Modernist literature is inextricable from the history of obscenity. The trials of figures like James Joyce, D. H. Lawrence, and Radclyffe Hall loom large in accounts twentieth century literature. Filthy Material: Modernism and The Media of Obscenity reveals the ways that debates about obscenity and literature were shaped by changes in the history of media. Judgments about obscenity, which hinged on understanding how texts were circulated and read, were often proxies for the changing place of literature in an age of new technological media. The emergence of film, photography, and new printing technologies shaped how literary value was understood, altering how obscenity was defined and which texts were considered obscene. Filthy Material rereads the history of obscenity in order to discover a history of technological media behind debates about moral corruption and sexual explicitness. The shift from the intense censorship of the early twentieth century to the effective 'end of obscenity' for literature at the middle of the century, it argues, is not simply a product of cultural liberalization but of a changing media ecology. Filthy Material brings together media theory and archival research to offer a fresh account of modernist obscenity and novel readings of works of modernist literature. It sheds new light on figures at the center of modernism's obscenity trials (such as Joyce and Lawrence), demonstrates the relevance of the discourse obscenity to understanding figures not typically associated with obscenity debates (like T. S. Eliot and Wyndham Lewis), and introduces new figures to our account of modernism (like Norah James and Jack Kahane). It reveals how modernist obscenity reflected a contest over the literary in the face of new media technologies.
`Big Ben', the great clock and bells at Westminster, is one of the most iconic landmarks in Britain. From the origins of Westminster as the seat of government right up to the celebrations of the Great Clock's 150th anniversary in 2009, this book tells the story of the clock, bells, and tower.
Deslocado is Portuguese for ‘displaced’. This is a story of redemption set in Zimbabwe, Zambia and Mozambique in the mid-1990s, a time of nervous energy, opportunity and fear, in a region that has only recently emerged from bitter colonial wars of independence and subsequent civil wars. The peace is delicate and rancorous, racial attitudes coagulate and retribution is borne on the wind of change. Mike, a white Zimbabwean in his mid-thirties, a former Rhodesian soldier who fought against Robert Mugabe’s guerrilla armies, is struggling to find his place in the world. His marriage is crumbling against a backdrop of PTSD, alcohol and self-recrimination. Phoebe, a black Zimbabwean, grew up in Mugabe’s guerilla camps of central Mozambique. Her mother, a guerrilla herself, was killed in a Rhodesian raid in 1977. Unbeknown to Phoebe, her father is Norman Mubvunduku, the Zimbabwean minister for state security who controls the sinister Central Intelligence Organization (CIO). Salim, a member of Frelimo, the Marxist party that holds power in Mozambique, manages the state-owned hotel in the central Mozambican port city of Beira, from where he runs the city’s prostitution ring. Norman Mubvunduku, on his many official, and unofficial, visits to Mozambique is counted among Salim’s most valued clients. Salim’s star performer is Phoebe whom he ‘rescued’ from the UNHCR camps in the mid-1980s. Mike does business in Beira—where the disfigured street urchin, João, ‘adopts’ Mike as his patrão, his patron, guarding Mike’s pick-up truck being among his many self-appointed duties—a city that Mike visits more than is necessary to escape his atrophying marriage and the stifling racial attitudes of Zimbabwe. He meets Phoebe—emerging from a brutal sexual assault by one of Salim’s clients Norman Mubvunduku)—at a local club and they fall in love, just as a violent cyclone sweeps up the Mozambique Channel. An irresistible train of events is set in motion: Phoebe walks out on Salim; Mike is fired from his job in Harare and leaves his marriage; Salim has João picked up and cruelly tortured in an effort to find out where Phoebe is; Mubvunduku sets his CIO onto Phoebe’s trail in an effort to establish her identity, at the same time inculpating Mike in her disappearance; and Mike and Phoebe flee to Lusaka, Zambia when it becomes clear that their lives are at stake. In Beira, Mubvunduku and Salim are killed in a grenade explosion as João takes his revenge—with João presumed dead—which clears the way for Phoebe and Mike to return to Mozambique. UNHCR documents come to light, proving Phoebe’s father was Mubvunduku. It also emerges that Mike, as a soldier on the 1977 raid, witnessed Phoebe’s mother’s death and in fact ordered the troops not to shoot the girl. Phoebe remembers his voice. However, it is all too much for Phoebe to absorb and her final parting from Mike is acrimonious. But separation is transient: João, now an amputee, returns from the dead several months later to announce to Mike that he has been sent by Phoebe to find him and bring him back to her.
