This book offers an in-depth investigation of the emergence and spread of social mobilizations that transcend ethnicity in societies violently divided along ethno-national lines. Using Bosnia Herzegovina as a case study, the book explores episodes of mobilization which have superseded ethno-nationalist cleavages. Bosnia Herzegovina emerged from the 1992–95 war brutally impoverished and deeply ethnically divided, representing a critical and strategic case for the examination and understanding of the dynamics of mobilization in such divided societies. Despite difficult circumstances for civic-based collective action, social mobilizations in the country have grown in size, number and intensity in recent years. Marked by citizen demand for accountable governance, responsive urbanism, and access to basic human rights, these protests have been driven by economic, social and political problems which cut across religious and ethnic divides. Examining the variation in spatial and social scale of contention, the book investigates movements’ formation, their organizational structures and networking strategies and advances research on divided societies and social movements. This volume will be of interest to scholars and researchers of Southeastern Europe and those examining political dissent, social movements and mobilization in divided societies, as well as practitioners in civil society, grassroots groups and political activists.
Drawing interview material, together with extensive data from the authors’ original social movement database, this book examines the development of social movements in resistance to perceived political "regression" and a growing right-wing backlash. With a focus on Italy and the reaction to increasing inequalities and welfare state retrenchment policies, it examines opposition to the government and state authorities on a number of issues. Triangulating different types of data, it sheds light on the ability of citizens to organise in the streets and addresses crucial matters in social movement research, including the significance to political mobilization of grievances, class, gender and generational differences, as well as considering the network dynamics of micro-mobilization, visions of Europe, and the role of interactions with major political institutions. As such, it will appeal to scholars of sociology and politics with interests in social movements and political mobilization.
A fairy tale factory coming true is the dream we can all be a part of.Lasiuly Moore is a living legend. Sherepresents millions of women around the world and makes things happen every day. Passionate and light-hearted, she loves the colors and scents of humanity. She collects emotions, she can see the needreams of other people, and grants their wishes. With a red string bracelet on her wrist, a blue ocean in her eyes, a wonderful friend named Virginia, a notebook where she jots down her thoughts, a great mission in her heart, and a star that can light up any night, Lasiuly’s is an extraordinary adventure that we can all live. We can feel her, see her, breathe her. Lasiuly struggles, stumbles, hesitates. Just like all of us. But she faces uncertainty, finds courage,learns to accept herself and others, discovers forgiveness, pursues evolution, believes in rebirth... and makes miracles happen. Because on tiptoe, things do happen. This way, Lasiuly Moore does those small and great thingsthat we call beauty and happiness. Looking beyond, she has learned that there are no boundaries, just infinite horizons. You could meet Lasiuly in Manhattan, on the shoreline of Long Beach, in London, in Milan and and who knows where else! She always celebrates one date: September 27. Spread kindness every where and think kind thoughts. This is the second book on Lasiuly Moore. Reading the first one as well is, of course, highly recommended!
When the sad, beautiful Signora Giulia goes missing without a trace from her Lake Como villa home, it is her husband who reports her disappearance to the detective Sciancalepre, and so the search begins - one that takes Sciancalepre beneath the tranquil surface of local bourgeois society, a world of snobbery and secrets, while mysterious shadows lurk in the grounds of the family villa . . . As his investigation gathers pace this atmospheric classic detective story becomes a thrilling game of legal cat and mouse.
The Italian fascists under Benito Mussolini appropriated many aspects of the country’s Catholic religious heritage to exploit the mystique and power of the sacred. One concept that the regime deployed as a core strategy was that of “sacrifice.” In this book, Chiara Ferrari interrogates how the rhetoric of sacrifice was used by the Italian fascist regime throughout the interwar years to support its totalitarian project and its vision of an all-encompassing bond between the people and the state. The Rhetoric of Violence and Sacrifice in Fascist Italy focuses on speeches by Benito Mussolini and key literary works by prominent writers Carlo Emilio Gadda and Elio Vittorini. Through this investigation, Ferrari demonstrates how sacrifice functioned in relation to other elements of fascist rhetoric, such as the frequent reiterations of an impending national crisis, the need for collaboration among social classes, and the forging of social contact between the leader and the people.
