A heartwarming story about the new girl in school, and how she learns to appreciate her Korean name. Being the new kid in school is hard enough, but what happens when nobody can pronounce your name? Having just moved from Korea, Unhei is anxious about fitting in. So instead of introducing herself on the first day of school, she decides to choose an American name from a glass jar. But while Unhei thinks of being a Suzy, Laura, or Amanda, nothing feels right. With the help of a new friend, Unhei will learn that the best name is her own. From acclaimed creator Yangsook Choi comes the bestselling classic about finding the courage to be yourself and being proud of your background.
Both “Consumption” and “Hunger and Slaughter” are clearly more in line with the rest of Choi Seo-hae’s work in terms of style and treatment. “Consumption,” with which Choi also debuted in 1924 when it was published in the Donga Ilbo, depicts the sufferings and pressures of a destitute man who cannot provide for his elderly mother, ailing wife, and young daughter. Their troubles increase as the story progresses, with the story ending in bleak despair when the protagonist’s mother is mortally wounded. In “Hunger and Slaughter,” which was published the following year and is essentially the same story as “Consumption,” we see the writer’s attempt at expanding and reworking many of the same themes and concerns. Names and the perspective have changed, and the thoughts of the main character, Kyeongsu, have been expanded to better illustrate his inner torment. However, the most significant and drastic change is the ending. Instead of simply fading out in passive despair, “Hunger and Slaughter” ends in tragic violence.
Yu-Rhee, a young Korean girl, wants to know how to tell time using a clock. Her mother tells her a tale from her childhood based on the traditional Korean practice of timekeeping, where the 12 animals of the zodiac are assigned to 2-hour sections of the 24-hour clock. Told from the point of view of a mountain, the story follows a child as they climb the mountainside in search of a plant to heal their ailing mother. The climb is steep, the path wild and the way difficult. The mountain watches the child struggle and calls on the animals that live on the mountainside to help the child, but as sunlight turns to moonlight, each animal claims to be too busy. Ultimately, Once Upon an Hour is a story about determination and teamwork that shows young readers the importance of helping others.
Halloween is coming. "What are you going to be?" the children ask one another. Kimin says he will be his grandfather. "Going as an old man is not very scary," they tease. What the children don't know is that Kimin's grandfather was a Korean mask dancer. And Kimin doesn't know that the mask holds a secret for him. With vibrant illustrations, Yangsook Choi joins Korean and American folk traditions in her story about a boy who finds a link to his grandfather, behind the mask. Behind the Mask is a 2007 Bank Street - Best Children's Book of the Year.
Fifteen-year-old Sookan adjusts to life in the refugee village in Pusan but continues to hope that the civil war will end and her family will be reunited in Seoul.
Adam Choi was born in Seoul, Korea, in 1957. He grew up there until he graduated from King Sejong University. Just after graduation, he flew over to America. He was twenty-five years old. He went to Iowa State University, but he decided to join the Army. During the service, he attended American Tech University and Boston University. After he finished the service for four years, he started to publish his novel and novella in Korean. He is always thinking about religion and ancient history. Sometimes he likes to write about peoples deep minds and souls. Now he is a member of the Korean Literature Association, which is the one of biggest literature clubs in Korea, and he publishes his works regularly.
Based on the author's childhood in South Korea The white peaches grown in Puchon are the best in all South Korea, and a rare treat for a little girl who lives in the town. She dreams of a peach orchard where she can play and eat as much of the delicious fruit as she wishes. Then one day, after weeks of heavy downpours, the sky begins to rain peaches. Yangsook finds herself in peach heaven - until she remembers the farmers who have lost their harvest, and decides she must help them. Paintings with scenes that evoke traditional South Korean landscapes accompany this lovingly told story from the author's childhood.
Highly acclaimed by critics, The Foreign Student is the story of a young Korean man, scarred by war, and the deeply troubled daughter of a wealthy Southern American family. In 1955, a new student arrives at a small college in the Tennessee mountains. Chuck is shy, speaks English haltingly, and on the subject of his earlier life in Korea he will not speak at all. Then he meets Katherine, a beautiful and solitary young woman who, like Chuck, is haunted by some dark episode in her past. Without quite knowing why, these two outsiders are drawn together, each sensing in the other the possibility of salvation. Moving between the American South and South Korea, between an adolescent girl's sexual awakening and a young man's nightmarish memories of war, The Foreign Student is a powerful and emotionally gripping work of fiction.
“Hello out there! Do you have ears to listen?” Mia asks. Ten year-old Mia, her father dead, two sisters missing, is left with Mother and a baby brother. Her country, Korea, is ravaged by a war. Extreme hunger and cold await. What's more, Mia is thrown into ruthless discrimination as “the family of the Reds”.In her desperate quest for survival she works as a “shoe-shine-boy.” Without education, there is no hope, but she has no money to pay for it. Tormented, she chooses to go to an orphanage to get a free education. Against all odds, she perseveres and becomes a pediatrician in the U.S.After 35 years of not knowing whether her sisters are alive or dead, Mia begins a sobering extraordinary journey to North Korea and finds her homeland changed incomprehensibly. Would she find her sisters to be all right? How about their families? Will she give her niece the future that was stolen from her sisters? Will her nuclear scientist nephew survive? Will she forge a hopeful future after the hauntingly terrifying past?
Through South Korean filmic and literary texts, this book explores affect and ethics in the healing of historical trauma, as alternatives to the measures of transitional justice in want of national unity. Historians and legal practitioners who deal with transitional justice agree that the relationship between historiography and justice seeking is contested: this book reckons with this question of how much truth-telling from a violent past will lead to healing, forgiving, forgetting and finally overcoming resentment. Nuanced interpretations of South Korean filmic and literary texts are featured, including Park Chan-wook’s Oldboy, Bong Joon-ho’s Mother and literary texts of Han Kang and Ch’oe Yun, whilst also engaging the ethical and political philosophy of Levinas, Hannah Arendt, and others. Also offered is new and extensive research into the hitherto hidden history of thousands of North Korean war orphans who were sent to Eastern European countries for care. Grappling with the evils of history, the films and novels examined herein find their ultimate themes in compassion, hospitality, humility and solidarity of the wounded. Healing Historical Trauma in South Korean Film and Literature will appeal to students and scholars of film, comparative literature, cultural studies and Korean studies more broadly.
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