Cho Myung-hee’s short story “Into the Ground” recounts the psychological and physical deterioration of the protagonist/narrator as he struggles with extreme poverty and hunger in the colonial capital of Seoul. Upon returning home from his study in Tokyo, the protagonist moves to Seoul with dreams of becoming a writer, but he finds himself trapped by both poverty and a loveless early marriage. In falling into a desperate hand-to-mouth existence, he joins the dispossessed masses of colonial Korea.
Das für Fachleute und fortgeschrittene Studenten konzipierte Buch beschäftigt sich mit dem Entwurf und der Analyse von Untersuchungen, Studien und Experimenten, bei denen qualitative und kategorische Daten anfallen. - jetzt in dritter Auflage - neue Informationen unter anderem zur logistischen Regression, zur Binomialverteilung, zu Daten von (zufälligen) Stichproben und zu den Delta-Methoden für Multinomialfrequenzen - Buch ist auf seinem Gebiet führend, das bewährte Material der Vorgängerauflagen wurde übernommen
In “Low Pressure Front,” Cho Myung-hee explores a common trope of colonial-era Korean literature: the frustrated intellectual struggling to make a living in the face of limited opportunities. Trapped between the constant crisis mode and the inescapable boredom of poverty, the speaker in this story reflects Cho’s socialist leanings and his interest in the downtrodden, but the acerbic voice and intimate point of view lend an unexpected touch of humor to an otherwise familiar narrative.
Cho Sun Jak is a prolific South Korean writer of many novels and short stories. Many of his works have been adapted successfully as TV dramas and films, but very few of his works have been available in English till now. He presents an honest and frank view of the reality behind the successful development of modern Korea, with humor and sensitivity. The well-known novella, "The Preview," depicts the Korean War through the eyes of a young boy, and the other stories in this collection reflect the aftermath of the war, the desperate lives of the poor, the corruption of moral values, and the pathos of the lives of good-hearted prostitutes. The translations capture well the atmosphere and values of the period in which the stories were written. Detailed notes clarify linguistic points and the social and cultural context.
The aim of this volume is to introduce recent new topics in the areas of fixed point theory, variational inequality and complementarity problem theory, non-linear ergodic theory difference, differential and integral equations, control and optimisation theory, dynamic system theory, inequality theory, stochastic analysis and probability theory, and their applications.
This book explores the theme of the missional conversion of the church, namely how the church is transformed toward its missionary vocation, from a biblical-theological perspective. The purpose of this book is to find biblically grounded, theologically sound, and practically applicable principles helpful for the church which seeks to be continuously shaped into a missional community which authentically and fully participates in God's mission today. The biblical-theological findings on how the triune God in the biblical narrative shapes the people of God toward their missionary vocation demonstrates, first, that, in Scripture, the missional conversion of the church is primarily the consequence of its continuous encounter with the triune God, and, second, that this divine-human encounter for the missional conversion of the church is ineluctable in view of the ongoing tension between the missional faithfulness of God in fulfilling the missionary vocation of the church, on the one hand, and the missional failure of the church in its missionary vocation, on the other hand.
From whimsical comedies to nail-biting chillers, Julia Cho is one of the most versatile playwrights in the contemporary theatre scene. For the past fifteen years, her stunning plays have been performed all over the country. Her works are both touching and challenging, amusing and electric, and this new anthology contains a captivating sampling of her widely-lauded work.
THE STORY: Mrs. K is an elderly widow who lives by herself in a small suburban town. She whiles away her time reminiscing about her late husband and the children she taught long ago as a piano instructor. One day, she finds herself compelled to cal
This poignant short novel follows North Korean refugee Loh Kiwan to a place where he doesn’t speak the language or understand the customs. His story of hardship and determination is gradually revealed in flashbacks by the narrator, Kim, a writer for a South Korean TV show, who learned about Loh from a news report. She traces his progress from North Korea to Brussels to London as he struggles to make his way and find a home in an unfamiliar world. Readers come to see that Kim, too, has embarked on a journey, one driven by her need to understand what drives people to live, even thrive, despite tremendous loss and despair. Her own conflicted feelings of personal and professional guilt are mirrored in the novel’s other characters: Jae, Kim’s romantic interest and producer of the TV show she once wrote for; Yunju, a young cancer victim whose illness she now regrets exploiting; Pak, a doctor who helped Loh in Brussels, yet suffers deep remorse over the many life and death decisions he has made for his patients. Cho Haejin weaves these characters into a story of hope and trust, one that asks basic questions about what it means to be human and humane. First published in 2011 in South Korea, this timely book won the 2013 Shin Dong-yup Prize for Literature.
The dark side of South Korea’s "economic miracle" emerges in The Dwarf, Cho Se-hui’s enormously popular and critically acclaimed work. First published in 1978, it speaks to the painful social costs of reckless industrialization, even as it tellingly portrays the spiritual malaise of the newly rich and powerful and a working class subject to forces beyond its control. Cho’s lean, clipped, deceptively simple style, the rapidly shifting points of view, terse dialogue, and subtle irony evoke the particularities of life in 1970s South Korea in the presence of global economic forces. The desperate realities of life for the dwarf, the proverbial little guy upon whose back Korea’s economic transformation largely took place, are emotively rendered in twelve linked stories examining the lives of a laboring family, a family of the newly emerging middle class, and that of a wealthy industrialist. The stories have overlapping characters and situations: the murder of a swindler, a family’s eviction from a squatter settlement, the assassination of an important executive, the dwarf ’s fantasy of a planet where life is easier, his later suicide and the subsequent fate of his dispersed friends and family members.
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