This book examines the meaning of home through the investigation of a series of public and private spaces recurrent in Italian postcolonial literature. The chapters, by respectively considering Termini train station in Rome, phone centres, the condominium, and the private spaces of the bathroom and the bedroom, investigate how migrant characters inhabit those places and turn them into familiar spaces of belonging. Home, Memory and Belonging in Italian Postcolonial Literature suggests “home spaces” as a possible lens to examine these specific places and a series of practices enacted by their inhabitants in order to feel at home. Drawing on a wide array of sources, this book focuses on the role played by memory in creating transnational connections between present and past locations and on how these connections shape migrants’ sense of self and migrants’ identity.
Rediscovered Classics of Japanese Animation is the first academic work to examine World Masterpiece Theater (Sekai Meisaku Gekijô, 1969-2009), which popularized the practice of adapting foreign children's books into long-running animated series and laid the groundwork for powerhouses like Studio Ghibli. World Masterpiece Theater (Sekai Meisaku Gekijô, 1969-2009) is a TV staple created by the Japanese studio Nippon Animation, which popularized the practice of adapting foreign children's books into long-running animated series. Once generally dismissed by critics, the series is now frequently investigated as a key early work of legendary animators Isao Takahata and Hayao Miyazaki. In the first book-length examination of the series, Maria Chiara Oltolini analyzes cultural significance of World Masterpiece Theater, and the ways in which the series pioneered the importance of children's fiction for Japanese animation studios and laid the groundwork for powerhouses like Studio Ghibli. Adapting a novel for animation also means decoding (and re-coding) socio-cultural patterns embedded in a narrative. World Masterpiece Theater stands as a unique example of this linguistic, medial, and cultural hybridisation. Popular children's classics such as Little Women, Peter Pan, and Anne of Green Gables became the starting point of a full-fledged negotiation process in which Japanese animators retold a whole range of narratives that have one basic formula in common: archetypal stories with an educational purpose. In particular, the series played a role in shaping the pop culture image of a young girl (shôjo). Examining the series through the lens of animation studies as well as adaptation studies, Oltolini sheds new light on this long-neglected staple of Japanese animation history.
Bringing together an interdisciplinary group of scholars, this volume explores nineteenth-century Italian sexualities from a variety of viewpoints, illuminating in particular personal and political relationships, same-sex desires, gender roles that defy societal norms, sexual behaviours of different classes and transnational encounters.
This book investigates the experiences of second- and third-generation Italians living in South Africa, exploring how nostalgia for Italy influences their sense of identity and belonging. The Italian community in South Africa is a unique diaspora, with a complex history, including roots in Italian colonial activities in Africa, and in World War II. This book looks at how the descendants of these early migrants take pride in being Italian and value the Italian language. They also ascribe much importance to their family roots, and have often created a romanticized image of Italy, mostly based on childhood vacation visits. The longing for an imaginary idealized version of Italy is closely linked to their wider search for a sense of identity and belonging against the backdrop of South African society, currently still grappling with its own multicultural identity. Interdisciplinary by design, this book draws on insights from both cultural studies and psychology in order to shine a light on an important and under-studied diasporic community. The book will be of interest to scholars from across migration studies and the Humanities in general. The Open Access version of this book, available at http://www.taylorfrancis.com, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.
Three experienced Italian sociologists explore the structural and cultural dimensions of poverty in their country. Comparing Italy’s regime with other European countries, they consider the interplay of conditions in the labour market, the family and welfare arrangements as causes of poverty. This in-depth analysis explores how forced familialism, unbalanced gender arrangements, territorial cleavages and sluggish growth have rendered Italy vulnerable to financial crisis. As old risks of poverty have worsened, new risks have emerged and children, the working poor and migrants have become the ‘new poor’. Combining theoretical and empirical tools, this is a topical fresh take on the understanding of poverty in Italy that is even more crucial considering the impact of the COVID-19 pandemic.
