Here are 24 favorite children's stories from China. Included are classics, such as Ma Liang and His Magic Brush, and some of the best modern tales, such as The Carps Who Leapt Over Dragon Gate. There are stories about kittens, horses, a panda and a golden monkey, birds, fish, and even a tale about how fruit trees learned to welcome spring and one about how a lazy cloud found its purpose in life. And, of course, there is a fine selection of some of the many fairy tales for which China is famous throughout the world, to say nothing about the stories of children, adults and animals who learn how to overcome major obstacles, how to help others, and how to cleverly solve seemingly impossible problems.
This volume examines the letters of Chen Duxiu written from 1937 up until his death in 1942. Best known as a revolutionary he was also a poet, writer, educator, and linguist, and modern China's boldest and most independent-minded thinker.
The Sino-Japanese War (1937 – 1945) was fought in the Asia-Pacific theatre between Imperial Japan and China, with the United States as the latter’s major military ally. An important line of investigation remains, questioning how the history of this war has been passed on to post-war generations’ consciousness, and how information sources, particularly those exposed to young people in their formative years, shape their knowledge and bias of the conflict as well as World War II more generally. This book is the first to focus on how the Sino-Japanese War has been represented in non-English and English sources for children and young adults. As a cross-cultural study and an interdisciplinary endeavour, it not only examines youth-orientated publications in China and the United States, but also draws upon popular culture, novelists’ memoirs, and family oral narratives to make comparisons between fiction and history, Chinese and American sources, and published materials and private memories of the war. Through quantitative narrative analysis, literary and visual analysis, and socio-political critique, it shows the dominant pattern of war stories, traces chronological changes over the seven decades from 1937 to 2007, and teases out the ways in which the history of the Sino-Japanese War has been constructed, censored, and utilized to serve shifting agendas. Providing a much needed examination of public memory, literary representation, and popular imagination of the Sino-Japanese War, this book will have huge interdisciplinary appeal, particularly for students and scholars of Asian history, literature, society and education.
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