Chelsea Woodard’s Vellum, a finalist for the 2013 Able Muse Book Award, propels the reader along new paths of discovery in the quotidian as in the mythical. Its scope is far-ranging: a flower press received as a gift in childhood, Tarot reading with a favorite aunt, unexpected reflections at a tattoo parlor, reminiscing about an old flame, the discovery of rare volumes at the local library, or auctioning off old toys on eBay. Woodward’s insights and sensibilities in the visual and performing arts are deftly realized in fine or broad strokes-as in “Coppélia,” “The Painter and the Color-blind,” “Degas’s Nudes,” or as in “Still Life,” which muses that “It’s difficult/ to give back life/ to what’s been cut off from the living.” Stories and scenes represented in popular artwork are reimagined in ekphrastics such as "Self Portrait as the Allegory of Painting." With excursions into the surreal, myth is made, lived or remade, as in “Philomela,” “Pegasus” and “The Feral Child.” This is an exquisite debut collection that rewards the mind and senses with its formal impetus and deft musicality, its precise and lively language, its emotional compass. PRAISE FOR VELLUM: In her stunning first collection, Vellum, Chelsea Woodard offers us poems whose lucidity of attention grounds an imaginative realism where narrative becomes speculation, witness becomes mystery, and the body a space where desire and dread complicate compassion’s summons to the social order. The honed music here thus reveals a deeper vulnerability. Such is its gift, the way in which poems might be rooted to the difficulty and heartbreak of the physical and yet apart, “their keel and gristle finally set/ into some deathless, disembodied flight.” An astonishing book. -Bruce Bond In addition to her emotional maturity, part of what makes these poems memorable is Woodard's obvious mastery of language, her flawless sentences, the surprising way those sentences function and "mean" within the lines, the lines within the forms. -Claudia Emerson (from the foreword) Not the least of the attractions of this gifted young poet's first book is the exquisite, searing precision of her language-the obsessively exact diction; the tropes that map with such stunning accuracy the emotional contours of her narratives; the gestural, almost tactile quality of her syntax-all of these talents focused sharply on what Howard Nemerov said was the singular, most difficult achievement of poetry: "getting something right in language." I predict for Chelsea Woodard a long and enviable career. -B.H. Fairchild
Chelsea Woodard’s Vellum, a finalist for the 2013 Able Muse Book Award, propels the reader along new paths of discovery in the quotidian as in the mythical. Its scope is far-ranging: a flower press received as a gift in childhood, Tarot reading with a favorite aunt, unexpected reflections at a tattoo parlor, reminiscing about an old flame, the discovery of rare volumes at the local library, or auctioning off old toys on eBay. Woodward’s insights and sensibilities in the visual and performing arts are deftly realized in fine or broad strokes-as in “Coppélia,” “The Painter and the Color-blind,” “Degas’s Nudes,” or as in “Still Life,” which muses that “It’s difficult/ to give back life/ to what’s been cut off from the living.” Stories and scenes represented in popular artwork are reimagined in ekphrastics such as "Self Portrait as the Allegory of Painting." With excursions into the surreal, myth is made, lived or remade, as in “Philomela,” “Pegasus” and “The Feral Child.” This is an exquisite debut collection that rewards the mind and senses with its formal impetus and deft musicality, its precise and lively language, its emotional compass. PRAISE FOR VELLUM: In her stunning first collection, Vellum, Chelsea Woodard offers us poems whose lucidity of attention grounds an imaginative realism where narrative becomes speculation, witness becomes mystery, and the body a space where desire and dread complicate compassion’s summons to the social order. The honed music here thus reveals a deeper vulnerability. Such is its gift, the way in which poems might be rooted to the difficulty and heartbreak of the physical and yet apart, “their keel and gristle finally set/ into some deathless, disembodied flight.” An astonishing book. -Bruce Bond In addition to her emotional maturity, part of what makes these poems memorable is Woodard's obvious mastery of language, her flawless sentences, the surprising way those sentences function and "mean" within the lines, the lines within the forms. -Claudia Emerson (from the foreword) Not the least of the attractions of this gifted young poet's first book is the exquisite, searing precision of her language-the obsessively exact diction; the tropes that map with such stunning accuracy the emotional contours of her narratives; the gestural, almost tactile quality of her syntax-all of these talents focused sharply on what Howard Nemerov said was the singular, most difficult achievement of poetry: "getting something right in language." I predict for Chelsea Woodard a long and enviable career. -B.H. Fairchild
