Chris Knopf has been praised for his humour and broad knowledge of Hamptons life. Now, in this new series, he brings a smart-aleck Southampton attorney to centre stage. A Vintage Canada trade paperback original. Jackie Swaitkowski's business relies on the constant movement of the Hamptons' real estate market. After making an odd request to evict his sister-in-law from his home, one of Jackie's clients turns up dead. Jackie would have expected that to be the end of it, but an envelope found on the corpse contains an item so unusual that Jackie finds herself working on something bigger — and more dangerous — than real estate.
Knopf's entertaining follow-up to Dead Anyway finds market researcher Arthur Cathcart still searching for clues to the actions of his murdered wife, and the secrets that died with her. Knopf has fun with the cat-and-mouse games, both cerebral and physical, as Cathcart strives to stay a step ahead of his mysterious pursuers.
Jackie Swaitkowski may not be the most buttoned-up lawyer in the Hamptons, but a plane crash before her very eyes is hard to miss. Just before the struggling air taxi takes a nosedive, its female pilot tosses out a camera case. To Jackie, the accident's only witness, the case (so to speak) seems meant for her. The camera's memory card holds an unusual set of photos. Jackie recognizes more than a few of the faces in those pictures. Are they telling her the story of the crash? The pilot, a hard-nosed biker chick named Eugenie Birkson, came from a family tree filled with ex-cons, and boasted a passenger list packed with high society. And Jackie soon learns that solving the mystery of Eugenie's death will mean uncovering some dark secrets from her own past as well. All this and a freshly revived romance with gentle giant Harry Goodlander, and Jackie yet again has her heart and her hands full. Award-winning mystery writer Chris Knopf returns to Southampton, a one-of-a-kind small town where the rich and the rest of us rub shoulders on a daily basis, generating all the frictions that might imply.
Sam Acquillo can hide in his windswept waterfront cottage all he wants, but the demons of his past are going to find him. Worse, they've teamed up with some pretty nasty demons of the present, including a very determined Chief of Police whose top detective has Sam caught in the crosshairs. Part-time carpenter, full-time drinker and co-conspirator with an existential mutt named Eddie Van Halen, Sam tries to lead the simple life. But as always, fate intervenes, this time in the form of Robbie Milhouser, local builder and blundering bully who shares at least one thing with Sam — an irresistible attraction to the beautiful Amanda Anselma. Peel back the glitz and glory of the fabled Hamptons and you'll find a beautiful place filled with ugly secrets. This is Sam Acquillo's world. Moving effortlessly across the social divide with wry pal Jackie Swaitkowski and rich guy Burton Lewis, the ex-boxer, ex-corporate infighter seems doomed to straddle the thin red line between envy and love, hate and forgiveness, goodness and greed. And sometimes life and death. Only this time, the life at stake is his own.
A compelling debut from a fresh new voice in crime fiction! Sam Acquillo is at the end of the line. A middle-aged corporate dropout living in his dead parents ramshackle cottage in the Hamptons, Sam has abandoned his friends, family and a big-time career to sit on his porch, drink vodka and stare at the Little Peconic Bay. But when the old lady next door ends up floating dead in her bathtub it seems like Sam is the only one who wonders why. Burned-out, busted up and cynical, the ex-engineer, ex-professional boxer, ex-loving father and husband finds himself uncovering secrets no one could have imagined, least of all Sam himself. Meanwhile, a procession of quirky characters intrudes on Sam's misanthropic ways. A beautiful banker, pot-smoking lawyer, bug-eyed fisherman and gay billionaire join a full complement of cops, thugs and local luminaries in this tale of money and murder.
