Following the material turn in the humanities, this book brings perspectives from science and ecology into dialogue with children's fiction written and published in the UK and the USA in the 21st century. It develops the concept of entanglement, which originated in 20th-century quantum physics but has been applied to cultural critique, through a reading of Fantastika literature. Surveying a wide-ranging scope of literary texts, this book covers the gothic, fantasy, the Weird, and other forms of speculative fiction to argue that Fantastika positions entanglement as an ethical imperative that transforms our imaginative relationship with materiality. In so doing, it synthesizes perspectives from a similarly diverse range of areas, including ecology, physics, anthropology, and literary studies, to examine the storied matter of children's Fantastika as ground from which we might begin to imagine an as-yet-unrealised future that addresses the problems of our present.
Following the material turn in the humanities, this book brings perspectives from science and ecology into dialogue with children's fiction written and published in the UK and the USA in the 21st century. It develops the concept of entanglement, which originated in 20th-century quantum physics but has been applied to cultural critique, through a reading of Fantastika literature. Surveying a wide-ranging scope of literary texts, this book covers the gothic, fantasy, the Weird, and other forms of speculative fiction to argue that Fantastika positions entanglement as an ethical imperative that transforms our imaginative relationship with materiality. In so doing, it synthesizes perspectives from a similarly diverse range of areas, including ecology, physics, anthropology, and literary studies, to examine the storied matter of children's Fantastika as ground from which we might begin to imagine an as-yet-unrealised future that addresses the problems of our present.
Sensitive Claire Connolly must journey to another world in the electrifying fourth installment of Chloe Neill's post-apocalyptic urban fantasy series. It's been a year since the Veil between the human world and the world Beyond was torn apart, and war began again. Sensitive Claire Connolly and bounty hunter Liam Quinn have been helping their human and paranormal allies fight back against the ravaging invaders and save what's left of New Orleans. But a new enemy has arisen, more powerful than any they've seen before, and even Devil's Isle cannot hold her. . . When Claire learns of a new magical weapon—one built by paranormals themselves—she knows it could turn the tide of war. But to reach it, she and Liam will have to cross into the Beyond itself. In a world full of hostile magic and dangerous foes, she'll have to channel the powers she once kept hidden in order to survive. New Orleans hangs in the balance, and the storm is growing closer...
In the first thrilling installment of Chloe Neill's spinoff to the New York Times bestselling Chicagoland Vampires series, a new vampire will find out just how deep blood ties run. As the only vampire child ever born, some believed Elisa Sullivan had all the luck. But the magic that helped bring her into the world left her with a dark secret. Shifter Connor Keene, the only son of North American Central Pack Apex Gabriel Keene, is the only one she trusts with it. But she's a vampire and the daughter of a Master and a Sentinel, and he's prince of the Pack and its future king. When the assassination of a diplomat brings old feuds to the fore again, Elisa and Connor must choose between love and family, between honor and obligation, before Chicago disappears forever.
Chloe Neill’s bold, seafaring heroine Captain Kit Brightling sets sail for the high seas and high sorcery in this swashbuckling fantasy series. Captain Kit Brightling is Aligned to the magic of the sea, which makes her an invaluable asset to the Saxon Isles and its monarch, Queen Charlotte. The Isles and its allies will need every advantage they can get: Gerard Rousseau, the former Gallic emperor and scourge of the Continent, has escaped his island prison to renew his quest for control of the Continent. Gerard has no qualms about using dangerous magic to support his ambitions, so Kit and the crew of her ship, the Diana, are the natural choice to find him—and help stop him. But then Kit’s path unexpectedly crosses with that of the dashing and handsome Rian Grant, Viscount Queenscliffe, who’s working undercover on the Continent in his own efforts to stop Gerard. And he’s not the only person Kit is surprised to see. An old enemy has arisen, and the power he’ll wield on Gerard’s behalf is beautiful and terrible. Sparks will fly and sails will flutter as Kit and crew are cast into the seas of adventure to fight for queen and country.
This work examines the forms of language that map out Italy as an imaginative topography of pleasure within British and French travel writing, over the period 1600 to 1830. It considers the tour with reference to strategies of description and themes.
Both science and spirituality agree that every particle of matter, every phenomenon we experience, is a form of resonance or vibration. The human voice is quite literally a mouthpiece of this truth; there is no form of expression more personal, more tied to our identities, than our voices. With simple inspirational exercises, this book by renowned voice teacher Chloe Goodchild gives readers the tools to guide them in a process of sound healing and soul communication that is guaranteed to open the heart and restore forgiveness, compassion, and interconnectedness between individuals and in their communities. At the heart of every human journey exists the longing to feel at home in one's self and in the world. In a unique response to meet this longing, Chloe Goodchild invites you on a compelling adventure of self-discovery and creative fulfillment through a direct experience of your own authentic voice--the voice of your personal authority, the song of your soul. Going beyond traditional vocal training guides, this book will appeal to anyone wishing to encounter themselves at a primal level through the medium of the voice.
