Imaginative fifth-grade student Andrew Ryan dreams of having the powers of his superhero idol Defender, but when Andrew is caught in fallout from the blast that kills Defender and sees his wish come true, he finds that having superpowers is only part of being a hero.
Short listed for the Best Football Book in the 2010 British Sport Book Awards The way Britain develops its top football talent is a hot topic of debate. The failure of all four of the UK's national teams to reach the 2008 European Championships and the ever-increasing reliance of England's top clubs on foreign talent underlines an undisputable fact: that Britain now lags well behind the world's top countries in producing the best footballers, despite having the wealthiest league in the world and untold riches at the game's disposal. Every Boy's Dream: England's Football Future on the Line investigates why - despite unprecedented expenditure on a huge overhaul of youth development in the past decade - British football continues to fail to nurture top-class football talent. With some 10,000 boys in the system at any time - and less than one per cent of those boys likely to make it as professional footballers - there is a real need for a long, hard look at our domestic football development system. Who funds the system? How are the boys recruited? Who is responsible for their coaching and what qualifications do they have for the job? Who looks after their welfare, ensuring they are enjoying the sport and still keeping up with their schooling while under the clubs' stewardship? What happens when the boys don't make the cut and are released by the clubs? Every Boy's Dream does not pull any punches. It lays the blame at the doors of the authorities in charge of youth football. But, rather than just listing the faults of system - which are many, as the hard-hitting real-life examples demonstrate - it provides tales of inspiration and a blueprint for the future of the national game. It is the most thorough book ever written about football youth development, and cracks through the age-old veneer of perceived wisdom that has stifled debate on the subject.
The British social movement emerged at the same time that working-class culture was being transformed by new forms of commercial entertainment. This work explores the relationship between the socialist movemement and late Victorian working-class culture.
Corporate social responsibility has become a heavily discussed topic in business ethics. Identifying some generally accepted moral principles as a basis for discussion, Individuals, Groups, and Business Ethics examines ethical dimensions of our relationships with families, friends and workmates, the extent to which we have obligations as members of teams and communities, and how far ethics may ground our commitments to organisations and countries. It offers an innovative analysis that differentiates amongst our genuine ethical obligations to individuals, counterfeit obligations to identity groups, and complex role-based obligations in organised groups. It suggests that often individuals need intuitive moral judgment developed by experience, reflection and dialogue to identify the individual obligations that emerge for them in complex group situations. These situations include some where people have to discern what their organisations’ corporate social responsibilities imply for them as individuals, and other situations where individuals have to deal with conflicts amongst their obligations or with efforts by other people to exploit them. This book gives an integrated, analytical account of how our obligations are grounded, provides a major theoretical case study of such ethical processes in action, and then considers some extended implications.
Chris Henderson formed the Chelsea Headhunters – who later earned a reputation as the most dangerous fans in Britain - as well as the band Combat 84 who, with their punk attitude and uncut, Orwellian lyrics, represented the antithesis of middle-class England. After the jailing of Stephen 'Hickey' Hickmott, Henderson organised a gang of Chelsea fans who travelled to matches by luxury coach with the aim of causing havoc and destruction. They were finally arrested and their subsequent trial was meant to be the crowning glory of Thatcher's campaign to vanquish hooliganism. Instead, the dramatic collapse of the case sounded the death knell for all the undercover police operations and mass indiscriminate arrests that had been ordered by the authorities to squash the activities of Henderson and others. The 'Ministry' continued to pursue Henderson and prior to the 2002 World Cup, he and Hickmott were named as the two leaders planning hooligan and criminal acts for the tournament in South Korea and Japan, which culminated in Henderson being arrested and refused entry to Japan for the England v. Argentina match. Told in Henderson's exact words, this is the dramatic story of an era of music and football, when how you looked counted as much as how you performed. With its depiction of events surrounding South Korea/Japan 2002, Who Wants It? also shows how the scourge of hooliganism continues to blight the beautiful game today.
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