Arthur Cathcart and Natsumi Fitzgerald wanted to believe they were free of the nearly invisible, malignant forces they had pursued, and been pursued by, across continents and oceans. The slightly brain-damaged, tech freak researcher and the blackjack dealing psychologist had convinced themselves that life aboard a sail boat in the Caribbean, incognito and in love, could be a lasting refuge. The death of that illusion was as brutal as it was abrupt. Even people who knew how to dodge ruthless outlaws and relentless law enforcement learned there were powers from which no one could ever hide. Not in the 21st century. Not if you wanted more than to simply exist. To truly live in the world, you had to have a world that allows you to live. Soldiers fighting in Vietnam had a saying when pinned down under enemy fire: The only way out is through. And so it is that Arthur and Natsumi take to the fight, where the full expanse of both the virtual and material world is the field of engagement. Nearly blind to the threats that surround them, yet searching for that impossible path back to the ordinary lives they'd been forced to abandon.
In this, the fourth installment in the Sam Acquillo series, Sam’s past reaches out to pull him back into the world of big money and even bigger egos, where the term “corporate intrigue” is redundant and ambition the only virtue. It seems a woman vital to the private life of a very important person has gone missing in the Hamptons. And it looks like the best way to get her back is to extort the cooperation of Sam Acquillo. After finally achieving some measure of peace and contentment on Long Island, Sam is yet again an accidental player in other people’s dramas. It takes him into the world of private security goons, predatory financiers and lifestyles of young hedonists, some brave, some beautiful, all a bit lost. This time Sam has a few ambitions of his own that lead him into something all his battles in the ring and corporate boardrooms could never have prepared him for.
The campaign to desegregate baseball was one of the most important civil rights stories of the 1930s and 1940s. But most of white America knew nothing about this story because mainstream newspapers said little about the color line and still less about the efforts to end it. Even today, as far as most Americans know, the integration of baseball revolved around Branch Rickey's signing of Jackie Robinson to the Brooklyn Dodgers' organization in 1945. This book shows how Rickey's move, critical as it may have been, came after more than a decade of work by Black and left-leaning journalists to desegregate the game. Drawing on hundreds of newspaper articles and interviews with journalists, Chris Lamb reveals how differently Black and white newspapers, and Black and white America, viewed racial equality. Between 1933 and 1945, Black newspapers and the communist Daily Worker published hundreds of articles and editorials calling for an end to baseball's color line, while white mainstream sportswriters perpetuated the color line by participating in what their Black counterparts called a "conspiracy of silence." The alternative presses' efforts to end baseball's color line, chronicled for the first time in Conspiracy of Silence, constitute one of the great untold stories of baseball--and the civil rights movement.
Sports Tourism: participants, policy and providers is an unparalleled text that explains sports tourism as a social, economic and cultural phenomenon that stems from the unique interaction of activity, people and place. Unlike other texts, it seeks to present sports tourism as a unique area that produces its own unique issues, concerns and controversies. The text tackles these issues from three viewpoints: participants: examining the profiles, motivations and behaviour patterns of sports tourists to create a typology of participants policy: analyses the response by policy makers to this phenomenon and the problems of achieving integration between two sectors with historically different cultures providers: their motivations, aims, objectives and strategies Illustrated by international case studies in each chapter, and with four extended case study chapters, Sports Tourism: participants, policy and providers examines this area using real life experiences and concrete evidence.
This sophisticated account of a remarkable city's coalitions and conflicts over half a century is an outstanding contribution to urban history and political analysis. Clearly written and amply supplied with good stories, the book will interest students of urban history, social movements, and American political change."—Charles Tilly, author of Durable Inequality "An altogether exemplary book. Rhomberg uses a combination of traditional class analysis, an institutional perspective on urban politics, and social movement theory to fashion a rich and persuasive account of the history of urban political conflict in Oakland between 1920-1975. In combining these strands of theory and research, he has also given us a model for the kind of dynamic, historically grounded political sociology that has been sadly missing in recent years."—Doug McAdam, author of Freedom Summer "Race, class, and local politics are key components of America's social fabric. On the basis of his outstanding scholarly research, Rhomberg examines the complex web of their interaction by focusing on one of the most conflicted urban scenes: Oakland, California; and taking a historical perspective on the evolving pattern of power struggles. This book will become required reading for students of urban politics."—Manuel Castells, author of The Rise of the Network Society “No There There combines a sophisticated interpretation of political and sociological urban theory with rigorous historical research… An important and stimulating book.” –Joseph A. Rodriguez, University of Wisconsin-Milwaukee, Western Historical Quarterly
Computers are at the heart of war as we know it and this visionary overview of cyber war in the twenty-first century studies how electronics have changed the way we fight. Using informatics and chaos theory, this is a disarming, yet enthralling read.
