Book 1 in the Divine Trilogy * International & National Bestseller * Top 100 Overall Best Seller * Top 100 in Movers & Shakers * Top 100 Best Seller in Mystery, Thriller & Suspense, Women Sleuths & Occult * #1 International Mystery & Crime “Sci-fi and mystery fans will love this book.” --Writer's Digest CFBI agent Jasmine McLellan leads a psychically gifted team in the hunt for a serial arsonist--a murderer who has already taken the lives of three people. Jasi and her team members--Psychometric Empath and profiler Ben Roberts and Victim Empath Natassia Prushenko--are joined by Brandon Walsh, the handsome but skeptical Chief of Arson Investigations. In a manhunt that takes them from Vancouver to Kelowna, Penticton and Victoria, they are led down a twisting path of sinister secrets. Sifting through ashes and clues, Jasi realizes that there is more to the third victim than meets the eye. Perhaps not all the victims were that innocent. The hunt intensifies when she learns that someone they know is next on the arsonist's list. Unleashing her gift as a Pyro-Psychic, Jasi is compelled toward smoldering ashes and enters the killer's mind--a mind bent on destruction and revenge. And in the heat of early summer, Jasi discovers that a murderer lies in wait...much closer than she ever imagined. Divine Trilogy: Book 1 - Divine Intervention Book 2 - Divine Justice Book 3 - Divine Sanctuary
Now with SAGE Publications, Cheryl Cisero Durwin and Marla Reese-Weber’s EdPsych Modules uses an innovative implementation of case studies and a modular format to address the challenge of effectively connecting theory and research to practice. Each module is a succinct, stand-alone topic that represents every subject found in traditional chapter texts and can be used in any order for maximum flexibility in organizing your course. Each of the book’s eight units of modules begins with a set of four case studies–early childhood, elementary, middle school, and secondary–and ends with “Assess” and “Reflect and Evaluate” questions and activities to encourage comprehension and application of the research and theories presented. The case approach and the extensive pedagogy that support it allows students to constantly see the applications of the theories and research that they are studying in the text.
The first frontier settlement in what is now Randolph Township took place in 1795 when a handful of brave pioneers overcame incredible odds to settle in the Pennsylvania wilderness. Slowly Randolph became dotted with small clearings, followed by self-sufficient farms. Ambitious tradesmen sold services, and scores of businesses sprouted up. Schools and churches followed as the crossroads of Guys Mills, Black Ash, Mount Hope, Brawley Stand, and Hickory Corners flourished, attracting men of influence. Rev. Timothy Alden, founder of Allegheny College, was pastor of Guys Mills Congregational Church. Famed abolitionist John Brown walked six miles to church in Guys Mills. During the great oil boom, John D. Rockefeller investigated the towns oil wells. Pennsylvania senator Raymond E. Smith resided here. Black Ashs Clint Brown enjoyed a 15-year major-league pitching career with the Cleveland Indians and Chicago White Sox and held a major-league record.
A veteran of the civil right movement recounts the events of Freedom Summer in Mississippi through oral histories, personal reflections and photos. The world's eyes were on Mississippi during the summer of 1964, when civil rights activists launched an ambitious African American voter registration project and were met with violent resistance from white supremacists. Sue Sojourner and her husband arrived in Holmes County, Mississippi, in the wake of this historic time, known as Freedom Summer. From September 1964 until her departure from the state in 1969, Sojourner collected an incredible number of documents, oral histories, and photographs chronicling the dramatic events she witnessed. In Thunder of Freedom, written with Cheryl Reitan, Sojourner presents a fascinating account of one of the civil rights movement's most active and broad-based community organizing operations in the South. Sojourner shares her personal experiences as well as insights into race relations in the 1960s South, providing a unique look at the struggle for rights and equality in Mississippi. Illustrated with selections from Sojourner's acclaimed catalog of photographs, this profound book tells the powerful, often intimate stories of ordinary people who accomplished extraordinary things.