The Italian fascists under Benito Mussolini appropriated many aspects of the country’s Catholic religious heritage to exploit the mystique and power of the sacred. One concept that the regime deployed as a core strategy was that of “sacrifice.” In this book, Chiara Ferrari interrogates how the rhetoric of sacrifice was used by the Italian fascist regime throughout the interwar years to support its totalitarian project and its vision of an all-encompassing bond between the people and the state. The Rhetoric of Violence and Sacrifice in Fascist Italy focuses on speeches by Benito Mussolini and key literary works by prominent writers Carlo Emilio Gadda and Elio Vittorini. Through this investigation, Ferrari demonstrates how sacrifice functioned in relation to other elements of fascist rhetoric, such as the frequent reiterations of an impending national crisis, the need for collaboration among social classes, and the forging of social contact between the leader and the people.
This special issue of Cinéma & Cie analyses the logic and processes of re-intermediation emerging in the contemporary European media industry landscape, providing an opportunity to bring questions of availability, text circulation and gatekeeping to the centre of scholarly debates and investigations. Through contributions showcasing a wide array of methodological and theoretical approaches, the volume illustrates and analyses the presence of new gatekeepers, their impact in shaping texts and their consumption in different European contexts. Its case studies include file sharing, Curzon Home Cinema, VOD services and the problematic implementation of the Digital Single Market policy.
Five hundred years ago a monk nailed his theses to a church gate in Wittenberg. The sound of Luther’s mythical hammer, however, was by no means the only aural manifestation of the religious Reformations. This book describes the birth of Lutheran Chorales and Calvinist Psalmody; of how music was practised by Catholic nuns, Lutheran schoolchildren, battling Huguenots, missionaries and martyrs, cardinals at Trent and heretics in hiding, at a time when Palestrina, Lasso and Tallis were composing their masterpieces, and forbidden songs were concealed, smuggled and sung in taverns and princely courts alike. Music expressed faith in the Evangelicals’ emerging worships and in the Catholics’ ancient rites; through it new beliefs were spread and heresy countered; analysed by humanist theorists, it comforted and consoled miners, housewives and persecuted preachers; it was both the symbol of new, conflicting identities and the only surviving trace of a lost unity of faith. The music of the Reformations, thus, was music reformed, music reforming and the reform of music: this book shows what the Reformations sounded like, and how music became one of the protagonists in the religious conflicts of the sixteenth century.
Italian graphic design offers a new perspective on the subject by exploring the emergence and articulation of graphic design practice, from the interwar period through to the appearance of an international graphic design discourse in the 1960s. The book asks how graphic designers learned their trade and investigates the ways in which they organised and made their practice visible while negotiating their collective identity with neighbouring practices such as typography, advertising and industrial design. Attention is drawn to everyday design practice, educational issues, mediating channels, networks, design exchange, organisational strategies and discourses on modernism. Drawing on a wide range of primary sources and placing an emphasis on visual analysis, this book provides a model for a contextualised graphic design history as an integral part of the history of design and visual culture.
Rome's Galleria Borghese, home of the Borghese family, influential in the 17th and 19th centuries, now contains some of the greatest pieces of Western art. The home and museum features work by masters such as Raphael, Coanova, Bernini, and Caravaggio. This guidebook leads the reader room by room, describing each work of art along with its symbolism and cultural references. Also included are hundreds of color reproductions and commentary on each piece.
The most controversial area in competition policy is that of exclusionary practices, where actions are taken by dominant firms to deter competitors from challenging their market positions. Economists have been struggling to explain such conduct and to guide policy-makers in designing sensible enforcement rules. In this book, authors Chiara Fumagalli, Massimo Motta, and Claudio Calcagno explore predatory pricing, rebates, exclusive dealing, tying, and vertical foreclosure, through a blend of theory and practice. They develop a general framework which builds on and extends existing economic theories, drawing upon case law, discussions of cases and other practical considerations to identify workable criteria that can guide competition authorities to assess exclusionary practices. Along with analyses of policy implications and insights applied to case studies, the book provides practitioners with non-technical discussions of the issues at hand, while guiding economics students with dedicated technical sections with rigorous formal models.
