Hill puts the letters into biographical and historical context in an introductory essay that also explains their theoretical and historical importance. The edited and annotated letters then follow in chapters, each preceded by an introductory essay. The book concludes with a biographical sketch of the remaining thirty-five years of Gilman's life, together with an assessment of the letters' historical and biographical significance."--BOOK JACKET.
Charlotte Perkins Gilman’s provocative utopian novel Herland, first published in 1915, tells its story through the observations of three male explorers who discover a land inhabited solely by women; the women reproduce through parthenogenesis (asexual reproduction). Initially skeptical, the explorers come to realize that Herland has evolved into an ideal, cooperative, matriarchal society—fertile, peaceful, and clean—by selectively reproducing the women’s best attributes. As the explorers study Herland culture, they also rethink their own. This edition reproduces the text originally published in The Forerunner in 1915, including several passages omitted from other editions. Stories, poetry, and nonfiction writing by Gilman on topics such as birth control, capital punishment, and eugenics provide a rich context for the novel. Materials originally published alongside Herland in 1915, many of which have never before been republished, are also included, as is an excerpt from the sequel, With Her in Ourland.
A powerful collection of early feminist stories from the activist and writer Charlotte Perkins Gilman. Gilman created a world that could be viewed from the feminist gaze. She focused on how women were not just stay-at-home mothers they were expected to be but also people who had dreams, who were able to travel and work just as men did, and whose goals included a society where women were just as important as men. In the early 1900s this was striking and revolutionary. The stories in this collection are: 'A Coincidence'; 'According To Solomon', 'An Offender', 'A Middle-Sized Artist', 'Martha's Mother', 'Her Housekeeper', 'When I Was A Witch', 'Making a Living', 'A Coincidence, The Cottagette', 'The Boys and the Butter', 'My Astonishing Dodo', and 'A Word In Season'. Foundations of Feminist Fiction. The early 1900s saw a quiet revolution in literature dominated by male adventure heroes. Both men and women moved beyond the norms of the male gaze to write from a different gender perpective, sometimes with female protagonists, but also expressing the universal freedom to write on any subject whatsoever.
A collection of the groundbreaking feminist writer's most famous works, with a thought-provoking introduction by bestselling author Kate Bolick Wonderfully sardonic and slyly humorous, the writings of landmark American feminist and socialist thinker Charlotte Perkins Gilman were penned in response to her frustrations with the gender-based double standard that prevailed in America as the twentieth century began. Perhaps best known for her chilling depiction of a woman's mental breakdown in her unforgettable 1892 short story 'The Yellow Wall-Paper', Gilman also wrote Herland, a wry novel that imagines a peaceful, progressive country from which men have been absent for two thousand years. Both are included in this volume, along with a selection of Gilman's major short stories and her poems. New York Times bestselling author Kate Bolick contributes an illuminating introduction that explores Gilman's fascinating yet complicated life. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
A collection of the groundbreaking feminist writer's most famous works, with a thought-provoking introduction by bestselling author Kate Bolick. A Penguin Vitae Edition Wonderfully sardonic and slyly humorous, the writings of landmark American feminist and socialist thinker Charlotte Perkins Gilman were penned in response to her frustrations with the gender-based double standard that prevailed in America as the twentieth century began. Perhaps best known for her chilling depiction of a woman's mental breakdown in her unforgettable 1892 short story "The Yellow Wall-Paper," Gilman also wrote Herland, a wry novel that imagines a peaceful, progressive country from which men have been absent for 2,000 years. Both are included in The Yellow Wall-Paper and Selected Writings, along with a selection of Gilman's major short stories and her poems. New York Times bestselling author Kate Bolick contributes an illuminating introduction that explores Gilman's fascinating yet complicated life. Penguin Classics launches a new hardcover series with five American classics that are relevant and timeless in their power, and part of a dynamic and diverse landscape of classic fiction and nonfiction from almost seventy-five years of classics publishing. Penguin Vitae provides readers with beautifully designed classics that have shaped the course of their lives, and welcomes new readers to discover these literary gifts of personal inspiration, intellectual engagement, and creative originality.