Delving deep into issues of romance, relationships, and faith, this is a beautiful novel about a man and woman who, through their trust in God, learn to live and love in the face of tragedy. Charisse Ellison is new to her faith, but she’s convinced that her relationship with God is the only way to have the truly fulfilling life she desires—one that includes a husband and children. Tall, muscular, and strikingly handsome, Stefàn Cooper is a bachelor who is used to getting what he wants from the opposite sex. So when Charisse is indifferent to his charm, he’s immediately intrigued. The couple begins an intense romance that challenges the bravado Stefàn has held on to for most of his adult life and forces Charisse to see that God’s answered prayers don’t always come packaged the way we expect. Who Said It Would Be Easy? offers hope in situations that at first seem hopeless and shows that through faith in an all-powerful God, even the most painful experiences can culminate in true joy and peace.
Becoming Global Asia centers Singapore as a crucial site for comprehending the uneven effects of colonialism and capitalism. In the wake of the 1997 Asian financial crisis, Singapore transformed its reputation as a culturally sterile and punitive nation to "Global Asia"-an alluring location ideal for economic flourishing. Cheryl Narumi Naruse analyzes how Singapore gained cultural capital and soft power by examining genres such as literary anthologies, demographic compilations, coming-of-career narratives, and princess fantasies. Tracing the trajectory of Singapore's positioning as Global Asia, Naruse reveals how the country emerged as a celebrated postcolonial model nation and a site of imperial desire that enables subjugation of the so-called Third World. Her readings of Global Asia as an invention of postcolonial capitalism offer new conceptual paradigms for understanding postcolonialism, neoliberalism, and empire. "Cheryl Narumi Naruse offers a lucid, much-needed theorization of postcolonial capitalism-a mode of sovereignty simultaneously forged against empire and productive of neoliberal governance. An important and original contribution to debates around Global Asia and its cultural forms, with ramifications far beyond Singapore."- JINI KIM WATSON, Professor of English and Comparative Literature, New York University "After Becoming Global Asia, criticism about cultural geopolitics and literary studies that disregards Singapore, or does not center Naruse's cogent analysis on the aesthetics of postcolonial capitalism, will be incomplete." - MOHAN AMBIKAIPAKER, author of Political Blackness in Multiracial Britain "If you've ever wondered about the dark side of the idea of 'Global Asia,' read this book. And if you are looking for evidence that literature can be more than a mere tool of the state and capital, this book is also for you." - COLLEEN LYE, author of America's Asia: Racial Form and American Literature, 1893-1945
In recent decades, we have seen an explosion in expectations for greater accountability of public policymaking. But, as accountability has increased, trust in governments and politicians has fallen. By focusing on the heart of public accountability—the reason-giving by policymakers for their policy decisions (i.e. deliberative accountability)—this work offers an empirical route for understanding why more accountability may not always deliver more public trust. The focus is on the British Parliament, where both the Treasury Select Committee and the House of Lords Economic Affairs Committee hold hearings on monetary policy, financial stability, and fiscal policy. The intent in these hearings is to challenge policymakers to explain their decisions, and thus the dialogue is expected to be deliberative. But how do we judge the quality of this deliberative accountability? Three metrics are explored and measured: respect, non-partisanship, and reciprocity. The approach is multi-method, including (1) quantitative text analysis to gauge the verbatim transcripts in committee hearings; (2) qualitative coding combined with an experimental design to gauge the role of nonverbal communication in the hearings; and (3) interviews with the MPs, peers, central bankers, and Treasury officials who participated in the hearings. The first method measures the content of 'what' was said, the second examines 'how' the words and arguments were expressed, and the third provides a more reflective 'why' component by asking participants to explain their motivations. This merging of the 'what', the 'how', and the 'why' offers a novel template for studying both accountability and deliberation.
Claassen’s work focuses on the American Archaic period (marked by the end of the Ice Age approximately 11,000 years ago) and a geographic area bounded by the edge of the Great Plains, Newfoundland, and southern Florida. This period and region share specific beliefs and practices such as human sacrifice, dirt mound burial, and oyster shell middens. This interpretive guide serves as a platform for new interpretations and theories on this period. For example, Claassen connects rituals to topographic features and posits the Pleistocene-Holocene transition as a major stimulus to Archaic beliefs. She also expands the interpretation of existing data previously understood in economic or environmental terms to include how this same data may also reveal spiritual and symbolic practices. Similarly, Claassen interprets Archaic culture in terms of human agency and social constraint, bringing ritual acts into focus as drivers of social transformation and ethnogenesis.