Throughout the Middle Ages, sacred Christian art had two objectives: to express veneration for God and to provide illustrative lessons on the Christian faith to a largely illiterate population. Continuing in the spirit of the other books in this series, Old Testament Figures in Art compiles entries on key figures and events in the Old Testament, beginning with the Pentateuch, then drawing from the historical books, the books of wisdom and poetry, and, finally, the prophetic books. The vivid illustrations depict Old Testament scenes that occur most frequently as iconographic prototypes in Western art. Among the masterpieces featured are The Entry of the Animals into Noah's Ark by Jan Brueghel the Elder, The Sacrifice of Isaac by Rembrandt, Samson and Delilah by Peter Paul Rubens, Jacob Wrestling with the Angel by Paul Gauguin, and Isaac Receiving Rebekah as His Wife by Marc Chagall. The accompanying texts illuminate the unique ways in which Old Testament subjects have been portrayed in Western art throughout the ages. To complement the many scriptural references, this handy volume also offers comparisons with other cultures whose stories or myths parallel those represented in the book.
WHICH IS MOVING: PEOPLE OR ARCHITECTURE? In an era where nomadism is the keyword that relates people to the rest of the world, architecture is seeking for a concrete response to the recent needs, result of the rise of mobility and worldwide travels. The proposal of new modular structures for the hospitality market defines the tendency to think movable, modular, flexible.
This book examines the meaning of home through the investigation of a series of public and private spaces recurrent in Italian postcolonial literature. The chapters, by respectively considering Termini train station in Rome, phone centres, the condominium, and the private spaces of the bathroom and the bedroom, investigate how migrant characters inhabit those places and turn them into familiar spaces of belonging. Home, Memory and Belonging in Italian Postcolonial Literature suggests “home spaces” as a possible lens to examine these specific places and a series of practices enacted by their inhabitants in order to feel at home. Drawing on a wide array of sources, this book focuses on the role played by memory in creating transnational connections between present and past locations and on how these connections shape migrants’ sense of self and migrants’ identity.
The story of the Barrieri family, their four children and all the characters revolving around their lives, for better or for worse, go from the early years of 1900s to the post-second World War period. The first World War, the hard work at the land, the epidemics, the Fascist regime, fleeing abroad in exile, a society that changes violently or harshly at times, provide a frame for a series of events that show the reader an essential part of our history where the main characters will come out somehow changed. There are men who rebel with courage and detemination sided by strong women who show one’s best in hard times. It is il sapore dei giorni which does not leave anything the way it was. . Choral novel which is about the sequence of events happening in a family over three genetations, from the early 1900s to the post-second World War. The first part of the book deals with the marriage of Giulia and Giovanni Barrieri. They have four children who have quite different personalities. Despite the historical events which affect them (the first World War, the Spanish flu epidemic, the onset of the Fascist regisme), they grow up in a calm environment, under the watchful and concerned eye of a strong and loving mother, while the Fascist regime slowly permeates the daily life. The two European wars and Fascism frame the story of the Barrieri family and those around them, good or bad, from dr Marinucci to Lucio, a day laborer working for the family. People who have something to do with the Barrieri family will become a vital element in the events that concern them in a very difficult time like during the first half of the XXth century. A chapter in our history which is not well known, especially considering the geographical area where the protagonists carry on with their lives: Tuscia. Translator: Emanuela Paganucci PUBLISHER: TEKTIME
Urban development and housing projects in Berlin and Naples in the post-war era – A comparison: Theoretical models, implemented projects, social and political impacts today