Herland (1915) is a utopian novel by American author and feminist Charlotte Perkins Gilman. Herland was originally published in The Forerunner, a monthly magazine edited by Gilman, before going out of print for the next several decades. The novel was republished with an influential introduction by scholar Ann J. Lane in 1979 and has since been recognized as an important work of science fiction written by a leading feminist of the early twentieth century. A sociologist and his two friends embark on an expedition to discover a rumored land where a lost civilization of women lives apart from the rest of the world. They journey by plane and, upon landing, are quickly captured by a group of women. Taken to town, the men are held in a central fortress where they are treated well and encouraged to learn more about the women’s culture in order to assimilate. They are taught the history of the land, which has been without men for two thousand years, and learn that the women are able to reproduce asexually. Although they recognize the utopian qualities of the society and despite being impressed by the beauty and order of its structures, the men struggle to live without presupposed notions of gender and patriarchy. When an escape attempt goes awry, they are forced to abandon their prejudices, joining the society through marriage. When one of the group fails to respect their hosts’ ideals of gender equality, however, the men are forced to make a decision that could endanger the continued existence of the utopia. With a beautifully designed cover and professionally typeset manuscript, this edition of Charlotte Perkins Gilman’s Herland is a classic of American literature and science fiction reimagined for modern readers.
This book contains the complete novels and novellas of Charlotte Perkins Gilman in the chronological order of their original publication. -The Yellow Wallpaper -Women and Economics -What Diantha Did -The Man-Made World; or, Our Androcentric Culture -Herland -With Her in Ourland
This new edition of Women and Economics highlights the importance of Charlotte Perkins Gilman as a leading public intellectual of the Progressive Era. It contains Gilman’s most influential economic analysis, including her signature idea that the relationship between men and women is at core “sexuo-economic.” Gilman applies ideas and techniques from evolutionary science to the study of marriage and the family. Her highly original approach reveals that female dependency is not a natural but rather a cultivated phenomenon. Women and Economics proposes wide-reaching social and economic reforms that were radical at the time and, as numerous twenty-first-century feminist economists continue to argue, are yet to be achieved today. Related literary works by Gilman and historical documents allow readers to situate Gilman’s ideas in relation to larger debates concerning labour relations, the family, and women’s role in society.
This early work by Charlotte Perkins Gilman was originally published in 1935. It is the autobiography of the American sociologist, novelist and poet who is best remembered for her semi-autobiographical short story 'The Yellow Wallpaper'.
Collected fiction and essays by a pillar of the American feminist canon—with an introduction by Halle Butler, a National Book Award Foundation “5 Under 35” honoree and a Granta Best Young American Novelist Charlotte Perkins Gilman was a writer, editor, and journalist whose poems, articles, short stories, and novels had a single focus: equality for women. Although best known for “The Yellow Wall-Paper,” her spine-chilling takedown of the “rest cure” prescribed for postpartum depression, Gilman spent her life advocating for a woman’s right to an education, to creative self-expression and economic self-sufficiency, and an end to the consumerism that blinded women to the ways that society held them back. This collection brings together Gilman’s best-known work with her lesser-known satirical short stories to provide an overarching introduction to this relentless ideologue. The Modern Library Torchbearers series features women who wrote on their own terms, with boldness, creativity, and a spirit of resistance.
Human Work represents the first ground breaking analysis by noted feminist Charlotte Perkins Gilman on the equal importance of work in the lives of men and women. Gilman asserts that men created an economic dependence that has prevented women from success in the workplace. Introduced by noted scholars Michael Kimmel and Mary Moynihan, this is necessary reading for anyone interested in power and gender structures in the workplace.
