In early modern England, epitomes-texts promising to pare down, abridge, or sum up the essence of their authoritative sources-provided readers with key historical knowledge without the bulk, expense, or time commitment demanded by greater volumes. Epic poets in turn addressed the habits of reading and thinking that, for better and for worse, were popularized by the publication of predigested works. Analyzing popular texts such as chronicle summaries, abridgements of sacred epic, and abstracts of civil war debate, Chloe Wheatley charts the efflorescence of a lively early modern epitome culture, and demonstrates its impact upon Edmund Spenser's The Faerie Queene, Abraham Cowley's Davideis, and John Milton's Paradise Lost. Clearly and elegantly written, this new study presents fresh insight into how poets adapted an important epic convention-the representation of the hero's confrontation with summaries of past and future-to reflect contemporary trends in early modern history writing.
The Daughters of Juno, Chronicle I: Matilda of Argyll" is the first story of an epic trilogy that explores the inexplicable bond that exists between religion and violence, while at the same time telling the tale of the Goddess Juno and the incredible strength within the daughters of her line who live in her name. "Daughters of Juno" is an exciting, intriguing, and highly mystical tale that connects supernatural beings to historical events, applying imagined figureheads to actual occurrences, thus creating a highly edifying yet greatly entertaining saga. The historically documented mental, physical, spiritual and medical mistreatment of females, minorities and the working classes in England, Scotland and America are characterized in truthful and dramatic detail. Fans of womens' studies and history are sure to enjoy this truly original work.
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