turbulent 1960s and 1970s.
Join us on a journey of discovery through the wines and spirits of the Old and New World with From Ground to Glass. This book is not a textbook, but rather a guide for those who already have a love of alcoholic beverages and want to learn more about them. With over 65 years of experience in the industry, the author shares their knowledge and insights, highlighting the best quality wines and spirits at user-friendly prices, made with environmentally sound practices and minimal intervention. Follow along as we explore the world of alcohol, from the UK to the Middle East, Far East, Australia, South America, Europe, and India, and learn from the author’s experiences, including the founding of the Hong Kong Wine School. Join us and Alfie the cat as we delve into the delicious world of wine and spirits.
In many organisations creativity is so often seen as the preserve of a small number of people with "artistic temperaments" but in my experience all sorts of people have creative abilities which can be used to the benefit of a "creative" organisation. The task of a manager is to find ways of exploiting this. This Handbook provides the reader with insights to help them and others to promote the kind of creativity that adds real value.' - Greg Dyke, Chair, British Film Institute; Chair, Football Association; Chancellor, University of York, UK and Director-General of the BBC 2000-2004
Creative Labour provides an insight into the unique employment issues affecting workers in film, television, theatre, arts, music, radio and new media. In the UK alone, more than 1 million people work in the creative industries, generating billions of pounds in exports each year. These workers have to contend with elastic working hours, employment and promotion uncertainty and vigorous competition for each role. Creative Labour offers a contemporary perspective on a fascinating area of study and a rapidly growing area in developed economies. Key benefits: - Grasp the realities of work behind the industry façade - Evaluate real-life case-studies through a flexible, critical mindset - Tailor your management decisions to the needs of creative staff
Strong and Smart – Towards a Pedagogy for Emancipation tells the story of how Dr Chris Sarra overcame low expectations for his future to become an educator who has sought to change the tide of low expectations for other Indigenous students. The book draws upon Roy Bhaskar’s theory of Critical Realism to demonstrate how Indigenous people have agency and can take control of their own emancipation. Sarra shows that it is important for Indigenous students to have confidence in their own strength and ability to be as "able" as any other group within society. The book also compares and contrasts White perceptions of what it is to be Indigenous and Indigenous views of what it is to be an Aboriginal Australian. The book calls for Indigenous Australians to radically transform and not simply reproduce the identity that Mainstream White Australia has sought to foster for them. Here the book explores in what ways Aboriginal and Torres Strait Islander people are "othered" by White Australians. Sarra seeks to advance the novel position that it is OK to be other to White Australia. The question becomes, "which other?" The Indigenous Student should not be treated as the Feared and/or Despised Other, nor should they be coerced into wholly assimilating into White culture.
The Evidence-based Practice Workbook is an ideal tool for use by GPs, medical specialists and other healthcare professionals to learn the concepts of evidence-based practice (EBP). Practical and interactive, this workbook provides simple methods to help health professionals find and use the best evidence to answer clinical questions, developing their skills in: asking clinical questions searching for answers discriminating good from poor information and research using the answers to make clinical decisions. This attractive, colour workbook provides a clear explanation of EBP skills and concepts. Written by internationally respected authors, this expanded and updated edition has been developed from evidence-based practice workshops run by the Centre for Evidence-Based Medicine at the University of Queensland and Oxford, and contains information and exercises to help health professionals learn how to use EBP in their clinical practice.
This text shows that critical discourse analysis is able to provide the analytic context, skills and tools by which we can study how language constructs, constitutes and shapes the social world.
Kevin Pangos grew up in a family that valued hard work and personal accountability. Kevin Pangos fell in love with all sports but especially basketball. Kevin Pangos went on to become one of the best age-group basketball players in the world before he journeyed to Spokane, Washington to become a fan favorite and one of the best point guards in the history of Gonzaga University. In Can't Miss, first-time author Chris Dooley captures the essence of the number of people involved in helping in the development of a world-class athlete. In the tradition of Malcolm Gladwell's Outliers, Jay Bilas' Toughness and Jim Loehr's The Only Way to Win Dooley shows that the life and development of Kevin Pangos is about the process and the people around him as much as it is about the inherent work ethic so evident in everything Kevin does. Can't Miss is not just a biography about a young basketball phenom. It's about the family values of the Pangos family. It's about the great coaches and trainers who helped Kevin along the way. It's about the opportunities that Kevin was given and it's about how Kevin took advantage of all those opportunities in pursuit of his basketball dreams. Can't Miss is a story that every parent and every young athlete should read.
