This volume brings together academics, executives and practitioners to provide readers with an extensive and authoritative overview of the classical music industry. The central practices, theories and debates that empower and regulate the industry are explored through the lens of classical music-making, business, and associated spheres such as politics, education, media and copyright. The Classical Music Industry maps the industry’s key networks, principles and practices across such sectors as recording, live, management and marketing: essentially, how the cultural and economic practice of classical music is kept mobile and alive. The book examining pathways to professionalism, traditional and new forms of engagement, and the consequences of related issues—ethics, prestige, gender and class—for anyone aspiring to ‘make it’ in the industry today. This book examines a diverse and fast-changing sector that animates deep feelings. The Classical Music Industry acknowledges debates that have long encircled the sector but today have a fresh face, as the industry adjusts to the new economics of funding, policy-making and retail The first volume of its kind, The Classical Music Industry is a significant point of reference and piece of critical scholarship, written for the benefit of practitioners, music-lovers, students and scholars alike offering a balanced and rigorous account of the manifold ways in which the industry operates.
On the backbenches but still in the thick of it, Decline and Fall runs from Chris Mullin's sacking as a minister by Tony ('The Man') Blair in 2005 to the fall of New Labour in May 2010. Here is politics as it really is: entertaining encounters with constituents and conspirators, tantalising glimpses behind the scenes at the courts of Blair and Brown, all set against the background of the global financial crisis and the great expenses meltdown. Every bit as funny and insightful as his first volume A View From The Foothills, these new diaries provide a snapshot of life in the Westminster village. Preparing to step down after twenty-three years as an MP, Mullin wryly observes 'they say failed politicians make the best diarists, in which case I am in with a chance'.
The first comprehensive account of civil liberties activism throughout twentieth-century Britain, focusing primarily on the National Council for Civil Liberties.
For 42 years, Chris Williamson was a Labour Party member. In 2010, he was elected to Parliament to represent his home town. However, in 2019, he was unceremoniously suspended from the party after being subjected to a smear campaign, and he later resigned in protest at the betrayal. In this forensic memoir – free of his Labourist clutches – Williamson provides a unique ringside view. As well as lifting the lid on the amateurish politics-by-focus-groups under Ed Miliband, Williamson exposes some of the major events that created and deepened Labour's 'antisemitism crisis' under Jeremy Corbyn. In his mission to set the record straight on numerous misreported events, Williamson names and shames the individuals – on the left and the right – whom he holds responsible for delivering his former party back into the hands of New Labourism under Sir Keir Starmer. To understand the existential crisis facing socialists in Britain today, Williamson's account of recent Labour history is indispensable.
Compared to 20 years ago, the jobs many people do today are increasingly characterised by low pay and insecurity, while countless others cope with workplace stress and ill-health. At the same time the consequences of our current model of economic activity are creating dangerous and critical changes in the planet’s climate. Until recently debates around these two issues have had little contact with each other. This book demonstrates that there are definite and complex connections between degraded jobs and a degraded environment, that neither the dominant economic model nor the rate at which we exploit the planet’s resources are sustainable and that the limits for both may be reached sooner rather than later. By bringing together insights from critical thinkers in a range of disciplines, the book discusses the requirements and characteristics for work to be at the same time economically, socially and environmentally sustainable and examines the potential for alternative routes to sustainable work in policies and actions that support both the natural environment and worker well-being. The book will be of interest to researchers, academics and students in the fields of HRM, labour studies, employment relations, sociology, environmental studies and sustainability. It is particularly relevant for those focusing on the link between labour and climate change. It is also highly relevant to policymakers, trade unions and NGOs looking at decent work and sustainability.
This volume brings together academics, executives and practitioners to provide readers with an extensive and authoritative overview of the classical music industry. The central practices, theories and debates that empower and regulate the industry are explored through the lens of classical music-making, business, and associated spheres such as politics, education, media and copyright. The Classical Music Industry maps the industry’s key networks, principles and practices across such sectors as recording, live, management and marketing: essentially, how the cultural and economic practice of classical music is kept mobile and alive. The book examining pathways to professionalism, traditional and new forms of engagement, and the consequences of related issues—ethics, prestige, gender and class—for anyone aspiring to ‘make it’ in the industry today. This book examines a diverse and fast-changing sector that animates deep feelings. The Classical Music Industry acknowledges debates that have long encircled the sector but today have a fresh face, as the industry adjusts to the new economics of funding, policy-making and retail The first volume of its kind, The Classical Music Industry is a significant point of reference and piece of critical scholarship, written for the benefit of practitioners, music-lovers, students and scholars alike offering a balanced and rigorous account of the manifold ways in which the industry operates.
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