From cinema and radio broadcasting to the growth of new communication technologies, Modernism and Its Media is the first critical guide to key issues and debates on the changing media contexts of modernist writing. Topics covered include: · Key thinkers, including Walter Benjamin, Theodor Adorno, and Marshall McLuhan · Modernist film – from Eisenstein to the French New Wave cinema · Modernism and mass culture · The history of modernist media and communication technologies · Modernism's legacies for contemporary new media art With case studies covering such topics as the film writings of Joyce, Woolf and Eliot, popular art and kitsch, the Frankfurt School and the rise of the gramophone, this is an essential guide for students and scholars researching the relationship between modernism and mass media.
When we come across a happy narrative, we love imagining ourselves living out that story as the main character, yet, when faced with tales of human pain or suffering, we often awkwardly shy away, offer quick condolences, and say “I Can’t Imagine”. Human nature is to relish success, whimsy, and tales of happy endings. But, by avoiding those “other” stories, the painful and uncomfortable ones, we often miss out on some of life’s most important lessons. I Can’t Imagine is one of those “other” stories that will take readers through a powerful journey about a micro-preemie named Emilia Quinn Sears, who was born during a pandemic, at only 22-weeks-old, weighing just over 1 pound, with the odds of survival stacked against her. Inspired by her parents’ personal journals, passionately written to Baby Emilia, this book will take you on an epic journey of loss, love, and resilience. By the end, you will be able to imagine what it is like to fight for your child’s survival in the NICU, ultimately losing your battle and subsequently watching your world get destroyed. You will also experience the beautiful lessons and raw power of purpose that can arise from some of the worst things anyone can imagine.
Demented Particulars offers a detailed annotation of Samuel Beckett's first published novel, Murphy. This page by page account of the often unexpected details (literary, philosophical, theological, biographical and other) that went into the making of this
The no-holds-barred complete story of the #1 hit '70s sitcom. Find out what really happened both behind and in front of the cameras. Come and Knock on Our Door delivers all the titillation and travails of the breakthrough coed roommate farce that launched John Ritter, Joyce DeWitt, and Suzanne Somers to stardom in 1977. On-screen, the trio's dilemmas were always just zany misunderstandings riddled with pratfalls and double entendres and resolved with hugs and kisses. But behind the scenes, the real-life tensions of fame and controversy plus personal, financial, and creative conflicts threatened to end the love and laughter. With interviews from over sixty actors, producers, directors, and crew members, Chris Mann uncovers the good, the bad, and the ugly that occurred on the set-- from the fun and friendships to the feuding and falling-outs. For the first time ever, John Ritter and Joyce DeWitt break their silence about the eroding relations and bitter breakup with their onetime pal and original costar, Suzanne Somers and some of the show's top execs tell their sides of the story behind her big money demands and missed work, the public outcry, and her eventual firing. Joyce DeWitt also reveals her secret struggles with the show's producers and explains why she turned her back on Hollywood when John Ritter spun off alone in Three's a Crowd-- and what she's been doing ever since. Jenilee Harrison tells what it was like to replace Suzanne Somers during the contract dispute. Norman Fell, Don Knotts, Richard Kline, and Ann Wedgeworth disclose the ups and downs of TV's looniest landlords and tenants. And the late Audra Lindley, in her final interview, describes what she looks for in a muu-muu. So Come and Knock on Our Door, We've Been Waiting for You.
From A to Z, this is an indispensable guide to the works, life, and thought of one of the most important writers of our time. The Nobel Prize-winning author Samuel Beckett was a literary treasure, and this work represents the only comprehensive reference to the concepts, characters, and biographical details mentioned by, or related to, Beckett. Painstakingly and lovingly compiled by acclaimed Beckett scholars C. J. Ackerley and S. E. Gontarski, it is alphabetical, cross-referenced, and laid out in a very user-friendly format. The Grove Companion to Samuel Beckett provides an organized trove of information for students and scholars alike, and is a must for any serious reader of Beckett.