“An intelligent, thoughtful look at the complex journey that is gender transition” from an openly transgender Quaker woman and human rights activist (Joy Ladin, author of Through the Door of Life). SELF-ish is a narrative drawn from an international life, beginning with some early glimpses out at the world by a girl in a boy’s body. Chloe Schwenke was raised as Stephen in a Marine Corps family, and was sent off at age fourteen to “man-up” at a military academy. Later—and still embodied as a man—she ventured abroad to work in some of the roughest regions of Africa, the Gaza Strip, Turkey, and many other locales. Her far-flung global journey was matched in intensity by an inner identity and spiritual struggle and the associated ravages of depression, before she came to the revelation of being a transgender woman. At a time when many Americans are just waking up to the reality of the transgender phenomenon, this portrayal of Chloe’s life, her challenging gender transition, and her many accomplishments and adventures along the way (including being among the first three transgender political appointees in U.S. history, under President Obama), creates a poignant story of authenticity, self-discovery, and the meaning of gender set against a fascinating international backdrop. “Takes the reader through a powerful, heart-wrenching journey of the innumerable, daunting challenges of gender transition confronted by a transgender woman. It is ultimately also a story of extraordinary courage in persevering through formidable odds to be true to oneself. Schwenke underscores the moral, human and societal imperative to confront and ameliorate the challenges faced by transgender people, and others marginalized by mainstream society.” —Sanjay Pradhan, CEO, Open Government Partnership
The first sustained study of the vibrant links between domestic craft and British colonialism In the eighteenth century, women's contributions to empire took fewer official forms than those collected in state archives. Their traces were recorded in material ways, through the ink they applied to paper or the artifacts they created with muslin, silk threads, feathers, and shells. Handiwork, such as sewing, knitting, embroidery, and other crafts, formed a familiar presence in the lives and learning of girls and women across social classes, and it was deeply connected to colonialism. Chloe Wigston Smith follows the material and visual images of the Atlantic world that found their way into the hands of women and girls in Britain and early America--in the objects they made, the books they held, the stories they read--and in doing so adjusted and altered the form and content of print and material culture. A range of artifacts made by women, including makers of color, brought the global into conversation with domestic crafts and consequently placed images of empire and colonialism within arm's reach. Together, fiction and handicrafts offer new evidence of women's material contributions to the home's place within the global eighteenth century, revealing the rich and complex connections between the global and the domestic.
Charting the controversial journey of a shy, chaste child star from America's Deep South: from early fame on the Disney TV series Hannah Montana to her sexually liberated pop image that later made headlines worldwide. Will reveal Miley's secret battle with a genetic heart condition and offer a behind-the-scenes expose of growing up on a farm near Nashville in America's Deep South and her transformation from God fearing farm girl to raunchy pop star. Exclusive interviews with figures from Miley's past, from close childhood friends to those who attended church with her in a quiet and close-knit village-like community and got to know her well. These interviews will help to separate fact from fiction, publicity stunt from personality growth, will explore the psychology behind her dramatic transformations and will ultimately get to the bottom of exactly what makes the multi-faceted Miley Cyrus tick.
How Patients Think At age twenty-one, Chloë Atkins began suffering from a mysterious illness, the symptoms of which rapidly worsened. Paralyzed for months at a time, she frequently required intubation and life support. She eventually became quadriplegic, dependent both on a wheelchair and on health professionals who refused to believe there was anything physically wrong with her. When test after test returned inconclusive results, Atkins's doctors pronounced her symptoms psychosomatic. Atkins was told not only that she was going to die but also that this was her own fault; they concluded she was so emotionally deranged that she was willing her own death. My Imaginary Illness is the compelling story of Atkins's decades-long battle with a disease deemed imaginary, her frustration with a succession of doctors and diagnoses, her immersion in the world of psychotherapy, and her excruciating physical and emotional journey back to wellness. As both a political theorist and patient, Atkins provides a narrative critique of contemporary medicine and its problematic handling of uncertainty and of symptoms that are not easily diagnosed or known. She convincingly illustrates that medicine's belief in evidence-based practice does not mean that individual doctors are capable of objectivity, nor that the presence of biomedical ethics invokes ethical practices in hospitals and clinics. A foreword by Bonnie Blair O'Connor, who teaches medical students how to listen to patients, and a clinical commentary by Dr. Brian David Hodges, a professor of psychiatry, enrich the book's narrative with practical guidance for medical practitioners and patients alike.
An updated and expanded edition, covering the past five years of the Met Costume Institute’s exhibitions and galas through the lens of Vogue The Metropolitan Museum of Art Costume Institute’s annual fashion exhibition is the most prestigious of its kind, featuring subjects that both reflect the zeitgeist and contribute to its creation. Each exhibition—from 2005’s Chanel to 2011’s Alexander McQueen: Savage Beauty and 2012’s Schiaparelli and Prada: Impossible Conversations—creates a provocative and engaging narrative drawing hundreds of thousands of visitors. This updated edition includes material from 2015’s China: Through the Looking Glass, 2018’s Heavenly Bodies: Fashion and the Catholic Imagination (the most visited exhibition in the museum’s history), and 2019’s Camp: Notes on Fashion. The show’s opening-night gala, produced in collaboration with Vogue magazine, is regularly referred to as the party of the year, and draws a glamorous A-list crowd, drawing an unrivaled mix of Hollywood fashion. This updated edition of Vogue and the Metropolitan Museum of Art Costume Institute once again invites you into the stunning spectacle that comes when fashion and art meet at The Met.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.