Episode 5 « Une histoire magnifique, fascinante et bouleversante qui m’a captivée dès la première page. » - Jessica Sorenson , auteur « Avec My Favorite Mistake, Chelsea Cameron a trouvé pour ses héros le parfait rapport amour/haine. » - Publishers Weekly Une romance New Adult captivante dans l'univers des campus universitaires, pour les fans d'Anna Todd ou Elle Kennedy. Une erreur va changer sa vie pour le meilleur ou pour le pire. Taylor est furieuse. Comment l’université a-t-elle pu lui imposer de partager sa minuscule chambre d’étudiante avec un colocataire homme ? Et pas n’importe lequel : Hunter Zaccadelli. Un bad boy tatoué, terriblement sexy, qui joue de la guitare comme un dieu et qui ne perd pas une occasion de lui dire à quel point il a envie d’elle. Autrement dit, le genre de type trop beau et trop sûr de lui, à fuir comme la peste sous peine de tomber amoureuse et de souffrir atrocement. Elle n’a donc qu’une solution : tout faire pour qu’il déménage, avant qu’il soit trop tard... A propos de l'auteur : Chelsea M. Cameron est originaire du Maine. Passionnée de gâteaux (le red velvet !), obsédée de thé et végétarienne, elle a aussi été pom-pom girl et la plus mauvaise « gameuse » au monde. Quand elle n’écrit pas, elle aime regarder des publireportages, chanter dans sa voiture et jouer à attraper son chat, Sassenach. Elle est diplômée de journalisme, mais elle a rapidement abandonné cette carrière pour raconter la vie des personnages qui vivent dans sa tête. La plupart du temps, ces gens se révèlent aussi bizarres qu’elle...
Episode 4 « Une histoire magnifique, fascinante et bouleversante qui m’a captivée dès la première page. » - Jessica Sorenson , auteur « Avec My Favorite Mistake, Chelsea Cameron a trouvé pour ses héros le parfait rapport amour/haine. » - Publishers Weekly Une romance New Adult captivante dans l'univers des campus universitaires, pour les fans d'Anna Todd ou Elle Kennedy. Une erreur va changer sa vie pour le meilleur ou pour le pire. Taylor est furieuse. Comment l’université a-t-elle pu lui imposer de partager sa minuscule chambre d’étudiante avec un colocataire homme ? Et pas n’importe lequel : Hunter Zaccadelli. Un bad boy tatoué, terriblement sexy, qui joue de la guitare comme un dieu et qui ne perd pas une occasion de lui dire à quel point il a envie d’elle. Autrement dit, le genre de type trop beau et trop sûr de lui, à fuir comme la peste sous peine de tomber amoureuse et de souffrir atrocement. Elle n’a donc qu’une solution : tout faire pour qu’il déménage, avant qu’il soit trop tard... A propos de l'auteur : Chelsea M. Cameron est originaire du Maine. Passionnée de gâteaux (le red velvet !), obsédée de thé et végétarienne, elle a aussi été pom-pom girl et la plus mauvaise « gameuse » au monde. Quand elle n’écrit pas, elle aime regarder des publireportages, chanter dans sa voiture et jouer à attraper son chat, Sassenach. Elle est diplômée de journalisme, mais elle a rapidement abandonné cette carrière pour raconter la vie des personnages qui vivent dans sa tête. La plupart du temps, ces gens se révèlent aussi bizarres qu’elle...
This is the first volume of a graduate-level textbook series in the area of Algebraic Quantum Symmetry. The focus of this book series is on how one can do abstract algebra in the setting of monoidal categories. It is intended for readers who are familiar with abstract vector spaces, groups, rings, and ideals, and the author takes care in introducing categorical concepts from scratch. This book series on Symmetries of Algebras is intended to serve as learning books to newcomers to the area of research, and a carefully curated list of additional textbooks and articles are featured at the end of each chapter for further exploration. There are also numerous exercises throughout the series, with close to 200 exercises in Volume 1 alone. If you enjoy algebra, and are curious about how it fits into a broader context, this is for you.
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