Urban development and housing projects in Berlin and Naples in the post-war era – A comparison: Theoretical models, implemented projects, social and political impacts today
In the post-war period, Berlin and Naples experienced a phase of profound changes, essentially influenced by external factors: the less rigid urban structure which had been ruined by World War II, resulting in severe changes in the social and economic structure, an uncritical reception and implementation of largely theoretical models of functionalism in urban planning, and in the design of the new public building interventions. On the one hand, between the 1940s and the 1980s, Berlin experienced a considerable loss in population, a political isolation and an urban splitting, as the urban planning institutions, deeply influenced by relevant politics, slowly and thoroughly changed the cityscape. On the other hand, Naples suffered from a new phase of immigration as well as from the parallel densification of the old suburbs and the physical expansion of the city limits without consistent and socially appropriate urban planning measures. This phase of change, so full of contrasts, coincided with the establishment of new democratic systems in the Federal Republic of Germany and Italy, and with the fundamental goal of socially adequate housing in both the West and the East. The research involved a series of historical analyses of the relationship between urban development and social housing for critical reflection and to allow an informed evaluation of the contemporary condition. In particular, it investigated housing settlements realised in Berlin and Naples in the first four decades of the post-war period, which corresponds to the period in which public housing was central in both political and urban planning terms. The book focuses on places of living, the city and the house. Consequently, it investigates the scale of the project and that of the intervention, the relationship between innovation and the cultural reception of urban phenomena and, again, between the stage of the project and the realisation and upkeep of the interventions, between democratic expectations and the adequacy of the administration system. These steps have a direct effect on the social identity that inspires, structures and transforms the planned and then built city, that continuous dialogue between form and content (the past) that occurs, in general, through progressive and mutual adaptations. In the selection of the case studies, we have favoured interventions on the “periphery,” which are those in which theoretical and aesthetic trends have best manifested themselves and in which planning and design cultures could develop most widely. However, the periphery does not necessarily coincide with the geographical edges of the cities: both in Berlin and in Naples, historical events, or the particular topography have naturally shifted the “peripheral” location along a radius that only ideally starts from the city centre and often extends to its inner fringes. Rather, from a sociological point of view, the same interventions generally generate the peripheral condition, that is, marginalisation or social division. This, as we shall see, can be traced both on the large scale of the city and inside the neighbourhood. The materials are arranged in the following way: the text is introduced by a graphic and synthetic presentation of the historical context in Berlin and Naples and the documentation of the twelve case studies. In the second chapter, Comparison, which was mostly developed as the first by the young scholars involved in the project, three theoretical issues highlighted during the seminars are better presented: The ability of the project to involve the social level; the experimentalism of the interventions, in particular in construction technology, social approach and democratic participation; the relationship between public and private in the phases of implementation and the upkeep of the programmes. The third chapter, In-Depth Analysis, includes the contributions of the scientists involved to give a better articulated historical and critical analysis of many of selected case studies and of the wider urban and social context. The closing editorial paper offers a brief overview focusing on a selection of the theoretical nodes that emerged from the comparison of the materials from a contemporary perspective. The publication is the outcome of the homonymous research programme fully funded by DAAD German Academic Exchange Service and runned in 2019 in cooperation between the Technische Universität of