This book will help you design and create the best version of yourself. It will give you the chance to shape the kind of person you want to be, and to articulate the goals you want to achieve in your life, both professionally and personally. It will help you behave in ways that are true to your most honorable and generous self. It is a practical guide for people who are interested in leading a more meaningful and successful life, or helping others to do so. It teaches you how to author your own life and how to make commitments to yourself and others that will transform your life for the better. You’ll learn to reflect on your life, think about what really matters to you, and how to create a personal mission statement. You’ll think about your values, articulate your goals, and manage your time effectively. You’ll explore what it means to live an examined life. At the end of each chapter, there are questions to think about and actions to take that reinforce the key messages.
This book argues that Shakespeare was permanently preoccupied with the brutality, corruption, and ultimate groundlessness of the political order of his state, and that the impact of original Tudor censorship, supplemented by the relatively depoliticizing aesthetic traditions of later centuries, have together obscured the consistent subversiveness of his work. Traditionally, Shakespeare’s political attitudes have been construed either as primarily conservative, or as essays in richly imaginative ambiguation, irreducible to settled viewpoints. Fitter contends that government censorship forced superficial acquiescence upon Shakespeare in establishment ideologies — monarchic, aristocratic and patriarchal — that were enunciated through rhetorical set pieces, but that Shakespeare the dramatist learned from Shakespeare the actor a variety of creative methods for sabotaging those perspectives in performance in the public theatres. Using historical contextualizations and recuperation of original performance values, the book argues that Shakespeare emerged as a radical writer not in middle age with King Lear and Coriolanus — plays whose radicalism is becoming widely recognized — but from his outset, with Henry VI and Taming of the Shrew. Recognizing Shakespeare’s allusiveness to 1590s controversies and dissident thought, and recovering the subtextual politics of Shakespeare’s distinctive stagecraft reveals populist, at times even radical meaning and a substantially new, and astonishingly interventionist, Shakespeare.
Author of The Fountainhead and Atlas Shrugged, Ayn Rand (1905–1982) is one of the most widely read philosophers of the twentieth century. Yet, despite the sale of over thirty million copies of her works, there have been few serious scholarly examinations of her thought. Ayn Rand: The Russian Radical provides a comprehensive analysis of the intellectual roots and philosophy of this controversial thinker. It has been nearly twenty years since the original publication of Chris Sciabarra’s Ayn Rand: The Russian Radical. Those years have witnessed an explosive increase in Rand sightings across the social landscape: in books on philosophy, politics, and culture; in film and literature; and in contemporary American politics, from the rise of the Tea Party to recent presidential campaigns. During this time Sciabarra continued to work toward the reclamation of the dialectical method in the service of a radical libertarian politics, culminating in his book Total Freedom: Toward a Dialectical Libertarianism (Penn State, 2000). In this new edition of Ayn Rand, Chris Sciabarra adds two chapters that present in-depth analysis of the most complete transcripts to date documenting Rand’s education at Petrograd State University. A new preface places the book in the context of Sciabarra’s own research and the recent expansion of interest in Rand’s philosophy. Finally, this edition includes a postscript that answers a recent critic of Sciabarra’s historical work on Rand. Shoshana Milgram, Rand’s biographer, has tried to cast doubt on Rand’s own recollections of having studied with the famous Russian philosopher N. O. Lossky. Sciabarra shows that Milgram’s analysis fails to cast doubt on Rand’s recollections—or on Sciabarra’s historical thesis.
