To a substantial degree cinema has served to define the perceived character of the peoples and nations of the Middle East. This book covers the production and exhibition of the cinema of Morocco, Algeria, Tunisia, Egypt, Palestine, Jordan, Lebanon, Syria, Iraq, the United Arab Emirates, Saudi Arabi, Yemen, Kuwait, and Bahrain, as well as the non-Arab states of Turkey and Iran, and the Jewish state of Israel. This second edition of Historical Dictionary of Middle Eastern Cinema contains a chronology, an introduction, and an extensive bibliography. The dictionary section has over 500 cross-referenced entries on individual films, filmmakers, actors, significant historical figures, events, and concepts, and the countries themselves. It also covers the range of cinematic modes from documentary to fiction, representational to animation, generic to experimental, mainstream to avant-garde, and entertainment to propaganda. This book is an excellent resource for students, researchers, and anyone wanting to know more about Middle Eastern cinema.
Focus on the amazing story of Jesus' crucifixion and the gospel in days and weeks leading up to Easter and think yet again how the cross transforms our lives today. With Bible verses, prayers and 40 meditations by Chris Wright and treasured, timeless nuggets from John Stott, prepare to be inspired as you contemplate the deep, life-transforming truths of the gospel: 'love so amazing, so divine demands my soul, my life, my all'. Our Radical Reconciler * forgives sins * reconciles enemies * destroys death * defeats evil * governs history * restores creation
To a substantial degree cinema has served to define the perceived character of the peoples and nations of the Middle East. This book covers the production and exhibition of the cinema of Morocco, Algeria, Tunisia, Egypt, Palestine, Jordan, Lebanon, Syria, Iraq, the United Arab Emirates, Saudi Arabi, Yemen, Kuwait, and Bahrain, as well as the non-Arab states of Turkey and Iran, and the Jewish state of Israel. This second edition of Historical Dictionary of Middle Eastern Cinema contains a chronology, an introduction, and an extensive bibliography. The dictionary section has over 500 cross-referenced entries on individual films, filmmakers, actors, significant historical figures, events, and concepts, and the countries themselves. It also covers the range of cinematic modes from documentary to fiction, representational to animation, generic to experimental, mainstream to avant-garde, and entertainment to propaganda. This book is an excellent resource for students, researchers, and anyone wanting to know more about Middle Eastern cinema.
Lent is a time of remembering Christ's sacrifice, and yet it is not meant to be depressing. The 40-day holy season is one of transition when believers turn their eyes away from fading disappointments and move ever closer to the radiance of Easter hope.
This product is not available separately, it is only sold as part of a set. There are 750 products in the set and these are all sold as one entity. This product is not available separately, it is only sold as part of a set. There are 750 products in the set and these are all sold as one entity.
An imaginative collection brimming with liturgies, prayers and resources for worship during Lent, Holy Week and Easter. It includes complete outlines for a variety of services throughout this most important season of the Christian year.
With an emphasis on photographic works that offer new perspectives on the history of American social documentary, this book considers a history of politically engaged photography that may serve as models for the representation of impending environmental injustices. Chris Balaschak examines histories of American photography, the environmental movement, as well as the industrial and postindustrial economic conditions of the United States in the 20th century. With particular attention to a material history of photography focused on the display and dissemination of documentary images through print media and exhibitions, the work considered places emphasis on the depiction of communities and places harmed by industrialized capitalism. The book will be of interest to scholars working in art history, visual studies, photography, ecocriticism, environmental humanities, media studies, culture studies, and visual rhetoric.
With the rise of post-truth and fake news, a thorough examination of authenticity has never been so relevant. This book explores the geography of authenticity, investigating a wide variety of places used by tourists. Not only does it assess what might be described as the more traditional objects for examination – places such as the city, the countryside and the coast – it also includes chapters on art and place, hipster places, gentrification, heritage sites, film locations, photographed places and eventful places. Using a wide-angled lens on places reveals linkages and possibilities, enabling the book to skate across the surface of the geography of authenticity, locating the magically real heritage site, the poignant replica, the authenticated theme park, the unmasked carnival. In focusing on authentic and inauthentic places, this text provides a useful contribution to the understanding of how places are changing, how they are perceived, and how authenticity is embodied and performed within them. Authentic and Inauthentic Places in Tourism is an insightful study and an essential read for those involved in the study of geography, tourism, urban studies, culture and heritage.