Berlin, Department of Architecture (Habitat Unit) with the Università della Campania "Luigi Vanvitelli," Dipartimento di Architettura e Disegno Industriale in Aversa (Italy). In der Nachkriegszeit erlebten Berlin und Neapel eine Phase tiefgehender Veränderungen, die im Wesentlichen von externen Faktoren beeinflusst wurde: der aufgelockerten, infolge des Zweiten Weltkriegs ruinierten Stadtform, der starken Veränderung der sozialen und wirtschaftlichen Struktur, der unkritischen Rezeption und Implementierung von stark theoretisch geprägten Modellen des Funktionalismus in der Stadtplanung sowie in der Gestaltung der neuen öffentlichen Bauinterventionen. Auf der einen Seite erlebt Berlin zwischen den 40er und den 80er Jahren einen starken Bevölkerungsverlust, eine politische Isolierung und eine urbane Aufspaltung, indem eine stark politisch beeinflusste Stadtplanung das Stadtbild tief verändert. Auf der anderen Seite leidet Neapel unter einer neuen Einwanderungsphase sowie der parallelen Verdichtung der alten Vorstädte und der physischen Erweiterung der Stadtgrenze, ohne dass konsequente und sozial gemäße stadtplanerische Maßnahmen vorgenommen wurden. Diese kontrastreiche Umbruchsphase stimmt überein mit der Etablierung der neuen demokratischen Regierungssysteme in der Bundesrepublik Deutschland wie auch in Italien und damit mit dem für beide - und im Westen wie im Osten - grundlegenden Ziel des sozial gerechten Wohnens. Das Forschungsvorhaben beinhaltete eine Reihe von historischen Analysen der Beziehung zwischen Stadtentwicklung und sozialem Wohnungsbau zum Zweck der kritischen Reflexion und um eine fundierte Bewertung der jeweiligen zeitgenössischen Bedingungen zu ermöglichen. Insbesondere wurden Wohnsiedlungen untersucht, die in Berlin wie in Neapel in den ersten vier Jahrzehnten nach dem Zweiten Weltkrieg errichtet wurden, d.h. in eben dem Zeitraum, in dem öffentlicher Wohnungsbau sowohl unter politischen wie auch unter stadtplanerischen Aspekten zentral war. Das Buch konzentriert sich auf Lebensräume, die Stadt und das Haus. Folglich untersucht es das Ausmaß des Projekts wie das der Intervention, die Beziehung zwischen Innovation und kultureller Rezeption städtischer Phänomene wie auch zwischen dem jeweiligen Stadium des Projekts und der Umsetzung und Aufrechterhaltung der Interventionen und schließlich zwischen den demokratischen Erwartungen und der Leistungsfähigkeit des Verwaltungssystems. Diese Schritte haben direkte Auswirkungen auf die soziale Identität, welche die zunächst geplante und dann gebaute Stadt inspiriert, strukturiert und transformiert, d.h. diesen ständigen Dialog zwischen Form und Inhalt (die Vergangenheit), der im Allgemeinen durch fortschreitende und gegenseitige Anpassungen abläuft. Bei der Auswahl der Fallstudien haben wir Interventionen in der "Perpherie" bevorzugt, da sie es sind, in denen sich theoretische und ästhetische Trends am deutlichsten abzeichnen und in denen sich Kulturen der Planung und des Designs am weitesten entwickeln könnten. Die Peripherie fällt jedoch nicht unbedingt zusammen mit den geografischen Rändern der Städte: sowohl in Berlin wie in Neapel haben historische Ereignisse oder auch die jeweilige Topografie naturgemäß die "periphere" Lage entlang einem Radius verschoben, der nur im Idealfall vom Stadtzentrum ausgeht und sich oft bis an seine Ränder erstreckt. Von einer soziologischen Perspektive aus ist es eher so, dass im Allgemeinen die gleichen Interventionen zu einer peripheren Situation führen. d.h. zu Marginalisierung oder sozialer Aufspaltung. Wie wir sehen werden, gilt dies sowohl im größeren Rahmen für die Stadt wie auch innerhalb eines Stadtviertels. Die Materialien sind folgendermaßen angeordnet: Der Text wird eingeführt durch eine grafische und zusammenfassende Präsentation der historischen Zusammenhänge in Berlin und Neapel und eine Dokumentation zu den zwölf Fallstudien. Im zweiten Kapitel – "Vergleich/Comparison" – , das ursprünglich als erstes Kapitel von den jüngeren Forschern, die am Projekt teilnahmen, entwickelt wurde, werden drei Fragen, die während der Seminare im Mittelpunkt standen, genauer vorgestellt: die Eignung des Projekts dafür, die soziale Ebene mit einzubeziehen; der experimentelle Charakter der Interventionen, insbesondere in der Bautechnologie, im sozialen Ansatz und in der demokratischen Teilhabe; die Beziehung zwischen öffentlichem und privatem Engagement in der Phase der Umsetzung wie der Aufrechterhaltung der Programme. Das dritte Kapitel – "Eingehende Analyse/In-Depth-Analyses" – besteht