This book discusses meditation practice as a disciple of Christ through the lenses and inflexions of Asian spiritual traditions. Inspired by the author's more than four decades of Buddhist spiritual formation and a transformative faith encounter with Jesus Christ during a sabbatical retreat, this book explores experiential, spiritual, and theological dimensions of contemplative practice for a Spirit-illumined, Spirit-transformed life towards spiritual maturity and Christlikeness. It is a book that cuts across religious boundaries while honoring the essence of tradition by foregrounding the praxis of contemplative spirituality. Part spiritual autobiography, part theological reflection, and part meditation instruction manual, this book invites Buddhist and Christian practitioners as well as meditators of diverse traditions to engage with the spirit and content of this book in a journey of gospel-shaped contemplative and interspiritual adventure.
Buddhist meditation, while attracting less popular attention than some other meditative disciplines, has given rise to a particularly rich literature in recent years. Despite differences in style and terminology, these modern writings on Buddhist meditation serve much the same purposes as did the manuals and commentaries of the classical masters: to explicate and interpret the Buddha's teachings on meditation, to clarify the nature and value of the various meditative techniques and attainments, and/or to offer advice on the actual practice of meditation. Meditators are increasingly inclined to compare and evaluate critically what the different contemporary meditation masters have to say, to weigh up the results of relevant scientific studies, or to consult translations of the primary texts in search of the Buddha's 'original' teachings on meditation. Writers on meditation are also increasingly adopting an appropriately critical approach, particularly as regards the reliability of textual accounts. Relatively few still commit the old error of assuming that the Pali canon is a complete and faithful record of what the Buddha said on the subject, or that the classical commentators were infallible authorities. The present collection of twenty-eight readings is designed to give meditators, researchers, and general readers ready access to representative samples of those writings, and to the principal relevant texts.
Cyber risk is an emerging source of systemic risk in the financial sector, and possibly a macro-critical risk too. It is therefore important to integrate it into financial sector surveillance. This paper offers a range of analytical approaches to assess and monitor cyber risk to the financial sector, including various approaches to stress testing. The paper illustrates these techniques by applying them to Singapore. As an advanced economy with a complex financial system and rapid adoption of fintech, Singapore serves as a good case study. We place our results in the context of recent cybersecurity developments in the public and private sectors, which can be a reference for surveillance work.
For twenty years this award-winning compilation has been the nonpareil benchmark against which all other annual fantasy and horror collections are judged. Directed first by Ellen Datlow and Terri Windling and for the past four years by Datlow and Kelly Link & Gavin J. Grant, it consistently presents the strangest, the funniest, the darkest, the sharpest, the most original--in short, the best fantasy and horror. The current collection, marking a score of years, offers more than forty stories and poems from almost as many sources. Summations of the field by the editors are complemented by articles by Edward Bryant, Charles de Lint and Jeff VanderMeer highlighting the best of the fantastic in, respectively, media, music and comics as well as honorable mentions--notable works that didn't quite make the cut but are nonetheless worthy of attention. The Year's Best Fantasy and Horror: 20th Annual Collection is a cornucopia of fantastic delights, an unparalleled resource and indispensable reference that captures the unique excitement and beauty of the fantastic in all its gloriously diverse forms, from the lightest fantasy to the darkest horror.
Actor, Teacher, Philosopher, Icon. These are just a few of the words that describe the most influential martial artist of all time: Bruce Lee. Immortal Dragon: Bruce Lee follows Bruce's life from his infancy starting out as a child actor to his tragic death and posthumous superstardom.
For twenty years this award-winning compilation has been the nonpareil benchmark against which all other annual fantasy and horror collections are judged. Directed first by Ellen Datlow and Terri Windling and for the past four years by Datlow and Kelly Link and Gavin J. Grant, it consistently presents the strangest, the funniest, the darkest, the sharpest, the most original—in short, the best fantasy and horror. The current collection, marking a score of years, offers more than forty stories and poems from almost as many sources. Summations of the field by the editors are complemented by articles by Edward Bryant, Charles de Lint, and Jeff VanderMeer, highlighting the best of the fantastic in, respectively, media, music, and comics, as well as honorable mentions—notable works that didn’t quite make the cut, but are nonetheless worthy of attention. The Year’s Best Fantasy and Horror: Twentieth Annual Collection is a cornucopia of fantastic delights, an unparalleled resource and indispensable reference that captures the unique excitement and beauty of the fantastic in all its gloriously diverse forms, from the lightest fantasy to the darkest horror.
Chinese cinema continues to go from strength to strength. After art-house hits like Chen Kaige's Yellow Earth (1984) and Wong Kar-wai's In the Mood for Love (2000), the Oscar-winning success of Ang Lee's Crouching Tiger Hidden Dragon (2000) disproved the old myth that subtitled films could not succeed at the multiplex. Chinese Films in Focus II updates and expands the original Chinese Films in Focus: 25 New Takes with fourteen brand new essays, to offer thirty-four fresh and insightful readings of key individual films. The new edition addresses films from mainland China, Taiwan, Hong Kong and other parts of the Chinese diaspora and the historical coverage ranges from the 1930s to the present. The essays, by leading authorities on Chinese cinema as well as up-and-coming scholars, are concise, accessible, rich, and on the cutting edge of current research. Each contributor outlines existing writing and presents an original perspective on the film, making this volume a rich resource for classroom use, scholarly research and general reading for anyone wanting to understand more about the historical development and rich variety of Chinese cinema. Contributors: Annette Aw, Chris Berry, Yomi Braester, Felicia Chan, Esther Cheung, Robert Chi, Rey Chow, Mary Farquhar, Carolyn FitzGerald, Ping Fu, Kristine Harris, Margaret Hillenbrand, Brian Hu, Tan See Kam, Haiyan Lee, Vivian Lee, Helen Hok-Sze Leung, David Leiwei Li, Song Hwee Lim, Kam Louie, Fran Martin, Jason McGrath, Corrado Neri, Jonathan Noble, Beremoce Reynaud, Cui Shuqin, Julian Stringer, Janice Tong, Yiman Wang, Faye Hui Xiao, Gang Gary Xu, Audrey Yue, Yingjin Zhang, John Zou The Editor: Chris Berry is Professor of Film and Television at Goldsmiths, University of London.