Known primarily for her classic and haunting story "The Yellow Wallpaper," Charlotte Perkins Gilman was an enormously influential American feminist and sociologist. Her early-twentieth-century writings continue to inspire writers and activists today. This collection includes selections from both her fiction and nonfiction work. In addition to the title story, there are seven short stories collected here that combine humor, anger, and startling vision to suggest how women's "place" in society should be changed to benefit all. The nonfiction selections are from Gilman's The Man-Made World: Our Androcentric Culture and her masterpiece, Women And Economics, which was translated into seven languages and established her international reputation as a theorist. Also included in a delightful excerpt from Gilman's utopian novel, Herland, an acidly funny tale about three American male explorers who stumble into an all-female society and begin their odyssey by insisting, "This is a civilized country . . . there must be men." Gilman's analyses of economic and women's issues are as incisive and relevant today as they were upon their original publication. This volume is an unprecedented opportunity to rediscover a powerful American writer.
The first collection of lectures and sermons that Charlotte Perkins Gilman delivered in the first four years of her career The last decades have seen a resurgence of interest in Charlotte Perkins Gilman, now considered among the most important thinkers in US history. She is best known for fiction—such as the classic short story “The Yellow Wall-Paper” (1892)—and nonfiction, including her manifesto Women and Economics (1898), a work of intersectional sociology avant la lettre. Nevertheless, as a young writer, Gilman made her living delivering lectures. One cannot know Gilman without some knowledge of this body of lectures; this book fills that critical gap in Gilman scholarship. Since the recovery of Charlotte Perkins Gilman began in the late 1960s and continued with the republication of “The Yellow Wall-Paper” in the 1970s, her image in cultural memory has been increasingly celebrated. Andrew J. Ball presents here fifty previously unpublished texts. They trace the development of Gilman’s thoughts on diverse subjects like gender, education, labor, science, theology, and politics—forming an intellectual diary of her growth. These lectures are not just a testament to Gilman’s personal evolution, but also a crucial contribution to the foundations of American sociology and philosophy. The Essential Lectures of Charlotte Perkins Gilman, 1890–1894 marks a historic moment, unveiling the hidden genius of Gilman's oratory legacy.
This sourcebook combines extracts from contemporary documents and critical reviews, providing an introduction, a publishing and critical history, a chronology of key events, a guide to further reading and original pictures.
It’s as old as time: the breakup letter. The kiss-off. The Dear John. The big adios. Simple in its premise, stunningly perfect in its effect. From Anne Boleyn to Sex and the City writer/producer Cindy Chupack, from women both well-known and unknown, imaginary and real, the letters here span the centuries and the emotions—providing a stirring, utterly gratifying glimpse at the power, wit, and fury of a woman’s voice. In a never-before-published letter, Anaïs Nin gives her lover, C. L. Baldwin, a piece of her mind. Charlotte Brontë, in formal fashion, refuses the marriage proposal of Henry Nussey. In a previously unpublished letter, Sylvia Plath writes to her childhood friend and brief lover, Phillip McCurdy, expressing her wish to maintain a platonic relationship. And “Susie Q.” lets “Johnny Smack-O” know that she’s onto his philandering. The brilliance of the mad missives, caustic communiqués, downhearted dispatches, sweet send-offs, and every other sort of good-bye that fills these pages will surely resonate with anyone who has ever loved, lost, left, languished, or laughed a hearty last laugh.
Originally serialized in 1915 in The Forerunner, and never before published in book form, The Dress of Women presents Gilman's feminist sociological analysis of clothing in modern society. Gilman explores the social and functional basis for clothing, excavates the symbolic role of women's clothing in patriarchal societies, and, among other things, explicates the aesthetic and economic principles of socially responsible clothing design. The introduction, by Hill and Deegan, situates The Dress of Women within Gilman's intellectual work as a sociologist, and relates her sociological ideas to the themes she developed in some of her other works. Although written in 1915, Gilman's treatment of clothing and dress remains relevant. This pioneering effort adds substantially to Gilman's reputation as a sociological theorist and feminist. In addition, it represents one of the earliest full-length specifically sociological analyses of clothing and the fashion industry. Ultimately, the author concludes that harmful and degrading aspects of women's dress are amenable to reform if men and women will work together rationally to change the controlling institutional patterns of the society in which they live. This groundbreaking work will appeal to those interested in Gilman, feminist theory, sociological theory, social psychology, women's literature, and women's studies.