A beautiful, inspiring book featuring well-chosen examples of landscape designs that succeed. This book goes beyond pretty pictures to include specific information on plant and hardscaping options so you can make an informed decision on which options make sense for your yard. Subjects covered include: Understanding landscape styles, landscape materials, landscape elements, gardens & border plantings, landscape structures, firepits & fireplaces, landscape lighting, and many more.
After reopening a long-closed murder investigation, FBI agent Izzie Lefevre and police detective Patrick Tevake have uncovered a bizarre connection between a dangerous new drug on the streets of Recondito, California, and a series of mass murders and serial killings carried out around the coastal city going back at least one hundred years. Their discovery has unlocked a secret history of mystics and madmen who believed that Recondito is a special place, where it was possible to make contact with beings from other planes of existence, beings best described as demons. For generations there have been those who secretly dedicated themselves to protecting humanity against threats from beyond our world, but Izzie and Patrick realize that their investigation not only eliminated the last remaining defender, but they are now the only ones standing in the way of a full scale invasion.
Why do people put indelible marks on their bodies in an era characterized by constant cultural change? How do tattoos as semiotic resources convey meaning? What goes on behind the scenes in a tattoo studio? How do people negotiate the informal career of tattoo artist? The Social Semiotics of Tattoos is a study of tattoos and tattooing at a time when the practice is more artistic, culturally relevant, and common than ever before. By discussing shifts within the practices of tattooing over the past several decades, Martin chronicles the cultural turn in which tattooists have become known as tattoo artists, the tattoo gun turns into the tattoo machine, and standardized tattoo designs are replaced by highly expressive and unique forms of communication with a language of its own. Revealing the full range of meaning-making involved in the visual, written and spoken elements of the act, this volume frames tattoos and tattooing as powerful cultural expressions, symbols, and indexes and by doing so sheds the last hints of tattooing as a deviant practice. Based on a year of full-time ethnographic study of a tattoo studio/art gallery as well as in-depth interviews with tattoo artists and enthusiasts, The Social Semiotics of Tattoos will be of interest to academic researchers of semiotics as well as tattoo industry professional and artists.
Chris Nilan, who grew up in the tough and gritty Irish enclave in Boston, was a feared enforcer for the Montreal Canadiens, the Boston Bruins, and the New York Rangers and a Stanley Cup champion never afraid to go into the corners or take off his gloves. He was a valued teammate whose very presence on the ice affected the way the game was played. As an enforcer and as a teammate, Nilan ranks among the greatest of all time; when the cheering stopped, however, Chris Nilan did not do well. The same qualities—his aggressiveness and high-emotion style—that proved so valuable on the ice did not serve him well when his career ended. Nilan turned to drugs and alcohol to dull his pain and nearly died from an overdose. His story is a fascinating and troubling exposé of the booze, bills, and drugs that destroy so many athletes after their careers are over. But it's also a story of triumph, as Nilan has been the victor in his fight against his demons.
A major new survey of literature in England during the first half of the twentieth century, Chris Baldick places modernist with non-modernist writings, high art with low entertainment. The Modern Movement ranges broadly covering psychological novels, war poems, detective stories, satires, children's books, and other literary forms evolving in response to the new anxieties and exhilarations of twentieth-century life.
The Oxford English Literary History is the new century's definitive account of a rich and diverse literary heritage that stretches back for a millennium and more. Each of these groundbreaking volumes offers a leading scholar's considered assessment of the authors, works, cultural traditions, events, and the ideas that shaped the literary voices of their age. The series will enlighten and inspire not only everyone studying, teaching, and researching in English Literature, but all serious readers. This exciting new volume provides a freshly inclusive account of literature in England in the period before, during, and after the First World War. Chris Baldick places the modernist achievements of Virginia Woolf, T. S. Eliot, and James Joyce within the rich context of non-modernist writings across all major genres, allowing 'high' literary art to be read against the background of 'low' entertainment. Looking well beyond the modernist vanguard, Baldick highlights the survival and renewal of realist traditions in these decades of post-Victorian disillusionment. Ranging widely across psychological novels, war poems, detective stories, satires, and children's books, The Modern Movement provides a unique survey of the literature of this turbulent time.
