If you're a security expert, what do you do if your fiancée suddenly goes missing, presumably kidnapped? If you're Daniel Trent, a highly trained specialist in hostage negotiation, the answer is simple: You find out who took her and you make them talk. But what if your chief suspect is taken as well? How do you get him back quickly—and alive—so you can find out what really happened to your fiancée? Set in Marseille, Chris Ewan's Dead Line is a fast-paced stand-alone thriller that pitches the reader into Daniel's world, as he tries desperately to secure the release of Jérôme Moreau from a ruthless gang in order to interrogate him on the whereabouts of his fiancée. When things don't go according to plan, Daniel must use all his skills and instincts to find the answers he's looking for, but will he be in time?
Nick Miller and his team provide a unique and highly illegal service, relocating at-risk individuals across Europe with new identities and lives. Nick excels at what he does for a reason: he himself has spent years living in the shadows under an assumed name. But when Nick steps in to prevent the attempted murder of Kate Sutherland, a witness in hiding on the Isle of Man, he triggers a chain of events with devastating consequences for everyone he protects. Nick and Kate share a common enemy in Connor Lane, a man who will stop at nothing to get what he wants, even if it means tearing Nick's entire network apart"--
A brilliant thriller from the author of the acclaimed Good Thief's Guide series asks, how can a beautiful woman simply vanish? When Rob Hale wakes up in a hospital after a motorcycle crash, his first thought is for the gorgeous blonde, Lena, who was on the back of his bike. The doctors and police, however, insist that he was alone at the scene. The shock of the accident must have made him imagine Lena, especially since his description of her resembles his late sister, Laura. Convinced that Lena is as real as he is, Rob teams up with Rebecca Lewis, a London-based PI who has a mysterious connection to Laura—and learns that even a close-knit community like the Isle of Man can hide dangerous secrets that will not stay safe forever. Chris Ewan's Safe House "is an exciting, well crafted thriller, with flashes of real humour and insight." (SJ Bolton).
During a brief trip to Vegas, Charlie Howard - mystery writer and professional thief - is nonplussed to find his agent, Victoria, being charmed by a stage illusionist at a high stakes roulette table. It doesn't help that the illusionist, Josh Masters, has invited Victoria to his sell-out show, nor that he seems to be doing very well at roulette. Still, Charlie's not one to hold a grudge, least of all when he could be holding Masters' wallet. Breaking into the conjurer's hotel room and making off with a pile of casino chips would seem to be adequate compensation. Matters are complicated however when Charlie discovers the trussed-up corpse of Masters' beautiful assistant lying in the bath. When Masters disappears and Charlie is caught with his stolen haul of high denomination chips, his problems have only just begun. Ordered to reimburse the casino for every dollar Masters made off with, it seems to Charlie there's only one way out: break into as many hotel rooms as he can, steal as much as he is able to, and just hope that Victoria can summon lady luck to the gaming table of her choice.
Charlie Howard - mystery writer and professional thief - is flush with the success of his Paris book reading when he agrees to show a novice the basics of the trade by breaking into the man's own apartment. Trouble ensues when it turns out the apartment belongs to someone else. The next day, Charlie's fence hires him to steal an ordinary-looking oil painting - from the same address. Mere coincidence? Charlie reckons there's no harm in finding out - until a dead body turns up in his living room. Hiding in a Montmartre hotel, Charlie tries to work out how to save his skin, while also placating his agent Victoria, who has arrived unannounced in the mistaken belief that Charlie actually looks like the author photo he provided.
Charlie Howard, gentleman thief and famous crime-writer, has gone straight. But holing himself up in a crumbling palazzo in Venice in an attempt to concentrate on his next novel hasn't got rid of the itch in his fingers. And to make matters worse, a striking Italian beauty has just broken into his apartment and made off with his most prized possession, leaving a puzzling calling card in its place.It looks as though kicking the habit of a lifetime will be much more of a challenge than Charlie thought. Sneaking out into Venice's maze of murky canals, and trying not to relish being back on the job too much, Charlie's efforts to be reunited with his treasured first-edition of The Maltese Falconquickly embroil him in a plot that is far bigger and more explosive than he could ever have imagined. But by the time he finds himself bundling his first ever hostage into a trunk on a speedboat and on the run from the poliziahe has to admit that he is in way too deep.