This book challenges the popular understanding that all Byzantines regarded the Christian faith, Hellenic cultural legacy, and Roman imperial tradition as inextricably linked. To this end, it outlines and explores the patristic resistance to the emperor’s involvement in ecclesial affairs as evidenced by the writings of St. Maximus the Confessor and his disciples, in addition to their martyrial and monastic influences. It therefore considers what the orthodox Christians of the Early Byzantine period perceived as their identity capital, including the virtues defined by the New Testament and such Late Antique texts as the Acts of Justin and the Sayings of the Desert Fathers. Factoring in the theological crisis of the seventh century, this investigation highlights how the Confessor’s clerical and lay accusers reclaimed the Greek legacy to distinguish themselves from the defenders of Christ’s two wills residing in “Old Rome”. Contrary to the conviction of many scholars, this book discloses that many Byzantines did not recognise anything holy about the office of the emperor (with the church fathers especially rejecting imperial trappings).
From the New York Times bestselling author of American Fascists and the NBCC finalist for War Is a Force That Gives Us Meaning comes this timely and compelling work about new atheists: those who attack religion to advance the worst of global capitalism, intolerance and imperial projects. Chris Hedges, who graduated from seminary at Harvard Divinity School, has long been a courageous voice in a world where there are too few. He observes that there are two radical, polarized and dangerous sides to the debate on faith and religion in America: the fundamentalists who see religious faith as their prerogative, and the new atheists who brand all religious belief as irrational and dangerous. Both sides use faith to promote a radical agenda, while the religious majority, those with a commitment to tolerance and compassion as well as to their faith, are caught in the middle. The new atheists, led by Richard Dawkins, Christopher Hitchens and Sam Harris, do not make moral arguments about religion. Rather, they have created a new form of fundamentalism that attempts to permeate society with ideas about our own moral superiority and the omnipotence of human reason. I Don't Believe in Atheists critiques the radical mindset that rages against religion and faith. Hedges identifies the pillars of the new atheist belief system, revealing that the stringent rules and rigid traditions in place are as strict as those of any religious practice. Hedges claims that those who have placed blind faith in the morally neutral disciplines of reason and science create idols in their own image -- a sin for either side of the spectrum. He makes an impassioned, intelligent case against religious and secular fundamentalism, which seeks to divide the world into those worthy of moral and intellectual consideration and those who should be condemned, silenced and eradicated. Hedges shatters the new atheists' assault against religion in America, and in doing so, makes way for new, moderate voices to join the debate. This is a book that must be read to understand the state of the battle about faith.
In his previously written articles and books, Chris Edwards has argued that Teaching should be considered a field that is separate from both the field of Education and from the content area fields. Teaching is a field which synthesizes content and method for classroom application. All of the other major intellectual fields have a canon of works which practitioners can learn from and add to, but Teaching does not. The Connecting-the-Dots in World History: A Teacher’s Literacy-Based Curriculum series changes this by showing how effective a teacher-generated curriculum can be. These books can inspire other teachers to create their own curriculums and inspire a change in the way that the public views teachers and teaching.
An unflinching indictment of the horror and obscenity of war by one of our finest war correspondents. Drawn from experience and interviews by Pulitzer-prize-winner Chris Hedges, this book looks at the hidden costs of war, what it does to individuals, families, communities and nations. In fifteen short chapters, Chris Hedges astonishes us with his clear and cogent argument against war, not on philosophical grounds or through moral arguments, but in an irrefutable stream of personal encounters with the victims of war, from veterans and parents to gravely wounded American serviceman who served in the Iraq War, to survivors of the Holocaust, to soldiers in the Falklands War, among others. Hedges reported from Sarajevo, and was in the Balkans to witness the collapse of the Soviet Union. In 2002 he published War Is a Force that Gives Us Meaning, which the Los Angeles Times described as “the best kind of war journalism… bitterly poetic and ruthlessly philosophical” and the New York Times called “a brilliant, thoughtful, timely, and unsettling book.” In the twenty years since, Hedges has not wanted to write another book on the subject of war—until now, with the outbreak of war in Ukraine. It is important again to be reminded who are the victors of the spoils of war and of other unerring truths, not only in this war but in all modern wars, where civilians are always the main victims, and the tools and methods of war are capable of so much destruction it boggles the mind. This book is an unflinching indictment of the horror and obscenity of war by one of our finest war correspondents.
