William Noel Hodgson never intended to be a soldier; he wanted to write. The Great War made his reputation as a poet but it also killed him. This groundbreaking biography traces his path through the pre-war world and explores why he set his own hopes and plans aside to join the army. His story is personal but it evokes the experience of a generation.?A hundred years on, Hodgson is not only remembered for his poetry. He has become one of the best-known casualties of the first day of the Battle of the Somme, the most deadly day in British military history. His own unit, the 9th Battalion, The Devonshire Regiment, lost well over half the men who went over the top that morning and every officer but one: dead, wounded or missing, most in the first half-hour.?Before Action draws on Hodgson?s own writing and on the unpublished letters and diaries of his fellow officers to recreate the experiences of a 1914 volunteer battalion. Through their eyes we see everything from the lighter moments of soldiering to battle at its most violent: at Loos, where Hodgson won the Military Cross, and the opening day of the Somme offensive. The book offers an important new explanation of what happened to the 9th Devons that fateful morning. It uncovers the hidden meanings behind some of Hodgson?s most familiar poems, and its wider themes of family and friendship, war, grief and remembrance, are universal.
In the 19th and 20th centuries, the wealthiest and most fashionable families across the world wanted British women to run their nurseries and educate their children. This text is a detailed, fascinating, humorous and tragic account of the women who ran royal nurseries and educated kings' children.
William Noel Hodgson never intended to be a soldier; he wanted to write. The Great War made his reputation as a poet but it also killed him. This groundbreaking biography traces his path through the pre-war world and explores why he set his own hopes and plans aside to join the army. His story is personal but it evokes the experience of a generation.?A hundred years on, Hodgson is not only remembered for his poetry. He has become one of the best-known casualties of the first day of the Battle of the Somme, the most deadly day in British military history. His own unit, the 9th Battalion, The Devonshire Regiment, lost well over half the men who went over the top that morning and every officer but one: dead, wounded or missing, most in the first half-hour.?Before Action draws on Hodgson?s own writing and on the unpublished letters and diaries of his fellow officers to recreate the experiences of a 1914 volunteer battalion. Through their eyes we see everything from the lighter moments of soldiering to battle at its most violent: at Loos, where Hodgson won the Military Cross, and the opening day of the Somme offensive. The book offers an important new explanation of what happened to the 9th Devons that fateful morning. It uncovers the hidden meanings behind some of Hodgson?s most familiar poems, and its wider themes of family and friendship, war, grief and remembrance, are universal.
The Romanov dynasty ruled Russia for a little over three hundred years and their story, ending with their tragic deaths, has exerted a lasting fascination. This new book, an album of pictures gathered by the author over many years - the majority of which are unpublished - shows the extended Romanov family. There are formal portraits taken to celebrate comings of age, weddings or other family gatherings, but also pictures of the various members of the dynasty at their ease, or dressed up for formal banquets, balls or ceremonies of state. Children play or take rides in horse-carts, mothers tend their children, brothers and sisters walk in the gardens of the grand palaces in which they lived - Gatchina, Ilinskoie, the Alexander Palace. The photographs range from the 1860s, when Alexander II was Tsar, through the reigns of his son, and grandson to the 1930s, when remaining members of the dynasty could be found in the outposts of Europe. people's perception of the monarchy: for the first time ordinary people could see exactly what their monarch looked like, and they became aware of them as human beings - who were confident or shy before the camera, and whose children frowned, sulked or fidgeted. It was perhaps just such familiarity, rather than the deference of the subject, that contributed in part to their downfall
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