The radical star of Trainspotting and the hottest young member of the "Brit Pack," Ewan McGregor is Scotland's biggest export since Sean Connery. He now explodes into global stardom at the center of the most highly anticipated films in movie history-- the new Star Wars prequels. Get plugged into the whole story of this dynamic young actor for the new millennium, from his training at London's Guildhall School of Music and Drama to his first big break on British TV. Learn the inside story of McGregor's cosmic connection to his role as the young Jedi Knight Obi Wan Kenobi (hint: it's a family tradition). From day one, the ultra-hip GenX heartthrob has called his own shots and chosen mellow cool over Hollywood glitz. This fascinating bio reveals how Ewan does it-- his way. With 8 pages of fab photos!
Enjoying a thieving spree from his new home in Berlin, part-time writer Charlie Howard is summoned by Her Majesty's Government to recover a sensitive item allegedly stolen by four embassy employees.
Charlie Howard doesn't just write books about a career thief, he also happens to be one. In Amsterdam working on his latest novel, Charlie is approached by a mysterious American who asks him to steal two apparently worthless monkey figurines from two separate addresses on the same night. At first he says no. Then he changes his mind. Only later, kidnapped and bound to a chair, the American very dead and a spell in police custody behind him, does Charlie begin to realise how costly a mistake he might have made. The police think he killed the American. Others think he knows the whereabouts of the elusive third monkey. But for Charlie only three things matter: Can he clear his name? Can he get away with the haul of a lifetime? And, can he solve the briefcase-shaped plot-hole in his latest novel?
Cosa fareste se la vostra fidanzata sparisse nel nulla? Se qualcuno la rapisse? Se foste Daniel Trent, specialista addestrato nella negoziazione di ostaggi, la risposta è semplice: scoprireste chi è il rapitore e lo fareste parlare. È così che Trent si mette sulle tracce di un criminale marsigliese di nome Jérôme Moreau. Lo studia per settimane, pedinandolo, ma proprio quando è pronto a entrare in azione qualcun altro lo precede e del francese si perde ogni traccia. Nonostante la piega inaspettata che hanno preso gli eventi, Trent è pronto a tutto per riavere la sua Aimée sana e salva. Il suo unico obiettivo ora è trovare Moreau vivo, e il piano è geniale: presentarsi alla famiglia del malavitoso e offrirsi di ritrovarlo. Ma le cose non vanno esattamente come si sarebbe aspettato, e avrà bisogno di tutta la sua abilità e del suo istinto per fronteggiare la banda criminale che tiene in ostaggio il suo uomo e trovare le risposte che sta cercando. Il secondo volume della serie dedicata a Daniel Trent. Ritmo, azione, e un protagonista che non ha paura di niente.
From the number one bestselling author of SAFE HOUSE comes a story about friendship, family, secrets, lies, and the things we do for love. When Claire Cooper was eight, her mother disappeared during Hop-tu-naa, the Manx Halloween. When Claire was eighteen, she and her friends took part in a Hop-tu-naa dare that went terribly wrong. Now in her early twenties and a police officer, what happened that Hop-tu-naa night has come back to haunt them all, and Claire must confront her deepest fears in order to stop a killer from striking again. For fans of Stephen King and Harlan Coben, this is I KNOW WHAT YOU DID LAST SUMMER meets THE WICKER MAN from one of the country's new generation of thriller writers. 'Ewan has become a master storyteller.' Ann Cleeves 'A rising star of the genre.' Simon Kernick
The radical star of "Trainspotting" and the hottest young member of the "Brit Pack", Ewan McGregor is Scotland's biggest export since Sean Connery. Get plugged into the whole story of this dynamic young actor--soon to be at the center of of the new "Star Wars" film coming in May--from his training at London's Guildhall School of Music and Drama to his first big break on British TV. of photos.
Over the last thirty years, scholars of health care organizations have been searching for concepts and images to illuminate their underlying, and shifting, modes of organizing. Nowhere has this controversy been more intense than in the United Kingdom, given the long succession of top down reorganizations within the National Health Service (NHS) over the last thirty years. This book characterises the nature of key reforms - namely managed networks - introduced in the UK National Health Service during the New Labour period (1997-2010), combining rich empirical case material of such managed networks drawn from different health policy arenas (clinical genetics, cancer networks, sexual health networks, and long term care) with a theoretically informed analysis. The book makes three key contributions. Firstly, it argues that New Labour's reforms included an important network element consistent with underlying network governance ideas, specifying conditions of 'success' for these managed networks and exploring how much progress was empirically evident. Secondly, in order to conceptualise many of the complex health policy arenas studied, the book uses the concept of 'wicked problems': problematic situations with no obvious solutions, whose scope goes beyond any one agency, often with conflicting stakeholder interests, where there are major social and behavioural dimensions to be considered alongside clinical considerations. Thirdly, it makes a contribution to the expanding Foucauldian and governmentality-based literature on health care organizations, by retheorising organizational processes and policy developments which do not fit either professional dominance or NPM models from a governmentality perspective. From the empirical evidence gathered, the book argues that managed networks (as opposed to alternative governance modes of hierarchy or markets) may well be the most suitable governance mode in those many and expanding policy arenas characterised by 'wicked problems', and should be given more time to develop and reach their potential.