Native Americans lived, hunted and farmed in east-central Indiana for two thousand years before the area became a part of the Hoosier State. Flood explores the unique yet often untold history of this Native experience. He examines the pre-European cultures that existed, and then focuses on post-European contact with indigenous cultures in the same area.
Establishing the agenda for global HR, this book looks through the eyes of HR professionals themselves. It gives a broad, coherent overview of the field of IHRM and a detailed, practical analysis of what is needed to be successful in this crucial area of modern management. A number of key questions are addressed: Does IHRM drive the business agenda more than domestic HRM? What is the impact of IHRM on organizational effectiveness? What are the keys to success in IHRM? Drawing upon current research conducted as part of the Chartered Institute of Personnel and Development's Globalization Research Project the text includes data from surveys of HR professionals and company practice as well as longitudinal case studies.
This book argues that domestic politics and political pressures determine the extent of the U.S. role in the North Atlantic Treaty Organization (NATO) from the emergence of containment strategy against the Soviet Union to the Russian war in Ukraine. NATO has evolved in the domestic politics of U.S. foreign policy from a conventional military alliance to contain the Soviet Union during the Cold War to an important instrument in the competition against China and Russia. This book examines American domestic political implications of U.S. security commitments to NATO. It adopts a historical approach and places the U.S. foreign policy toward NATO on the domestic level of analysis by highlighting domestic political determinants in the foreign policymaking process. It also highlights the connections between the Biden Administration’s definition of a struggle between democracy and autocracy and the state of American democracy following the January 6th insurrection by far-right Trump extremists. U.S. These include the evolution of American attitudes towards NATO, societal and economic factors, and entrenched bureaucratic interests shaping U.S. foreign policy. The book incorporates the contributions of major theoretical works on the domestic political factors that shape foreign policy preferences and behavior to understand the extent to which domestic politics influences the historical evolution of the U.S. role in NATO and American foreign policy toward Europe.
For creative writers and artists, comics provide unique opportunities for expression – but unique challenges, too. Creating Comics brings together in one volume an authoritative guide to the creative process, with practical drawing exercises throughout and an anthology of comics demonstrating the eclectic possibilities of the form. Creating Comic covers: · Using images to conceive and develop characters and stories · The complete range of possible relationships between two images · The step-by-step structure of visual narratives · How to approach each page like a unique canvas · Combining words and images to create new meanings Fully integrated with the main guide, the anthology section includes work by creators including: Lynda Barry, Alison Bechdel, Jaime Hernandez, Marjane Satrapi, Adrian Tomine, and many others.
In Absolute War, acclaimed historian and journalist Chris Bellamy crafts the first full account since the fall of the Soviet Union of World War II's battle on the Eastern Front, one of the deadliest conflicts in history. The conflict on the Eastern Front, fought between the Soviet Union and Nazi Germany between 1941 and 1945, was the greatest, most costly, and most brutal conflict on land in human history. It was arguably the single most decisive factor of the war, and shaped the postwar world as we know it. In this magisterial work, Bellamy outlines the lead-up to the war, in which the fragile alliance between the two dictators was unceremoniously broken, and examines its far-reaching consequences, arguing that the cost of victory was ultimately too much for the Soviet Union to bear. With breadth of scope and a surfeit of new information, this is the definitive history of a conflict whose reverberations are still felt today.