As interpretive research perspectives become increasingly influential in the social sciences, so it becomes increasingly important for experienced researchers to familiarize themselves with the philosophical perspectives, data gathering techniques and analytical methods derived from interpretive research. Examining these interpretive traditions, this informative book illustrates how they can be applied to research projects for first-time researchers in the fields of management, marketing and consumer research. Topics covered include: choosing the topic gathering qualitative data for interpretation themes and concepts of interpretive research semiotics, marketing and consumer research. In offering practical examples drawn from existing studies and suggesting new topics for consideration, this book brings together major themes of interpretive research within a valuable practical guide. Suitable both for first time researchers and those with more experience, this is an ideal guide for anyone undertaking research in this area of study.
Sound Tracks is the first comprehensive book on the new geography of popular music, examining the complex links between places, music and cultural identities. It provides an interdisciplinary perspective on local, national and global scenes, from the 'Mersey' and 'Icelandic' sounds to 'world music', and explores the diverse meanings of music in a range of regional contexts. In a world of intensified globalisation, links between space, music and identity are increasingly tenuous, yet places give credibility to music, not least in the 'country', and music is commonly linked to place, as a stake to originality, a claim to tradition and as a marketing device. This book develops new perspectives on these relationships and how they are situated within cultural and geographical thought.
A journalist’s access to the music icon gives this account an “authenticity that sets the book apart from other biographies about the man and the legend” (Steve Richards, The Independent). The man who introduced reggae to a worldwide audience, Bob Marley was a hero figure in the classic, mythological sense. From humble beginnings, with talent and religious belief his only weapons, the Jamaican recording artist applied himself with unstinting perseverance to spreading his prophetic musical message across the globe. In 1980, on tour, Bob Marley and the Wailers played to the largest audiences a musical act had ever experienced in Europe. Less than a year later, Marley would die, only thirty-six years old. Sales of Marley’s albums before his death were spectacular; in the years since he died, they have been phenomenal. Chris Salewicz interviewed Bob Marley in Jamaica in 1979. Now, for the first time, in this thorough, detailed account of Marley’s life and the world in which he grew up and which he came to dominate, Salewicz brings to life not only the Rastafari religion and the musical scene in Jamaica, but also the spirit of the man himself. Interviews with dozens of people who knew Marley and have never spoken before are woven through the narrative as Salewicz seeks to explain why Marley has become such an enigmatic and heroic figure, loved by millions all over the world. “As gritty, entertaining, and starry-eyed as Marley himself.” —Publishers Weekly “The definitive account of the man and the myth.” —Steve Richards, The Independent “[Salewicz] invades and illuminates Marley’s privacy more effectively than previous biographers.” —Robert Sandall, The Sunday Times (London)
Holiday Cheer from the Antebellum South! Columbia, South Carolina. December 24, 1862. It is the week of the Christmas Raid of Kentucky and the height of the war among the states. The chill in the air carries hickory-scented plumes of smoke upward from colonial chimneys. Within Antebellum homes, Confederate soldiers cuddle-up with southern belles beneath mistletoe and share mint jelly, ambrosia, and chestnuts from the hearth. Ebenezer Scrooge, wealthy plantation owner, will have none of it. That is, until the miserly curmudgeon is haunted by the ghosts of Christmases Past, Present and Future and forced to review his wasted life of misanthropy. Never straying in message from Charles Dickens novella, Chris Cook has set the Christmas classic in the American Civil War, a time of strife and struggle not unlike the pain and poverty that belied 1830s Dickensian London. Also included is a delightful companion piece to the play. CONFEDERATE BILL, Memoir of a Civil War Veteran is the real-life autobiography by Cooks great, great grandfather, William E. Trahern. Published for the first time ever, it is an important piece of history, documenting the adventures and vagaries of a young rebel soldier. Both stories are southern-fried treats! Yule love em!
This book uses the metaphors of practice spaces and practice sessions to demonstrate the connection between creative and performance practices, and critical pedagogy. It offers a conceptual framework for using performance and creative practices as starting points for developing philosophies and practices of teaching that are grounded in aesthetic, creative, and critical approaches to education. The practice sessions for pedagogy presented include a range of creative endeavours, such as performance workshops, musical routines, crafting practices, and writing. By focusing on the critical function of creative practices, the book emphasizes the ways creativity can reveal the relationship between everyday acts, and social and cultural ideologies and structures. Creative practices also present the opportunity for imagining new, more socially just and inclusive, configurations of these relationships. This book is designed for teachers and students interested in critical pedagogy, performance, and creative educational practices.
Music and Tourism is the first book to comprehensively examine the links between travel and music. It combines contemporary and historical analysis of the economic and social impact of music tourism, with discussions of the cultural politics of authenticity and identity. Music tourism evokes nostalgia and meaning, and celebrates both heritage and hedonism. It is a product of commercialisation that can create community, but that also often demands artistic compromise. Diverse case studies, from the USA and UK to Australia, Jamaica and Vanuatu, illustrate the global extent of music tourism, its contradictions and pleasures.