Cover -- Copyright -- Contents -- Acknowledgments -- Introduction: Indigenous Women's Writing, Storytelling, and Law -- Chapter One: Gendering the Politics of Tribal Sovereignty: Santa Clara Pueblo v. Martinez (1978) and Ceremony (1977) -- Chapter Two: The Legal Silencing of Indigenous Women: Racine v. Woods (1983) and In Search of April Raintree (1983) -- Chapter Three: Colonial Governmentality and GenderViolence: State of Minnesota v. Zay Zah (1977) and The Antelope Wife (1998) -- Chapter Four: Land Claims, Identity Claims: Manypenny v. United States (1991) and Last Standing Woman (1997) -- Conclusion: For an Indigenous-Feminist Literary Criticism -- Notes -- Works Cited -- Index
Petronella moves to Charis Cottage hidden in the thick dark woods at the bottom of a track on the outskirts of Fort Willow. Everything is perfect. Except for one thing. Since she moved an enormous black tree has appeared in her back garden in the shape of a giant with a big black circle on the ground under it. Petronella finds out it is a deep pit and is terrified to go near its ridge. But one night... How is the tree linked to: - The creepy night-time visits by the Hooded Horseman? - The boy ghost, Percy, Petronella finds in her bed one night? - The invasion of ghosts of the ancient Strincas population all over Fort Willow? Reviews "Kids will like this. Girls will like it for romance and boys will like it for the scare factor." "Full of ghosts and ghoulies, this is an imaginative tale." “This was presented as a supernatural chiller and I must admit...it was a fantastic and unique read for MG and YA readers. I do think that the author showed wonderful imagination in creating this world and these characters.” “Petronella & the Trogot is introduced as a supernatural chiller. People who lived almost 1,200 years ago, members of the Strincas civilization, start appearing and living in modern day Fort Willow. Needless to say the Strincas resurrection scares (off) many modern day citizens. If that were not enough, Bentley adds a hooded horseman (think Legend of Sleepy Hollow) and a black, evil monster tree in Petronella’s back yard. In Part 1 one you get to know Petronella ‒ our protagonist, modern day Fort Willow inhabitants, the Strincas, and the evil Lord Fortesque. In Part 2 Petronella and Percy, a Strinca, investigate the tree and find themselves on a journey. Their journey is similar to Dante’s Inferno with a modern twist... In Petronella & the Trogot, you know who all the offenders are. I enjoyed reading the novel.”
Walker examines the rhetoric and writings of nineteenth-century Native Americans, including William Apess, Black Hawk, George Copway, John Rollin Ridge, and Sarah Winnemucca. Demonstrating with unique detail how these authors worked to transform venerable myths and icons of American identity, Indian Nation chronicles Native American participation in the forming of an American nationalism in both published texts and speeches that were delivered throughout the United States. Pottawattomie Chief Simon Pokagon's "The Red Man's Rebuke," an important document of Indian oratory, is published here in its entirety for the first time since 1893.
In a ancient realm of magic, love has a destiny of its own...Abandoned at birth on the shores of a sacred loch, Bryna never knew her family or true heritage. She exists as a slave in the fortress of a Roman invader, her only friend an ancient, blind Druidess, Derina. Her life is bleak and without hope. And then Derina tells her she must rescue the prisoner in the dungeon. Tynan lies naked, chained to a cold, stone slat, both body and mind tortured by the Sorcerer, evil ally of the Roman Lord. The Sorcerer's purpose? To discover if this one, at last, might be the Dark Chieftain, the fulfiller of prophecy. Even deeper in the dungeon, trapped by magical enchantment, are the faeries. They await their liberator, the one who has been prophesied. And the Dark Chieftain awaits a destiny of his own...mating with the territorial goddess...a union that will set the land, and many loves, right. First, however, he must gain his freedom and find her. And Bryna is on her way to the dungeon...