aus den Beiträgen der beteiligten Wissenschaftler, um so eine klarere historische und kritische Analyse von etlichen der ausgewählten Fallstudien und der weiterreichenden städtischen und sozialen Zusammenhänge zu gewährleisten. Der abschließende Kommentarteil bietet einen kurzen Überblick, der den Schwerpunkt auf eine Auswahl von theoretischen Verknüpfungen legt, die sich aus dem Vergleich der Materialien aus zeitgenössischen Perspektive ergeben. Die Veröffentlichung ist das Ergebnis des gleichnamigen Forschungsprogramms, das vollständig vom DAAD (Deutscher Akademischer Austauschdienst) finanziert wurde und 2019 in einer Zusammenarbeit der Architektur-Fakultät (Habitat Unit) der Technischen Universität Berlin mit dem Dipartmento di Architettura e Disegno Industriale der Università della Campania "Luigi Vanvitelli" in Aversa (Italien) durchgeführt wurde. Nel secondo dopoguerra Berlino e Napoli vivono una fase di profondo cambiamento che è condizionato in maniera preponderante da fattori esterni: la parziale disgregazione della forma urbana causata dei bombardamenti bellici, il cambiamento della struttura socio-economica, il recepimento delle teorie funzionaliste nella pianificazione urbana e nella progettazione dei nuovi interventi di edilizia residenziale pubblica. Per un verso, tra gli anni quaranta e gli anni ottanta, Berlino rileva una pesante contrazione demografica, l'isolamento politico, la separazione interna del Muro, gli effetti di una pianificazione urbana fortemente influenzata dal sdoppiato piano politico che deriva dalla fondazione nel 1949 dei due stati tedeschi, la GDR e la DDR. Per altro verso, Napoli osserva una nuova fase di immigrazione che si aggiunge alla naturale crescita demografica del primo dopoguerra, lo sviluppo urbano dei sobborghi e dei principali centri dell’entroterra costiero, l'espansione fisica ma non amministrativa dei confini della città, l’inadeguatezza ed il costante ritardo del piano amministrativo-urbanistico nella gestione dei fenomeni sociali ed urbani. Si tratta in pratica di una fase carica di contrasti che coincide con l'instaurazione delle nuove repubbliche liberali in Germania ed Italia, e con la definitiva affermazione della questione abitativa e della residenza popolare che assurge, in ambito socialista, al rango di elemento funzionale alla stessa costruzione statale. Lo studio indaga la relazione tra sviluppo urbano ed edilizia residenziale pubblica e si propone come strumento per la riflessione critica e per la valutazione informata della condizione contemporanea. Le indagini e le valutazioni storiche che esso raccoglie si concentrano sugli interventi realizzati a Berlino e a Napoli nei primi quarant’anni del dopoguerra, ovvero nel periodo in cui la questione abitativa diviene urgente e centrale per vari ordini di motivi sia in termini politici che urbanistici. Lo sguardo si concentra sui luoghi dell'abitare, la città e la casa; indaga e confronta la scala teorica e quella reale, il rapporto tra innovazione e recezione culturale; confronta i piani del progetto, della costruzione e della successiva manutenzione degli interventi residenziali, tra le aspettative democratiche e l'adeguatezza del sistema amministrativo nel gestirli. Si tratta di passaggi che hanno un effetto diretto sull'identità sociale che, di risposta, ispira e struttura la nuova città attraverso un dialogo tra forma e contenuto (il passato) che procede per progressivi e reciproci adattamenti. Nella selezione dei casi studio sono stati privilegiati interventi di "periferia", ovvero quelli in cui le culture della pianificazione e del progetto, e le tendenze teoriche ed estetiche si sono potute manifestare nella maniera più completa. Come si vedrà, tuttavia, la periferia non coincide necessariamente con i margini geografici delle città: sia a Berlino che a Napoli gli eventi storici o la particolare topografia hanno dislocato la condizione "periferica" lungo un raggio che solo idealmente conduce dal centro della città. Da un punto di vista sociologico, e per la coincidenza di diversi fattori, inoltre, gli stessi interventi residenziali generano al loro interno la condizione periferica che si manifesta generalmente in degrado degli spazi comuni, mancanza di prossimità, emarginazione sociale. I materiali del testo sono organizzati in tre parti: nel primo capitolo Documentation si introduce al contesto storico, amministrativo ed urbanistico e si presentano schematicamente e secondo un criterio uniforme i dodici casi studio selezionati; nel secondo capitolo