This book argues that practices of resistance cannot be separated from practices of domination, and that they are always entangled in some configuration. They are inextricably linked, such that one always bears at least a trace of the other that contaminates or subverts it. The team of contributors explore themes of identity, embodiment, organisation, colonialism, and political transformation, examining them from historical, contemporary and more abstract perspectives within a wide geographical and cultural spectrum. Case studies include German Reunification; Jamaican Yardies on British Television; Victorian Sexuality and Moralisation in Cremorne Gardens; Ethnicity, Gender and Nation in Ecuador; Sport as Power; the film Falling Down. Entanglements of Power presents an exciting and challenging account of the symbiotic relationship between domination and resistance, and contextualises this within the parameters of geography with a rich body of case-study material and a respected team of contributors.
Features the plays Car, Raw, and Kid. Brutality. Fear. Self-loathing. A need to belong. The plays in O'Connell's Street Trilogy portray the vulnerable and the violent as they lash out against the world around them. From the adrenaline-fuelled anarchy of a car theft and the ritualised violence of teenage gangs, to the new beginning offered by a baby in the womb, life on the dirty side of the tracks is shown without compromise or sentimentality. The characters lurch between hope and despair, giving voice to the trials of change through verbal pyrotechnics and acts of sudden aggression. Street Trilogy was performed at the Pleasance Theatre, Edinburgh in 2003.
As editor-in-chief of The Australian, Chris Mitchell ran the largest stable of journalists with the largest editorial budget in the country for more than twelve years. This entertaining and deeply revealing book offers readers riveting insights into the quirks and foibles of some of the most powerful politicians and media executives this country has produced. A controversial figure throughout his quarter of a century as a daily editor, Chris Mitchell still maintains close regular contact with past prime ministers, editors and media CEOs. Making Headlines highlights the judgements and thinking that govern daily newspaper journalism at the highest level and the battles fought to publish tough stories about the rich and the powerful, the disenfranchised and the powerless. Making Headlines is compulsory reading for citizens who care, the political class inside the beltway and beyond, and wannabe journalists in search of a job.
Marketing is at the centre of the business education boom: a million or more people worldwide are studying the subject at any one time. Yet despite widespread discontent with the intellectual standards in marketing, very little has changed over the past thirty years. In this ground-breaking new work, Chris Hackley presents a social-constructionist critique of popular approaches to teaching, theorising and writing about marketing. Drawing on a wide range of up-to-date European and North American studies, Dr Hackley presents his argument on two levels. First, he argues that mainstream marketing's ideologically driven curriculum and research programmes, dominated by North American tradition, reproduce business school myths about the nature of practically relevant theory and the role of professional education in management fields. Second, he suggests a broadened theoretical scope and renewed critical agenda for research, theory and teaching in marketing. Intellectually rigorous yet comprehensible, this work will be of vital importance to all those interested in the future of teaching and research in business and management.
Prepared as expert evidence in the Single Noongar Claim, examines the historiography and anthropology of the South-west, and the survival of Noongar tradition, law and custom, and oral history.
The memoirs in this collection are written by those who had personal knowledge of Shelley, Byron and Wordsworth, or who claimed to be recording the accounts of those who had such knowledge. Each volume in this set contains facsimilies of the original memoirs.
They're outside. Even if you write down what I tell you and you get the world to read the book, I don't think they'll be bothered. They're not frightened of the truth. What hope have we got? Chaotic, fast, and furious, Zero is the new play from multi award-winning Theatre Absolute. Written by Chris O'Connell, the play is an explosive and anarchic stare at the ethics of torture, and the curse of censorship. Twenty years from now, in the face of a feast of unabated nihilism, hundreds of camps have been built to torture and gain information at any cost, from those who aim to blow apart the rich pickings of a world that is wealthy beyond its dreams. Alex, a translator at Camp Zero, seeks to tell the world of the brutal regime within the camps, and finds his life is suddenly on the line. Survival is paramount, death may be inevitable, but the truth has to be told. Zero toured with Theatre Absolute in 2008.
This new edition is fully revised, updated and enlarged. It now contains additional material on non-European history, covering Africa, Latin America and Asia. The dictionary also deals with new terms which have only recently been introduced into the language. This comprehensive work of reference will give both the historian and the layman compact and precise definitions of the key historical terms he is likely to encounter.
This Basic Textbook, Profusely Illustrated, Is Mainly For The Undergraduate Final Year Medical Student Specialising In Ent. Key Features Are (1) Detailed Coverage Including Aspects Of The Head, Face And Neck, Not Found In Many Competing Texts; (2) Text Presentation Which Allows For Easy Assimilation Of Facts; (3) Editors Are Well-Known In Their Field And Drawn From India, Portugal And Chilethus Contributing A Global Perspective To The Text. (Pb)
The complete tutorial and reference guide to Unix SVR 4.2! -- Includes step-by-step instructions and exercises -- Provides numerous figures and illustrations to support the text
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