SHORTLISTED FOR THE ABIA BIOGRAPHY BOOK OF THE YEAR AWARD 2024 The powerful, untold story of two of the three members of iconic Australian band Silverchair. It all began in Ben Gillies' garage - where three high school kids from Newcastle, New South Wales, created magic with their smash-hit single 'Tomorrow', setting them on a path to domination of the Australian charts, worldwide touring and fame. So much has been written about Silverchair over the years but very little has been said by the band's members. In Love & Pain, drummer Ben Gillies and bass player Chris Joannou retrace their footsteps from childhood friends living across the road from each other, and share their often hilarious, wild and unforgettable stories from the rock 'n' roll spotlight, along with the exhilarating highs and heart-wrenching lows they faced along the way. There was also all the love and pain that came from being in the band: the cost of fame and intense pressure on two teenagers who had no way of preparing for it, and the complex dynamics of navigating friendships with each other and their relationships with friends and family members, the mistakes they made and the successes they cherished. Gillies and Joannou write with vulnerability and raw and blistering honesty, making for an extraordinary account of a band adored by so many.
In this thesis laws concerning consanguinity and affinity in the late Roman empire are studied, along with the relevant and contemporary patristic and conciliar decisions. Mainly laws for marriages between cousins and between a man and his sister-in-law on the wife's side are discussed.
This study approaches the fiction of the 1930s through critical debates about genre, language and history, setting these in their original context, and discussing the generic forms most favoured by novelists at the time. Chris Hopkins uses a series of case studies of texts to draw on, develop or explore the boundaries, contemporary usefulness and complexities of particular prose genres. Generic debates and the political-aesthetic effects of different kinds of representation were live issues as discursive struggles and negotiations took place between modernist and realist modes, between high, middle and lowbrow categorisations of culture, between literature and mass culture, and between different conceptions of the role of the writer, politics and nationality, sexuality and gender identities. Chris Hopkins draws both on well-known texts and on novels which have only recently begun to be discussed by critics of the thirties - particularly those by women writers whose work has still not been related very clearly to the literary and political debates of the period. Organised in five sections each focusing on major genres, he takes a wide range of novels as case studies and discusses their uses of generic forms, relating them to other examples and to their historical, political and cultural contexts.
The Roman empire tends to be seen as a whole whereas the early middle ages tends to be seen as a collection of regional histories, roughly corresponding to the land-areas of modern nation states. As a result, early medieval history is much more fragmented, and there have been few convincing syntheses of socio-economic change in the post-Roman world since the 1930s. In recent decades, the rise of early medieval archaeology has also transformed our source-base, but this has not been adequately integrated into analyses of documentary history in almost any country. In Framing the Early Middle Ages Chris Wickham combines documentary and archaeological evidence to create a comparative history of the period 400-800. His analysis embraces each of the regions of the late Roman and immediately post-Roman world, from Denmark to Egypt. The book concentrates on classic socio-economic themes, state finance, the wealth and identity of the aristocracy, estate management, peasant society, rural settlement, cities, and exchange. These give only a partial picture of the period, but they frame and explain other developments. Earlier syntheses have taken the development of a single region as 'typical', with divergent developments presented as exceptions. This book takes all different developments as typical, and aims to construct a synthesis based on a better understanding of difference and the reasons for it.
The best collection of suffrage plays on offer Introduced and set in historical context by Dr Susan Croft, formerly Curator at the Theatre Museum in London, with a chronology of suffrage drama from 1907-1914. The astonishing women involved in the Actresses Franchise League set up their own theatre companies and engaged with the battle for the vote by writing and performing campaigning plays all over the country. They launched themselves onto the political stage with their satirical plays, sketches and monologues whilst at the same time challenging the staid conventions of the Edwardian Theatre of the day. The legacy of their inspiring work to change both theatre and society has survived in the political theatre, agit-prop and verbatim theatre we know today. Full playtexts from the following: ’How the Vote was Won’ by Cicely Hamilton and Chris St. John ’The Apple’ by Inez Bensusan ’Jim s Leg’ by L.S. Phibbs ’Votes for Women’ by Elizabeth Robins ’At the Gates’ by Alice Chapin ’In the Workhouse’ by Margaret Wynne Nevinson ’A Change of Tenant’ by Helen Margaret Nightingale.
Now, more than ever, it seems that the age of professional learning networks has well and truly arrived. The rise and proliferation of digital communication, coupled with the circumstances enforced during the pandemic experience, have led to a dynamic re-imagining of Professional Learning Networks (PLNs) – both in terms of what they are for and what they can achieve. Set against this context this book provides a stimulating insight into the current state of the art of professional learning networks and the transformative difference they are poised to make to our educational future. Drawing on a wealth of expertise, each chapter is written by leading thinkers and doers in the field, and covers a range of topics and emerging areas. These include: the professional learning vistas opened up through digital opportunities; how these networks have helped to enhance teachers’ identity and sense of well-being: the new sense of practitioner ownership and partnership now at the heart of PLNs; new openings for professionalization; how PLNs have become vehicles for radically different forms of professional development and learning; and what this all means for school leadership.
The roots of country run deep. This book charts the development of this uniquely American music form from the 1800s through to the present. It also shows how social, economic, and regional factors have all helped to shape country music over time, and, in turn, how this music has gone on to influence other genres, such as Blues, Folk, Rock, and Soul and R&B.
Tibetan medicine is a rarified field with few publications in English; it is also one of the most comprehensive of alternative therapies, addressing body, mind, and spirit. Written for intermediate-level practitioners, Essentials of Tibetan Traditional Medicine brings this important healing tradition to Western practitioners. The book begins by summarizing the basics behind Tibetan medical theory and its methods of diagnosis. The second part of the book presents the core concepts of wind, bile, phlegm, dark phlegm, epidemic fever, heat, and cold, along with their corresponding nosologies, differential diagnoses, and treatments. The third section covers therapeutics, with an emphasis on medicinals—the mainstay of contemporary practice. A chapter on therapeutic strategies discusses unclear diagnosis and other challenging clinical situations. Other chapters explore the crucial components of lifestyle and diet. Each herb and animal product used in Tibetan medicine is profiled on its own page, with its Tibetan, common, and botanical names; its key properties and clinical uses; its known pharmacological properties; and a simple illustration. This useful handbook concludes with a description and indepth analysis of some 60 frequently used formulas.
SHORTLISTED FOR THE ABIA BIOGRAPHY BOOK OF THE YEAR AWARD 2024 The powerful, untold story of two of the three members of iconic Australian band Silverchair. It all began in Ben Gillies' garage - where three high school kids from Newcastle, New South Wales, created magic with their smash-hit single 'Tomorrow', setting them on a path to domination of the Australian charts, worldwide touring and fame. So much has been written about Silverchair over the years but very little has been said by the band's members. In Love & Pain, drummer Ben Gillies and bass player Chris Joannou retrace their footsteps from childhood friends living across the road from each other, and share their often hilarious, wild and unforgettable stories from the rock 'n' roll spotlight, along with the exhilarating highs and heart-wrenching lows they faced along the way. There was also all the love and pain that came from being in the band: the cost of fame and intense pressure on two teenagers who had no way of preparing for it, and the complex dynamics of navigating friendships with each other and their relationships with friends and family members, the mistakes they made and the successes they cherished. Gillies and Joannou write with vulnerability and raw and blistering honesty, making for an extraordinary account of a band adored by so many.
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