The Yellow Wallpaper and Herland, written by prominent feminist author Charlotte Perkins Stetson Gilman, offers a thought-provoking and compelling exploration of gender roles, mental health, and societal expectations in the late 19th and early 20th century. Both texts, although written nearly a decade apart, share a common theme of challenging traditional gender norms and advocating for female empowerment. In The Yellow Wallpaper, Gilman tells the story of a woman's descent into madness as she is confined to a room with yellow wallpaper by her controlling husband, who is also her physician. Through the protagonist's increasingly erratic thoughts and behaviors, the author highlights the damaging effects of the oppressive patriarchal society on women's mental health. Gilman also critiques the medical profession's treatment of women, particularly highlighting the lack of agency and autonomy female patients were given in their own care. Herland, on the other hand, presents a utopian society where women live in isolation and have evolved to reproduce through parthenogenesis, rendering men unnecessary. The story follows three male explorers who stumble upon this all-female society and are forced to confront their own preconceived notions of gender roles and superiority. Through this fictional society, Gilman challenges traditional gender roles and suggests that women are capable of thriving without men, challenging the male-dominated societal structure of the time. Gilman's writing in both books is characterized by her strong feminist beliefs and her ability to use fiction to present thought-provoking social commentary. She challenges the idea of women's inherent inferiority and advocates for their rights to autonomy, education, and independence. Her writing also sheds light on the damaging effects of patriarchal norms and expectations on women's mental health, a topic that was often ignored or dismissed in her time. The Yellow Wallpaper and Herland remain relevant and powerful texts in today's society, shedding light on the ongoing struggle for gender equality and the importance of empowering women. They continue to inspire feminist discourse and serve as a reminder of the progress that still needs to be made in achieving true gender equality. Overall, this collection of books is a must-read for anyone interested in feminist literature and the societal implications of gender roles. In this collection of stories, Dostoevsky showcases his remarkable ability to delve into the depths of the human experience. Through his rich character development, unflinching social commentary, and nuanced exploration of themes such as love, isolation, and the inherent contradictions within humanity, the author masterfully captures the essence of what it means to be human. These seven short stories are a testament to Dostoevsky's timeless brilliance and continue to enthrall readers with their piercing insights into the human condition.
Black Cat Weekly #22 features a change of pace fantasy story from Michael Bracken, who is best known for his mysteries and crime stories—selected by Cynthia Ward. It’s our featured story this issue. But that’s not to say the other science fiction and fantasy stories aren’t great, too! “Alien,” by Lester del Rey, is a different take on the crash-landed alien who wants to eat everyone around him. And I’m sure you’ll get a chuckle from Larry Tritten’s gonzo sendup of generic fantasy and science fiction quest stories, “The Lord of the Land Beyond (Book One).” (Hint: don’t look for a sequel.) Classics from Unknown by Malcolm Jameson and from Weird Tales by Manley Wade Welllman round out the section. Mystery readers, too, have a lot to explore. Charlotte Morganti leads off with “Deadly Drama,” selected by Michael Bracken—it begins with an accordion festival—rejoice if you like polkas!—but I don’t want to say too much. Read it yourself! Barb Goffman brings us “All Prayers Are Answered,” a powerful story by Eric Rutter of a homeless man whose friend is murdered. He is drawn into the investigation out of fear a young woman investigating the crime will come to harm—or unearth a terrible secret from his past. If you like your detectives hardboiled, Frank Kane returns with another Johnny Liddell mystery. Traditional mystery fans will enjoy a Madame Story novel from Hulbert Footner. And western and historical readers will enjoy a great pulp novel by Max Brand. And of course, where would we be without our solve-it-yourself mystery? Pit your wits against Hal Charles (the writing tream of Hal Blythe and Charlie Sweet) and see if you can solve “The Coin Flip” without reading the solution! Lastly, “The ‘Rexmel,” by Ralph Milne Farley, has an improbable invention, but it’s not really science fiction, even though it’s by a science fiction writer and appeared in a fantasy magazine. Maybe you could call it a pulp sea-story with shaggy dog elements? Here’s the complete lineup: Mysteries / Suspense / Adventure “Deadly Drama at the Accordion-o-Rama,” by Charlotte Morganti [short story] “A Coin Flip,” by Hal Charles [Solve-It-Yourself Mystery] “A Package for Mr. Big,” by Frank Kane [short novel] “All Prayers Are Answered,” by Eric Rutter [short story] The Death Notice by Hulbert Footner [novel] A Shower of Silver, by Max Brand [novel] “The ‘Rexmel’,” by Ralph Milne Farley [short story] Science Fiction & Fantasy “The Fishmonger’s Wife,” by Michael Bracken [Cynthia Ward Presents, short story] “The Lord of the Land Beyond (Book One),” by Larry Tritten [short story] “Alien,” by Lester del Rey [short story] “Doubled and Redoubled,” by Malcolm Jameson [short story] “Old Dhoh,” by Manly Wade Wellman [short story]