The Second Edition of Understanding DNA has been entirely revised and updated, and expanded by more than 50% to cover new advances. The book explains step-by-step how DNA forms specific structures, the nature of these structures, and how they fundamentally affect the biological processes of transcription and replication.The functional properties of any molecule are directly related to and affected by its structure; this is especially true for DNA, the molecule that carries the code for all life on earth. Written in a clear, concise, and at times lively fashion, Understanding DNA is essential reading for all molecular biology, biochemistry, and genetics students, for newcomers to the field from such areas as physics or chemistry, and for even the most seasoned researchers who really want to understand DNA. Key Features* New edition, expanded by more than 50%* Completely revised and updated* Includes many additional and updated references* Summarizes the recent studies of DNA in disease and medicine* Contains more than 110 illustrations, some in full color* Describes the basic units of DNA and how these form the double helix* Characterizes the various types of DNA double helix that have been found* Explains how and why DNA twists and curves* Discusses the mechanisms of DNA supercoiling* Summarizes the assembly of DNA and proteins into chromosomes* Outlines the methods used to study DNA structureDescribes the latest work on protein-DNA complexes* Contains simple exercises and further reading at the end of each chapter
Anyone who has ever wondered where Dorothy's ruby slippers, George Washington's teeth, or the world's largest olive are located will be thrilled to take this journey to find hundreds of the most important items from America's popular culture. Found in such major institutions as the Smithsonian and the Basketball Hall of Fame as well as in such offbeat collections as the Sing Sing Prison Museum and the Delta Blues Museum, these pop culture treasures include the most famous—and quirkiest—items from movies, crime, TV, sports, music, history, and America's roadside attractions. The Ruby Slippers, Madonna's Bra, and Einstein's Brain is divided into the following chapters: American Curiosities, Roadside Relics, Historic Artifacts, Criminal Remains, Celebrity Antiquities, Movie and Television Keepsakes, Music Mementos, and Sports Memorabilia. There's even a list of the Top Ten Missing in Action Pop Culture Artifacts. Some of the most fascinating treasures found in the book include: The Cardiff Giant Thomas Edison's Last Breath World's Largest Ball of Twine George Washington's Teeth Lizzie Borden's Axe John Wilkes Booth's Thorax Watergate File Cabinet Abraham Zapruder's Camera Tom Thumb's Wedding Cake Casablanca Piano Easy Rider Motorcycle Jimi Hendrix's Woodstock Guitar Elvis Presley's Report Card Paul "Bear" Bryant's Hat Miracle on Ice Skates
It is a modern activity, one of the primary ways we consume information and entertainment, something we’ll do over dinner, at a bar, or even standing on the street peering into a store window—watch TV. Many of us spend countless hours in front of the tube, and even those of us who have proudly eliminated it from our lives can probably still rattle off the names of today’s most popular shows. But for as crucial as television viewing is in modern culture, the television set itself, as a ubiquitous object in our environment, rarely captures our attention—turn one off and it seems to all but disappear. In this book, Chris Horrocks tells the story of the television set, exploring its contradictory presence in our lives as both a material object and a conveyor of illusory images. Horrocks begins in the nineteenth century and television’s prehistory as a fantastic, futuristic concept. He follows the television’s journey from its strange roots in spiritualism, imperialism, and Victorian experiments in electro-magnetism to the contested accounts of its actual invention, looking at the work of engineering pioneers such as Philo Farnsworth and John Logie Baird. Unboxing sets all across the world, he details how it arrived as an essential consumer product and began to play an extraordinary role as a bridge between public and private life. Horrocks describes how the console and cabinet themselves expressed status and good taste and how their designs drew on cultural phenomena such as the space race and the avant-garde. He discusses how we have both loved it for what it can provide and reviled it as a sinister object literally controlling our thoughts, and he shows how it has figured in other cultural realms, such as the work of artists like Wolf Vostell and Nam June Paik. Finally, Horrock laments the death of the cathode ray tube and the emergence of the flat-screen, which has reduced the presence of the television as a significant material object. Altogether, The Joy of Sets brings this most elusive object into crystal-clear critical and historical focus.
This enlightening narrative takes a look at the wedding night—its origins, history, customs, cultural expressions, and fictional representations through the ages. Though just outside of public view, the wedding night is loaded with expectation and consequence. The Wedding Night: A Popular History is an entertaining, accessible, touching, and humorous volume that looks at the previously unexplored topic of wedding history "between the sheets." Covering a kaleidoscopic array of cultural expressions, this unique study zooms in on what's quintessential and shares insights into the history of intimacy through the ages. The book traces the formalization of the wedding night in the ancient Near East and classical world, provides many examples of historically significant unions in European and American history, and describes the lively variety of traditions leading up to the present. Spicing their narrative with many piquant quotes from contemporary sources, the authors explore the rich cultural context for the wedding night—processions, royal rituals, apparel, food-related traditions, and pranks—throughout Europe and America in the 19th and 20th centuries. Separate chapters examine sex guides, jokes, and the bed as a special conjugal space.