Cheryl King's study of Michael Manley's leadership of Jamaica in the 1970's is a well-written and informative study of one of Jamaica's most important post-independence political figures. Ms. King properly starts the study within the historical setting and limitations of Jamaica's colonial experience. The study then moves on to Manley's social democratic thinking and political principles, and his administration's less than successful efforts to work within the powerful chaotic international environment of the 1970's. Readers will encounter an engaging and wide ranging work of consequence. William B. Messmer, Ph.D., Drew University
Cheryl Elizabeth Brown Wattley gives us a richly textured picture of the black-and-white world from which Ada Lois Sipuel and her family emerged. Against this Oklahoma background Wattley shows Sipuel (who married Warren Fisher a year before she filed her suit) struggling against a segregated educational system. Her legal battle is situated within the history of civil rights litigation and race-related jurisprudence in the state of Oklahoma and in the nation.
From the bestselling author of Home Comforts comes the story of our wedding vows—what they mean and why they still matter. In the West, marrying is so thoroughly identified with ceremonial promises that “taking vows” is a synonym for getting married. So, it’s a surprise to realize that this custom is actually a historical and anthropological oddity. Most of the world, for most of history, married without making promises. And there’s a reason for that. Marriage by vow presupposes free choice, and free choice makes a love-match possible. It is a very modern arrangement. Vows is both a moving memoir of two marriages and a thoughtful meditation on marriage itself. Cheryl Mendelson tackles the sociology of commitment through our most traditional promises and shows why they endure. In considering the kind of marriage these vows entail, she helps answer some of life’s most urgent and personal of questions: Could I, would I, or should I make these promises to someone? Using history and literature, the book describes the parameters of the behavior that traditional vows promise and, in doing so, answers a whole series of other questions: Why did wedding-by-vow arise only in the West? Why are they recited in weddings around the world today? Why have these vows lasted for nearly a thousand years? Why does the kind of marriage promised in the vows survive?
In the early twentieth century, developers from Baltimore to Beverly Hills built garden suburbs, a new kind of residential community that incorporated curvilinear roads and landscape design as picturesque elements in a neighborhood. Intended as models for how American cities should be rationally, responsibly, and beautifully modernized, garden suburban communities were fragments of a larger (if largely imagined) garden city—the mythical “good” city of U.S. city-planning practices of the 1920s. This extensively illustrated book chronicles the development of the two most fully realized garden suburbs in Texas, Dallas’s Highland Park and Houston’s River Oaks. Cheryl Caldwell Ferguson draws on a wealth of primary sources to trace the planning, design, financing, implementation, and long-term management of these suburbs. She analyzes homes built by such architects as H. B. Thomson, C. D. Hill, Fooshee & Cheek, John F. Staub, Birdsall P. Briscoe, and Charles W. Oliver. She also addresses the evolution of the shopping center by looking at Highland Park’s Shopping Village, which was one of the first in the nation. Ferguson sets the story of Highland Park and River Oaks within the larger story of the development of garden suburban communities in Texas and across America to explain why these two communities achieved such prestige, maintained their property values, became the most successful in their cities in the twentieth century, and still serve as ideal models for suburban communities today.
This original commentary foregrounds at every turn the poetic genius of the Song of Songs, one of the most elusive texts of the Hebrew Bible. J. Cheryl Exum locates that genius in the way the Song not only tells but shows its readers that love is strong as death, thereby immortalizing love, as well as in the way the poet explores the nature of love by a mature sensitivity to how being in love is different for the woman and the man. Many long-standing conundrums in the interpretation of the book are offered persuasive solutions in Exum's verse by verse exegesis. The Old Testament Library provides fresh and authoritative treatments of important aspects of Old Testament study through commentaries and general surveys. The contributors are scholars of international standing.
This book provides a compelling history, documentation and analysis of hate crimes committed against Navajos and Native Americans in the Four Corners"--
Summarizes the research reviewed by the Commission members as they developed their recommendations. Also suggests an agenda for further research into important questions on which the Commission found little or inadequate information. Extensive bibliography.