“[A] skillfully told history of the quest to find black holes.” —Manjit Kumar, Financial Times Black holes are the best-known and least-understood objects in the universe. In Einstein’s Monsters, distinguished astronomer Chris Impey takes readers on a vivid tour of these enigmatic giants. He weaves a fascinating tale out of the fiendishly complex math of black holes and the colorful history of their discovery. Impey blends this history with a poignant account of the phenomena scientists have witnessed while observing black holes: stars swarming like bees around the center of our galaxy; black holes performing gravitational waltzes with visible stars; the cymbal clash of two black holes colliding, releasing ripples in space time. Clear, compelling, and profound, Einstein’s Monsters reveals how our comprehension of black holes is intrinsically linked to how we make sense of the universe and our place within it.
This collective volume takes a social scientific approach to the subject of violence. Violence manifests itself on different levels, often beyond our comprehension. The book comprises 15 chapters in which experts from different academic disciplines and backgrounds examine violence carefully, logically, and in a challenging way. Although it is written from South African perspectives, it is relatable to other countries. As a source aimed at local and international scholars, researchers, and peers, it invites open and critical discussion. The arguments are presented systematically, intersectionally and constructivistically. It focuses on violence as an evolutionary phenomenon; on how it effects children; on interpersonal, collective, and structural violence; on ecological violence, and on violence as metaphor, amongst others.
With the rise of German Existentialism, the world has entered a post modern era where up is down and right is wrong. Dues ex Machina explores this progression away from the Enlightenment. As a result of this progression, the rejection of God and the embracing of collectivism has closed in around a once free American society. See the steps towards Secular Socialism through the a philosophical and political perspective. There is no better account that explains this progression.
Insightful, instructive, and definitely worth the read."--Greg Andres, Journal of the Royal Astronomical Society of Canada "As someone who has been teaching a course on space exploration for many years and has visited most of NASA's space centers, I have found plenty of new and valuable material in To a Distant Day. . . . I recommend the book to all who wish to know more about the conditions, people, and discoveries between 1890 and 1960 that led to the space age."--Pangratios Papacosta, Physics Today Although the dream of flying is as old as the human imagination, the notion of rocketing into space may have originated with Chinese gunpowder experiments during the Middle Ages. Rockets as both weapons and entertainment are examined in this engaging history of how human beings acquired the ability to catapult themselves into space. Chris Gainor's irresistible narrative introduces us to pioneers such as Konstantin Tsiolkovsky, Robert Goddard, and Hermann Oberth, who pointed the way to the cosmos by generating the earliest wave of international enthusiasm for space exploration. It shows us German engineer Wernher von Braun creating the V-2, the first large rocket, which, though opening the door to space, failed utterly as the "wonder weapon" it was meant to be. From there Gainor follows the space race to the Soviet Union and the United States, giving us a close look at the competitive hysteria that led to Sputnik, satellites, space probes, and--finally--human flight into space in 1961. As much a story of cultural ambition and personal destiny as of scientific progress and technological history, To a Distant Day offers a complete and thoroughly compelling account of humanity's determined efforts--sometimes poignant, sometimes amazing, sometimes mad--to leave the earth behind.
One of the oldest and most recognizable studios in Hollywood, Warner Bros. is considered a juggernaut of the entertainment industry. Since its formation in the early twentieth century, the studio has been a constant presence in cinema history, responsible for the creation of acclaimed films, blockbuster brands, and iconic superstars. These days, the studio is best known as a media conglomerate with a broad range of intellectual property, spanning movies, TV shows, and streaming content. Despite popular interest in the origins of this empire, the core of the Warner Bros. saga cannot be found in its commercial successes. It is the story of four brothers—Harry, Albert, Sam, and Jack—whose vision for Hollywood helped shape the world of entertainment as we know it. In The Warner Brothers, Chris Yogerst follows the siblings from their family's humble origins in Poland, through their young adulthood in the American Midwest, to the height of fame and fortune in Hollywood. With unwavering resolve, the brothers soldiered on against the backdrop of an America reeling from the aftereffects of domestic and global conflict. The Great Depression would not sink the brothers, who churned out competitive films that engaged audiences and kept their operations afloat—and even expanding. During World War II, they used their platform to push beyond the limits of the Production Code and create important films about real-world issues, openly criticizing radicalism and the evils of the Nazi regime. At every major cultural turning point in their lifetime, the Warners held a front-row seat. Paying close attention to the brothers' identities as cultural and economic outsiders, Yogerst chronicles how the Warners built a global filmmaking powerhouse. Equal parts family history and cinematic journey, The Warner Brothers is an empowering story of the American dream and the legacy four brothers left behind for generations of filmmakers and film lovers to come.