The Practice of Reading is a lucid and lively examination of the art of interpreting the novel in the context of recent developments in literary theory and criticism. Believing that reading is - or should be - a pleasurable, creative activity, the authors analyse a range of seven novels from the eighteenth century to the present, focusing upon the experiential dimensions of the reading process. What is the role of the reader? What happens when a novel is read? How far does meaning depend on the reader, and how far on the text? These and other related questions are explored in readings of novels as diverse as Tristram Shandy, Pride and Prejudice, Great Expectations, Daniel Deronda, A Portrait of the Artist as a Young Man, Beckett's Trilogy and Possession. In its insistence upon a return to the practice of close reading, the book represents a timely intervention in current literary debates. An accessible, informative and above all stimulating text for all university and college students of literature.
Our 57th issue opens with an original tale by Mark Thielman, courtesy of acquiring editor Michael Bracken. It does triple-duty as a crime story, a science fiction story, and a dystopian story. All with a great punch. As for our other acquiring editors—Barb Goffman has selected a great tale by Dee Long, and (not to be outdone) Cynthia Ward has a real winner from Chris Willrich. We will have a contribution from Darrell Schweitzer next issue. As if that’s not enough (when is it ever for the Black Cat?), we have gone back to the pulp era for historical mystery novels by Harold Bindloss and Nicholas Carter, and uncovered some classic short science fiction by Damon Knight, Frederik Pohl, and Jerry Shelton. Rounding things out is a rare historical Lost Race fantasy by Crittenden Marriott set in the always-spooky Sargasso Sea. In coming weeks, expect to see more fun, with ghosts & goblins & things that go bump in the night — climaxing with a Halloween Spooktacular issue. Don’t miss it! Here’s the complete lineup: Mysteries / Suspense / Adventure: “Future Tense,” by Mark Thielman [Michael Bracken Presents short story] “Mystery Map,” by Hal Charles [Solve-It-Yourself Mystery] “Fool’s Gold,” by Dee Long [Barb Goffman Presents short story] “The Man Who Measured the Wind,” by Harold Lamb [novella] The Intriguers, by Harold Bindloss [novel] Nick Carter Rescues a Daughter, by Nicholas Carter [novel] Science Fiction & Fantasy: “Future Tense,” by Mark Thielman [Michael Bracken Presents short story] “A Wizard of the Old School,” by Chris Willrich [Cynthia Ward Presents short story] “Definition,” by Damon Knight [short story] “A Hitch In Time,” by Frederik Pohl [short story] “You Are Forbidden!” by Jerry Shelton [short story] The Isle of Dead Ships, by Crittenden Marriott [novel]
Make every day a special occasion with these festive drinks. Your favorite holiday obviously requires a libation, but what about today? Now you can shake up your cocktail routine to celebrate every day of the year, from Absurdity Day (November 20) and Africa Day (May 25) to Women’s Day (August 9) and Zoo Lovers Day (April 8). These recipes for timeless classics, twists on familiar favorites, and creative concoctions commemorate historical events, international peoples, beloved foods, pop-culture icons, oddball occasions, and more. They honor every day with names, flavors, or histories that embrace the spirit of each celebration, including the mainstays. On New Year’s Day, sip a Gordon’s Breakfast as hair of the dog. Declare your independence on the Fourth of July with an Ex-Pat. Make a Manhattan to acknowledge where the first Labor Day parade took place. Impress loved ones on Thanksgiving with Apple Cider Mojitos. With charming illustrations and quick-witted humor, this stirring collection will delight and inspire year-round.
All Scripture is God-breathed, but not every portion of it is embraced by Christians with equal vigor. Tribal lists, specific sacrificial obligations, seemingly endless genealogical records, and apparently gratuitous acts of warfare are readily scanned over. But could the minor prophets be added to that list? Should they be? They certainly seem more difficult to locate for many of us than, say, the books of Moses or the Psalms. The writer is clear in his assessment from the start, positing that our relative ignorance of these twelve books, tucked away at the end of the Old Testament, impinges negatively on the Christian believer's walk. Covering a period of around four hundred years, each book is revealed through two contextual settings: the historical and that which was personal to the individual pensmith, before a brief overview reveals the main points of that author's writing. The bulk of each chapter is concerned with the "Major Key" of the title. Taking a verse or two from each of the minor prophets, Chris Woodall develops a theme to bring practical application with a potentially positive impact to life as a Christian in the twenty-first century from lessons over two-and-a-half thousand years old.
