2021 Outstanding Academic Title, Choice Magazine Turns to the written record to re-examine the building blocks of a nation Picking up where most historians conclude, Chelsea Stieber explores the critical internal challenge to Haiti’s post-independence sovereignty: a civil war between monarchy and republic. What transpired was a war of swords and of pens, waged in newspapers and periodicals, in literature, broadsheets, and fliers. In her analysis of Haitian writing that followed independence, Stieber composes a new literary history of Haiti, that challenges our interpretations of both freedom struggles and the postcolonial. By examining internal dissent during the revolution, Stieber reveals that the very concept of freedom was itself hotly contested in the public sphere, and it was this inherent tension that became the central battleground for the guerre de plume—the paper war—that vied to shape public sentiment and the very idea of Haiti. Stieber’s reading of post-independence Haitian writing reveals key insights into the nature of literature, its relation to freedom and politics, and how fraught and politically loaded the concepts of “literature” and “civilization” really are. The competing ideas of liberté, writing, and civilization at work within postcolonial Haiti have consequences for the way we think about Haiti’s role—as an idea and a discursive interlocutor—in the elaboration of black radicalism and black Atlantic, anticolonial, and decolonial thought. In so doing, Stieber reorders our previously homogeneous view of Haiti, teasing out warring conceptions of the new nation that continued to play out deep into the twentieth century.
2021 Outstanding Academic Title, Choice Magazine Turns to the written record to re-examine the building blocks of a nation Picking up where most historians conclude, Chelsea Stieber explores the critical internal challenge to Haiti’s post-independence sovereignty: a civil war between monarchy and republic. What transpired was a war of swords and of pens, waged in newspapers and periodicals, in literature, broadsheets, and fliers. In her analysis of Haitian writing that followed independence, Stieber composes a new literary history of Haiti, that challenges our interpretations of both freedom struggles and the postcolonial. By examining internal dissent during the revolution, Stieber reveals that the very concept of freedom was itself hotly contested in the public sphere, and it was this inherent tension that became the central battleground for the guerre de plume—the paper war—that vied to shape public sentiment and the very idea of Haiti. Stieber’s reading of post-independence Haitian writing reveals key insights into the nature of literature, its relation to freedom and politics, and how fraught and politically loaded the concepts of “literature” and “civilization” really are. The competing ideas of liberté, writing, and civilization at work within postcolonial Haiti have consequences for the way we think about Haiti’s role—as an idea and a discursive interlocutor—in the elaboration of black radicalism and black Atlantic, anticolonial, and decolonial thought. In so doing, Stieber reorders our previously homogeneous view of Haiti, teasing out warring conceptions of the new nation that continued to play out deep into the twentieth century.
Episode 4 « Une histoire magnifique, fascinante et bouleversante qui m’a captivée dès la première page. » - Jessica Sorenson , auteur « Avec My Favorite Mistake, Chelsea Cameron a trouvé pour ses héros le parfait rapport amour/haine. » - Publishers Weekly Une romance New Adult captivante dans l'univers des campus universitaires, pour les fans d'Anna Todd ou Elle Kennedy. Une erreur va changer sa vie pour le meilleur ou pour le pire. Taylor est furieuse. Comment l’université a-t-elle pu lui imposer de partager sa minuscule chambre d’étudiante avec un colocataire homme ? Et pas n’importe lequel : Hunter Zaccadelli. Un bad boy tatoué, terriblement sexy, qui joue de la guitare comme un dieu et qui ne perd pas une occasion de lui dire à quel point il a envie d’elle. Autrement dit, le genre de type trop beau et trop sûr de lui, à fuir comme la peste sous peine de tomber amoureuse et de souffrir atrocement. Elle n’a donc qu’une solution : tout faire pour qu’il déménage, avant qu’il soit trop tard... A propos de l'auteur : Chelsea M. Cameron est originaire du Maine. Passionnée de gâteaux (le red velvet !), obsédée de thé et végétarienne, elle a aussi été pom-pom girl et la plus mauvaise « gameuse » au monde. Quand elle n’écrit pas, elle aime regarder des publireportages, chanter dans sa voiture et jouer à attraper son chat, Sassenach. Elle est diplômée de journalisme, mais elle a rapidement abandonné cette carrière pour raconter la vie des personnages qui vivent dans sa tête. La plupart du temps, ces gens se révèlent aussi bizarres qu’elle...
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