Prime yourself for all aspects of school leadership with effectiveness strategies from educators and experts Chris Hitch and David Coley. This comprehensive and practical handbook offers research-based tools to help you fulfill all of your leadership responsibilities on time and with laser-like focus. The authors also share tips from their combined experiences as elementary, middle, and high school principals. Executive Skills for Busy School Leaders provides examples of best practices from the business and non-profit sectors and applies them specifically to schools. Topics range from managing time and leading high-performance teams to monitoring your budget and implementing a school improvement plan. Strategies include finding time for instructional leadership, diagnosing the strengths and needs of your school, leading a multi-generational faculty, data-driven decision making, and managing high-, middle- and under-performing individuals.
This book is concerned with the management of organisational change. It focuses on Cadbury Ltd and provides an in-depth study of change within this famous British company. Cadbury Ltd is famous for its pioneering personnel management. One of the purposes of this study is to assess how this established company ethos facilitated change by examining the development and implementation of a capital investment programme that radically changed working practices at the company's Bournville plant in Birmingham. At a more general level the authors develop a theory of organisational change that emphasises the interaction between external market forces and internal management action. This approach unites an emphasis on the structural parameters that limit a firm's capacity for independent change, with a recognition of the vital role performed by influential members of an organisation in initiating and managing change. This book will be of interest to teachers and students of business history, organisational behaviour, industrial relations and industrial sociology.
This is the first edition of In Ballast to the White Sea, the autobiographical novel by Malcolm Lowry, known to most only through the highly romanticized story of its loss in a fire. In fact, the typescript itself has probably been read by at most a dozen people since Lowry scholars learned that it was deposited at the New York Public Library.
The liberal class plays a vital role in a democracy. It gives moral legitimacy to the state. It makes limited forms of dissent and incremental change possible. The liberal class posits itself as the conscience of the nation. It permits us, through its appeal to public virtues and the public good, to define ourselves as a good and noble people. Most importantly, on behalf of the power elite the liberal class serves as bulwarks against radical movements by offering a safety valve for popular frustrations and discontentment by discrediting those who talk of profound structural change. Once this class loses its social and political role then the delicate fabric of a democracy breaks down and the liberal class, along with the values it espouses, becomes an object of ridicule and hatred. The door that has been opened to proto-fascists has been opened by a bankrupt liberalism The Death of the Liberal Class examines the failure of the liberal class to confront the rise of the corporate state and the consequences of a liberalism that has become profoundly bankrupted. Hedges argues there are five pillars of the liberal establishment — the press, liberal religious institutions, labor unions, universities and the Democratic Party — and that each of these institutions, more concerned with status and privilege than justice and progress, sold out the constituents they represented. In doing so, the liberal class has become irrelevant to society at large and ultimately the corporate power elite they once served.
From the celebrated author of "War Is a Force That Gives Us Meaning" comes a startling expos of the political ambitions of the Christian Right--a clarion call for everyone who cares about freedom.
In this insightful book, an underwater archaeologist and survival coach shows how understanding the collapse of civilizations can help us prepare for a troubled future. Pandemic, climate change, or war: our era is ripe with the odor of doomsday. In movies, books, and more, our imaginations run wild with visions of dreadful, abandoned cities and returning to the land in a desperate attempt at survival. In The Next Apocalypse, archaeologist Chris Begley argues that we completely misunderstand how disaster works. Examining past collapses of civilizations, such as the Maya and Rome, he argues that these breakdowns are actually less about cataclysmic destruction than they are about long processes of change. In short: it’s what happens after the initial uproar that matters. Some people abandon their homes and neighbors; others band together to start anew. As we anticipate our own fate, Begley tells us that it was communities, not lone heroes, who survived past apocalypses—and who will survive the next. Fusing archaeology, survivalism, and social criticism, The Next Apocalypse is an essential read for anxious times.