Charlotte Perkins Gilman (1860-1935) is best known as the author of the short story The Yellow Wallpaper and a utopian novel, Herland. This reader offers a representative sample of her nonfiction writing. Presented chronologically, it emphasizes her thoughts on gender, evolution, economics, radical political movements, and women's groups.
Her highly acclaimed first edition of verse, In This Our World (1893), earned her instant celebrity and was followed by such groundbreaking works as Women and Economics (1898) and The Home (1903). At the time of her death, Gilman was in the process of preparing a second volume of her poetry for publication. Although she grew increasingly weak during the final stages of her three-year battle with breast cancer, Gilman's resolve to see her second book of poetry in print never diminished.
What a treat to have another Gilman novel--until now largely ignored--available. We are indebted to Duke University Press for publishing it as a separate piece and to Dana Seitler for her provocative and stimulating introduction. "The Crux" is in many ways a period piece embodying what today seems outmoded and sometimes outrageous views. Oddly, these same views are also startlingly and wickedly relevant today."--Ann J. Lane, author of "To Herland and Beyond: The Life and Work of Charlotte Perkins Gilman
A Canadian Mountie investigates a murder among musicians in this mystery by the Edgar Award–nominated author of the Peter Shandy series. Although he is a decorated officer of the Mounted Police, Madoc Rhys’s tin ear has long been an embarrassment to his musically fixated family. But when his father’s orchestra needs a policeman, the Mountie gets a chance to make daddy proud. It began as pranks among the brass instruments, but something is rotten inside the Wagstaffe Symphony, and is about to graduate to something criminal. Called in to look into the tensions within the group, Madoc arrives just in time to see the French horn player keel over. The death appears natural, and the orchestra boards the plane to its next engagement. But when a storm forces them to make an emergency landing and take shelter in an eerie old lodge, the extent of the danger becomes clear. Madoc may never understand music, but he has a good ear for murder, and is about to show off his chops.
First serialized in 1914, Social Ethics attempts to convince readers that individualist ethics have failed to make the world a safe place for children, and that we cannot progress to a fully social ethics unless we understand the morality of collective action from a specifically sociological point of view. Gilman argues that in order to be fully progressive, ethics must shift from its traditional focus on individual behaviors to the structure, morality, and outcomes of social or group actions. The social ills she addresses in her attempt to advocate for a reexamination of our ethics include topics still relevant today: militarism, waste, religious intolerance, conspicuous consumption, greed, graft, environmental degradation, preventable diseases, and patriarchal oppression in its numerous manifestations. Hill and Deegan's purpose in recovering this forcefully argued book from obscurity is to show not only that Gilman's central arguments remain largely valid and cogent today, but also that Gilman is a major and substantive contributor to the shape and importance of sociology in its formative years. Traditional ethics, Gilman argues, fail to resolve the enduring problems facing society because our received ethical systems are invariably and mistakenly founded on individualist rather than social logics. The shape of our collective future, if it is to be progressive and morally responsible, depends fundamentally on adopting a sociological perspective, and our guiding principle must be to make the world a safe and nurturing place for babies and children. Anything less, in Gilman's view, is morally degenerate. In their carefully considered introduction, Hill and Deegan locate Gilman's personal and professional sociological identity within a network of influential and collegial sociologists, and relate Social Ethics to Gilman's interests in evolutionary thought, Fabian economics, feminist pragmatism, and the cognate work of Thorstein Veblen. The publication of Social Ethics in book form recovers an important theoretical treatise for a new generation of students, scholars, and fans of Gilman's Herland/Ourland saga.
