Choi’s debut story, “Homeland,” which depicts the hardships and frustration of one Korean man during the colonial era, is unlike the rest of Choi Soe-hae’s works, for the story is devoid of “anti-conventional” aspects. Although the motivations of the main character Unsim and the cause of his discontent remain unclear, the story still introduces the basic elements that characterize the rest of Choi’s fiction.
Both “Consumption” and “Hunger and Slaughter” are clearly more in line with the rest of Choi Seo-hae’s work in terms of style and treatment. “Consumption,” with which Choi also debuted in 1924 when it was published in the Donga Ilbo, depicts the sufferings and pressures of a destitute man who cannot provide for his elderly mother, ailing wife, and young daughter. Their troubles increase as the story progresses, with the story ending in bleak despair when the protagonist’s mother is mortally wounded. In “Hunger and Slaughter,” which was published the following year and is essentially the same story as “Consumption,” we see Choi’s attempt at expanding and reworking many of the same themes and concerns. Names and the perspective have changed, and the thoughts of the main character, Kyeongsu, have been expanded to better illustrate his inner torment. However, the most significant and drastic change is the ending. Instead of simply fading out in passive despair, “Hunger and Slaughter” ends in tragic violence.
Both “Consumption” and “Hunger and Slaughter” are clearly more in line with the rest of Choi Seo-hae’s work in terms of style and treatment. “Consumption,” with which Choi also debuted in 1924 when it was published in the Donga Ilbo, depicts the sufferings and pressures of a destitute man who cannot provide for his elderly mother, ailing wife, and young daughter. Their troubles increase as the story progresses, with the story ending in bleak despair when the protagonist’s mother is mortally wounded. In “Hunger and Slaughter,” which was published the following year and is essentially the same story as “Consumption,” we see the writer’s attempt at expanding and reworking many of the same themes and concerns. Names and the perspective have changed, and the thoughts of the main character, Kyeongsu, have been expanded to better illustrate his inner torment. However, the most significant and drastic change is the ending. Instead of simply fading out in passive despair, “Hunger and Slaughter” ends in tragic violence.
Choi’s debut story, “Homeland,” which depicts the hardships and frustration of one Korean man during the colonial era, is unlike the rest of Choi Soe-hae’s works, for the story is devoid of “anti-conventional” aspects. Although the motivations of the main character Unsim and the cause of his discontent remain unclear, the story still introduces the basic elements that characterize the rest of Choi’s fiction.
A bestselling and award-winning debut collection from one of South Korea's most prominent young writers. In crisp, unembellished prose, Eun-young Choi paints intimate portraits of the lives of young women in South Korea, balancing the personal with the political. In the title story, a fraught friendship between an exchange student and her host sister follows them from adolescence to adulthood. In "A Song from Afar," a young woman grapples with the death of her lover, traveling to Russia to search for information about the deceased. In "Secret," the parents of a teacher killed in the Sewol ferry sinking hide the news of her death from her grandmother. In the tradition of Sally Rooney, Banana Yoshimoto, and Marilynne Robinson--writers from different cultures who all take an unvarnished look at human relationships and the female experience--Choi Eunyoung is a writer to watch.
Adam Choi was born in Seoul, Korea, in 1957. He grew up there until he graduated from King Sejong University. Just after graduation, he flew over to America. He was twenty-five years old. He went to Iowa State University, but he decided to join the Army. During the service, he attended American Tech University and Boston University. After he finished the service for four years, he started to publish his novel and novella in Korean. He is always thinking about religion and ancient history. Sometimes he likes to write about peoples deep minds and souls. Now he is a member of the Korean Literature Association, which is the one of biggest literature clubs in Korea, and he publishes his works regularly.
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