Meet Mallory Hayden, sixteen-year-old producer and creator of her own soap opera. Can she survive life with her backstabbing soap-star mother, keep her friends close and her enemies closer (and tell the difference between them), find true love (supersweet boyfriend-or the show's supercute male lead?), and make her show a hit in this world of high-stakes drama and sudsy sabotage? Originally published as separate hardcover novels, here are all three Likely Story novels in one sizzling volume! "A fresh, hip glimpse into the life of daytime soaps and everyday teens. . . . Soapdish meets Sweet Valley High. . . . If you are a soap fan, YA novel fan or simply looking for a good, dishy, well-written read, Likely Story is a must-have." -Daytime Confidential "More twists, turns, and intrigue than a daytime soap. . . . Sure to be a hit." -School Library Journal
As humans live longer, the elderly population increases, and the challenges we face in addressing their needs continue to evolve. This book explores the theoretical and practical issues raised by advanced aging in the contemporary world. Developing new sociological theory, Paul Higgs and Chris Gilleard suggest that mental and physical frailty forms a central theme in narratives about deep old age and that discussions of personhood are needed to address this concept. After examining key terms like personhood, the fourth age, frailty, and abjection, Higgs and Gilleard consider the broader implications of these concepts for issues of care--both its meanings and its management. As the care needs of the elderly and options for meeting these needs grow more complex, it is important to examine our collective hopes and fears concerning the end of life, including questions about personhood and expectations for the quality and content of end-of-life care.
In this incisive study of the biological and cultural origins of the human self, the author challenges readers to re-think ideas about the self and consciousness as being exclusive to humans. In their place, he expounds a metatheoretical approach to the self as a purposeful system of extended cognition common to animal life: the invisible medium maintaining mind, body and environment as an integrated ‘field of being’. Supported by recent research in evolutionary and developmental studies together with related discoveries in animal behaviour and the neurosciences, the author examines the factors that have shaped the evolution of the animal self across widely different species and times, through to the modern, technologically enmeshed human self; the differences between which, he contends, are relations of degree rather than absolute differences. We are, he concludes, instinctive and ‘fuzzy individuals’ clinging to fragile identities in an artificial and volatile world of humanity’s own making, but which we now struggle to control. This book, which restores the self to its fundamental place in identity formation, will be of great interest for students and academics in the fields of social, developmental and environmental psychology, together with readers from other disciplines in the humanities, especially philosophy, cultural theory and architecture.
Three novels from the #1 New York Times bestselling author Chris Cleave. Little Bee This haunting, New York Times bestselling novel tells the story of an African refugee, nicknamed Little Bee, whose violent and courageous journey from a Nigerian beach to a suburban London home and back puts a stunning face on the worldwide refugee crisis. Incendiary In an emotionally raw voice alive with grief, compassion, and startling humor, a woman mourns the loss of her husband and son at the hands of one of history’s most notorious criminals. And in appealing to their executioner, she reveals the desperate sadness of a broken heart and a working-class life blown apart. Gold Building on the tradition of Little Bee, Chris Cleave again writes with elegance, humor, and passion about friendship, marriage, parenthood, tragedy, and redemption.
A gripping historical mystery, full of 18th century atmosphere. Fifteen-year-old Tom lives in the murky city of London where he helps his father run a print shop. Among the customers is wise old Dr. Harker, a retired physician and seafarer, whose patient demeanour and fascinating tales endear him to Tom. Both Tom and Harker become intrigued by a murder in the city where the victim is pierced by an arrow and left holding an illustrated card of “Death and the Arrow.” The mystery deepens after more “Death and the Arrow” victims are discovered, and Tom cannot rest until he has uncovered the truth behind the murders. This atmospheric venture into the eighteenth-century will fascinate and engage readers ten-years-old and up.
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