The Decades of Modern American Playwriting series provides a comprehensive survey and study of the theatre produced in each decade from the 1930s to 2009 in eight volumes. Each volume equips readers with a detailed understanding of the context from which work emerged: an introduction considers life in the decade with a focus on domestic life and conditions, social changes, culture, media, technology, industry and political events; while a chapter on the theatre of the decade offers a wide-ranging and thorough survey of theatres, companies, dramatists, new movements and developments in response to the economic and political conditions of the day. The work of the four most prominent playwrights from the decade receives in-depth analysis and re-evaluation by a team of experts, together with commentary on their subsequent work and legacy. A final section brings together original documents such as interviews with the playwrights and with directors, drafts of play scenes, and other previously unpublished material. The major playwrights and their plays to receive in-depth coverage in this volume include: * Tony Kushner: Angels in America: A Gay Fantasia on National Themes, Part One and Part Two (1991), Slavs! Thinking About the Longstanding Problems of Virtue and Happiness (1995) and A Dybbuk, or Between Two Worlds (1997); * Paula Vogel: Baltimore Waltz (1992), The Mineola Twins (1996) and How I Learned to Drive (1997); * Suzan-Lori Parks: The Death of the Last Black Man in the Whole Entire World (1990), The America Play (1994) and Venus (1996); * Terrence McNally: Lips Together, Teeth Apart (1991), Love! Valour! Compassion! (1997) and Corpus Christi (1998).
In this first musicological history of rap music, Cheryl L. Keyes traces the genre's history from its roots in West African bardic traditions, the Jamaican dancehall tradition, and African American vernacular expressions to its permeation of the cultural mainstream as a major tenet of hip-hop lifestyle and culture. Rap music, according to Keyes, is a forum that addresses the political and economic disfranchisement of black youths and other groups, fosters ethnic pride, and displays culture values and aesthetics. Blending popular culture with folklore and ethnomusicology, Keyes offers a nuanced portrait of the artists, themes, and varying styles reflective of urban life and street consciousness. Drawing on the music, lives, politics, and interests of figures including Afrika Bambaataa, the "godfather of hip-hop," and his Zulu Nation, George Clinton and Parliament-Funkadelic, Grandmaster Flash, Kool "DJ" Herc, MC Lyte, LL Cool J, De La Soul, Public Enemy, Ice-T, DJ Jazzy Jeff and the Fresh Prince, and The Last Poets, Rap Music and Street Consciousness challenges outsider views of the genre. The book also draws on ethnographic research done in New York, Los Angeles, Detroit and London, as well as interviews with performers, producers, directors, fans, and managers. Keyes's vivid and wide-ranging analysis covers the emergence and personas of female rappers and white rappers, the legal repercussions of technological advancements such as electronic mixing and digital sampling, the advent of rap music videos, and the existence of gangsta rap, Southern rap, acid rap, and dance-centered rap subgenres. Also considered are the crossover careers of rap artists in movies and television; rapper-turned-mogul phenomenons such as Queen Latifah; the multimedia empire of Sean "P. Diddy" Combs; the cataclysmic rise of Death Row Records; East Coast versus West Coast tensions; the deaths of Tupac Shakur and Christopher "The Notorious B.I.G." Wallace; and the unification efforts of the Nation of Islam and the Hip-Hop Nation.
An overview of current issues and developments in foreign language education, designed for instructors of language, literature, and culture at any stage of their careers A contemporary guide to foreign language education, this book presents the latest developments and issues in the field of applied linguistics. It leads instructors to make vital connections between theory and practice and to develop innovative lesson plans, classroom activities, and course materials that align with the specific contexts in which they teach. A textbook for teaching methods courses, as well as a reference for instructors of language, literature, and culture at any stage in their careers, the book is applicable across all lower- and upper-level courses.
How an eighteenth-century engraving of a slave ship became a cultural icon of Black resistance, identity, and remembrance One of the most iconic images of slavery is a schematic wood engraving depicting the human cargo hold of a slave ship. First published by British abolitionists in 1788, it exposed this widespread commercial practice for what it really was—shocking, immoral, barbaric, unimaginable. Printed as handbills and broadsides, the image Cheryl Finley has termed the "slave ship icon" was easily reproduced, and by the end of the eighteenth century it was circulating by the tens of thousands around the Atlantic rim. Committed to Memory provides the first in-depth look at how this artifact of the fight against slavery became an enduring symbol of Black resistance, identity, and remembrance. Finley traces how the slave ship icon became a powerful tool in the hands of British and American abolitionists, and how its radical potential was rediscovered in the twentieth century by Black artists, activists, writers, filmmakers, and curators. Finley offers provocative new insights into the works of Amiri Baraka, Romare Bearden, Betye Saar, and many others. She demonstrates how the icon was transformed into poetry, literature, visual art, sculpture, performance, and film—and became a medium through which diasporic Africans have reasserted their common identity and memorialized their ancestors. Beautifully illustrated, Committed to Memory features works from around the world, taking readers from the United States and England to West Africa and the Caribbean. It shows how contemporary Black artists and their allies have used this iconic eighteenth-century engraving to reflect on the trauma of slavery and come to terms with its legacy.