While the implementation of evidence-based medicine guidelines is well studied, there has been little investigation into the extent to which a parallel evidence-based management movement has been influential within health care organizations. This book explores the various management knowledges and associated texts apparent in English health care organizations, and considers how the local reception of these texts was influenced by the macro level political economy of public services reform evident during the period of the politics of austerity. The research outlined in this volume shows that very few evidence-based management texts are apparent within health care organizations, despite the influence of certain knowledge producers, such as national agencies, think tanks, management consultancies, and business schools in the industry. Bringing together the often disconnected academic literature on management knowledge and public policy, the volume addresses the ways in which preferred management knowledges and texts in these publicly funded settings are sensitive to the macro level political economy of public services reform, offering an empirically grounded critique of the evidence-based management movement.
War is raging. Numbers are dwindling. It's a dangerous world for an underdog. The Underdogs of Spitfire’s Rise are falling apart. In the series’ penultimate novel, the remnants of Britain’s last army are called into battle again – this time to avert the violent deaths of tens of thousands of prisoners. The neurodiverse skills and defiant bravery of the Underdogs are pitched against the might of military science and the terrifying Acceleration project. Meanwhile, Oliver Roth has been offered a promotion that would make him the second most powerful person in Britain. But it’s conditional on the success of his next mission: the discovery and annihilation of Spitfire’s Rise. The Underdogs fight for the safety of countless prisoners, clueless that their home is being hunted. As each side launches their respective attacks, it’s only a matter of time until one triumphs decisively over the other.
One million cloned soldiers. A nation imprisoned. A group of neurodiverse rebels fighting back. Britain as we know it lies destroyed. In the aftermath of the most daring military coup in history, the surviving population is crammed inside giant Citadels, watched over by an army of cloned soldiers. The hope of a nation lies in a tiny number of freedom fighters hidden in the abandoned countryside – most of whom are teenagers who escaped the attack on their special school. Seen by many as no more than misfits and ‘problem children’, this band of fighters could never have imagined the responsibility that now rests on their shoulders. But perhaps this war needs a different kind of hero. After a lifetime of being defined by their weaknesses, the teenagers must learn how to play to their strengths, and become the best they can be in a world that has never been on their side.
It’s the last days of the war. The fate of humanity is at stake. The stage is set for the Underdogs’ final battle. After thirteen months of vicious warfare, the fight between the Underdogs and Nicholas Grant’s forces is almost at an end. The neurodiverse heroes of Spitfire’s Rise have fought a war to be proud of, however their greatest challenge still lies ahead. In this epic conclusion to the series, the world is on the brink of annihilation and the survival of humankind hangs in the balance. Grant is finally in a position where he could be defeated – but, once again, the Underdogs do not have numbers on their side. They must overcome the odds that have been stacked against them since day one and infiltrate New London to prevent global destruction. Underdogs: Uprising sees the Great British Rebellion come to a head in a cataclysmic showdown. Nobody knows what the country and the wider world will look like once the dust settles around the survivors; the only certainty is that the final night of the war will determine the destiny of the human population.
Theatre has a funny way of getting to the heart of who we are now and – particularly in the case of Connections – who we are going to be. Drawing together the work of nine leading playwrights, National Theatre Connections 2018 features work by some of the most exciting contemporary playwrights. Gathered together in one volume, the plays offer young performers an engaging selection of material to perform, read or study. From friends building bridges and siblings breaking down walls; girls making their voice heard and boys searching for home; and not forgetting a band of unlikely action heroes taking control of the weather. The anthology contains nine play scripts along with imaginative production notes and exercises, as well as a short introduction to the writing process for the tenth Connections play [ BLANK ] by Alice Birch. National Theatre Connections is an annual festival which brings new plays for young people to schools and youth theatres across the UK and Ireland. Commissioning exciting work from leading playwrights, the festival exposes actors aged 13-19 to the world of professional theatre-making, giving them full control of a theatrical production - from costume and set design to stage management and marketing campaigns. NT Connections have published over 150 original plays and regularly works with 500 theatre companies and 10,000 young people each year.
Takes a trip around the world, looking at surfing, through the eyes of contemporary surfing photographers. Original surfspots like those in Africa and South America are featured, with those of established bases of the Western USA, Australia and, of course, Hawaii.
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