A modern-day supernatural crime thriller set in a fictional west coast city, from the New York Times bestselling author and co-creator of the comic book-turned hit TV show iZombie. Izzie Lefevre was the newest investigator for the FBI’s Behavioral Analysis Unit when she first came to Recondito, a coastal city that’s been shrouded in mystery and legend for centuries. Local law enforcement had requested the Bureau’s assistance in hunting a sword-wielding serial killer who’d left a dozen mutilated bodies in his wake. Patrick Tevake was a local homicide detective assigned to the taskforce, and together he and Izzie managed to track down and stop the killer before he claimed another victim. Five years later, Izzie and Patrick remain haunted by what the killer said before he fell in a hail of gunfire. Izzie’s ancestors were “mambos,” voodoo priestesses who claimed to communicate with the dead and protect the faithful from evil spirits. Patrick’s Polynesian great uncle told stories of Recondito’s supernatural menaces that lurk in flame and shadow. The killer’s last words have brought up a past both Izzie and Patrick thought they’d long since left behind, and neither has been able to shake the feeling that their case was never completely solved. So when Patrick, now working with the vice squad to investigate a dangerous new street drug, discovers a connection between the street drug and the serial killer’s victims, he realizes that their instincts were right: the threat is far from over. Reunited again, he and Izzie will discover that Recondito is a city of dark secrets, and their own pasts may be the key to unlocking them.
Dave, Ray, Morris and Alex Rohrlach were Australian Lutherans of German descent who served in the Australian Army and Navy in the Pacific during World War Two. In a fascinating biography of the brothers, Chris Pratt chronicles the events of their lives before, during, and in the aftermath of war. Dave, a Lutheran missionary in New Guinea, captained his mission schooner to rescue defeated Australian soldiers from New Britain in the opening months of the war. Ray served in a motorised infantry unit before enduring a year in an isolated malarial outpost in Dutch New Guinea. Morris struggled through two amphibious landings in Japanese occupied Borneo. Alex survived kamikaze attacks and a battle with a Japanese fleet in the Philippines to witness from an Australian heavy cruiser the signing of the Japanese surrender in Tokyo Bay. Included are historical maps and photographs provided by the family.
A perfect storm of factors are brewing that will redefine dependent care in the coming decades. Delayed marriage and parenthood, longer life-spans, lower birthrates, and the health policy shift to informal caregiving have drastically increased the number of employees whose mental and physical health suffers due to an inability to balance work, childcare, and eldercare. Employers also feel the pinch as this inability to balance a myriad of demands is negatively impacting their bottom line. Something’s Got to Give is a comprehensive overview of the challenges faced by employees and employers as they try to respond to this dramatic demographic change. Linda Duxbury and Christopher Higgins utilize an original and rich data set–gathered from 25,000 Canadians who are employed full time in public, private, and not-for-profit organizations--to demonstrate the urgent need for workplace and policy reforms and support for employed caregivers. The authors’ timely work provides practical advice to managers and policy-makers about how to mitigate the effects of employee work-life conflict, retain talent, and improve employee engagement and productivity. Business and labour leaders as well as employees who truly care about their careers and industries can’t afford to ignore the solutions that Something’s Got to Give thoughtfully provides.
The radical star of Trainspotting and the hottest young member of the "Brit Pack," Ewan McGregor is Scotland's biggest export since Sean Connery. He now explodes into global stardom at the center of the most highly anticipated films in movie history-- the new Star Wars prequels. Get plugged into the whole story of this dynamic young actor for the new millennium, from his training at London's Guildhall School of Music and Drama to his first big break on British TV. Learn the inside story of McGregor's cosmic connection to his role as the young Jedi Knight Obi Wan Kenobi (hint: it's a family tradition). From day one, the ultra-hip GenX heartthrob has called his own shots and chosen mellow cool over Hollywood glitz. This fascinating bio reveals how Ewan does it-- his way. With 8 pages of fab photos!
North London cricket followers turned to their morning newspapers for eleven summers, in 1939 and from 1946 to 1955, to see how Robertson (J.D.) and Brown (S.M.) had fared as the Middlesex opening batsmen. They were not often disappointed. The pair opened the batting 366 times and their partnerships put on 14,116 runs, reaching 100 runs or more on 35 occasions. As memories of their endeavours fade, cricket enthusiasts nowadays have perhaps typecast them as the warm-up act to the prodigious talents of Bill Edrich and Denis Compton. But they were more than that. Even that curmudgeonly old critic E.M. Wellings thought Jack ‘a beautifully fluent stroke-maker’, and Syd ‘a splendid county batsman’. He thought selectors looked too hard for flaws in Jack’s top-class batting technique, thus restricting him to 11 test matches; and he reckoned Syd to be among the finest fielders in the deep. Using material from a wide range of sources, Chris Overson here writes on their early influences, their almost simultaneous start at Lord’s in 1934, their inevitable cricketing ups and downs − often in those days before crowds of 10,000 or more − and their lives after they had left the field of play.
