A comprehensive selection of poems and essays spanning the career of one of China's most celebrated 20th-century poets."You can write poetry and then again you can't. It comes into this world of its own accord, not by the will of the poet."Gu Cheng Gu Cheng (1956-1993) is one of China's most celebrated contemporary poets. His early death ended a literary career that was influenced by the Cultural Revolution and that reawakened the lyricism of Chinese poets during the 1980s. Offering a unique blend of brooding imagism and political innuendo, Gu Cheng's poetry traces complex changes in the poet's lifefamilial, psychological, culturaland also radiates an innocence and a touching melancholy. His poetry began on the farms in Shandong province where his parents were exiled during the Cultural Revolution, and ended on a small island in New Zealand where he took up a Thoreau-like existence before his tragic suicide. His poem "One Generation" became emblematic for the generation coming of age in China in the '60s and '70s. Here for the first time is poetry based on the poet's own personal selections from his work, Sea Basket Blue. There are also prose works, including excerpts of Gu Cheng's novel Ying'er, plus a selection of his essays.
The Hidden Land" means that a large amount of land in the Ming dynasty (1368–1644) was "hidden" or unknown, since the land was managed by both the administrative and the military systems, and only the former was made public while the latter was being hidden due to confidentiality issues. This is one of the author’s creative findings as a result of his solid textual research and rigorous argumentation. Since the Ming state management system had a great impact on the land, the population, the taxes and corvée, the imperial examinations, the justice, the grass-roots organizations and the frontier ethnics during the 500 years from Ming to Qing (1636–1912), the views on the garrisons and guards (weisuo) in the military system are of great help to review the essential issues of the period, which were often misunderstood or neglected before. In addition, the author introduces the present situation, existing problems and basic historical materials in the Ming study which will be beneficial to the Ming researchers and enthusiasts.
Some people say that the person who knows you the best is not the person who sleeps next to you, but your enemy. Mo Bei, would you rather spend your life opposing me than be in my arms? Ji Mo Xun, you mistook me for someone else from the very beginning, and you've hurt me so much that I can never return ...]
Some people say that the person who knows you the best is not the person who sleeps next to you, but your enemy. Mo Bei, would you rather spend your life opposing me than be in my arms? Ji Mo Xun, you mistook me for someone else from the very beginning, and you've hurt me so much that I can never return ...]
Some people say that the person who knows you the best is not the person who sleeps next to you, but your enemy. Mo Bei, would you rather spend your life opposing me than be in my arms? Ji Mo Xun, you mistook me for someone else from the very beginning, and you've hurt me so much that I can never return ...]
Pah!" With a slap, she viciously slapped him in the face and angrily cursed, "Scum!""Scum?" Heh ... These two words are more suitable for you. " He tightly held her hand with a cold glint in his eyes.He was the richest man in A city, he was worth hundreds of billions of dollars, he was indifferent and restrained. This was the first time he was tricked by a "bad" woman, and the worst thing was, she actually dared to take the ball and run."Woman, do you dare not take responsibility after eating?" See you in five years. Her hands were tied to the steel pipe by his tie.Fear grew in her.What if he provoked a demon? "Waiting online is quite urgent.
Some people say that the person who knows you the best is not the person who sleeps next to you, but your enemy. Mo Bei, would you rather spend your life opposing me than be in my arms? Ji Mo Xun, you mistook me for someone else from the very beginning, and you've hurt me so much that I can never return ...]
The Second Sino-US Symposium Workshop on Recent Advancement of Computational Mechanics in Structural Engineering was held between May 25-28, 1998, in Dalian, China. The objectives were: to share the insights and experiences gained from recent developments in theory and practice; to assess the current state of knowledge in various topic areas of mechanics and computational methods and to identify joint research opportunities; to stimulate future cooperative research and to develop joint efforts in subjects of common needs and interests; to build and to strengthen the long-term bilateral scientific relationship between academic and professional practicing communities.Topics discussed covered the entire field of computational structural mechanics. These topics have advanced broad applications in the engineering practice of modern structural analysis, design and construction of buildings and other structures, and in natural hazard mitigation.
Shanghai in the 1920s and 1930s—"the Paris of the Orient"—was both a glittering metropolis and a shadowy world of crime and social injustice. It was also home to Huo Sang and Bao Lang, fictional Chinese counterparts to Arthur Conan Doyle’s Sherlock Holmes and Dr. Watson. The duo lived in a spacious apartment on Aiwen Road, where Huo Sang played the violin (badly) and smoked Golden Dragon cigarettes as he mulled over his cases. Cheng Xiaoqing (1893–1976), "The Grand Master" of twentieth-century Chinese detective fiction, had first encountered Conan Doyle’s highly popular stories as an adolescent. In the ensuing years he played a major role in rendering them first into classical and later into vernacular Chinese. In the late 1910s, Cheng began writing detective fiction very much in Conan Doyle’s style, with Bao as the Watson-like-I narrator—a still rare instance of so direct an appropriation from foreign fiction. Cheng Xiaoqing wrote detective stories to introduce the advantages of critical thinking to his readers, to encourage them to be skeptical and think deeply, because truth often lies beneath surface appearances. His attraction to the detective fiction genre can be traced to its reconciliation of the traditional and the modern. In "The Shoe," Huo Sang solves the case with careful reasoning, while "The Other Photograph" and "On the Huangpu" blend this reasoning with a sensationalism reminiscent of traditional Chinese fiction. "The Odd Tenant" and "The Examination Paper" also demonstrate the folly of first impressions. "At the Ball" and "Cat’s-Eye" feature the South-China Swallow, a master thief who, like other outlaws in traditional tales, steals only from the rich and powerful. "One Summer Night" clearly shows Cheng’s strategy of captivating his Chinese readers with recognizably native elements even as he espouses more globalized views of truth and justice.
A mysterious woman who shared the rent, one story after another buried deep in the earth, those stories of good and evil, all telling me that ghosts are far inferior to the inscrutable human heart.
Some people say that the person who knows you the best is not the person who sleeps next to you, but your enemy. Mo Bei, would you rather spend your life opposing me than be in my arms? Ji Mo Xun, you mistook me for someone else from the very beginning, and you've hurt me so much that I can never return ...]
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