Rowdy Carousals makes important interventions in nineteenth-century theatre history with regard to the Bowery Boy, a raucous, white, urban character most famously exemplified by Mose from A Glance at New York in 1848. Theatrical representations of the Bowery Boy emphasized the privileges of whiteness against nonwhite workers including enslaved and free African Americans during the Antebellum Period, an articulation of white superiority that continued through the early twentieth century with Jewish, Italian, and Chinese immigrants. The book’s examination of working-class whiteness on stage, in the theatre, and in print culture invites theatre historians and critics to check the impulse to downplay or ignore questions about race and ethnicity in discussion of the Bowery Boy. J. Chris Westgate further explores links between the Bowery Boy’s rowdyism in the nineteenth century and the resurgence of white supremacy in the early twenty-first century.
Chris Murray reveals the largely unknown and rather surprising history of the British superhero. It is often thought that Britain did not have its own superheroes, yet Murray demonstrates that there were a great many in Britain and that they were often used as a way to comment on the relationship between Britain and America. Sometimes they emulated the style of American comics, but they also frequently became sites of resistance to perceived American political and cultural hegemony, drawing upon satire and parody as a means of critique. Murray illustrates that the superhero genre is a blend of several influences, and that in British comics these influences were quite different from those in America, resulting in some contrasting approaches to the figure of the superhero. He identifies the origins of the superhero and supervillain in nineteenth-century popular culture such as the penny dreadfuls and boys' weeklies and in science fiction writing of the 1920s and 1930s. He traces the emergence of British superheroes in the 1940s, the advent of "fake" American comics, and the reformatting of reprinted material. Murray then chronicles the British Invasion of the 1980s and the pivotal roles in American superhero comics and film production held by British artists today. This book will challenge views about British superheroes and the comics creators who fashioned them. Murray brings to light a gallery of such comics heroes as the Amazing Mr X, Powerman, Streamline, Captain Zenith, Electroman, Mr Apollo, Masterman, Captain Universe, Marvelman, Kelly's Eye, Steel Claw, the Purple Hood, Captain Britain, Supercats, Bananaman, Paradax, Jack Staff, and SuperBob. He reminds us of the significance of many such creators and artists as Len Fullerton, Jock McCail, Jack Glass, Denis Gifford, Bob Monkhouse, Dennis M. Reader, Mick Anglo, Brendan McCarthy, Alan Moore, Grant Morrison, Dave Gibbons, and Mark Millar.
This is my third collection of sermons published for posterity and my family's future edification. The sermons in this book are not listed chronologically but rather according to the lectionary. For nearly every Sunday in Easter, I provide one sermon each for series A, B, and C of the Lutheran Service Book lectionary published by the Commission on Worship of The Lutheran Church-Missouri Synod (my denomination). Most times it aligns well with the Revised Common Lectionary (RCL) used by most mainline Protestant churches in the United States. Where it differs, you will still be blessed, I hope, to read and meditate on God's Word.In addition to sermons for the Sundays of Easter, Ascension, and Pentecost, I include two funeral sermons, both for practical and sentimental reasons. My father, who was a pastor, always had a reputation of being good at a funeral. In fact, this is an area where all preachers must succeed because there are fewer times in life where Easter joy becomes the basis for real life hope than at the death of a Christian loved one. For if the ones we lose belong to Christ, they are never truly lost; we will see them again, either when we die or on the Last Day when Christ returns. Either way, when we see Jesus face to face, we will see our Christian loved ones again. As Jesus told Martha at Lazarus's funeral, "I am the resurrection and the life. Whoever believes in me, though he die, yet shall he live, and everyone who lives and believes in me shall never die. Do you believe this?" I hope that you do, or at least that you might, after reading these messages of life and hope. Until the Day of Christ's second Advent, we are caught in the "now, not yet" reality of a fallen world into which the kingdom of God is already breaking in. Jesus came to make all things new (Rev. 21:5). To him be glory forever! Amen.
When Confederate Major General J.E.B. Stuart said "North Carolina has done nobly in this army," he had one of his own men to thank: Brigadier General James Byron Gordon. A protege of Stuart, Gordon was the consummate nineteenth-century landowner, politician, and businessman. Despite a lack of military training, he rose rapidly through the ranks and, as the commander of all North Carolina cavalrymen in the Army of Northern Virginia, he helped bring unparalleled success to Stuart's famed Confederate cavalry. This updated biography, originally published in 1996, chronicles Gordon's early life and military career and, through his men, takes a fresh look at the vaunted Army of Northern Virginia--its battles, controversies, and troops. This second edition includes additional source material that has come to light and a roster of Gordon's 1st North Carolina Cavalry.
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