Schizophrenia is the archetypal form of madness. Schizophrenia is a common disorder and has a devastating effect on sufferers and their families-patients typically hear voices in their heads and hold bizarre beliefs. The schizophrenic patient presented to the public in sensational press reports and lurid films bears little resemblance to reality of the illness. This book describes what schizophrenia is really like, how the illness progresses, and the treatments that have been applied. It also summarizes the most up-to-date knowledge available about the biological bases of this disorder. Finally it attempts to give some idea of what it is like to have schizophrenia and what this disorder tells us about the relationship between mind and brain. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
An unflinching and luminous memoir that explores a father’s philosophical transformation when he must reconsider the questions what makes us human? and whose life is worth living? Before becoming a father, Chris Gabbard was a fast-track academic finishing his doctoral dissertation at Stanford. A disciple of Enlightenment thinkers, he was a devotee of reason, believed in the reliability of science, and lived by the dictum that an unexamined life is not worth living. That is, until his son August was born. Despite his faith that modern medicine would not fail him, August was born with a severe traumatic brain injury as a likely result of medical error and lived as a spastic quadriplegic who was cortically blind, profoundly cognitively impaired, and nonverbal. While Gabbard tried to uncover what went wrong during the birth and adjusted to his new role raising a child with multiple disabilities, he began to rethink his commitment to Enlightenment thinkers—who would have concluded that his son was doomed to a life of suffering. But August was a happy child who brought joy to just about everyone he met in his 14 years of life—and opened up Gabbard’s capacity to love. Ultimately, he comes to understand that his son is undeniably a person deserving of life. A Life Beyond Reason will challenge readers to reexamine their beliefs about who is deserving of humanity.
“No action is bad in itself; I mean, even murder can be justified...” Set in the familiar setting of a pub, House Rules follows the story of three unlikely heroes who come together and show that it is possible to carry out an evil act, and get away with it. Martin is a computer expert. After his family run into financial difficulties, he believes that he can manipulate the money supply and rise from the ashes, but his psychotic tendencies and reliance on alcohol get in the way. Richard is a public schoolboy, creative soul and leading light in the advertising industry. When the two men become friends in a profound way, they team up to rule the pub with a rod of iron. Joanna and Sabrina, the respective spouse and girlfriend, inhabit the pub’s alcove with Jane, a lesbian who believes in sexual equality. Tensions rise as Joanna and Martin’s relationship is revealed to be cruel and abusive, and Joanna decides to leave Martin. As a painful divorce looms, Joanna and Jane attempt to get a more advantageous settlement and secretly record the men’s conversations. Deciding to record their shared experiences in a short story, Jane sends her manuscript over to Joanna, but Martin hacks into the computer and the die is cast. A murder is committed, and fact and fiction merge as the reader is taken through the events of the first half of the book and what happens thereafter... Inspired by Tom Sharpe, Robert Peston and Quentin Tarantino, House Rules deals with a number of issues, including mental health, domestic abuse and fascist behaviour. Chris Haxby’s debut novel will appeal to readers of black comedy, as well as those who enjoy crime novels.
Lost English illuminates all these terms and many more. It's a fantastic gift for all those interested in history and the English language and a fascinating look at times past.
The second book published in this series carries on from where The Moors Murderers left off and continues the horrific story of the crimes perpetrated by Ian Brady and Myra Hindley and tells of what happened at their trial in 1966. We see how Brady and Hindley turned on David Smith, the 17-year-old who witnessed them murder Edward Evans and shopped them to the police the following day, by attempting to implicate him in their murders. This led to him being an almost daily victim of assaults by both locals and members of the victims’ families. It tells the full story of the depths Myra Hindley went to in order to affect her escape from prison in 1973, how she eventually turned on Ian Brady and how she manipulated her way through her prison sentence until the day she died. It also shows how Ian Brady tormented the families of the victims from his prison cell. It tells the full story of how the body of Pauline Reade was recovered from Saddleworth Moor and also of the search for Keith Bennett, who to this day remains unfound. Printed here for the very first time are photographs of Myra Hindley during her incarceration released to the author from Home Office files held at the National Archives.