Harlequin Medical Romance brings you a collection of three new titles, available now! Enjoy these stories packed with pulse-racing romance and heart-racing medical drama. This Harlequin Medical Romance box set includes: RESISTING THE SINGLE DAD by Scarlet Wilson Cordelia Greenway usually avoids reminders of the family she’ll never have, but devoted dad Dr. Gene Du Bois is weakening all her defenses… REUNITED BY THEIR SECRET SON by Louisa George Single mom Sophie can never forget her sizzling encounter with gorgeous stranger Finn—and now she’s come face-to-face with him again! A BRIDE TO REDEEM HIM by Charlotte Hawkes If he’s to redeem himself, world-renowned surgeon and playboy Louis Delaroche only has one choice— make Alex Vardy his bride! Join HarlequinMyRewards.com to earn FREE books and more. Earn points for all your Harlequin purchases from wherever you shop.
At the turn of the twentieth century, Charlotte Perkins Gilman was a celebrity—acclaimed as a leader in the feminist movement and castigated for her divorce, her relinquishment of custody of her daughter, and her unconventional second marriage. She was also widely read, with stories in popular magazines and with dozens of books in print. Her most famous short story, the intensely personal “The Yellow Wallpaper,” was read as a horror story when first published in 1892 and then lapsed into obscurity before being rediscovered and reinterpreted by feminist scholars in the 1970s. Noted anthologist Barbara Solomon has put together a remarkable collection of Gilman’s fiction, which includes twenty short stories and the complete text of Herland, the landmark utopian novel that remained unavailable for more than sixty years. From “The Unexpected,” printed in Kate Field’s Washington in 1890, to such later tales as “Mrs. Elder’s Idea,” published in Gilman’s own periodical, The Forerunner, readers can again encounter this witty, original, and audacious woman who dared to challenge the status quo and who created fiction that continues to be fresh and timeless. Edited and with an Introduction by Barbara H. Solomon
Women and Economics - A Study of the Economic Relation between Men and Women as a Factor in Social Evolution is a book written by Charlotte Perkins Gilman and published in 1898. It is considered by many to be her single greatest work, and as with much of Gilman's writing, the book touched a few dominant themes: the transformation of marriage, the family, and the home, with her central argument: "the economic independence and specialization of women as essential to the improvement of marriage, motherhood, domestic industry, and racial improvement." The 1890s were a period of intense political debate and economic challenges, with the Women's Movement seeking the vote and other reforms. Women were "entering the work force in swelling numbers, seeking new opportunities, and shaping new definitions of themselves." It was near the end of this tumultuous decade that Gilman's very popular book emerged.
Charlotte Perkins Gilman (1860-1935) penned this sardonic remark in her autobiography, encapsulating a lifetime of frustration with the gender-based double standard that prevailed in turn-of-the-century America. With her slyly humorous novel, Herland (1915), she created a fictional utopia where not only is face powder obsolete, but an all-female population has created a peaceful, progressive, environmentally-conscious country from which men have been absent for two thousand years. Gilman was enormously prolific, publishing five hundred poems, two hundred short stories, hundreds of essays, eight novels, and seven years' worth of her monthly magazine, The Forerunner. She emerged as one of the key figures in the women's movement of her day, advocating equality of the sexes, the right of women to work, and socialized child care, among other issues. Today Gilman is perhaps best known for the chilling depiction of a woman's mental breakdown in her unforgettable short story, "The Yellow Wall-Paper". This Penguin Twentieth-Century Classics edition includes both this landmark work and Herland, together with a selection of Gilman's major short stories and her poems.