In this work, Cheryl Black argues that Provincetown has another, largely unacknowledged claim to fame: it was one of the first theatre companies in America in which women achieved prominence in every area of operation. At a time when women playwrights were rare, women directors rarer, and women scenic designers unheard of, Provincetown's female members excelled in all these functions, making significant contributions to the development of modern American drama and theatre. In addition to playwright Glaspell, the company's female membership included the likes of poets Edna St. Vincent Millay, Mina Loy, and Djuna Barnes; journalists Louise Bryant and Mary Heaton Vorse; novelists Neith Boyce and Evelyn Scott; and painter Marguerite Zorach.".
Revised and updated to reflect the most current and relevant information in the field, Victimology: Theories and Applications, Second Edition provides a comprehensive introduction to the study of victimization, crime typologies, and the impact of crime on victims, offenders, and society at large. Each chapter provides a typology of the offender to analyze motivation. An overview of the issues impacting victims of a wide variety of traditional and contemporary crimes are examined, including child maltreatment, intimate partner violence, elder abuse, cyber crime and hate crimes. The history and theories of victimology are explored, as well as definitive laws and policies, strategies for intervention, and future research areas.New to the Second Edition:-All case studies have been updated to offer students a modern perspective-All tables and figures have been updated to reflect the most current data -Contains a NEw chapter discussing sexual boundary violations-Every new printed copy is pacakaged with a free student access code to unlock the variety of interactive study tools on the companion website (eBook version does not include access to the student companion website. Standalone access can be purchased here http://www.jblearning.com/catalog/9781449684389/)Key Features:-Covers current topics including: Human Trafficking, Home Invasion, Victims of Gang Violence, Victims of Terrorism, Victims of Natural Disaster, Wrongful Convictions, Racial Profiling and Disproportionate Penalties.-Contains chapter outlines, key terms, discussion questions and a summary in every chapter, to facilitate student comprehension and classroom conversation.-Offers a balance between theory and the research and practice-oriented tools for readers who will work with victims, offenders, and the justice system.
Moments of Unreason is the first detailed study of a private asylum in North America: the Homewood Retreat in Guelph, Ontario, established in 1883 as an early Canadian venture into corporate health care. Cheryl Krasnick Warsh studies the careers of its first two medical superintendents, Stephen Lett and Alfred Hobbs, which spanned the evolution of mental health theory from moral management to mental therapeutics and, later, neuro-psychiatry. This evolution did not make practical management of the Institute less complex: an under-paid, undertrained work force combined with an unruly patient population resulted in instances of neglect, abuse, and over-medication.
Love Inspired brings you three new titles! Enjoy these uplifting contemporary romances of faith, forgiveness and hope. THE AMISH MIDWIFE'S COURTSHIP Cheryl Williford Tired of her mother's matchmaking, midwife Molly Ziegler asks her family's boarder?Isaac Graber?to fake interest in her. As their pretend courtship turns to real love, can they see past what's make-believe and find real happiness together? THE COWBOY MEETS HIS MATCH Rodeo Heroes Leann Harris Working together to revitalize the local rodeo, Erin Delong never expected stubborn cowboy Sawyer Jensen to be so open to her ideas—or that he'd be the man to get through the barriers around her heart. SMALL-TOWN NANNY Rescue River Lee Tobin McClain Becoming a summer nanny allows teacher Susan Hayashi a chance to financially assist her family. But when she clashes with the little girl's widowed millionaire father, can they reconcile their differences and see they're meant to share a happily-ever-after?
