A reckoning with one of our most beloved art forms, whose past and present are shaped by gender, racial, and class inequities—and a look inside the fight for its future Every day, in dance studios all across America, legions of little children line up at the barre to take ballet class. This time in the studio shapes their lives, instilling lessons about gender, power, bodies, and their place in the world both in and outside of dance. In Turning Pointe, journalist Chloe Angyal captures the intense love for ballet that so many dancers feel, while also grappling with its devastating shortcomings: the power imbalance of an art form performed mostly by women, but dominated by men; the impossible standards of beauty and thinness; and the racism that keeps so many people of color out of ballet. As the rigid traditions of ballet grow increasingly out of step with the modern world, a new generation of dancers is confronting these issues head on, in the studio and on stage. For ballet to survive the twenty-first century and forge a path into a more socially just future, this reckoning is essential.
Carly Montgomery has only one goal as she arrives in Sydney, Australia: Be the world's best maid of honor. And then, when she gets back to New York City, she's going to figure out how to get promoted so she doesn't spend the rest of her ballet career in the corps de ballet playing Peasant Maiden #4. But the second she steps off the plane, she runs into trouble—and into Nick Jacobs, the most uptight, judgmental, inconveniently attractive man she's ever met. And to their mutual horror, Nick is also in Sydney for a wedding. The same wedding. In which he is the best man. Carly will do anything for her best friend, including running all over Sydney with Nick—Nick who has his life together, Nick who's made the transition out of ballet into photography so perfectly, Nick who has the most irritatingly sharp cheekbones and stormy blue eyes. And when the director of New York Ballet announces that she'll be making her decision about promotions ahead of schedule, Carly chooses to stay in Sydney, even if it means shelving her pride to ask Nick for help. Nick Jacobs is coming back to Sydney with a secret. His life in Paris, where he recently retired from ballet, has fallen apart. With no girlfriend and no new career to speak of, Nick can't bear to tell his friends at home the humiliating truth. And after fifteen years dancing overseas, what does home even mean anymore? Nick doesn't want to team up with Carly Montgomery, a human hurricane who creates chaos every time she walks in the room, but sparring with her makes him feel the most alive he's felt in months. When she asks him for help securing her promotion, he sees an opportunity to kickstart his own flagging career. Looking at Carly through his lens all day starts to change how Nick sees her, and soon, he can't stop staring. Carly's a human hand grenade, but suddenly Nick wouldn't mind pulling the pin. When she finds out the truth about him, though, the explosion might destroy them both.
Carly Montgomery has only one goal as she arrives in Sydney, Australia: Be the world's best maid of honor. And then, when she gets back to New York City, she's going to figure out how to get promoted so she doesn't spend the rest of her ballet career in the corps de ballet playing Peasant Maiden #4. But the second she steps off the plane, she runs into trouble—and into Nick Jacobs, the most uptight, judgmental, inconveniently attractive man she's ever met. And to their mutual horror, Nick is also in Sydney for a wedding. The same wedding. In which he is the best man. Carly will do anything for her best friend, including running all over Sydney with Nick—Nick who has his life together, Nick who's made the transition out of ballet into photography so perfectly, Nick who has the most irritatingly sharp cheekbones and stormy blue eyes. And when the director of New York Ballet announces that she'll be making her decision about promotions ahead of schedule, Carly chooses to stay in Sydney, even if it means shelving her pride to ask Nick for help. Nick Jacobs is coming back to Sydney with a secret. His life in Paris, where he recently retired from ballet, has fallen apart. With no girlfriend and no new career to speak of, Nick can't bear to tell his friends at home the humiliating truth. And after fifteen years dancing overseas, what does home even mean anymore? Nick doesn't want to team up with Carly Montgomery, a human hurricane who creates chaos every time she walks in the room, but sparring with her makes him feel the most alive he's felt in months. When she asks him for help securing her promotion, he sees an opportunity to kickstart his own flagging career. Looking at Carly through his lens all day starts to change how Nick sees her, and soon, he can't stop staring. Carly's a human hand grenade, but suddenly Nick wouldn't mind pulling the pin. When she finds out the truth about him, though, the explosion might destroy them both.
A reckoning with one of our most beloved art forms, whose past and present are shaped by gender, racial, and class inequities—and a look inside the fight for its future Every day, in dance studios all across America, legions of little children line up at the barre to take ballet class. This time in the studio shapes their lives, instilling lessons about gender, power, bodies, and their place in the world both in and outside of dance. In Turning Pointe, journalist Chloe Angyal captures the intense love for ballet that so many dancers feel, while also grappling with its devastating shortcomings: the power imbalance of an art form performed mostly by women, but dominated by men; the impossible standards of beauty and thinness; and the racism that keeps so many people of color out of ballet. As the rigid traditions of ballet grow increasingly out of step with the modern world, a new generation of dancers is confronting these issues head on, in the studio and on stage. For ballet to survive the twenty-first century and forge a path into a more socially just future, this reckoning is essential.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.