In 1952 a shopkeeper named Lily Volpert was murdered in the docks district of Cardiff, known as Tiger Bay. A Somali former merchant seaman, Mahmood Hussein Mattan, was charged with the murder, convicted and hanged. But 46 years later he became the first person in British history to have a murder conviction overturned after being executed. "Hanged for the Word If" is the first book in English about this historic case. Drawing on all the available documentary evidence, including the surviving records held by the police, it tells the story of the crime, the investigation, the trial and the execution. It traces the later history of some of the people involved, and relates how another murder and an attempted murder raised doubts about Mattan's guilt. It describes the campaign to reopen the case in the 1990s and the appeal that overturned his conviction. And finally it tries to answer the question of who really killed Lily Volpert in 1952.
In Birmingham a local journalist is found dead in his home. A puncture wound in his arm a testimony to his death by lethal injection, the cryptic note by his side: 'no more', seems at first to suggest suicide but Detective Inspector Tom Mariner has learned to take nothing at face value. There is something a little too staged about events, especially as just that evening Mariner had witnessed Edward Barham pick up a prostitute in a bar. As the police investigate the house further, they discovers there is another witness to events at 34 Clarendon Avenue. Barham's younger brother, Jamie, is found in a cupboard under the stairs. It seems likely that Jamie Barham had witnessed his brother's killing but his severe autism has left him without the means to communicate what he has seen Mariner is determined to build enough of a relationship with Jamie to get to the truth. And the fact that this means spending time with Anna Barham, Jamie's new - and reluctant - guardian, is no great hardship. But is Edward's death related to his recent investigations into a local crimelord. Or is there something else, something that only Jamie can tell them - if he so chooses.
Fossil Poetry provides the first book-length overview of the place of Anglo-Saxon in nineteenth-century poetry in English. It addresses the use and role of Anglo-Saxon as a resource by Romantic and Victorian poets in their own compositions, as well as the construction and 'invention' of Anglo-Saxon in and by nineteenth-century poetry. Fossil Poetry takes its title from a famous passage on 'early' language in the essays of Ralph Waldo Emerson, and uses the metaphor of the fossil to contextualize poetic Anglo-Saxonism within the developments that had been taking place in the fields of geology, palaeontology, and the evolutionary life sciences since James Hutton's apprehension of 'deep time' in his 1788 Theory of the Earth. Fossil Poetry argues that two, roughly consecutive phases of poetic Anglo-Saxonism took place over the course of the nineteenth century: firstly, a phase of 'constant roots' whereby Anglo-Saxon is constructed to resemble, and so to legitimize a tradition of English Romanticism conceived as essential and unchanging; secondly, a phase in which the strangeness of many of the 'extinct' philological forms of early English is acknowledged, and becomes concurrent with a desire to recover and recuperate the fossils of Anglo-Saxon within contemporary English poetry. The volume advances new readings of work by a variety of poets including Walter Scott, Henry Longfellow, William Wordsworth, William Barnes, Walt Whitman, Ralph Waldo Emerson, William Morris, Alfred Tennyson, and Gerard Hopkins.
This totally revised and enhanced new edition of My iMac covers all of the latest iMac hardware and software developments with unparalleled insiders' tips and techniques for making your iMac work and entertain as never before. Features all-new coverage of iMac DV, iMovie, AirPort, OS X, and much more.
A unique and creative textbook that introduces the 'discursiveturn' to a new generation of students, Social Psychology andDiscourse summarizes and evaluates the current state-of-the-artin social psychology. Using the explanatory framework found intypical texts, it provides unparallel coverage on DiscourseAnalytic Psychology in a format that is immediately familiar toundergraduate readers. A timely overview of the breadth and depth of discourseresearch, ideal for undergraduates and also a great resource forpostgraduate research students embarking on a discursiveproject No other text offers the same range of coverage - from the coretopics of social cognition, attitudes, prejudice and relationshipsto lesser known areas such as small group phenomena Includes a host of student-friendly features such as chapteroutlines, key terms, a glossary, activity questions, classicstudies and further reading
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