Thirteen creepy stories take you from one hold-your-breath chapter to the next Enter the closet… A Grave Error The Death of an Old Cow Maid of Dishonor Atrophy Picture Perfect Sweet Dreams Separation Anxiety The Car Deadly Reunion Remote Control Ouija Caller Unknown Skeletons in the Closet
Book 3 in the Divine Trilogy * International Bestseller * Top 100 Best Seller in Mystery, Thriller & Suspense, Women Sleuths, Occult, and Psychics There's no place like home… In the Divine trilogy finale, the heat is tripled when CFBI Agent Jasi McLellan must rescue Emily, the ghost girl that haunts her dreams; expose her own mother's killer; and uncover a murderer that preys on the weak at Sanctuary, a controversial cult nestled in the woods near Mission, BC. Something insidious lurks behind the safe haven of Sanctuary's wrought iron gates. Led by the charismatic Father Jeremiah, the cult's idyllic lifestyle seems perfect on the outside. But a lethal hunter is on the prowl, and in a carefully executed game of cat and mouse, the body count rises. Along with Victim Empath Natassia Prushenko, Psychometric Empath Ben Roberts and Special Consultant Brandon Walsh, Jasi follows three trails of clues that lead to one terrifying conclusion: home is not always the safest place on earth. Reviews: “An excellent last installment to this psychic mystery/thriller series! Fast-paced action from cover to cover!” —Dale Mayer, international bestselling author of the Psychic Vision series “Dark and compelling with details so vivid the reader can smell the smoldering corpse as he follows Pyro-Psychic, Jasi McLellan, who has the ungodly ability to enter the mind of a serial arsonist. This Canadian FBI psychic team moves like wildfire in the hands of consummate thriller author, Cheryl Kaye Tardif.” —Barbara Silkstone, international bestselling author of Miami Mummies “You'll find yourself rooting for Jasi, Brandon, Natassia, and Ben as the Top-Secret PSI team comes face to face with the depths of human evil in Divine Sanctuary. The story unfolds with Tardif's signature razor-taut pacing as she sets her likable protagonists against the charismatic leader of a disturbing cult where all is not as it seems, and the shattering revelations that await them will leave Jasi's life changed forever. Hunt this one down and read it!” —Paul Draker, international bestselling author of Pyramid Lake Divine Trilogy: Book 1 - Divine Intervention Book 2 - Divine Justice Book 3 - Divine Sanctuary
The Black people of Marks, Mississippi, and other rural southern towns were the backbone of the civil rights movement, yet their stories have too rarely been celebrated and are, for the most part, forgotten. Part memoir, part oral history, and part historical study, A Day I Ain’t Never Seen Before tells the story of the struggle for equality and dignity through the words of these largely unknown men and women and the civil rights workers who joined them. Deeply rooted in documentary and archival sources, this book also offers extensive suggestions for further readings on both Marks and the civil rights movement. Set carefully within its broader historical context, the narrative begins with the founding of the town and the oppressive conditions under which Black people lived and traces their persistent efforts to win the rights and justice they deserved. In their own words, Marks residents describe their lives before, during, and after the activist years of the civil rights movement, bolstered by the voices of those like Joe Bateman who arrived in the mid-1960s to help. Voter registration projects, white violence, sit-ins, arrests, school desegregation cases, community-organizing meetings, protest marches, Freedom Schools, door-to-door organizing—all of these played out in Marks. The broader civil rights movement intersects many of these local efforts, from Freedom Summer to the War on Poverty, from the death of a Marks man on the March against Fear (Martin Luther King Jr. preached at his funeral) to the Poor People’s Movement, whose Mule Train began in Marks. At each point Bateman and local activists detail how they understood what they were doing and how each protest action played out. The final chapters examine Marks in the aftermath of the movement, with residents reflecting on the changes (or lack thereof ) they have seen. Here are triumphs and beatings, courage and infighting, surveillance and—sometimes— lasting progress, in the words of those who lived it.
Many people who visit Rayne to enjoy its charming murals and picturesque streets know the community as a quaint city along their vacation's journey. However, Rayne is more than just a pleasant stopover for tourists and passersby; it is a destination in its own rightA[a¬aa multicultural, historic community that has enjoyed a vibrant and interesting past. Rayne's People and Places provides insight into the heritage and cultural lifestyles of its citizensA[a¬alike some who jitterbugged at the old Hollywood Club, drank peach nectars at People's Drug Store, and ate biscuits at Paco'sA[a¬aby showing their families, homes, and workplaces.