This is the first English-language anthology on the Taiwan New Cinema and its legacy. It is an exciting collection which covers all the major filmmakers from Hou Hsiao Hsien and Edward Yang to Ang Lee and more. Gathering a range of essays that analyze individual films produced since the advent of the Taiwan New Cinema in the early 1980s, it aims to complement Feii Lu’s Taiwan Cinema: Politics, Economics, Aesthetics, translated by Chris Berry (Duke University Press and Hong Kong University Press, forthcoming). Taiwan and its internationally renowned cinema ar " on the edge" in more ways than one. For all of its history the island has been on the edge of larger geopolitical entities, subjected to invasions, migrations, incursions, and pressures. On the other hand, as one of the "Little Tiger" economies of Asia, it has been on the cutting edge of the Asian economic boom and of technological innovation; in recent years it has pioneered democratization of authoritarian regimes in East Asia.
In the field of military history as in so many others, the Chinese have often been both admired and seen as something utterly mysterious and inscrutable. Chris Peers illuminates the evolution of the military art in China with reference to ten battles, spanning more than 2,000 years, from the Battle of Mu in 1027BC to the Fall of Chung Tu in 1215 AD. Selected both for their historical importance and for the light which they shed on weapons and tactics, the author uses these examples to discuss the many myths still current in the West about ancient Chinese warfare: for example that the Chinese were an unwarlike people, always preferring subterfuge over the use of force; or that they were essentially defensive minded, relying on works such as the Great Wall. On the other hand, a recent reaction to this dismissive attitude portrays China as technologically far in advance of the West. Battles of Ancient China shows that none of these stereotypes are accurate. Comparison with contemporary Western practice is a major theme of the book which adds a new perspective not developed in the author's previous works on the subject.
Translating Chinese Art and Modern Literature examines issues in cross-cultural dialogue in connection with translation and modern Chinese art and literature from interdisciplinary perspectives. This comprises the text-image dialogue in the context of Chinese modernity, and cross-cultural interaction between modern literature in Chinese and other literatures. This edited collection approaches these issues with discrete foci and approaches, and the ten chapters in this volume are to be divided into two distinct parts. The first part highlights the mutual effects between literary texts and visual images in the media of book, painting, and film, and the second part includes contributions by scholars of literary translation.
This book presents a holistic view of the geopolitics of cyberspace that have arisen over the past decade, utilizing recent events to explain the international security dimension of cyber threat and vulnerability, and to document the challenges of controlling information resources and protecting computer systems. How are the evolving cases of cyber attack and breach as well as the actions of government and corporations shaping how cyberspace is governed? What object lessons are there in security cases such as those involving Wikileaks and the Snowden affair? An essential read for practitioners, scholars, and students of international affairs and security, this book examines the widely pervasive and enormously effective nature of cyber threats today, explaining why cyber attacks happen, how they matter, and how they may be managed. The book addresses a chronology of events starting in 2005 to comprehensively explain the international security dimension of cyber threat and vulnerability. It begins with an explanation of contemporary information technology, including the economics of contemporary cloud, mobile, and control systems software as well as how computing and networking—principally the Internet—are interwoven in the concept of cyberspace. Author Chris Bronk, PhD, then documents the national struggles with controlling information resources and protecting computer systems. The book considers major security cases such as Wikileaks, Stuxnet, the cyber attack on Estonia, Shamoon, and the recent exploits of the Syrian Electronic Army. Readers will understand how cyber security in the 21st century is far more than a military or defense issue, but is a critical matter of international law, diplomacy, commerce, and civil society as well.
Discover the technologies and trends that threaten humanity and our planet--- and how we can rein them back in, together In The Unintended Consequences of Technology: Solutions, Breakthroughs and the Restart We Need, accomplished tech entrepreneur Chris Ategeka delivers an insightful and eye-opening exploration of the challenges and the opportunities at the intersection of technology, society and our planet. Detailing both positive and negative technology use cases that on one hand have made humanity better, but on the other hand pose a serious threat to individuals and groups across the world, the author demonstrates how to avoid allowing powerful technologies to overcome our better natures. In this book, you'll: Discover how the forces of capitalism, greed and the myths that surround meritocracy when combined with exponential technology pose an existential risk for humanity. Explore the many exponential technologies such as gene editing, 5G, behavior modification, cyberspace… that have lots of promise but also uncertainty. Consider the future of humanity we wish to collectively build, and whether we can rebuild a capacity for empathy at scale in our tech tools Perfect for founders, business leaders, executives, managers, Chief Technology Officers, and anyone else [i.e. all human beings] responsible for the use and proliferation of advanced technologies. The Unintended Consequences of Technology is a thought-provoking, must-read resource for those at the forefront of our new technological reality.
Amid swirling allegiances and changing loyalties at the outer reaches of the Confederation empire, the Lost Legion struggles to keep the peace and prevent the planets from falling to a ruthless dictator. Protector Alena Redruth will stop at nothing to add the dual system of Larix and Kura to his holdings. And the Legion’s intelligence officer, Njangu Yoshitaro, will let nothing get in his way of infiltrating the system’s upper echelons of government. Within the delicately played game of spying, there are plots within plots within plots . . .
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