This is the first book to thoroughly explore Confucian and Neo-Confucian metaphysics and ethics, building upon the creativity and temporality of human existence and human nature as well as their extension into human culture. Fundamental essays deal cogently with the relationship between Chinese language and Chinese philosophy, offering general categories which shape the matrix of ideas woven in Chinese philosophy from its very beginnings. Along with more general characterizations, there are themes placing Confucian thinkers in touch with modern communication theories, perceptions of individuals, religious themes, and scientific worldviews. Conceptual and comparative essays probe the frontiers of Chinese philosophy in its contemporary Confucian revival.
This memoir presents a special look into Professor Cheng-Few Lee's formative childhood years, his distinguished career as a respected scholar and conference organizer, and his substantial experience in the fields of education and policy-making. It shares the innovative methods and forward-looking educational philosophy that underpin the rigorous training of his students in finance and accounting. This memoir also reflects upon Professor Lee's life experiences, and his involvement in business consulting and government policy-making. Readers will enjoy this private retrospection into the memories, experiences, and philosophy of this humble man, who is counted among the most published finance professors and experienced journal editors in the world.
Sons of Heaven is an epic novel set against the backdrop of one of modern history's most haunting events: the Tiananmen Square Massacre. In June 1989, the world watched in horror as China's military was mobilized to suppress a student movement that stood for peaceful democracy. Hundreds were killed; others say thousands. No one knows for sure. But the image that remains most powerful is that of a lone young man, looking confused yet terribly brave, as he held his ground before a rolling line of tanks. Who was he, and why did he do what he did? No one has ever been able to determine his identity or fate. Within the pages of Sons of Heaven, in a stunning blend of history and fiction, Terrence Cheng has vividly created a life for this young hero and given him a voice. Cheng imagines the young man's life as he goes away to America to complete his education. He falls in love with a beautiful young American girl who opens up to him a free life filled with opportunity. When he returns to China he is embittered and disillusioned; only the potential for political change seems to revive him. Also unraveled is the story of the young man's older brother, an ardent member of the Red Army, who is ordered to capture his little brother. In the end, their political differences turn deadly. On one level this is a novel of history as played out in modern China, but first and foremost, it is about the universal ties of family and the difficult process of boys learning to become men. Also under scrutiny is the life and history of Deng Xiaoping, China's leader who is suspected of giving the final orders to turn the People's Army against its own people. What historical and political factors affected his decisions that fateful summer? Was Deng the monster that the world made him out to be? A revolving narrative of family, faith, and courage, Sons of Heaven braids the lives of peasants and soldiers, politicians and gods. It is a powerful novel of one of the most memorable and moving moments of our time. Praise for SONS OF HEAVEN "This remarkably structured and textured debut epic seeks to attach a face to the mysterious man who, by stepping in front of the rolling army tanks, became the most recognizable symbol of the massacres. Cheng succeeds in his endeavor...a multifaceted and sophisticated portrait of the Chinese people is rendered. This is a rare find...This is not the first novel to center around Tiananmen, but it may be the best." -Publishers Weekly (starred review) [A] superb first novel...Sons of Heaven succeeds...because its focus is relentlessly personal, and moral." -San Francisco Chronicle "Filled with carefully measured doses of history, romance, and adventure...Stylistically and thematically daring." -Miami Herald "Terrence Cheng enters history in such a profound and provocative way-his retelling of the events in and around Tiananmen Square is subversive, lyrical, and full of control. Cheng is a painter and a cinematographer and a wordsmith all at once." -Colum McCann, author of Dancer "[T]his brave, insightful and gifted writer...seeks to compassionately understand these fictional (and actual but fictionalized) characters' backgrounds, motivations and uncertainties to help readers grasp the moment from divergent perspectives." -Eugene Weekly "Compelling...powerful...a first-class thriller set on the stage of world history that is hard to put down." -Pittsburgh Post-Gazette "Cinematic...powerful." -Atlanta Journal-Constitution "Who cannot think of those days in June 1989 without recalling the image of an unknown protester facing off against a tank...thanks to Terrence Cheng's Sons of Heaven, we shall have an enduring reminder." -Denver Post "An irresistible peek...into the human face of modern China." -USA Today "The writing here is terse and often beautiful...this clash between pole
