An atmospheric, slow-burning beauty of a book, rich with raw-edged lyricism and achingly real characters." —Tana French, author of The Searcher Small-town secrets loom large in this spellbinding debut about the aftershocks of crime and trauma that shake a Nebraskan town. In a dusty town in Nebraska’s rugged sandhills, weary sheriff’s deputy Harley Jensen patrols the streets at night, on the lookout for something—anything—out of the ordinary. It’s July 1978, and the heat is making people ornery, restless. That and the Reddick family patriarch has decided, decades after authorities ended the search for his murdered boy’s body, to lay a headstone. Instead of bringing closure, this decision is the spark that threatens to set Pickard County ablaze. On a fateful night after the memorial service, Harley tails the youngest Reddick and town miscreant, Paul, through the abandoned farms and homes outside their run-down town. The pursuit puts Harley in the path of Pam Reddick, a restless young woman looking for escape, bent on cutting the ties of motherhood and marriage. Filled with desperate frustration, Pam is drawn to Harley’s dark history, not unlike that of her husband, Rick—a man raised in the wreckage of a brother’s violent death and a mother’s hardened fury. Unfolding over six tense days, Pickard County Atlas sets Harley and the Reddicks on a collision course—propelling them toward an incendiary moment that will either redeem or end them. Engrossing, darkly funny, and real, Chris Harding Thornton’s debut rings with authenticity and a nuanced sense of place even as it hums with menace, introducing an astonishing new voice in suspense.
Omaha, 1930. When ex-cop-turned-PI Jim Beely murders the man who assaulted his fourteen-year-old daughter, the last person he wants to see is local crooked cop Frank Tvrdik. Luckily, Frank isn’t interested in the lifeless body in Jim’s car. Frank has a proposition: he’ll make the dead man disappear if Jim helps take down Elmer Kobb, who is vying for city commissioner and willing to backstab anyone who gets in his way. Soon, Jim and Frank are sucked into a seedy world of crime and corruption, where no one is safe and nothing is what it seems. Then Jim is violently attacked and one of his operatives turns up dead within the span of twelve hours, and his search for the truth yields a web of lies and a mounting death toll. As he and Frank are pulled deeper into the city’s dark underbelly and its absurd political machinations, Jim begins to question everything he knows about Omaha and his place in it. In her moody, ferocious, and darkly funny follow-up to Pickard County Atlas, a novel Tana French called a "slow-burning beauty of a book," the native Nebraskan Chris Harding Thornton mines Omaha's sordid past, melding fact and fiction into an unforgettable tale of danger and deceit. Little Underworld asks: What does it mean to be good, and what is left for those of us who aren’t?
Omaha, 1930. When ex-cop-turned-PI Jim Beely murders the man who assaulted his fourteen-year-old daughter, the last person he wants to see is local crooked cop Frank Tvrdik. Luckily, Frank isn’t interested in the lifeless body in Jim’s car. Frank has a proposition: he’ll make the dead man disappear if Jim helps take down Elmer Kobb, who is vying for city commissioner and willing to backstab anyone who gets in his way. Soon, Jim and Frank are sucked into a seedy world of crime and corruption, where no one is safe and nothing is what it seems. Then Jim is violently attacked and one of his operatives turns up dead within the span of twelve hours, and his search for the truth yields a web of lies and a mounting death toll. As he and Frank are pulled deeper into the city’s dark underbelly and its absurd political machinations, Jim begins to question everything he knows about Omaha and his place in it. In her moody, ferocious, and darkly funny follow-up to Pickard County Atlas, a novel Tana French called a "slow-burning beauty of a book," the native Nebraskan Chris Harding Thornton mines Omaha's sordid past, melding fact and fiction into an unforgettable tale of danger and deceit. Little Underworld asks: What does it mean to be good, and what is left for those of us who aren’t?
An atmospheric, slow-burning beauty of a book, rich with raw-edged lyricism and achingly real characters." —Tana French, author of The Searcher Small-town secrets loom large in this spellbinding debut about the aftershocks of crime and trauma that shake a Nebraskan town. In a dusty town in Nebraska’s rugged sandhills, weary sheriff’s deputy Harley Jensen patrols the streets at night, on the lookout for something—anything—out of the ordinary. It’s July 1978, and the heat is making people ornery, restless. That and the Reddick family patriarch has decided, decades after authorities ended the search for his murdered boy’s body, to lay a headstone. Instead of bringing closure, this decision is the spark that threatens to set Pickard County ablaze. On a fateful night after the memorial service, Harley tails the youngest Reddick and town miscreant, Paul, through the abandoned farms and homes outside their run-down town. The pursuit puts Harley in the path of Pam Reddick, a restless young woman looking for escape, bent on cutting the ties of motherhood and marriage. Filled with desperate frustration, Pam is drawn to Harley’s dark history, not unlike that of her husband, Rick—a man raised in the wreckage of a brother’s violent death and a mother’s hardened fury. Unfolding over six tense days, Pickard County Atlas sets Harley and the Reddicks on a collision course—propelling them toward an incendiary moment that will either redeem or end them. Engrossing, darkly funny, and real, Chris Harding Thornton’s debut rings with authenticity and a nuanced sense of place even as it hums with menace, introducing an astonishing new voice in suspense.
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