A critical edition of Gilman's turn-of-the-century feminist novel presents both manuscript and magazine versions, critically edited, and printed in parallel.
Two novels by an early feminist, first serialized in 1912 and 1913 in the Forerunner. In "Mag-Marjorie", a seduced and abandoned young girl is rescued from ruin by an older woman. In "Won Over" a sheltered housewife rediscovers her love of writing and achieves emotional independence. 1913.
This carefully edited collection has been designed and formatted to the highest digital standards and adjusted for readability on all devices. Charlotte Perkins Gilman (1860-1935) was a prominent American feminist, sociologist, novelist, writer of short stories, poetry, and nonfiction, and a lecturer for social reform. Table of Contents: The Yellow Wallpaper Why I wrote the Yellow Wallpaper (1913) What Diantha Did The Crux Moving the Mountain Herland With Her in Ourland Three Thanksgivings According To Solomon Her Housekeeper A Middle-Sized Artist When I Was A Witch A Coincidence The Cottagette Mr. Robert Grey Sr. The Boys And The Butter My Astonishing Dodo A Word In Season Turned The Giant Wistaria Essays and Sketches: The Man -Made World; Or, Our Androcentric Culture The Home: Its Works and Influence Concerning Children Women and Economics A Small God And A Large Goddess Introducing The World, The Flash, and The Devil Where The Heart Is Why We Honestly Fear Socialism The Poor Relation Reasonable Resolutions Private Morality and Public Immorality The Humanness of Women The Barrel Kitchen-Mindedness Parlor-Mindedness Nursery-Mindedness Naughty A Village of Fools Believing and Knowing The House of Apples Ten Suggestions Genius, Domestic and Maternal A Man in Prison A Woman in Prison Improved Methods of Habit Culture Only an Hour Wholesale Hypnotism The Kitchen Fly Her Pets What Virtues Are Made Of Animals in Cities While The King Slept The Beauty Women Have Lost Is It Wrong To Take Life? The World and The Three Artists Woman and The State Why Texts? Women Teachers, Married and Unmarried Christmas Love Our Overworked Instincts The Permanent Child The New Motherhood How We Waste Three-Fourths of Our Money The Nun in The Kitchen Poems: Then This Arrears How Doth The Hat Thanksgiving Thanksong Love Steps Child Labor His Crutches Get Your Work Done A Central Sun, a song Locked Inside Here is the Earth
Charlotte Perkins Gilman (1860-1935) was a pioneering sociologist, feminist pragmatist, author, and lecturer. A skilled and perceptive writer, she explained sociological concepts and principles clearly and concisely to popular audiences. This volume presents a focused and provocative set of Gilman's penetrating analyses of marriage, motherhood, and family relationships. Generally unavailable, except in archives and special libraries, the lion's share of the analyses are drawn directly from Gilman's quintessentially unique self-published journal, The Forerunner. Transcending her era, Gilman speaks with wit, insight, and candor to twenty-first century readers about many controversial aspects of family and family life. She believes deeply that women's values-regeneration, cooperation, and compassion-make for better societies. Men's values, she concludes, are destructive, competitive, and often violent. Families produce double standards and inequalities between husbands and wives, resulting in inferior mothers and, as a direct consequence, in substandard children. To improve society, Gilman argues, we need healthy, happy children. This requires well-trained, competent mothers, widespread social parenting, and enlightened, non-patriarchal marriages. Largely self-taught, Gilman supported herself through writing and lecturing. She was at one time a settlement house leader and an active member of the American Sociological Society. Her wide sociological circle included lasting friendships with Jane Addams, Edward A. Ross, and Lester F. Ward.
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