In 1981, Peter Sutcliffe, the 'Yorkshire Ripper', was convicted of thirteen murders and seven attempted murders. All his proven victims were women: most were prostitutes.Astonishingly, however, this is not the whole truth. There is a still-secret story of how Sutcliffe's terrible reign of terror claimed at least twenty-two more lives and left five other victims with terrible injuries. These crimes - attacks on men as well as women - took place all over England, not just in his known killing fields of Yorkshire and Lancashire.Police and prosecution authorities have long known that Sutcliffe's reign of terror was far longer and far more widespread than the public has been led to believe. But the evidence has been locked away in the files and archives, ensuring that these murders and attempted murders remain unsolved today.As a result, the families of at least twenty-two murdered women have been cheated of their right to know how and why their loved ones died: the pain of living with that may diminish over time, but it never fades away completely. Five other victims survived his attacks: their plight, too, has never been officially acknowledged.Worse still, police blunders and subsequent suppression of evidence ensured that three entirely innocent men were imprisoned for murders committed by the Yorkshire Ripper. They each lost the best parts of their adult lives, locked up and forgotten in stinking cells for more than two decades.This book, by a former police Intelligence Officer, is the story not just of those long-cold killings, of the forgotten families and of three terrible miscarriages of justice. It also uncovers Peter Sutcliffe's real motive for murder - and reveals how he manipulated police, prosecutors and psychiatrists to ensure that he serves his sentence in the comfort of a psychiatric hospital rather than a prison cell.
In the Summer of 1972, 14-year-old Judith Roberts took off for a bike ride within the vicinity of her Staffordshire home. Her body was discovered after a three-day manhunt, concealed from view in a thick privet having been brutally attacked. The community of Tamworth was rocked by the news of her death and an outcry for justice ensued. Within weeks of her murder, an impressionable and troubled soldier, based in the nearby barracks, 17-year-old Andrew Evans, walked into a police station and confessed to the killing. Relentlessly interviewed for hours on end without representation or an appropriate adult present, Andrew was swiftly charged with Judith's murder. Despite attempting to recount his statement and a legal defense at trial that defied the prosecution's arguments that Andrew Evans was guilty, a judge sentenced him to life behind bars. He was eventually acquitted in 1997 in what was, at the time, Britain's longest miscarriage of justice. While Andrew Evans fought for his freedom, another man drove up and down England undetected: Peter William Sutcliffe. Eventually proven capable of inflicting unimaginable horror at any given opportunity, an independent inquiry dubbed him likely responsible for more murders than the 13 he was convicted of and the seven others he attempted between 1975 and 1980. In The Murder of Judith Roberts, Chris Clark and Tanita Matthews examine evidence that concludes that Sutcliffe, whose violent criminal history dates back as far as 1969, was the real culprit responsible for Judith's murder. With never before-published dialogue from Andrew Evans' police interviews showing the grave miscarriage of justice, the case file of the five-decade cold case is examined under a new light.
In 1994, Robert Black was convicted of the kidnapping, sexual assault and murder of three young girls, and sentenced to life imprisonment with a minimum tariff of thirty-five years; in 2011 he was convicted of a fourth such killing. He died in HMP Maghaberry, Northern Ireland, in January 2016, aged sixty-eight, unmourned, and entirely unrepentant of his repellent crimes. These bald facts, horrific as they are, do not begin to scratch the surface of the truth about Robert Black, a Scottish-born serial killer who undoubtedly committed further murders for which he was never tried, both in this country and on the Continent. In this ground-breaking account, Robert Giles, who has spent years tracing the killer's movements and sifting through all the evidence, including transcripts of the trials, convincingly argues that Black was an habitual serial killer over many years, and quite certainly responsible for more than the four child murders for which he was convicted. Co-written with Chris Clark, a former police intelligence officer whose tireless work into the Yorkshire Ripper produced convincing new evidence of other murders that went unnoticed or unrecorded, The Face of Evil shows once and for all that Robert Black was a serial killer whose crimes went far beyond what is generally believed. In doing so, it paints a portrait of human cruelty at its worst.
In March 2011, a major police investigation was opened in the search for missing Swindon local, Sian O'Callaghan. When taxi driver Christopher Halliwell was arrested, Detective Superintendent Stephen Fulcher didn't expect what happened next. After the body of another missing girl, Becky Godden-Edwards, was uncovered, the police had two murders on their hands and one suspect, but how many more unsolved murders could Christopher Halliwell be responsible for? The hidden cache of around 60 pieces of women's clothing and accessories that he led police to suggests that the number could be much higher than the two murders he has been convicted of. In The New Millennium Serial Killer, former police intelligence officer Chris Clark and true crime podcast host Bethan Trueman use their in-depth research to present a comprehensive study into convicted killer Christopher Halliwell. Discussing the crimes for which he was convicted but presenting them alongside the unsolved cases of missing and murdered women who fit with his victim type, and who went missing in the areas where he was familiar, from the 1980s to the time of his arrest in 2011. With many jobs over the years which allowed Halliwell to travel to different areas of the UK, along with a passion for fishing and narrow boating, including Yorkshire, East Lancashire, and the Midlands. With a foreword by former Detective Superintendent Stephen Fulcher, The New Millennium Serial Killer presents a fascinating account of this cruel killer and tells the heartbreaking stories of over twenty women whose cases remain unsolved today, seeking to find justice for their loved ones who are still waiting for answers. Do they remain with Christopher Halliwell and the collection of women's items?
A team of SharePoint authorities addresses the six most essential areas of SharePoint 2010 SharePoint enables Web sites to host shared workspaces and is a leading solution for Enterprise Content Management. This book serves as one-stop shopping for concise coverage on six key areas that you need to know in order to get up and running with SharePoint 2010 quickly. After an introduction to the new features of SharePoint 2010, the author team of SharePoint experts walk you through branding and customization, workflow, business connectivity services, social networking and tools, the search function, and development basics so you can get started using SharePoint immediately. SharePoint 2010 offers numerous exciting new features, including advancements in user interface customization, development improvements, the benefits of Business Connectivity Services, and much more Covers the primary functions of SharePoint, as well as enhancements and new features of the latest version Reviews the SharePoint platform, branding and customization, workflow, business connectivity services, social networking, tools, development basics, and more SharePoint 2010 Six-in-One helps you conquer the six key areas of SharePoint 2010 so that you can successfully take advantage of the Microsoft SharePoint platform.
The Forest and the Field is a polemical thinking-through of the whole concept of theatre as a ‘space’, and a politically motivated exploration of how, and where, that theatrical space meets the real world that surrounds and suffuses it. The book begins by demolishing the notion of the ‘empty space’ and drawing careful and suggestive distinctions between ‘space’ and ‘place’. It moves on to consider how the body – of the actor, or of the spectator – is read within the theatrical encounter, and how meaning is created in the turbulent movement of signs between performer and audience. Finally it interrogates the wider relationship between theatre and its ‘outside’, culminating in an attempt to answer the familiar question of whether theatre can change the world – and, if it can, how it might.
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