The summation of more than two thousand years of one of the world's most august literary traditions, this volume also represents the achievements of four hundred years of Western scholarship on China. The selections include poetry, drama, fiction, songs, biographies, and works of early Chinese philosophy and history rendered in English by the most renowned translators of classical Chinese literature: Arthur Waley, Ezra Pound, David Hawkes, James Legge, Burton Watson, Stephen Owen, Cyril Birch, A. C. Graham, Witter Bynner, Kenneth Rexroth, and others. Arranged chronologically and by genre, each chapter is introduced by definitive quotes and brief introductions chosen from classic Western sinological treatises. Beginning with discussions of the origins of the Chinese writing system and selections from the earliest "genre" of Chinese literature -- the Oracle Bone inscriptions -- the book then proceeds with selections from: • early myths and legends; • the earliest anthology of Chinese poetry, the Book of Songs; • early narrative and philosophy, including the I Ching, Tao-te Ching, and the Analects of Confucius; • rhapsodies, historical writings, magical biographies, ballads, poetry, and miscellaneous prose from the Han and Six Dynasties period; • the court poetry of the Southern Dynasties; • the finest gems of Tang poetry; and • lyrics, stories, and tales of the Sui, Tang, and Five Dynasties eras. Special highlights include individual chapters covering each of the luminaries of Tang poetry: Wang Wei, Li Bo, Du Fu, and Bo Juyi; early literary criticism; women poets from the first to the tenth century C.E.; and the poetry of Zen and the Tao. Bibliographies, explanatory notes, copious illustrations, a chronology of major dynasties, and two-way romanization tables coordinating the Wade-Giles and pinyin transliteration systems provide helpful tools to aid students, teachers, and general readers in exploring this rich tradition of world literature.
In China between Peace and War, Victor S. C. Cheng explores the gripping history of peace talks and international negotiations from 1945 to 1947 that helped determine the shape of the Chinese Civil War. The book focuses on the efforts of the two belligerent parties—the Chinese Nationalists, or Guomindang, and the Communists—to achieve an enduring peace. It presents previously unexplored major elements of the peace talks: ambiguous treaties, package deals and short-term solutions. It identifies the burning challenges that confronted attempts at peacemaking, including the two warring parties’ high-risk decision-making styles and the temptation to veto agreements and resume fighting. Cheng argues against popular notions that differences between the two belligerents in the Chinese Civil War were irreconcilable, that the failure of the peace talks was predetermined and that the US government mediators needed to remain neutral. Because the actions around the negotiating table occurred in a developing theatre of war, Cheng also explores the military decision-making of the opposing sides as well as the conflicts that ultimately plunged China into the world’s largest military engagement of the seven-plus decades since World War II. China between Peace and War highlights the contradictory role of political leaders who micromanaged the military, including their struggle to connect political objectives and military power, their rhetorical use of the ‘decisive war’ concept, and their pursuit of radical military-political goals at the expense of a negotiated peace.
Situated at an important juncture within the network of silk routes from China through central Asia, the oasis city of Dunhuang was an ancient site of Buddhist religious activity. Southeast of the city, the Mogao Caves, also known as the Caves of the Thousand Buddhas, are an astonishing group of hundreds of caves, carved in the cliffs between the fourth and fourteenth centuries, and containing sculptures and paintings. Further east sit the Yulin Caves, another critical and richly decorated site. Featuring some of the finest examples of Buddhist imagery to be found anywhere in the world, these caves have enticed explorers, archaeologists, artists, scholars, and photographers since the early twentieth century.0'Visualizing Dunhuang: The Lo Archive Photographs of the Mogao and Yulin Caves' presents for the first time in print the comprehensive photographic archive-created in the 1940s by James C. M. Lo (1902-1987) and his wife, Lucy L. Lo (b. 1920)-of the remarkable Buddhist caves at Dunhuang. In this extraordinary nine-volume set, more than 2,500 black-and-white photographs provide an indispensable historical record. Invaluable for their documentary value and artistic quality, and thorough in their coverage and clarity, the images represent a rare perspective on significant monuments, many now irretrievably changed.0Exquisitely produced, this landmark publication is a definitive reference for scholars, collectors, and libraries in art history and Asian studies.0Published in association with the Tang Center for East Asian Art, Princeton University.00"Vol. 9: Essays" is also available separately: ISBN 9780691208169.
