Nothing can stand in the way of a good love story - not even the veil of time, as these travelers prove. So throw away your watch, your alarm clock, and your smartphone and enjoy the endless delight of star-crossed souls colliding: Immortal Flame: After a horrific accident, Peter Blackstone arrives in Allison La Croix's ER and heals himself before her eyes. Peter, an immortal, traded his soul to save his wife, and now he will hunt criminals forever. Can Allison find a way to unlock his forgotten, passionate soul? The Kindred: When it comes to being psychic, Janice Kelly is the best of the best. But she didn't foresee falling in love with Adrian while fleeing the anger of thwarted ghosts in a haunted house. The Amulet: In their first life, Jackson Hawthorne was forced to watch as his fiancée was tried, convicted, and hung. Can he stop history from repeating itself? Only Time Will Tell: Desperate and at wit's end, Susannah Walsh suddenly wakes in 1905 in Adrian Sinclair's bed. Adrian is not pleased with her strange ways and mad claims, but his young son is powerfully drawn to her. Can a woman with no future change her fate in the past? Cursed: Katia's plans to destroy a lab backfire when she wakes from the explosion to find herself more than a hundred years into the future. She can't trust Dr. Julius Freeman at her bedside, who harbors dark secrets, too. Yet they must face their demons together to save themselves and any chance at happiness. Sensuality Level: Sensual
Charmaine A. Nelson analyzes not only how, where, why and by whom black female subjects have been represented in Western art, but also what the social and cultural impacts of the colonial legacy of racialized western representation have been. She poses critical questions about the contexts of production, the problems of representation, the pathways of circulation and the consequences of consumption.
Alfred Fredrick John Knight was born in Yeovil to his mother Amelia and father George. When Alfred was three years old, George his father left Amelia telling her that he was taking their son Alfred with him. George took Alfred and in secret eloped with his lover to Wales. Alfred was later adopted and lived with his adopted family talking to the family about emigrating to Canada. He told his family that he wanted to stay in England and try and find his birth mother. He left home and went back to Yeovil, but there was no trace of his mother, he did manage to find his grandmother Mary, who was still alive. While looking for a job, he saw a sign which read, ‘YOUR COUNTRY NEEDS YOU!’ Alfred then decided that he wanted to become a soldier and join the British Army. After joining up with Prince Albert’s light infantry, the Somerset Light Infantry was sent out to India to fight the rebellion. Will Alfred ever find his birth mother?
Nineteenth-century neoclassical sculpture was a highly politicized international movement. Based in Rome, many expatriate American sculptors created works that represented black female subjects in compelling and problematic ways. Rejecting pigment as dangerous and sensual, adherence to white marble abandoned the racialization of the black body by skin color. In The Color of Stone, Charmaine A. Nelson brilliantly analyzes a key, but often neglected, aspect of neoclassical sculpture--color. Considering three major works--Hiram Powers's Greek Slave, William Wetmore Story's Cleopatra, and Edmonia Lewis's Death of Cleopatra--she explores the intersection of race, sex, and class to reveal the meanings each work holds in terms of colonial histories of visual representation as well as issues of artistic production, identity, and subjectivity. She also juxtaposes these sculptures with other types of art to scrutinize prevalent racial discourses and to examine how the black female subject was made visible in high art. By establishing the centrality of race within the discussion of neoclassical sculpture, Nelson provides a model for a black feminist art history that at once questions and destabilizes canonical texts. Charmaine A. Nelson is assistant professor of art history at McGill University.
This book is a practical guide for anyone involved with hiring in higher education. It is written for busy faculty, staff, and administrators who want to conduct more efficient, fair, and effective searches, but who don’t have time to investigate the large body of research on employment selection and communication or search through multiple sources to uncover recommendations established and proven through the years. This book is useful for campus leaders, search committee chairs, and committee members who want to increase their ability to accurately predict a candidate’s success at their institution.
Through a thoughtful, well-documented evaluation of our society and honest reflections by mothers today, this compelling and controversial book offers readers a challenge--to rediscover and preserve the biblically ordained, psychologically sound, and developmentally critical vision of motherhood that will better serve people in the 21st century.
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