Comparison, che, come il primo, è stato redatto dai giovani ricercatori coinvolti nel progetto di ricerca, vengono meglio presentate tre questioni teoriche emerse nel corso dei laboratori: la capacità del progetto di coinvolgere il piano sociale; lo sperimentalismo degli interventi, in particolare per tecnologia costruttiva, approccio sociale e partecipazione democratica; il rapporto tra il piano amministrativo-pubblico ed il piano civico-privato nelle fasi di realizzazione e mantenimento dei programmi residenziali. Il terzo capitolo, In-Depth-Analysis, raccoglie i contributi degli studiosi coinvolti per fornire un'analisi storica e critica articolata dei casi di studio selezionati e del più ampio contesto urbano e sociale. Infine, le conclusioni raccolgono e presentano i principali nodi teorici emersi nel corso della ricerca in una prospettiva aperta alla condizione contemporanea. La pubblicazione restituisce e meglio sviluppa sul piano documentale e critico i materiali raccolti nel corso dei due laboratori tenuti nel 2019 presso la Technische Universität di Berlino, Dipartimento di Urbanistica e Sviluppo urbano sostenibile “Habitat Unit,” e l’Università della Campania "Luigi Vanvitelli," Dipartimento di Architettura e Disegno Industriale di Aversa, nell’ambito dell’omonimo progetto di ricerca finanziato dal DAAD (Servizio Tedesco per lo Scambio Accademico).
Between the radical, creative capacity of our imagination and the social imaginary we are immersed in is an intermediate space philosophers have termed the imaginal, populated by images or (re)presentations that are presences in themselves. Offering a new, systematic understanding of the imaginal and its nexus with the political, Chiara Bottici brings fresh insight into the formation of political and power relationships and the paradox of a world rich in imagery yet seemingly devoid of imagination. Bottici begins by defining the difference between the imaginal and the imaginary, locating the imaginalÕs root meaning in the image and its ability to both characterize a public and establish a set of activities within that public. She identifies the imaginalÕs critical role in powering representative democracies and its amplification through globalization. She then addresses the troublesome increase in images now mediating politics and the transformation of politics into empty spectacle. The spectacularization of politics has led to its virtualization, Bottici observes, transforming images into processes with an uncertain relationship to reality, and, while new media has democratized the image in a global society of the spectacle, the cloned image no longer mediates politics but does the act for us. Bottici concludes with politicsÕ current search for legitimacy through an invented ideal of tradition, a turn to religion, and the incorporation of human rights language.
Using the borderscapes concept, this book offers an approach to border studies that expresses the multilevel complexity of borders, from the geopolitical to social practice and cultural production at and across the border. Accordingly, it encourages a productive understanding of the processual, de-territorialized and dispersed nature of borders and their ensuring regimes in the era of globalization and transnational flows as well as showcasing border research as an interdisciplinary field with its own academic standing. Contemporary bordering processes and practices are examined through the borderscapes lens to uncover important connections between borders as a ’challenge' to national (and EU) policies and borders as potential elements of political innovation through conceptual (re-)framings of social, political, economic and cultural spaces. The authors offer a nuanced and critical re-reading and understanding of the border not as an entity to be taken for granted, but as a place of investigation and as a resource in terms of the construction of novel (geo)political imaginations, social and spatial imaginaries and cultural images. In so doing, they suggest that rethinking borders means deconstructing the interweaving between political practices of inclusion-exclusion and the images created to support and communicate them on the cultural level by Western territorialist modernity. The result is a book that proposes a wandering through a constellation of bordering policies, discourses, practices and images to open new possibilities for thinking, mapping, acting and living borders under contemporary globalization.
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