By the tenth century CE, Mount Wutai had become a major pilgrimage site within the emerging culture of a distinctively Chinese Buddhism. Famous as the abode of the bodhisattva Ma�ju r (known for his habit of riding around the mountain on a lion), the site in northeastern China�s Shanxi Province was transformed from a wild area, long believed by Daoists to be sacred, into an elaborate complex of Buddhist monasteries. In Building a Sacred Mountain, Wei-Cheng Lin traces the confluence of factors that produced this transformation and argues that monastic architecture, more than texts, icons, relics, or pilgrimages, was the key to Mount Wutai�s emergence as a sacred site. Departing from traditional architectural scholarship, Lin�s interdisciplinary approach goes beyond the analysis of forms and structures to show how the built environment can work in tandem with practices and discourses to provide a space for encountering the divine. For more information: http://arthistorypi.org/books/building-a-sacred-mountain
In this groundbreaking, interdisciplinary study Anne Anlin Cheng argues that we have to understand racial grief not only as the result of racism but also as a foundation for racial identity. The Melancholy of Race proposes that racial identification is itself already a melancholic act--a social category that is imaginatively supported through a dynamic of loss and compensation, by which the racial other is at once rejected and retained. Using psychoanalytic theories on mourning and melancholia as inroads into her subject, Cheng offers a closely observed and carefully reasoned account of the minority experience as expressed in works of art by, and about, Asian-Americans and African-Americans. She argues that the racial minority and dominant American culture both suffer from racial melancholia and that this insight is crucial to a productive reimagining of progressive politics. Her discussion ranges from "Flower Drum Song" to "M. Butterfly," Brown v. Board of Education to Anna Deavere Smith's "Twilight," and Invisible Man to The Woman Warrior, in the process demonstrating that racial melancholia permeates our fantasies of citizenship, assimilation, and social health. Her investigations reveal the common interests that social, legal, and literary histories of race have always shared with psychoanalysis, and situates Asian-American and African-American identities in relation to one another within the larger process of American racialization. A provocative look at a timely subject, this study is essential reading for anyone interested in race studies, critical theory, or psychoanalysis.
Divine State was deceased when Xie Fei came into being. He used iron and blood to sweep the world, unifying everything under the heavens. Iron hoof trampling, the strong man is still the same; the beauty is more charming, the romance is eternal.
The idea of eliminating undesirable traits from human temperament to create a "new man" has been part of moral and political thinking worldwide for millennia. During the Enlightenment, European philosophers sought to construct an ideological framework for reshaping human nature. But it was only among the communist regimes of the twentieth century that such ideas were actually put into practice on a nationwide scale. In this book Yinghong Cheng examines three culturally diverse sociopolitical experiments—the Soviet Union under Lenin and Stalin, China under Mao, and Cuba under Castro—in an attempt to better understand the origins and development of the "new man." The book’s fundamental concerns are how these communist revolutions strove to create a new, morally and psychologically superior, human being and how this task paralleled efforts to create a superior society. To these ends, it addresses a number of questions: What are the intellectual roots of the new man concept? How was this idealistic and utopian goal linked to specific political and economic programs? How do the policies of these particular regimes, based as they are on universal communist ideology, reflect national and cultural traditions? Cheng begins by exploring the origins of the idea of human perfectibility during the Enlightenment. His discussion moves to other European intellectual movements, and then to the creation of the Soviet Man, the first communist new man in world history. Subsequent chapters examine China’s experiment with human nature, starting with the nationalistic debate about a new national character at the turn of the twentieth century; and Cuban perceptions of the new man and his role in propelling the revolution from a nationalist, to a socialist, and finally a communist movement. The last chapter considers the global influence of the Soviet, Chinese, and Cuban experiments. Creating the "New Man" contributes greatly to our understanding of how three very different countries and their leaders carried out problematic and controversial visions and programs. It will be of special interest to students and scholars of world history and intellectual, social, and revolutionary history, and also development studies and philosophy.
Eleven-year-old Anna heads off to sixth grade, leaving the comfort and familiarity of elementary school behind and entering the larger, more complex world of middle school. Surrounded by classmates who have their roots all in America, Anna begins to feel out of place and wonders where she really belongs. When Anna takes a trip to China, she not only explores a new country and culture, but finds answers to her questions about whether she is more Chinese or more American. This young illustrated chapter book is the third in the series that includes The Year of the Book and The Year of the Baby. For grades 1-4.
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