Chicago's 1933 world's fair set a new direction for international expositions. Earlier fairs had exhibited technological advances, but Chicago's fair organizers used the very idea of progress to buoy national optimism during the Depression's darkest years. Orchestrated by business leaders and engineers, almost all former military men, the fair reflected a business-military-engineering model that envisioned a promising future through science and technology's application to everyday life. Fair organizers, together with corporate leaders, believed that progress rides on the tide of technological innovation and consumerism. But not all those who struggled for a voice at Chicago's 1933 exposition had abandoned the traditional notions of progress that entailed social justice and equality, recognition of ethnic and gender-related accomplishments, and personal freedom and expression. The stark pronouncement of the fair's motto, "Science Finds, Industry Applies, Man Conforms," was challenged by iconoclasts such as Sally Rand, whose provocative fan dance became a persistent symbol of the fair, as well as a handful of others, including African Americans, ethnic populations and foreign nationals, groups of working women, and even well-heeled socialites. They all met obstacles but ultimately introduced personal, social definitions of "progress" and thereby influenced the ways the fair took shape. In this engaging social and cultural history, Cheryl R. Ganz examines Chicago's second world's fair through the lenses of technology, ethnicity, and gender. The book also features eighty-six photographs--nearly half of which are full color--of key locations, exhibits, and people, as well as authentic ticket stubs, postcards, pamphlets, posters, and other items. From fan dancers to fan belts, The 1933 Chicago World's Fair: A Century of Progress offers the compelling, untold stories of fair planners and participants who showcased education, industry, and entertainment to sell optimism during the depths of the Great Depression.
Dave Jeremiah knows he needs to make friends with Deidra Collins since their best friends are getting married. He doesn't expect the troublesome woman to become anything more than the friend of a friend, but the sparks soon fly between them.
Everyone who aspires to more effective public service should read this book. It provides a compelling antidote to the managerial focus of theory and practice in public administration. Written with the aim of inspiring and rekindling a mission for public service, Transformational Public Service weaves together theory and stories from actual practice to show that public service can (and does) advance the goals of democracy, inclusiveness, and social and economic justice. Eight practitioners from government and non-governmental organizations at all levels--from the street to the executive office--tell their personal stories of transformational public service. Theory, poetry, and popular culture references are woven around the stories. Both students and practitioners will discover new ways of thinking in this book that will enable them to transform their own administrative practices. The authors note in their prologue: As we listened to these stories, we heard people say that public service can be and is transformational (transforms institutions, practices, and people's lives and experiences) in ways that serve democracy, engagement, and social and economic justice. The public service they practice is collaborative, humanistic, emancipatory, inclusive, and diverse.
When Don Osborne went to Pentridge in 1970, he found a nineteenth-century penal establishment in full working order. It held about 1200 inmates, most of them cooped up in tiny stone cells that sweltered in summer and froze in winter. Some had no sewerage or electric light. Assigned to teach in the high-security section of the prison, Don worked in the chapel, which doubled as a classroom during the week. There, he saw the terrible effects of the violence that permeated H Division, the prison's punishment section. He found himself acting as confidant and counsellor to some of the best-known criminals of the era, and to others who'd become notorious later, after H Division had worked its magic on them. This book offers an insider's reflections on how the prison emergd as it did, and is supplemented by a stunning pictorial section. It focuses especially on the rebellious 1970s, when the military 'disciplines' of H Division began to give way in the face of prisoner resistance and public criticism. Don writes of the people and events that shaped Petnridge's history and etched it into the memories of the city that was its reluctant host.
The Ghost and Mrs. Muir, The Barefoot Contessa, and All About Eve -- just three of the most well-known films of writer, director, and producer Joseph L. Mankiewicz. This work contains, first, critical essays about the man and his work, and then presents a guide to resources, an annotated bibliography, and a filmography. The essays on each of his films are categorized under Mankiewicz's Dark Cinema, The Mankiewicz Woman, Filmed Theatre, and Literary Adaptations.
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